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9ct gold cased Buren Grand Prix pocket watch with engraved presentation inscription to reverse (Birmingham 1962), 48mm diameter Total weight 89 grams.Very good, clean condition. Some light surface scratching to the gold case.Watch currently winds and ticks but we cannot guarantee the accuracy of its timekeeping. Case back and dust cover hallmarked 9ct gold Inner case back marked Dennison.
Georg Jensen haematite bead and silver heart shaped pendant necklace, no. 247B (London 2002) 61cm long, boxedHeart dimensions- approximately 37mm x 37mm.The silver is slightly tarnished and has some light surface scratching but very overall good condition. The beaded chain is also in very condition, the clasp fastens securely.The box is Georg Jensen but does not fit the necklace in properly.
1950's Rolleiflex 3.5f Franke & Heidecke camera, serial no. 2200971 with leather outer cover, light meter (also with leather cover), waterproof metal case, original cardboard outer boxes and related ephemera including purchase and service receipts and manuals. Provenance: purchased new in 1959 for the sum of £125. It appears in good condition. The shutter fires but we cannot guarantee its accuracy. No signs of fungus. Some wear to the case.
Continental 14ct gold half hunter fob watch with enamel bezel to the outer case, 33mmTotal weight 27.4 grams.The outer cover is marked 14K but the inner cover is not marked.The front glass is cracked but the enamel bezel is in in good condition. The inner glass cover is in good condition. The enamel dial is clean and clear. The gold case has light surface scratching all over and a few tiny dents to the reverse, mainly visible from the inside. The watch winds but does not appear to be working.
Soviet Russian School, 20th century - An Assembly of Nudes, indistinctly signed and dated '78 in pencil, further inscribed to verso, gouache, pastel and watercolour on paper, 22.7 x 18cm, a Russian drawing of a nude, 20th c, indistinctly signed and dated 72/6 in pencil, red chalk, 60 x 42cm (2) Provenance: 1st: exhibited at the Universal Art Gallery, Moscow; stamp to verso. The first with marginal light scuffs and some wear, otherwise good condition, retaining bold colouring. The second with pinholes, some scuffs and creases, and light chipped losses.
Americana. Mark Twain's Sketches, Selected and Revised by the Author, Copyright Edition, first edition thus, London: George Routledge & Sons, 1872, lacking map, contemporary or contemporaneous red cloth gilt, title-page with manuscript ownership inscriptions, 8vo; idem, Pleasure Trip on the Continent, first edition thus, London: John Camden Hotten, 1871, frontispiece, adverts and catalogues bound-in at front and rear, split with some light movement, but holding, original publisher's pictorial red papered blue cloth boards, chipped, 8vo; idem, The New Pilgrims' Progress, Author's English Edition, London: George Routledge and Sons, dated 1872, publisher's pictorial yellowback, heavy wear in places, 8vo; idem, Personal Recollections of Joan of Arc, first edition, New York: Harper & Brothers Publishers, 1896, frontispiece and plates, original publisher's red cloth, some wear, 8vo; idem, How to Tell a Story, first edition, New York: Harper & Brothers Publishers, 1897, original publisher's decorative red cloth, top edge gilt, others uncut, 8vo; idem, Curious Dream, and other sketches, London: George Routledge and Sons, Limited, n.d. [c. 1880], publisher's red cloth, 8vo; idem et al, The Niagara Book, first edition, London: J.R. Osgood, McIlvaine & Co, 1893, ex-library copy, their quarter-cloth binding, enclosing original wrappers, 12mo; etc., (8) Provenance: Peter Messent, Emeritus Professor of Modern American Literature and former Head of the School of American and Canadian Studies at the University of Nottingham.
