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534297 Los(e)/Seite
Los 63
Bachmann Branchline OO Locomotives - 31-552 V2 '60964' "Durham Light Infantry" in BR Green, 31-554 V2 '60903' Double Chimney in BR Green, 31-301 Manor Class "Dinmore Manor" 7820, 31-403 Lord Nelson '30861' "Lord Anson" in BR Green. Conditions: Generally Excellent to Excellent Plus in Excellent Boxes.
Los 333
Dapol & Graham Farish N Gauge. Mixed group of wagons. To include Dapol NB-027 "United Dairies" 6 wheel tank, Graham Farish 377-326 Conflat with AF container BR light blue, 377-826 Presflo 20T Bulk Powder "Crown Cement", plus others. Conditions: Excellent to Mint in Good to Excellent rigid plastic cases + outer sleeves & boxes. (24)
Los 1054
A Pair of Royal Worcester Porcelain Cabinet Plates, painted by J. Birbeck (Sen) with 'American Golden Plover' and 'Red Grouse', retailed by Richard Briggs, Co, Boston, puce marks, 23cm diameter and a circular Royal Worcester dish painted by E. Spilsbury, signed, with pink roses, puce marks, 23cm diameter. (3)No chips, cracks or crazing, some dirt on plates (rubs off), light wear to gilt.
Los 1079
A Royal Worcester Porcelain Cabinet Plate, painted by Robert Sebright, signed, with ripening fruit against a mossy woodland bank within a dark blue and gilt border, puce mark, date code for 1930, 23cm diameter.dirt it all rubs off, very light crazing to back edge, one small area of paint chip
Los 1075
A German Early XX Century Porcelain Cabaret Set, the dark blue grounds decorated in panels with harbour and other scenes, all within gilt borders, comprising: shaped oval tray, coffee pot and cover, sucrier and cover, milk jug and two cups and saucers. (A/f)Teapot lid with chip to underside rim, light rub to gilt throughout, both lids with flowers with small chips, sucrier lid restored, milk jug with handle repaired, tray is restored throughout, also impressed 'Meissen', gilt rubbed, cup and saucer marked with a crowned D.
Los 1064
A Doulton Lambeth Stoneware Circular Salad Bowl, designed by Hannah Barlow, signed in monogram, with silver plated rim, incised with a band of a boy amongst horses within scrolling and beadwork borders, impressed marks, 20cm diameter.some small cracks to rim and one part that appears dented, very light crack to side, one small chip to decoration.
Los 1011
A Pair of Georgian Glass Decanters and Stoppers, the part fluted bodies with cut bands, the necks with two ring bands, 21cm high and a silver topped cut glass dressing table jar, hallmarked for Birmingham 1901, 7cm high. (5)Size approximately 17.5cm high without stopper and approximately 27cm diameter, stoppers both flush and appear to be original. Decanters both with light surface scratches to base, stoppers with chip the other with crack and imperfection within glass. Jar appears in good condition.
Los 1336
An Anglo India Carved Hardwood Camel Table, circa 1900, the top and base of octagonal form and carved with leaves and flowers, 66cm high.Top with some light staining, One tassel with glue repair, base with some wear and small areas of loss, head detaches, screw off top with marks to underside.Approx. 73cm high to top of camel head, table top 49cm wide.
Los 1039
Four Early XIX Century Porcelain Cream Jugs, each with floral painted decoration, 9-11cm high and a Continental porcelain plate bearing pseudo Rockingham marks. (5)One jug with large pink flower decoration with crazing and small chip to base rim, jug with wavy rim, with rub to gilt, other with very light crazing.
Los 1052
A Royal Doulton Stoneware Jardiniére, designed by Ethel Beard and Francis C. Pope, signed in monogram, with an Art Nouveau design of white roses and stylised foliage within a blue ground, 19.5cm high; A Royal Worcester 'Kingfisher' Spill Vase, printed marks, C.W. 240, date code for 1925. (2)Bird with light crazing, no chips or cracks.
Los 544
Beckett (Samuel). How It Is, translated from the French by the author, 1st edition, London: John Calder, 1964, slight offsetting to endpapers, original cloth (small indentation at foot of spine and head of lower cover), dust jacket designed by John Sewell, light toning to spine and upper margin of rear cover, 8voQTY: (1)NOTE:Signed by the author to title.
