534325 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnierenPaul Cadmus (American, 1904-1999). Crayon on paper drawing or sketch depicting a nude David seated with the head of Goliath.Provenance: Estate of Paul Cadmus; The collection of Jon Anderson; Private Minnesota collection.Height: 8 3/4 in x width: 10 3/4 in.Condition: There are no rips, major creases, or restorations. There is a very light crease along the lower right edge near the corner. Extremely light wear along the deckled edges.
Unsigned 20th century American primitive, outsider folk art portrait in oil on canvas-laid board depicting a young girl with flowers in her hair and white figures climbing in the sides. In carved dice, tramp art style frame. There is a label from The Brown Shop, Pasadena, California adhered to the verso. In a unique domino style carved wooden frame.Unframed; height: 10 in x width: 8 in. Framed; height: 12 1/2 in x width: 10 in.Condition: The artwork has no major losses or restorations. Light wear along the edges. There are a few minute accretions along the face of the girl. Wear to the verso. The frame edges are not attached to each other and are very loose. Wear to the frame.
Dunbar, United States. Mid-century modern teak and walnut credenza with chrome fittings. With four drawers, two with locks. Two doors open to reveal a shelved interior. With a Dunbar metal plate along the inner wall of one drawer.Provenance: Distinguished Corporate Collection, Minnesota.Height: 28 1/4 in x width: 75 1/4 in x depth: 20 in.Condition: No major dents, losses, or restoration under UV light. Light wear and stretches throughout. Along the top, there are a few scattered areas of finish loss; please see the listing image. To the lower right, near the foot, there is an approximately 2 inches long loss; see the listing image. Along the edges, there are a few scattered minute losses that do not alter the overall appearance of the piece. Wear to the underside consistent with age and use.
Group of three porcelain animals including:Boehm, United States. Porcelain fox and Harlequin Great Dane dog laying down with its paws crossed. Each marked along the underside.Bing and Grondahl, Copenhagen, Denmark. One early 20th c. porcelain Jack Russel dog. Marked along the underside; numbered 38811 and with a maker's mark along the tail.Height ranges from 4 in to 8 in; width ranges from 1 1/2 in to 3 1/4 in; depth ranges from 7 in to 9 3/4 in.Condition: All figurines are free from cracks, chips, losses, or restorations. There is light wear along the underside of each consistent with age and use. Along the underside of the fox there are four small round felt pads affixed to the bottom of the paws.
Maurits Cornelis "M.C." Escher (Dutch, 1898-1972). Woodcut on paper print titled "Padlock" from the series "Emblemata XXIV," ca. 1931. The work depicts a padlock with text above and below that reads "Repulsae Suspiciosae Torva Suboles [Repulsed by the Suspicious Scowl of the Underlings]" and "Van Kwade Trouw Het Beeld, Versperrend Naar Vermogen; In Onmin Eens Geteeld, In Achterdocht Getogen. [The image of bad faith, blocking the way as best as it can; once born in enmity, bred in suspicion." Pencil numbered 147/300 along the lower right.Sight; height: 7 1/2 in x width: 6 1/2 in. Framed; height: 20 3/4 in x width: 19 3/4 in.Condition: There are no visible rips, losses, or restorations. The sheet is toned. Some light wear to the frame; framed under plexiglass; not inspected out of frame.
Silk, wool, and cotton rug or carpet, the deep blue field with a design of birds and flowers. The central cream medallion suspending pendants and similar spandrels, surrounded by a cream scrolling floral border.Keywords: Caucasian, Turkish(Including fringe) length: 7 ft 6 in x 4 ft 2 in.Condition: The rug is in good condition with no major stains, losses, or restorations. There is light wear throughout, consistent with age and use. Likely some minute losses to the fringes though it is difficult to discern. Dirt and dust collected throughout that could be easily cleaned.
Leo J. Salazar (American, 1931-1991). Taos, New Mexico folk art wooden carving of a saint with flowing robes carrying a staff. Signed and dated 1980 along the underside.Height: 25 in x width: 12 in x depth: 5 in.Condition: All parts are attached. There are a few shallow separations along natural lines to the wood. Dust collected in the recessed areas of the work. The staff is slightly bent. Some light wear along the underside consistent with age and display.
