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Preisdatenbank abonnierenDinky Toys No.490/30V Electric Dairy Van Trade Box, comprising of yellow lift off lid all card box, with dividers, 6 various vans, to include 4x Cream and Red Examples, 1x Light Grey and Blue, and 1x Grey and Blue, 1 Base Un-Numbered, some light paint chops to some models otherwise (VG-BGVG)
ATT. ANDREW GEDDES, OIL ON CANVAS, 19TH C., H 35", W 27", MRS. JEREMIAH GREATORAXA.R.A. 1783 - 1844. Unsigned. Depicting a half portrait of a seated Victorian woman. In a carved gilt wood frame. From the Estate of Daniel Clancy, Voltaire Place, Grosse Pointe Farms. Frost and Reed label on stretcher. Superb quality and detail; expertly restored. As viewed under UV light in the unopened frame: c. 30% overpainting in, but not necessarily limited to, the following areas: a spot in the top of her hair, in her right shoulder (from the viewer's perspective) and going down her right arm, at the bottom of the figure and along the bottom of the painting, in the LL corner and in the background in the upper right; overall fine craquelure is stable; lined (20th c.).- For High Resolution Photos visit Dumouchelles website.
FLEMISH OLD MASTER OIL ON WOOD PANEL, C. 1550, H 10 1/4", W 6 1/2", "MARY OF BURGUNDY" Depicting a young lady holding a covered vessel, adorned with jewels and wearing an elaborate turban style head-dress. Unsigned and framed. Verso having a stamped 'H' in black (see photo detail); incised compass on the top right edge. Ex. Collection Edward F. Fisher, Detroit Michigan (of Fisher Body). As viewed under UV light in the unopened frame: exceptional quality and detail; c. 10% to 15% spotty overpainting (generally small flecks) including, but not limited to, the following areas: face, neck, upper chest, both hands, body and hair; overall stable, very fine craquelure; c. 5 1/2" long scratch going from the edge of the painting and her right shoulder up into her forehead (see photo details); holes on verso at top; wear, etc. to areas beyond image; modern outer frame. - For High Resolution Photos visit Dumouchelles website.
AFTER GHEERHARDT DAVID OF BRUGES, GOUACHE ON PAPER, C. 1680-1690, H 6 1/2", W 9", THE BIRTH OF CHRIST Depicting Mary, Joseph, and Jesus with the three wise men in manger. Unsigned. Framed under glass in a velvet lined shadowbox. Ex. Collection Edward F. Fisher, Detroit Michigan (of Fisher Body). As viewed under UV light in the unopened frame: on paper, not vellum. UV clean; slightly scuffed/scraped along the top; shadowbox frame is later. - For High Resolution Photos visit Dumouchelles website.
IATTRIBUTED TO P.D. HONDT, FLEMISH OILS ON CANVAS, 18TH C., PAIR, H 91", W 67", "RACHEL AT THE WELL" & "JOSEPH SOLD INTO SLAVERY" "Rachel at the Well" signed "P.D. Hondt" in the near lower right (see photo detail). Both paintings are attributed to Phillipe de Hondt (Flemish, 1683-1741). Large format. In gilt wood frames. From the Estate of Daniel Clancy, Voltaire Place, Grosse Pointe Farms; sold by Christie's New York, Friday, January 31, 1997, lot #54 (see Christie's labels lot 54, 8584 2 KB172 listing them as a pair (see photo details), both were listed as attributed to P.D. Hondt by Christie's in the before mentioned sale. Very good quality. As viewed under UV light in the unopened frame: both are lined; both had their canvases previously folded [probably to make them fit into smaller fames]; both in 20th c. frames; one having c. 8% overpainting in the bottom third and UL and overall fine craquelure with instability; the 'white' along the edges fluoresces; one having a white spot in the sky in the UR; other one has c. 10% overpainting in the bottom quarter of the painting with the overpainting in the cracks having turned white, has unstable craquelure, paint is slightly skinned, 2 white spots on the right and has a patch in the LL. The signature in "Rachel at the Well" does not fluoresce under UV light. For High Resolution Photos visit Dumouchelles website.
UNSIGNED, ITALIAN OIL ON CANVAS, H 37", W 57"Dogs and fowl, with Roman ruins in the background. In an ebonized and gilt frame. C. 1880-1940. From the Estate of Daniel Clancy, Voltaire Place, Grosse Pointe Farms.Under UV light: some overpainting in the center and on the right side (c.10-15% total); water staining on the right side (showing on the verso) with craquelure/cracking of the paint on the right side; not lined or patched. Rf- For High Resolution Photos visit Dumouchelles website.