Los 681
Nabokov (Vladimir). Lolita, 2 parts in one, 1st one-volume edition, Printed in Israel for Olympia Press, Paris by Steimatzky's Agency, [1958], one or two light spots, previous owner inscription, 1961 to front endpaper, some toning to endpapers, original navy boards, spine lettered in gilt (small stain to rear cover), repaired dust jacket, title to spine toned, 8voQTY: (1)NOTE:Approximately 1000 copies were issued of this one-volume hardback edition, some having a number stamp to the dust jacket flaps (this copy not numbered) and the first English-language edition after the original two-volume wrapper-bound first edition published by the Olympia Press in Paris in 1955. The book was not published in the US or UK until 1959.
Los 565
Doyle (A. Conan). The Memoirs of Sherlock Holmes, 1st edition, London: George Newnes, 1894, illustrations by Sidney Paget, occasional minor spotting, contemporary presentation inscription to half-title, hinges a little tender, all edges gilt, original cloth gilt, spine ends rubbed with gilt blocking a little dulled, small marks to upper cover, some light edge wear, 8voQTY: (1)NOTE:Green & Gibson A14a.
Los 711
Rowling (J. K.) The Casual Vacancy, 1st edition, London: Little, Brown, 2008, original cloth, dust jacket (light partial fading to spine), 8vo, signed to title by the author, with hologram sticker to half-title verso, together with The Tales of Beedle the Bard, collector's edition, London: Children's High Level Group, 2008, original brown rexine with metal clasp end embossed metal decorations to upper cover, contained in a red velvet drawstring bag, a set if 10 prints contained in envelope in pocket, the whole contained in original decorative box, upper joint and edges rubbed, 4toQTY: (2)
![[Plath, Sylvia]. The Bell Jar, by Victoria Lucas, 1st edition, London: Heinemann, 1963, a few small minor stains, small ink b](https://cdn.globalauctionplatform.com/880c603e-95bc-448f-9157-b23500e385eb/9490fa90-47e5-429a-89a2-b237010eb08c/468x382.jpg)
Los 699
[Plath, Sylvia]. The Bell Jar, by Victoria Lucas, 1st edition, London: Heinemann, 1963, a few small minor stains, small ink bookseller annotations to head and foot of front endpaper, Kingstons Ltd, Rhodesia bookseller ticket to front pastedown, original black cloth, spine lettered in gilt, light vertical crease mark, 8voQTY: (1)NOTE:Tabor A4a. 1. Sylvia Plath's only novel, written under the pseudonym 'Victoria Lucas'. 2000 copies were printed.
Los 543
Beckett (Samuel). En attendant Godot, 1st trade edition, Paris: Les Editions de Minuit, 1952, slight toning to textblock (as often), original wrappers, printed in black and blue, light vertical crease to upper wrapper, 8vo QTY: (1)NOTE:A fine copy. One of approximately 2500 copies of the first edition, preceded only by the limited edition of 35 large paper copies. The first English language edition was published by the Grove Press in New York in 1954.