Art Deco wooden cabinet with glass shelves. On a pedestal base with two glass shelves and a lower drawer.Provenance: From the Estate of Horst Rechelbacher, Osceola, Wisconsin.Horst Rechelbacher, the founder of Aveda and Intelligent Nutrients, was a pioneer in the field of safe and eco-friendly cosmetics. The same curiosity that led him to explore ways to improve the beauty industry led him to travel the world, collecting rare and beautiful objects as he went.Cabinet; height: 58 1/2 in x width: 41 1/2 in x depth: 18 1/2 in.Condition: No visible major cracks, losses, or visible restoration under UV light. Wear and minute finish loss throughout. The drawer opens and closes smoothly. The metal components along the sides are not firmly attached to the body; please see the listing image. Around the same area, there is a minute gap between the body and the side pieces. The glasses along the interior are detachable. Wear along the underside, consistent with age and use. Along the back, there is an area where two panels do not perfectly match as shown in the listing image.
Vernon Fisher (American, b. 1943). Mixed media on paper artwork titled "Going to Far" depicting a bat with a quote behind a square of yellow, 1981. Pencil signed and dated along the lower right.Provenance: Distinguished corporate collection, Minnesota.Unframed; height: 22 in 29 1/2 in. Framed; height: 24 in x width: 31 3/4 in.Condition: No visible sign of restoration under UV light. No visible tears, creases, or losses. The surface appears to be stable, and the color is bold and bright. Along the upper and lower margin, there is light wear which appears to be original to the artistic practice. All four margins are visible; the paper is floating on the mat. Framed under plexiglass; not inspected under UV light. Very light wear to the frame.
Worcester Silver Company, England. Group of seven collectible sterling silver annual Christmas spoons from the years 1965, 1966, 1968 (two), 1969, and 1970 (two). All are marked sterling and dated along the handles; further marked along the underside of the bowl. Each with unique enamel decoration along the handles.Each, length: 6 1/2 in. Gross weight of sterling (including non-sterling decorations): 9.855 Troy oz.Condition: Wear and light scratches throughout consistent with age and use. No losses or restorations to the enamel. Some tarnishing to the silver. Wear to the original boxes.
Pair of Mid-century modern style wooden rocking chaise lounge or patio chairs. The curvilinear seat with wooden dowels and with castors. Similar to designs by Harry Bertoia and Jose Zanine Caldas.Provenance: From the Estate of Horst Rechelbacher, Osceola, Wisconsin.Horst Rechelbacher, the founder of Aveda and Intelligent Nutrients, was a pioneer in the field of safe and eco-friendly cosmetics. The same curiosity that led him to explore ways to improve the beauty industry led him to travel the world, collecting rare and beautiful objects as he went.Each, height: 30 1/2 in x width: 62 1/2 in x depth: 32 in.Condition: No visible cracks, dents, or losses. No visible sign of restoration under UV light; under UV light, there are several areas where the finishing varnish is not even; however, it is not visible under natural light, only visible under UV light. Light wear throughout as expected from use. Along the underside of each chair, there is oxidation to the metal components that do not affect the function of the piece. One of the chair's wheels is disassembled for moving purposes; two wooden panels near the foot of the chair are not firmly attached; please note the listing image. Both chairs move smoothly.
Group of three luxury brand keychains including:Chanel, Paris. One gold-tone metal keychain with black leather tassels.Gucci, Italy. One gold-tone metal keychain, marked along the clasp. In the original box.Whiting & Davis, United States. One gold-tone metal wreath keychain. In the original box and with a tag reading "Inspected by No. 10."Length ranges from 2 3/4 in to 8 1/4 in. Diameter ranges from 1 1/2 in to 2 in.Condition: No visible dents, cracks, or restoration under UV light. The Gucci keychain is kept intact. The Whiting & Davis keychain was an area, smaller than 1/8 in, of oxidation to the ring. The Chanel keychain has a few scattered areas of light oxidation to metal components. Light wear to the boxes.