JOHN FREDERIC HERRING THE YOUNGER, OIL ON CANVAS, FARMYARD WITH HORSES AND ANIMALS, H 21", W 28" 21" x 28", framed, has goats, chickens, ducks, signed lower left. Herring, 1815-1907. Has a great look to it. As viewed under UV light in the unopened frame: c. 2 to 5% overpainting including a line of overpainting in the lower right along the top edge of the water and possibly a little in the sky; some craquelure with instability; not lined or patched; period or original frame is as is with losses, restoration, etc.; original stretchers - For High Resolution Photos visit Dumouchelles website.
ADOLPH SCHREYER (GERMAN, 1828-1899) OIL ON CANVAS MOUNTED ON PLYWOOD, H 27", W 54", "WALLACHIAN PEASANTS"Signed lower right; period gilt frame.Shows restoration, LFD (Outstanding quality. Under UV light in the unopened frame: a little overpainting in the wagon on the left; slight whitish scrape in the center of the painting; paint is thin; laid down on plywood; period gilt frame with cracks is slightly chipped. Rf, 8-5-2016)- For High Resolution Photos visit Dumouchelles website.
PAUL CHOCARNE-MOREAU (FRENCH, 1855-1931), OIL ON CANVAS H 24", W 20"Oil on canvas laid down on masonite. Depicts two young boys, one dressed as a baker the other dressed as an altar boy in the vestry of a church. Signed lower right. As viewed under room light in the unopened frame: c. 1% to 2% spotty overpainting; oil on canvas laid down on masonite; overall stable craquelure; modern frame is nicked.- For High Resolution Photos visit Dumouchelles website.
AL LOVING (AMERICAN, 1935-2005), COLORED PENCIL ON PAPER, IMAGE: H 14 1/2", W 18", "SEARCH FOR WALL"Pencil signed lower right; 1970; paper size: 17" x 21". Gertrude Kasle Gallery label. As viewed under room light in the unopened frame: tape staining along the bottom and top edges of the paper; creases, many of which are handling creases; frame which is partially pulling apart has some scratches.- For High Resolution Photos visit Dumouchelles website.
JOAN MIRO (SPANISH 1893-1983), LITHOGRAPH, "JUAN MIRO Y CATALUNA", 1968, H 10", W 10 1/4", FROM "LES ESSENCIES DE LA TERRA"#160/225; pencil signed lower right; framed. From: Magna Gallery, 747 Beach St., San Francisco, CA 94109 (label on verso). Being sold for the benefit of Marygrove College, Detroit, MI. No other provenance available.Good condition as viewed under room light in the unopened frame. Rf- For High Resolution Photos visit Dumouchelles website.
L. FANZI, OIL ON CANVAS, 1891, H 23", W 17" A forest scene. Signed in the lower left corner and dated 1891. In a carved wood scrolling leaf and pierced frame. From the Estate of Daniel Clancy, Voltaire Place, Grosse Pointe Farms. As viewed under UV light in the unopened frame: UV clean; not lined or patched; stable, unobtrusive craquelure; later frame.- For High Resolution Photos visit Dumouchelles website.
ATTRIBUTED TO ROBERT S. DUNCANSON (AMERICAN, 1821-1872), OIL ON CANVAS, H 33", W 60", PARADISE & PERI THEMEC. 1871; unsigned; gilt frame. Purchased c. 2002-2003 from a private individual in the Indianapolis, IN area. Thought to be possibly the missing painting that was mentioned in Joseph Ketner's book, "The Emergence of the African-American Artist, Robert S. Duncanson 1821-1872" (pp. 174-175) which was inspired by Thomas Moore's, "Paradise and the Peri" from the Orientalist poem, "Lalia Rookh". The missing Duncanson, "Paradise and the Peri" was: exhibited at Wiswell's Gallery, Cincinnati, Ohio , Aug. 1871; exhibited in Monroe, MI, Sept. 1871; exhibited in Detroit, MI, Sept. 1871 and reviewed by the Detroit Free Press, Sept. 16, 1871, page 1; acquired locally by C.L. Andrews at the Detroit exhibition; loaned to the Detroit City Hall and was hung in the sheriff's office where it was vandalized by an irate citizen in 1876; donated by Andrews to the Detroit Institute of Arts, 1903-1904; the DIA sent it to G.H. Weigert to be auctioned where it was sold Nov. 29, 1918 (see Francis Waring Robinson papers, Detroit Institute of Art, Roll 511); locations after that are unknown. Stamped on verso of stretcher, "W.G. Bickford, Dealer of Artist's Colors and Materials, 189 W. Fourth