Los 769
Zola (Emile). The "Assommoir" (the prelude to "Nana"), A Realistic Novel, illustrated with Sixteen Page Engravings, from designs by Bellenger, Clairin, André Gill, Leloir, Rose, and Vierge, 1st English edition, London: Vizetelly & Co., 1884, frontispiece and additional pictorial title, and other full-page plates, all printed in brown and light yellow, 16-page publisher's catalogue at rear, dated July 1884, minor spotting to front and rear endpapers, patterned green endpapers, rough-trimmed, together withNana: A Realistic Novel, illustrated with Sixteen Page Engravings, from designs by Bellenger, Clairin, and André Gill, 1st English edition, London: Vizetelly & Co., 1884, advertisement leaf, half-title, tinted frontispiece and additional title, and 14 tinted plates printed in rust-red, single-page publisher's advertisement leaf at rear, patterned light brown endpapers (old ink ownership signature 'Matthews' to verso of front endpaper), rough-trimmed, both original publisher's light brown cloth, printed paper label to spine of each, lightly rubbed and some minor marks, labels with some soiling, 8vo QTY: (2)NOTE:Sadleir, XIX Century Fiction, 3374 & 3375 respectively for the same editions by Vizetelly (in different bindings). Sadleir 3374 calls for bright blue-on-white flowered endpapers.The publisher Henry Richard Vizetelly established his publishing house in 1880 in London, publishing translations of contemporary French and Russian authors. In 1888, he was prosecuted for obscene libel for publishing the translation of Zola's La Terre, for which he was fined £100. After continuing to publish Zola in 1889, he was fined £200 and sentenced to three months in jail. A relentless picture of drunken poverty, Zola's L'Assommoir was denounced by contemporary French readers as a libel on the working classes. It was, however, the book that made Zola famous, and has come to be recognized as one of the outstanding achievements of his cycle of naturalistic novels, the Rougon-Macquart. Nana, the ninth novel in the Rougon Macquart cycle, charts the rise and fall of a French courtesan and those who surround her. Vizetelly's translation, 'without abridgment' as the title claims, includes an anonymous 7-page prefatory note on the author (one of the earliest accounts of the novelist in English), followed by a 2-page appreciation by Henry James.
Los 647
Lake (Michael). King Penguins. A Survey of the Series, Exeter: Short Run Press for the Penguin Collectors Society, 2014, colour illustrations, original boards, 8vo, (one of 700 copies), with a presentation inscription from the author to bookseller Julian Nangle, together with Feinstein (Elaine). The Amberstone Exit, 1st edition, London: Hutchinson, 1972, light partial offsetting from flaps to endpapers, original cloth, dust jacket, 8vo, inscribed by the author, plus Motion (Andrew). The Customs House, 1st edition, London: Faber and Faber, 2012, original cloth, dust jacket, 8vo, inscribed by the poet, together with others, poetry related etc., including Das Himmelreimende Kind/The Sky-Rhyming Child, by R. S. Thomas, Fuchstal: Babel, 2013, limited signed edition 17/60, with a signed etching by Vroni Schwegler, numbered 6/30, The Barrow in Newport Court, a memoir of the rare book trade, by Anthony Sillem, 1st edition, 2001, Obsessions and Confessions of a Book Life, by Colin Franklin, 1st edition, 2012, and Untitled. the Real Wallis Simpson Duchess of Windsor, by Anna Pasternak, 2019, all inscribed by the authors QTY: (45)
Los 342
Bewick (John, illustrator). The Entertaining History of Little Goody Goosecap, containing a Variety of Adventures Calculated to Amuse and Instruct. by Toby Teach'em..., York: T. Wilson, 1801, frontispiece, numerous woodcut illustrations to text, near-contemporary annotation of verso of title and verso of advertisement leaf, near contemporary ownership inscription to verso of frontispiece and front pastedown, some light spotting and dust-soiling, sewing showing, contemporary Dutch floral boards with later marbled paper spine, crudely re-stitched, rubbed and worn, 12mo (11.5 x 8cm), together with:Bewick (John, attributed illustrator). The Life and Perambulation of A Mouse by M. P., 2 volumes, London: Baldwin, Cradock & Joy, 1819, half-title to volume 1 only, numerous woodcut illustrations to text, publisher's advertisements at end of volume 2, light spotting and damp-soiling, contemporary blue paper wrapper with printed title labels to upper covers, rubbed and worn with areas of loss to spines, 12mo, (14.5 x 9.5 cm) QTY: (3)NOTE:Osborne p. 273 for the second work.