Caddyshack movie or theater autographed poster signed by several members of the cast including: Cindy Morgan, Bill Murray, Chevy Chase, Michael O'Keefe, Rodney Dangerfield, Ted Knight, and director Harold Ramis.Sight; height: 30 3/4 in x width: 19 in. Framed; height: 34 1/2 in x width: 24 1/2 in.Condition: There are no visible rips, losses, or restorations when inspected under UV light. There is light wear to the frame; framed under glass - there is a network of accretions along the lower half of the glass that do not affect the poster; not inspected out of frame.
Limoges, France. Group of six porcelain pill or trinket boxes, each marked along the underside or interior. One in the form of a jazz record sleeve with a small removable silver record disc in the interior; one in the shape of a hand of playing cards; one in the shape of a blue bag; one in the shape of a box of chocolate truffles with four removable porcelain truffles; one cylindrical box; one heart shaped box.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Height ranges from 1/2 in to 2 in; width ranges from 2 in to 2 1/4 in; depth ranges from 2 in to 3 in.Condition: Light wear to all boxes. The box shaped like a bag does not clasp shut. The heart-shaped box has a large network of cracks along the front with small losses. The cracks spiderwebs out in four directions that run the length of the front. The box does not clasp shut.
Group of five gold rings, all marked along the interior of the band, including:One 10k yellow gold ring inset with a rectangular onyx stone flanked on either side by a row of four cubic zirconia.One 14k yellow gold ring inset with an oval sapphire with a halo of cubic zirconia.One 14k yellow gold ring inset with a pearl flanked by a halo of marquise cut sapphires.One 14k yellow gold ring inset with a single round cubic zirconia.One 14k yellow gold ring, engraved along the interior, inset with a row of five small cubic zirconia.US ring size ranges 8 to 9.75. Gross weight: 33.09 grams.Condition: No visible cracks, losses, or restoration under UV light. The jewels are intact and firmly attached. Light wear throughout as expected from age and use. The ring with sapphire has a minute dent along the ring; however, it is not visible at arm length.
Umetaro Azechi (Japanese, 1902-1999). Woodblock print titled "Akai Boshi (Red Hat)" depicting a man in a red hat holding a bird. Pencil signed along the lower right; dated 1963 and titled along the lower left. Along the verso there is a sticker for "Yoseido Gallery" in Tokyo.Height: 10 1/4 in x width: 7 in.Condition: The print is in generally good condition with no visible tears or major creases or losses. The paper is toned and browned. Along the margins, there are light creases. To the upper right corner, there is a minute loss, which does not affect the center image. Very light chipping to the upper and lower margins. To the lower right corner, there is a circular brown mark; please see the listing image. To the center image, there are areas that the underlying paper is seen through; however, it appears to be original. Along the verso, the paper is toned and browned; the ink is transmitted from the recto. No visible sign of restoration under UV light.
Unmarked French cameo glass vase depicting hedge bindweed (Liseron) flowers and leaves. In the style of Daum Nancy and Emile Galle.Height: 6 1/2 in x diameter: 9 in.Condition: There are no chips, cracks, or restorations. There is light wear and scratches throughout, particularly along the upper rim and footrim; consistent with age and use.
Mastercraft, United States. Pair of brass trilobi or triedri dining table bases. Each of a triangular lobed form and hollow along the interior. A suitable base for a plate glass dinner table.Each, height: 27 1/2 in x width: 18 1/2 in x depth: 21 1/4 in.Condition: The bases have light scratches and wear throughout consistent with age and use. Some tarnishing throughout. There do not appear to be any major dents, breaks, or losses.
Small Caucasian wool rug. The stepped polygon medallion is decorated and surrounded by floral motifs. With a fringe along two sides. In red, blue, cream, and ochre colors.Keywords: Turkish, Persian.Length: 2 ft 8 in x width: 1 ft 10 in.Condition: The rug appears to be in good condition with no rips, losses, or restorations. The pile is good. There is very light soiling, consistent with age and use. Likely a few minute losses to the fringe decoration.