St., Cincinnati, Ohio. Mr. Bickford was listed as a "Dealer of Artist's Materials" only in 1869 and 1870. The listing changed to Artist' Emporium in 1871 with the same address. Bickford lived at 185 1/2 W. Fourth St. in 1870. Duncanson lived at 187 W. Fourth St. in 1872. Bickford's business was at 189 W. Fourth St, 1869-1875. Marked on the verso of the original canvas (before being lined): "G.W. Stubbs", "A.W. Pugh" (see photo detail). G.W. Stubbs was the brother-in-law of A.W. Pugh of the Pugh family of Cincinnati. Duncanson worked with Achilles Pugh in his print shop in Cincinnati in the 1850's to early 1860's. Duncanson was a friend of the Pugh family in Cincinnati. Both G.W. Stubbs and A.W. Pugh were in Cincinnati in 1871. PLEASE CLICK HERE TO SEE 54-PAGE SCANNED DOCUMENTS REGARDING THE PAINTING AND ARTIST.C.10% restoration of prior damage (tears, losses, etc.) as viewed under UV light; some over cleaning, lined; some stabilized craquelure; original stretchers; period frame is chipped and has losses. Natalia Nikolayev (B.A. in painting conservation), Indianapolis, IN restored the painting in June 2006 (consolidation of paint layer and ground with sturgeon glue, restoration of canvas losses with original pieces of canvas from the sides of the painting, filling made with Modostuc, lined with Beva-film, retouching with Gamblin conservation paints, etc.). Research information from the consignor, including photos of the painting before and after the restoration and the summary of the restoration done by Nikolayev, is available for viewing upon request.- For High Resolution Photos visit Dumouchelles website.
OIL ON BEVELLED WOOD PANEL, C.1900, H 12", W 10", PORTRAIT OF A DOG Illegibly signed in the lower right corner (see photo detail), in a carved gilt wood period frame. From the Estate of Daniel Clancy, Voltaire Place, Grosse Pointe Farms. As viewed under UV light in the unopened frame: spotty overpainting in the form of overall small flecks; wood panel is bowed; frame with patina wear and cracking. - For High Resolution Photos visit Dumouchelles website.
CHINESE WATERCOLOR ON SILK, H 68", W 32", LANDSCAPESigned in the lower right. Matted and framed under plexi-glass. 18th century, possibly earlier. From the Estate of Daniel Clancy, Voltaire Place, Grosse Pointe Farms. Faded and worn condition from being rolled and folded. Additional condition info as viewed under room light in the unopened frame: small losses to paper.- For High Resolution Photos visit Dumouchelles website.
AMEDEO MODIGLIANI, (ITALIAN, 1884-1920), ETCHING ON PAPER, H 6 1/2", W 4 3/4", "TETE DE FEMME II"Framed; plate signed in reverse; framed. Being sold for the benefit of Marygrove College, Detroit, MI. No other provenance available.As viewed under room light in the unopened frame: browning; some foxing. Rf, 6-3-2015- For High Resolution Photos visit Dumouchelles website.
AFTER JMW TURNER, OIL ON CANVAS, C. 1880-1920, H 14'', W 18'', VENETIAN HARBORG. Brain, 179 Upper St., Islington, N. stamp on canvas; period gilt frame.The JMWT initials/monogram in the LR corner, although it does not fluoresce under UV light, As viewed under UV light in the unopened frame: small spot of overpainting in the far LL comer; 2 tears in canvas in left of center; some stable craquelure; canvas sagging; small scrapes in the canvas I the far LR and far UR; needs to have the old varnish removed; no lined or patched; period gilt frame has cracks. Rf- For High Resolution Photos visit Dumouchelles website.
HIROSHI YOSHIDA (JAPANESE, 1876-1950), COLOR WOODBLOCK PRINT, C. 1933, H 14 3/4", W 9 5/8", "KIN KAKU"A Hiroshi Yoshida (Japanese, 1876-1950) colored woodblock print titled "Kin Kaku" (Golden Pavilion). Circa 1933. From the "Kansai District" series. With jizuri seal to left margin above the Japanese title and date characters, artist signature in block lower right, and title and artist's signature in pencil along bottom margin. Print: 14 3/4" x 9 5/8", paper: 15 1/2" x 10 1/2".With some marginal staining and light toning. Generally appears to have very good to fine impressions, color, and condition (MK).- For High Resolution Photos visit Dumouchelles website.