Los 344
Carter (Elizabeth). Select Poems, designed for the Improvement of Young Ladies..., by Miss Carter and Others, Waterford: Printed by Hugh and James Ramsey, Booksellers, on the Quay, 1772, 90 pp., light spotting and toning to some leaves, D1 with tear to margin not affecting printed text, 1 leaf (only) of advertisements to verso, faint juvenile drawings to pastedowns, contemporary full sheep, small areas of loss to spine and corners, small circular repair to upper cover, small oblong 8vo (8.5 x 10 cm), together with: Manuscript. The True Story, Web Spinner, [Howitt, Mary], mid to late 19th-century, calligraphic title, 6 pages of manuscript text and 7 full-page pen, ink and watercolour drawings with manuscript captions, 2-page letter to A. M. Goodrick? from the creator of the manuscript with their initial 'M' tipped-in to rear pastedown, original blue paper wrappers, somewhat rubbed and worn, 8vo (18.5 x 11.5 cm), Cowper (William). Retirement. London: Wright and Albright, 1840, contemporary wrappers with title label to upper cover, rubbed and worn, oblong 24mo (7 x 9 cm), Fenelon (Francois De Salignac De La Mothe). Little Tales by Fenelon, 5th edition, 4 volumes, Guben: F. Fechner, and London: A. & Joseph Myers & Co., circa 1855, blind-stamps to titles, 8 hand-coloured lithograph plates, publisher's patterned silk-covered boards with embossed centrepieces, the whole contained within original decorative box with embossed 'The Lilliputian Library' to lid, soiled and worn with loss of some letters, plus 20 other 19th-century juvenalia, mostly defective, including 3 miniature volumes. QTY: (24)
Los 375
* Playing cards. Mesmaekers Freres, Turnhout, Belgium, late 19th century, 20 sample packs of Great Mogul playing cards, each comprising 12 court cards only (French suits), colour lithographed single-figure, no indices, square corners, many with stencilled number to upper corner, 3 packs with additional ace of spades: one stating 'Manufactured in Belgium', the other two 'Manufactured abroad for Champneys & Co., London', various patterned versos, original decorative wrappers printed in gold & colour, 16 with large outer decorative wrapper, most with manufacturer's decorative paper sealing label, all complete, some toning (variable quality cardstock), scarce light spotting, wrappers with occasional toning or marks (generally minor), few small tears, with another Mesmaekers Freres sample pack no. 5022, double-ended French pattern-type courts, each with maker's name, also aces of spades and clubs, original wrapper (toned and slightly spotted, some small losses and tears to folds), with manufacturer's sealing label, together with: English pattern miniature pack, unknown maker, early 19th century, 48 (of 52, without AS, 5 & 7H, the 10H added from a similar deck) stencil coloured wood engraved playing cards (French suits), single-figure courts of early design (JC with full arrow, KC with imperial orb surmounted by cross), all on laid paper, with additional Swan card, featuring an uncoloured engraved swan on water, some faint toning, 7C with near contemporary ink manuscript ownership inscription on verso ‘Elizabeth Jones who is now Mrs Marklove, Berkeley’ (with associated early ink staining on recto), no indices, square corners, plain white versos, each card 28 x 21 mm, AS and 5 & 7H added as modern hand-drawn copies, plus: Antoine van Genechten, Turnhout, Belgium, late 19th century, nine sample packs of Great Mogul Superior Cards, each comprising 12 court cards only (French suits), six packs lithographed with stencil colouring, each with stencilled number to one corner or top edge, one pack single-figured, the rest double-ended, no indices, square corners, various patterned versos, the other 3 packs colour lithographed, double-ended, no indices, rounded corners, 2 with patterned versos, one with dark blue floral posy on blue, original wrappers (some tears and generally small losses), printed in gold & colour, with another 20 decks (most complete) including: two French Gatteaux pattern, one 1816-1829, the other circa 1830; a matching pair of commemorative World War I decks, Brepols, 1919; Goodall pack, 1920s, in unopened Type W3 tax wrapper, card versos with motorcycle and sidecar, and others, plus 20 card games (not checked for completeness), including: The Amusing Game of Golliwog (De la Rue, circa 