Louis Vuitton, France. Group of three clutch handbags. All in the brand's iconic monogrammed brown and tan canvas with vachetta leather trim and gold tone hardware. Including:One Favorite baguette shoulder bag with the serial number AA4157. Marked "Louis Vuitton Paris" along the gold tone clasp. Made in France, 2017.One Pallas clutch handbag with the serial number SD5116. Marked "Louis Vuitton Paris" in gold lettering along a red dyed leather tag sewn to the red fabric interior. Made in France or the United States, 2016.One Eva crossbody or clutch handbag with the serial number SD3172. Marked "Louis Vuitton" in cursive lettering on the gold tone hardware along the exterior; marked "Made in USA of imported materials" along a tag sewn to the interior. Made in the United States, 2012.Height ranges from 5 1/2 in x 7 in; width ranges from 9 in to 11 in; depth ranges from 1 1/2 to 2 in.Condition: All three bags are in excellent condition. There are no rips, tears, or major wear. There is some light wear to the metal components, particularly the hardware along the front of the bags. There are several extremely minute accretions, only visible upon close inspection, that could likely be cleaned. Extremely light wear to some of the leather trim pieces.
Paul Cadmus (American, 1904-1999). Crayon on light blue or gray paper sketch drawings depicting male nude poses. Along the recto there are four poses and along the verso there are five poses. Signed along the upper right along the recto.Provenance: Estate of Paul Cadmus; The collection of Jon Anderson; Private Minnesota collection.Height: 8 1/5 in x width: 19 in.Condition: There are no rips, tears, or restorations. There are a few light creases throughout the work, located along either edge, possibly from handling. There is a small crease along the lower right corner. Some light wear to the deckled edges.
Rudolf Haybach (Austrian, 1886-1983). Oil on board landscape painting depicting swift water currents against a rocky shore, 1973. Signed and dated along the lower left.Sight; height: 17 1/2 in x width: 23 1/2 in. Framed; height: 24 in x width: 30 in.Condition: The painting appears to be in good condition with no rips, major losses, or major restorations. Due to the thick and uneven varnish, it is difficult to discern if there are areas of restoration. Under UV light, several areas fluoresce, though it may be original to the artistic process. This includes an area along the red rock in the lower left foreground, the first 'H' in the signature, several small spots throughout the signature but not the entire signature, and the numbers of the date. There are a few areas along the left edge where the surface of the board is visible, possibly original to the artistic process. There are two small wax-like accretions along the top layer of the work near the upper center. Light wear to the frame; verso not inspected.
Peter Max (German-American, b. 1937). Mixed media lithograph with acrylic paint titled "Love on Blends" depicting the word "Love" surrounded by a rainbow of colors, 2006. Signed along the lower right.Sight; height: 9 1/4 in x width: 7 1/4 in. Framed; height: 23 1/2 in x width: 21 1/2 in.Condition: There are no visible rips, tears, losses, or restorations. The colors appear bold and bright. Light wear to the frame; framed under plexiglass; not inspected out of frame.
Robert & Bernice Leekya (Zuni Pueblo, 20th/21st c). Southwest sterling silver belt buckle inset with three large turquoise stones. Maker's marks along the back of the buckle. Tested as sterling.Height: 70 mm x width 93 mm x depth: 17 mm. Gross weight: 116.5 g.Condition: The belt buckle is in good condition with no chips, dents, or restorations. The loop along the back moves smoothly. Light wear and tarnishing throughout consistent with age and use. Due to the nature of the stones it is difficult to ascertain if there are losses to the stones. However, they appear to be in good condition with no major or noticeable losses or cracks. Natural fissures to the stones. Each are firmly attached.
Aaron Fink (American, b. 1955). Oil on linen titled "Blue Rose" depicting an abstracted blue rose with purple highlight against the black background, 2003. Signed and dated along the verso. With a label from Alpha Gallery in Boston, Massachusetts along the verso.Height: 40 in x width: 20 in.Condition: No visible tears, creases, or losses. No visible sign of restoration under UV light. The surface is stable, and the color is bold and bright. Clean verso; along the verso, there are scattered areas of paint residue that do not affect the recto.