A NORTH INDIAN CARVED JADE KHANJAR (DAGGER) GRIP, 18th century, carved in relief with four six-petal flowerheads and leafage, the body of light celadon colour with "snowflake" inclusions, later fitted with a Japanese shibayama inlaid ivory page turner blade, circa 1890, 48cm long overall. The handle only 13cm long. Condition report: The handle is good with no chips or cracks noted except for natural faults. The ivory blade with significant losses of inlay, particularly on side (a phoenix bird) and crudely glued into handle socket - this is currently slightly wobbly - and the glue does not appear to be a super glue
A CHINESE GOLD LACQUER AND MOTHER OF PEARL INLAID SMALL COSMETIC BOX in the manner of Jiang Qianli, late Ming/early Qing Dynasty, with cinquefoil flowerhead, each petal with a different densely patterned ground, 4.5cm dia. x 1.5cm high. Jiang Qianli was a late Ming Master in inlaid lacquerware. A rather similar Qianli (marked) hexafoil box was included in the Exhibition at the Hong Kong Oriental Ceramic Society, Arts from the Scholars Studio, Hong Kong, 1986, catalogue p.169, no. 144. Condition report: Numerous small inlaid sections missing, particularly from all the four rims of the piece. Typical light wear throughout and other small losses. Structurally sound.
A MATCHED PAIR OF CHINESE CELADON TWIN FISH BOWLS, Song Dynasty, each with flat rim and crisply moulded fish, of light sea green colour, one with label of Robert McPherson, London W8. Condition report: Both with slightly matt glazes. One with flakes on inner foot rim. Burst glaze bubble on rim of one/slight flake
A RARE VINTAGE ROYAL BALLET BODICE This beautifully tailored bodice was bought from a sale at the Royal Ballet, London convent Garden. The balloon sleeves are made from cream satin and pale green crepe de chine. This costume is so light it floats and with the weight of the fine gold embroidery embellished with pearls and sequins on the wings, one can imagine it was worn by a magical dancer. Bust 26". Needs TLC please! (1)
A COLLECTION OF 1950'S HATS. To include one soft silk black velvet hat, lined in tulle with lace hair net labelled 'Model Millinery, Debenham & Freebody, London'. One blue and silver sequin hat. One light blue silk hat with lace embroidery and diamante detail labelled 'Martha Todd, 66 Halsey Street, Newark' and one brown ribbon detailed cotton hat with lace hair net. (4)
A VINTAGE RANCHED WILD MINK FUR COAT An elegant light brown full length, swing back coat with a beautiful mink lustre. The pelts are soft and in excellent condition. the coat has a high collar, double breasted front with inner fastening belt and outer hook and eye fasteners. Long sleeves fluted into a tightened cuff with fur piping. Lined throughout with deep pockets and embroidered initials 'MN'. Labelled 'Midnight Sun Alaska Kuskokujimranched wild mink' Armpit to armpit 47cms x length 121cms x Waist 100cms x sleeve length 35cms. (1) Good Condition.
A collection of three WWII era Light Aiming Posts M14 military accessories. Each of angular form, with mirrors to interiors. Stamped to the outer surfaces. POSTAGE: Worldwide postage / delivery available on all items. Combined postage available; UK £15.99+VAT, Ireland from £19.99+VAT, Europe from £19.99+VAT, USA / Canada from £30+VAT. Any other destinations please get in touch for a quote; info@eastbristol.co.uk. All quotes dependant upon location. Prices are per parcel (not per item).
A believed early 20th century pith helmet, the interior label marked ' Exclusively Made For The Calcutta Light Horse, Made In Calcutta '. With original liner. POSTAGE: Worldwide postage / delivery available on all items. Combined postage available; UK £15.99+VAT, Ireland from £19.99+VAT, Europe from £19.99+VAT, USA / Canada from £30+VAT. Any other destinations please get in touch for a quote; info@eastbristol.co.uk. All quotes dependant upon location. Prices are per parcel (not per item).
A First World War / WWI medal pair awarded to a Pte WJ Sheppard, 1498, Somerset Light Infantry. War medal and Victory medal. POSTAGE: Worldwide postage / delivery available on all items. Combined postage available; UK £15.99+VAT, Ireland from £19.99+VAT, Europe from £19.99+VAT, USA / Canada from £30+VAT. Any other destinations please get in touch for a quote; info@eastbristol.co.uk. All quotes dependant upon location. Prices are per parcel (not per item).
A rare possibly 19th century set of military cannon prickers. Used predominantly by light cavalry regiments for disabling enemy cannons. The white metal chain with shield pendant to base. With 2x prickers in the form of arrows. Interesting. POSTAGE: Worldwide postage / delivery available on all items. Combined postage available; UK £15.99+VAT, Ireland from £19.99+VAT, Europe from £19.99+VAT, USA / Canada from £30+VAT. Any other destinations please get in touch for a quote; info@eastbristol.co.uk. All quotes dependant upon location. Prices are per parcel (not per item).
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