1902), Abrégé de l'Histoire des Empereurs (Renouard, 1809), Shuffled Symphonies (Disney), Household Words (John H. Pray & Sons of Boston), Hallo! Funny Face (1908, a game of making faces from various facial parts), many with original box (often defective), plus some playing card-related ephemera: [Diderot & D'Alembert], 5 (of 6, without plate 4) engraved plates relating to cardmaking, taken from The Grande Encyclopedie, ou Dictionnaire Raisonne des Sciences, des Arts et des Metiers; a Valentine's card, by Raphael Tuck, with a WW2 soldier as the King of Hearts; 2 tax wrappers, Great Mogul by Josh. Hunt & Sons, and For Freedom by Chas. Goodall & Son (both defective); and a 4 pp. ink manuscript document 'The Patiences', circa 1870-1880 (detached along folds)QTY: (78)
Los 467
Thomson (Hugh, illustrator). Quality Street. A Comedy in Four Acts, by J. M. Barrie, London: Hodder and Stoughton, circa 1913, tipped-in colour illustrations, a little light spotting, original decorative cloth gilt, spine ends rubbed, small stain to rear cover, 4to, together with The Admirable Crighton, by J. M. Barrie, London: Hodder and Stoughton, circa 1913, tipped-in colour illustrations by Hugh Thomson, a little light spotting, endpapers toned, original cloth gilt, spine a little faded, 4to, with 4 others illustrated by Thomson: She Stoops to Conqueror, by Oliver Goldsmith circa 1910, Our Village, by Mary Russell Mitford, 1910, the Merry Wives of Windsor, by William Shakespeare, 1910 (rebacked), and The School for Scandal, by Richard Brinsley Sheridan, circa 1911QTY: (6)
Los 369
* Grimaud (B.P.). Jeu Louis XV, No.1502, Paris, circa 1895, a pair of unopened decks of 52 chromolithographic playing cards (French suits), contained in original decorative boxes, one red and one blue (lightly toned and dusty, blue box front panel with tiny surface loss centrally), each flap with unbroken maker's paper seal, together with Jeu Louis XV, No.542, Paris, circa 1895, a pair of decks of patience-sized chromolithographed playing cards as above (French suits), the blue pack unopened, the opened red pack comprising 52 cards (complete), double-ended courts, 4 French indices, rounded corners, gilt edges, versos showing yellow roses within a red outer decorative border, each card 66 x 44 mm, each pack contained in original decorative box (lightly toned and dusty), one blue and one red, blue box with unopened paper seal to flap, the red box with remnants of paper seal, plus a further pair of Jeu Louis XV, No.1502, both opened, each with 52 cards plus joker and blank card (although both boxes state 52 Cartes Whist), occasional very light dust-soiling, red versos as described above, blue versos showing pink roses within blue outer decorative border, each card 92 x 60 mm, original decorative boxes (one red, one blue), blue box flap a trifle creased with 1cm tear to top edge, the red pack additionally with original outer paper wrapper, neatly opened (two short tears), printed in red only, very slight wear to cornersQTY: (6)NOTE:Cary, FRA 371; Fournier, France 325 & 326.
Los 451
Neilson (Harry B, illustrator). Amazing Adventures, by S. Baring Gould, 1st edition, London and New York: Frederick Warne & Co., [1903], colour title and 24 colour illustrations, a few small light marks, hinges breaking, previous owner inscription at front erased, original cloth-backed pictorial boards, a few stains to lower cover, some edge wear, oblong folio, together with Crane (Walter). The Baby's Bouquet, London and New York: Frederick Warne and Co., circa 1900, colour illustrations printed by Edmund Evans, contemporary presentation inscription, slight toning front and rear, original boards, some fading and edge wear, small 4to, plus The Baby's Opera, circa 1900, colour illustrations, presentation inscription 1906 at front, half-title toned, original pictorial boards, edges rubbed, a few stains, small 4to, with 11 others illustrated including The Tale of Benjamin Bunny, by Beatrix Potter, 1st edition, 1st or 2nd impression, 1904 (lacking rear endpapers), Almanack for 1889, by Kate Greenaway, The Surprising Adventures of Baron Munchausen, illustrated by William Strang and others, 1895, The Vicar of Wakefield, by Oliver Goldsmith, illustrated by Edmund J. Sullivan, 1914, The Ingoldsby Legends, illustrated by Arthur Rackham, 1913 reprint, and The Compleat Angler, by Izaak Walton, illustrated by Arthur Rackham, 1924 (in chipped dust jacket) QTY: (16)