Raymond Jennings Saunders (American, b. 1934). Lithograph, silkscreen, monoprint, collage on paper titled "Profile in Time," 1982. Pencil numbered along the lower corners 54/75.Provenance: Distinguished corporate collection, Minnesota.Unframed; height: 28 3/4 in x width: 23 in. Framed; height: 31 1/4 in x width: 25 1/2 in.Condition: There are no visible creases, tears or losses. No visible sign of restoration under UV light. The color is bold and bright. The paper is floating on the mat; all four margins are visible under the plexiglass. There are no signs of restoration under UV light. The verso could not be inspected due to the nature of how the artwork is framed. Not inspected out of frame. Very light wear to the frame.
Florence Knoll (American, 1917-2019) for Knoll International, New York, United States. Pair of Mid-century Modern lounge chairs, designed 1954. Patterned upholstery fabric and chrome-plated steel.Provenance: Distinguished Corporate Collection, Minnesota.Each; height: 26 1/2 in x width: 32 1/2 in x depth: 32 1/4 in.Condition: No visible tears, rips, or losses to the fabric components. No visible dents, cracks, or losses to the metal components. Light wear throughout as expected from use. One of the chairs has a minute white accretion to the right arm; to the right leg, there is an area with adhesive residue as shown in the listing image. The other chair has an unidentified white accretion to the right side of the chair. No visible sign of restoration. Wear to the underside, consistent with use.
Sonja Blomdahl (American, b. 1952). Handblown glass sculpture in orange, lemon-yellow, and blue. Signed and etched 1407 along the underside. She is well-known for her use of the incalmo or "double bubble" technique which involves fusing together two pieces of glass with the same diameter. She studied at Orrefors Glassworks in Sweden as well as with Dan Dailey at Dale Chihuly's Pilchuck Glass School.Provenance: Distinguished corporate collection, Minnesota.Height: 20 in x diameter: 12 1/2 in.Condition: There are no apparent chips, cracks, losses, or restorations. Very light wear along the underside, consistent with display. There is a small piece of museum wax affixed along the underside.
Group of jewelry including six rings, one necklace, and one bracelet including: one necklace marked 14k, one bracelet marked Italy and 14k, two cubic zirconia rings marked 14k, one ring marked and 14k and with a 'KJ' maker's mark, one ring with marked 14k and with a 'g' maker's mark, one ring inset with amethyst and colored quartz marked 925, one cubic zirconia ring marked 925 and with maker's mark TM, two rings unmarked.Ring sizes range from US size 1 to US size 9.25. Bracelet length: 7 1/2 in. Necklace length: 19 in. Gross weight of 14k jewelry: 44.68 grams. Gross weight of sterling rings: 15.41 grams.Condition: No visible cracks, dents, or losses. Wear throughout, as expected from age and use. The clips work smoothly. No visible sign of restoration under UV light. The ring with the pink jewel has a minute chip to the jewel; please see the listing image.
American folk art oil on canvas painting depicting a donkey examining a portrait of itself while an artist paints in the background. Another donkey and a small calf accompany the first in its assessment of the artwork. Unsigned.Sight; height: 11 1/2 in x width: 15 1/2 in. Framed; height: 14 1/2 in x width: 18 1/2 in.Condition: No visible creases and signs of restoration under UV light. Throughout the recto, there are a few scattered areas of paint loss. To the right center margin, there are two white residues; please see the listing image. Above the area, there is a minute dent to the canvas. To the left of the lower margin, there is a minute impression from the verso. To the center of the upper margin, there is unidentified white accretion. From the verso, the canvas is toned. To the left of the recto, there are paint cracks. Wear to the frame.
Robert Philipp (American, 1895-1981). Oil on canvas painting titled "Finale" depicting the ending of a stage play, 1967. Signed along the lower left; further signed, dated, and titled along the verso. In a giltwood frame. Philipp was heavily influenced by the impressionists and post-impressionists and he is often compared to Edgar Degas and Pierre-Auguste Renoir.Framed; height: 30 1/2 in x width: 34 1/2 in.Condition: There are no tears, losses, or restorations when inspected under UV light. The colors are bold and deep. Some wear to the frame; there are some losses to the gilt along the frame; there are a few minute chips to the wood frame.