Los 497
AR * Ardizzone (Edward, 1900-1979). The Village Green, Rodmersham, Kent, watercolour, depicting a busy village street scene with two young figures running around a green, monogramed to lower right, scored grid to paper (perhaps for upscaling),16 x 28 cm, mounted, framed and glazed (32 x 41 cm), artist's name and title to verso of frame in later pencil, together with a Christmas card from Catherine & Edward Ardizzone, lithograph, showing a man driving a car with passengers, a white banner bearing a seasonal message, 14.2 x 19 cm, mount aperture, andArdizzone (Philip, 1931-1978). North East Essex Technical College & School of Art, Monday, pen and ink on Basildon Bond watermarked paper, illustrated thank you note showing two figures with large stomachs walking down steps to get into a car, two figures from a light opened front door wave to them, handwritten note to lower margin and verso 'Dear Jane, Thank you very much for a delicious & very filling meal, but let me hastily add that seeing you again & meeting Joy were an even greater pleasure. yr. obr. svr. Philip', small closed tear to upper right, 22 x 17 cm, mounted together with the christmas card in one frame (58 x 35 cm), cut out to verso to view writingQTY: (3)
Los 464
Sewell (Anna). Black Beauty: His Grooms and Companions. The Autobiography of a Horse, translated from the original equine, 1st edition, London: Jarrold and Sons, [1877], wood-engraved frontispiece, 8 pp. advertisements bound at rear, lacking rear endpaper, occasional light spotting and stains, contemporary presentation inscription to 'William Joyce by the managers of Ferryhill Ironworks School, 1878', hinges tender, original red/brown decorative cloth gilt, upper cover titled in gilt with circular horse's head vignette, spine somewhat rubbed with some fading, some edge wear, 8vo QTY: (1)NOTE:Carter's variant 'C' binding (Carter, More Binding Variants). Also issued in blue and green cloth.Anna Sewell's classic story, her only novel, written from the horse's perspective and published shortly before she died. It highlighted animal welfare issues and was key to the abolition of the use of bearing reins, among other things, which were particularly painful for horses and 'a special aim was to induce kindness, sympathy and an understanding treatment of horses'.
Los 359
Welsh (Charles). Privately Printed Opuscula, Issued to Members of the Sette of Odd Volumes. No XI. On some books for children of the last century, London: printed by Griffith, Farren, Okeden & Welsh, 1886, 108 pp., occasional light toning, front hinge broken, old bookseller description pasted at front, original printed wrappers, rebacked, a few small chips, 8vo, limited edition 95/250, together with Bannerman (Helen). The Story of Little Black Sambo, 4th edition, London: Grant Richards, 1900, colour illustrations, closed tear to p. 52, a few small stains, endpapers renewed, shelf number label at front, original cloth, spine toned, a few stains, 12mo, plus Fables of Aesop and Others, translated into English with instructive applications... by Samuel Croxall, 12th edition, London: W. Strahan, J. F. & C. Rivington and others, 1782, engraved frontispiece, engraved illustrations, light offsetting to title, previous owner signature, contemporary sheep, rubbed with some wear to head of spine, some worming to upper cover, 8vo, together with others, illustrated juvenile antiquarian including The Looking-Glass Mind; or Intellectual Mirror, 10th edition, 1806, and The Blossoms of Morality; Intended for the amusement and morality of young ladies and gentlemen, 5th edition, 1810 (both illustrated by John Bewick), The Chapter of Kings, by John Collins, 1st edition, 1818, Christmas Entertainments: Wherein is described abundance of fiddle-faddle-stuff, raw-heads, bloody-bones, buggybows and such horrible bodies..., reprinted from the 1740 edition by Field & Tuer, [1883], A Jubilee Thought, by Joseph Crawhall, 1887, My Lady Dolly, Raphael Tuck & Sons, 1895, Twenty Thousand Leagues Under the Seas, by Jules Verne, 3rd edition, 1873 (rebacked), The Story of the Treasure Seekers, by E. Nesbit, 1st edition, 1899, Michael Morpurgo, a few volumes defective etc QTY: (approximately 80)
Los 552