Bernard Chaet (American, 1924-2012). Oil on canvas painting titled "Churning" depicting a tumultuous and rocky shore, 2001-2002. Signed and titled along the backing along the verso. With a sticker from Alpha Gallery along the verso.Unframed; height: 20 1/4 in x width: 30 in. Framed; height: 22 in x width: 31 1/2 in.Condition: The item is in great condition with no visible tears, creases, or losses. The surface is stable, and the color is bold and bright. When inspected under UV light, there is no visible sign of restoration. The verso could not be inspected due to the nature of how the painting is framed. There is an area with the adhesive residue to the upper center of the frame; however, it does not affect the painting. Light wear to the frame.
Porcelain centerpiece depicting a woman holding aloft a large shell. Possibly Royal Dux, Bohemia, Austria. Impressed along the underside with the numbers 9096 and 60. The number 44 is written along the underside.Height: 9 1/2 in x width: 11 in x depth: 8 in.Condition: No major chips, cracks, or visible losses. Along the edges, there are several scattered minute losses of glaze throughout the piece. Light discoloration throughout as expected from age. Dust collected to recessed areas. Several scattered areas of cracks to glazing, particularly to the interior of the shell. Throughout, there are a few adhesive residues adhered to the exterior; however, they do not affect the overall appearance of the piece significantly. No visible sign of restoration under UV light. Wear and dark discoloration along the underside; no visible chips along the foot.
Group of mixed jewelry including: two silver crown-shaped pins marked Taxco and sterling; two 14k yellow gold square cufflinks marked 585; two 14k yellow gold screw back earrings, marked; one flower pin, unmarked.Gross weight: 27.5 g. Length ranges from 3/4 in to 3 1/4 in; width ranges from 1/2 in to 1 1/4 in.Condition: Wear throughout as expected. Light oxidation to metal components. No major dents or visible cracks or losses. The crown pins are slightly bent. The cuff pins work smoothly. No visible sign of restoration under UV light.
Louis Vuitton, France. Group of two special edition bandouliere reversible shoulder straps, each with one side in the brand's iconic monogram coated brown and tan canvas and gold tone hardware, marked "Louis Vuitton Paris Made in Spain" in gold lettering. One with the reverse in a vibrant cobalt blue leather and marked BC2128. The other in a blush pink and marked along the reverse. With an orange Louis Vuitton box.Each; length: 35 in x width: 1 1/2 in.Condition: Both straps are in excellent condition and appear to have been used very little, if ever. There are no stains, creases, or losses. There is some extremely light wear to each strap, most noticeable along the metal hardware and the white trim of the blue strap. This lot with an iconic Louis Vuitton orange box that fits both straps. Light wear to the box.
Belleek, County Fermanagh, Northern Ireland. Porcelain shell tea service set including: one platter, six medium saucers, six small saucers, seven teacups, one teapot, one creamer, and one pig figurine. Each marked with a green label along the underside.Dishes; diameter ranges from 5 1/2 to 10 1/4 in. Pig; height: 2 1/4 in x width: 3 in x depth: 1 1/2 in. Teapot; height: 5 1/2 in x width: 9 in x depth: 6 1/4 in. Cups; height: 2 in x diameter: 3 1/2 in. Creamer; height: 3 in x diameter: 3 in.Condition: No major chips, or visible cracks or losses. No visible sign of restoration under UV light. Light wear throughout; wear along the underside. The big has unidentified residue to the upper nose; minute chips to the ears.
Leonard Howard Reedy (American, 1899-1956). Watercolor on paper painting titled "Wild Horse Hunter" depicting an intense scene between a bucking horse and a cowboy. Signed along the lower left.Provenance: Wally Findlay Galleries, Florida 1977; Private Minnesota Collection.Sight; height: 8 in x width: 10 1/2 in. Framed; height: 15 in x width: 17 1/4 in.Condition: No visible tears, creases, losses, or restoration under UV light. There is undulation throughout the recto. The paper is lightly toned and has light foxing. Framed under plexiglass; not inspected out of frame. Wear to the frame.
Metal sculpture in the form of two figures, one on horseback with a raised spear and the other on a donkey or ass. Depicting a scene from Don Quixote. Attached to a black marble base.With base; height: 6 3/4 in x width: 5 1/2 in x depth: 6 1/4 in.Condition: No visible cracks, dents, or losses. No visible restoration under UV light. Wear throughout, as expected. Dust collected to the recessed area; however, it does not alter the overall appearance of the artwork. Metal oxidation throughout. The right arm of Don Quixote is detached. To the area where the sculpture and the base meet, there is wear; please see the listing image. Light wear to the base; wear to the underside as expected.
After Andy Warhol (American, 1928-1987). Pop Art print on paper depicting four views of Mao Zedong.Sight; height: 24 in x width: 24 in. Framed; height: 35 1/4 in x width: 33 1/2 in.Condition: No visible tears, creases, or losses. No visible sign of restoration under UV light. The color is bold and bright. Framed under plexiglass; not inspected out of frame. Very light wear to the frame. The verso could not be inspected due to the nature of how the artwork is framed.
John Rocha (Chinese/Irish, b. 1953) for Waterford Crystal. Large glass sculpture in the form of three large pillars attached to a base with green and blue applied decorations. Etched into the side of the base is a plaque reading "To the City of Chicago from Marshall Fields. Designed by John Rocha at Waterford Crystal."Provenance: Distinguished corporate collection, Minnesota.Height: 31 1/2 in x width: 27 1/2 in x depth: 12 1/2 in.Condition: No visible cracks, losses, or restoration under UV light. No visible chips along the edges. Light surface stretches; light surface bubbles which are original to the artistic practice. Light wear along the underside.
A gent's vintage Omega Seamaster calendar automatic wristwatch, having gold plated case with steel back, signed champagne dial with baton markers and date aperture, screw-down back cover, case dia.36mm, on a gold plated bracelet with Omega deployment clasp, no box or papersSome light spotting to dial.Watch runs.Bracelet with some play and rubbing to plate.
A pair of white metal pear shaped cluster earrings, each with a pear shaped blue topaz within a border of eighteen round colourless sapphires, all in claw settings, with posts but no backs, blue topaz dimensions each approx. 8.1 x 6.05 x 3.8mm, total weight estimated as 2.60 carats, colour assessed as bluish-green with medium-light tone and moderately strong saturation, with type I clarity, colourless sapphire dimensions each approx. 1.2 x 0.7mm, total weight estimated as 0.28 carats, gross weight 2.5g, not hallmarked, tested and valued as 9ct
A gent’s Longines Presence gold plated quartz wristwatch, having signed white enamelled dial with Roman numerals, the steel back cover numbered 24548958, 32mm, on replacement leather braceletSurface scratch to centre of glass.Light surface wear to caseNot runningLeather bracelet coming apart.
DONALD HAMILTON FRASER (BRITISH, 1929-2009)Place de la Republique (1961) signed 'Fraser' (lower left) oil on canvas 90.5 x 70cm ARR Provenance Gimpel Fils Gallery, South Molton Street, London Exhibited London, Gimpel Fils Gallery, July 1961, No. 26Condition reportA vertical line visible upper right quarter, possibly a drip or a stain.Some very minor paint loss to extreme edges.Some other small marks/spots/stains in places, including a very small brown mark/stain to lower left quarter.A possible patch of over painting over a possible patch of paint loss to upper left corner of orange building, but it doesn't fluoresce under uv light. Possibly it is original to work.Overall appears generally good.
ROBERT KING (BRITISH, B. 1936)Sailing scenesigned 'Robert King' (lower right)oil on board29 x 39cmARRProvenanceThe Solent Gallery, Lymington;Private collection, UKCondition ReportThe board is sound. Minor flecks of dirt to the paint surface, otherwise good condition overall. No sign of retouching under ultraviolet light.
JOHN COPNALL (BRITISH, 1928-2007)Black Dunes signed and dated 'john copnall 1957' (lower right) and inscribed (verso) oil on board 71 x 89.5cm ARR Provenance The Piccadilly Gallery, LondonCondition reportA little craquelure in places.A few very small minor spots of paint loss, including to upper right and upper centre.Surface dirt.Otherwise appears in generally good overall condition.Not inspected under uv light.
NINA TRYGGVADOTTIR (ICELANDIC, 1913-1968)Untitled, Abstract composition with pink, blue and yellow signed 'TRYGGVADOTTIR' (lower right) oil on board 24 x 33cm ARRCondition reportA few small spots, marks and stains.Surface dirt.Diagonal abrasion upper left.Otherwise appears generally good.Not inspected under uv light.