Blyton (Enid). 'Mystery' series, 11 titles (of 15), 1944-61, comprising The Mystery of the Burnt Cottage, 2nd edition, 1944, The Mystery of the Disappearing Cat, 1st edition, 1944, The Mystery of the Secret Room, 1st edition, 1945, The Mystery of the Spiteful Letters, 1st edition, 1946, The Mystery of the Hidden House, 1st edition, 1948, The Mystery of the Pantomime Cat, 1st edition, 1949, The Mystery of the Invisible Thief, 1st edition, 1950, The Mystery of the Vanished Prince, 1st edition, 1951, The Mystery of Tally-Ho Cottage, 1st edition, 1954 (2 copies), The Mystery of the Strange Messages, 1st edition, 1957, The Mystery of Banshee Towers, 1st edition, 1961, occasional light spotting, contemporary presentation inscription to Secret Room, original cloth, Hidden House upper cover lettering faded, light spotting and stains to one or two other spines, dust jackets, Banshee Towers price-clipped, light fading to a couple of spines, Spiteful Letters reinforced at head of spine to verso, a few small nicks and tears, 8vo QTY: (12)
Los 603
Hemingway (Ernest). A Farwell to Arms, 1st UK edition, 2nd issue, London: Jonathan Cape, 1929, 2nd issue with 'serious' correctly spelt on p. 66, a few minor spots, presentation inscription to front endpaper, original cloth, spine ends faded, dust jacket, small tears and losses at spine ends (small reinforcements to verso), a little toned, light dust-soiling and small stain to rear panel, 8vo, together with To Have and Have Not, 1st UK edition, London: Jonathan Cape, 1937, publisher's catalogue at rear, light toning to endpapers, original cloth, spine slightly faded with tiny tear at foot, dust jacket, tears and loss to spine ends, small tears to folds and panel edges, some toning to rear panel, 8vo, plus For Whom the Bell Tolls, 1st UK edition, London: Jonathan Cape, 1941, light partial offsetting to endpapers, original cloth, dust jacket, light toning to spine lettering, small reinforcement to verso, a few small nicks, 8vo, plus The Old Man and the Sea, 1st UK edition, 1952QTY: (4)
Los 528
Nash (John, illustrator). The Natural History of Selbourne by Gilbert White, with drawings by John Nash R. A.. and an introduction by The Earl of Cranbrook, Ipswich: W. S. Cowell for the members of The Limited Editions Club, 1972, signed by the artist to limitation page, colour and black & white illustrations, original quarter sheep over patterned boards, light scuff marks to spine, matching slipcase, small folio, Limited edition, one of 1500 copies, together with:Wilkinson (C. A., illustrator). A Book of Wood-cuts..., London: Methuen & Co, 1922, signed by the artist to limitation page, 10 wood block plates, original quarter cloth, printed title label on upper cover, 4to, Limited edition 19/100Stone (Reynolds, illustrator). Moments of Vision, Kenneth Clark, with wood engravings by Reynolds Stone, London: John Murray, 1973, woodcut engraving to title page and to end of text, bookplate of David Potter (designed by Reynolds Stone) to front pastedown, original quarter cloth over marbled boards, 8vo, Limited edition, one of 500 copiesReckitt (Rachel, illustrator). Seven Psalms, Wellingborough, Skelton's Press, 1981, 7 woodblock illustrations, original green wrappers with matching dust jacket, printed illustration to upper cover of dust jacket, 4toSmith (Richard Shirley, illustrator). The paintings & collages 1957-2000, London: John Murray, 2002, signed by the artist to limitation page, 2 original signed wood engravings (loose in pocket at end), original quarter cloth over printed boards, matching slipcase, folio, Limited edition 122/140Hassall (Joan, illustrator).The Poems of Robert Burns selected and with an Introduction by DeLancy Fergerson, decorated with wood engravings by Joan Hassall, Glasgow: Printed for the Members of The Limited Editions Club at the University Press, 1965, signed by the engraver to limitation page, colour frontispiece, numerous woodblock engravings to text, quarter green leather, portrait of burns in relief to upper board, tall 4to, Limited edition 523/1500Simon (Oliver, editor). The Curwen Press Miscellany, edited by Oliver Simon and published for the Curwen Press, Plaistow: Socino Press, 1931, Curwen Press miscellany prospectus pamphlet loosely inserted, original colour printed buckram boards, slipcase a little worn, Limited edition 238/275 QTY: (7)
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534297 Los(e)/Seite