CHARLES WYATT WARREN (BRITISH, 1908-1993)Snowdon from Llyn Padarnsigned 'Charles Wyatt Warren' (lower left)oil on board18.5 x 34cmARRCondition reportA vertical line/mark visible to the right of centre in lake.A few very small minor spots and marks.Otherwise appears generally good.Not inspected under uv light.
DOROTHEA SHARP (BRITISH, 1874-1955)Children by the sea oil on canvas 25 x 30cm ARR Provenance Private collection, UKCondition ReportThe canvas is unstretched and has been cut down with a partial composition verso. Traces of light surface dirt and minor craquelure to thicker areas of impasto. Ultraviolet light reveals no sign of retouching.
PERCY HORTON (BRITISH, 1897-1970)Quarry and Melon Field, Provencewith inscribed label (to reverse of frame)oil on canvas51 x 76cmARRProvenanceThe artist, thence by descentExhibitedLondon, Royal Academy, 1968;London, The Mall Galleries, Percy Horton (1897-1970), 24th June - 7th July 1971, no. 28Condition reportSmall indentation and very small associated tear lower centre in green field.General dirt, including some small minor spots, marks and stains.A drip/stain visible beginning lower left edge and making a horizontal line three quarters way across the picture, it has a pale brown colour and difficult to make out in places.Nothing fluorescing under uv light.
BERNARD MENINSKY (BRITISH, 1891-1950)The Back (Nude) signed 'Meninsky' (lower right) charcoal 35 x 19.5cm Provenance Belgrave Gallery, Motcomb Street, London; Purchased from the above in 1978 by the current vendor's family; Private collection, UK Exhibited London, Belgrave Gallery, Jewish Artist's of Great Britain (1845-1945), 1978, No. 54Condition reportAcidic mount.Possibly a little discolouration.A few very small minor marks and spots in places.Otherwise appears overall generally good.Not inspected under uv light.Under glass and not examined out of frame.
PERCY HORTON (BRITISH, 1897-1970)Farm in the Luberonwith inscribed label (to reverse of frame)oil on board31 x 45cmARRProvenanceThe artist, thence by descentExhibitedLondon, Royal Academy, 1961, No. 76;London, The Mall Galleries, Percy Horton (1897-1970), 24th June - 7th July 1971, no. 17Condition reportSurface dirt.Appears in generally good condition.Nothing fluorescing under uv light.
PERCY HORTON (BRITISH, 1897-1970)Home Farm, Firle Park, Sussexwith inscribed labels (to backing paper)oil on board39 x 55cmARRProvenanceThe artist, thence by descentExhibitedLondon, The Mall Galleries, Percy Horton (1897-1970), 24th June - 7th July 1971, no. 41Condition reportAppears in generally good condition.Nothing fluorescing under uv light.
JACQUES BARTOLI (FRENCH, 1920-1995) (2)Musiciens, Toulon; Plage a Toulon each signed 'J BARTOLI' (lower right) and signed and titled (verso) oil on canvas each 24 x 33cm (2) ARRCondition reportThe Beach; a little indentation to canvas centre right, to left side of woman in blue. It hasn't damaged the paint but there is a little indentation of the canvas, where it's not flat.Otherwise a little surface dirt to both but otherwise both appear in generally good condition.Nothing fluorescing under uv light.
PIERRE BONNARD (FRENCH, 1867-1947)Le Bain (The Bath) with stamp 'Galerie des Peintres Graveurs Paris' (lower right) lithograph from the edition of 525 impressions, commissioned by E. Frapier, Paris, 1924. Issued for the series, Album des Peintres - Lithographes de Manet a Matisse 30 x 21.5cm Provenance William Weston Gallery, Royal Arcade, Albemarle Street, London; Private collection, UKCondition reportA little undulation to paper in upper section.Otherwise appears in generally good condition.Under glass and not examined out of frame.Not inspected under uv light.The glazing is very dirty which gives the picture a slightly yellow colour but the paper is actually whiter than this.
Loading...