A pair of George II rococo silver sauceboats, shell shaped with gadrooned rim and leaf capped scaly handle, on conforming cast shell foot, engraved with contemporary armorials and motto NUNC ET SEMPER, 15cm h, maker R-, a rosette between, London 1752, 37oz 15dwt Both in the same good condition, with light wear consistent with age and polish residue
Nottinghamshire. Dickinson (William), Antiquities Historical, Architectural, and Chorographical, and Itinerary in Nottinghamshire and the Adjacent Counties, two volumes: Southwell & Newark, first editions thus, Newark: Printed by Holt and Hage, 1801 & 1816, the first part with portrait frontispiece of the author, the second part with half-title, each illustrated with engraved plates, folding maps/charts and family pedigrees, uniformly bound in later 20th c full burgundy morocco gilt by A. Price of Oxford, signed, gilt turn-ins and dentelles, marbled endpapers, 4to; Brown (Cornelius), A History of Newark-on-Trent, two volume set, first edition, Newark: S. Whiles, 1904-07, monochrome illustrations, finely bound en suite in later 20th c black morocco by A. Price of Oxford, signed, the covers gilt with crossed swords, the spines with Tudor roses, gilt top-edges, turn-ins and dentelles, 4to; [Blagg (Thomas Matthews)], Newark as a Publishing Town. Revised and Re-printed from the "Newark Advertiser," for Private Circulation only, inscribed copy from the author, first edition thus, Newark: S. Whiles, Printer, 1898, black-ruled, some in-text illustrations, original papered boards, some splitting and other wear, light movement, 8vo, (5)
An Edwardian silver wirework basket, applied with die stamped grapevines and wheatears, twisted swing handle, on plain foot, 23cm h, by The Goldsmiths & Silversmiths Co Ltd, London 1907, 26oz 5dwt An excellent example, practically as new condition, no dents or wear, no engraving, a few light polish scratches, no repair
A George III silver chamberstick, of plain round gadrooned form, with conical extinguisher, nozzle, pan 13.5cm diam, fully marked, by William Burwash, London 1818, 13oz 4dwt Good condition with very light wear, marks good, a completely genuine one in complete condition, minor dent on extinguisher, no repair
Frank Algernon Stewart (1877-1945) - Fox Hunting, signed within the plate and in pencil, blind-stamped margin, off-set print, 29 x 52cm, English School, early 19th c - Ladies of Fashion Meet Rustics, s.l., s.n., n.d., stipple engraving printed in colour, circle, 44cm diam, contemporaneous verre églomisé mount and square giltwood frame, 63 x 62cm and Charles Parsons Knight (1743–1827?) after George Morland - Industry; Idleness, a pair, s.l., n.d. [1788], stipple engravings printed in colour, 30 x 24cm, later 19th c giltwood and gesso frames, 37 x 31.5cm Fox Hunting - Unexamined out of frame. Colours OK-good, some grime and foxed spots in places.Ladies of Fashion Meet Rustics - Good, 'country house' condition; verre églomisé perished, slight wear to frame, print good.The prints with good colours, the sheet borders with some speckles and very minor foxing. Engravings - Frames in good 'country house' condition, with typical light losses.
Children's Books. Blyton (Enid), The Green Goblin Book, ffep signed by the author, first edition, London: George Newnes, Limited, n.d. [1935], half-title, colour frontispiece, monochrome in-text illustrations, original variant publisher's plain green dustjacket, with some light wear and minor chips, over original green cloth, 8vo
A pair of George III pierced oval silver salt cellars and a mustard pot en suite, crested, blue glass liners, salt cellars 82mm l, by Robert Hennell, London 1776, 6oz 17dwt Piercing undamaged, light wear, none misshapen, no salt corrosion, one foot of one salt cellar possibly re soldered, marks good, one liner possibly contemporary; none chipped
A George III rococo silver cruet frame, the handle centred by a shell, the gallery applied with asymmetrical cast escutcheon engraved with contemporary initials, on four shell feet, retaining the compliment of five facet cut glass condiment bottles, 21cm h, by Robert Peaston [Grimwade 3782], London 1761, 15oz 15dwt weighable Frame undamaged with light consistent wear, the cut glass bottles also in good conditionThe two on a foot slightly chipped around a foot, the shortest bottle a replacement with a plated lid
Leicestershire. Nichols (John, FSA), The History and Antiquities of the County of Leicester, volume I, two parts, first edition, large paper copy, London: Printed by and for J. Nichols, Printer to The Society of Antiquaries, 1795, full-page plates, tables and genealogy, bound with the scarce essay by Crabbe (Rev. George, Rector of Muston), The Natural History of The Vale of Belvoir, n.d. [1790], [9]ff and 2 engraved plates, and a later 19th/20th c [3]pp MS index, 19th/20th c brown quarter-calf gilt over green cloth boards, light wear, folio (50.5 x 33cm); Johnson (Mrs. T. Fielding), Glimpses of Ancient Leicester, London: Simpkin, Marshall, Hamilton, Kent & Co., 1891, half-title with contemporary presentation inscription, later 20th c tan calf over cloth boards, 4to, (2) Provenance: 1st: Dame Kathleen Mary Kenyon DBE, FBA, FSA (1906-1978), archaeologist and Principal of St Hugh's College, Oxford (1962-1973); presented to her as a mark of gratitude, 21st October, 1939, for her excavations of the Roman forum and Jewry Wall of Leicester, loosely-inserted MS [2]ff presentation subscription.
A George V silver rose bowl in the form of a William and Mary porringer, with S scroll handles and chased with a vacant cartouche and C scrolls beneath cable girdle, 46cm over handles, by Martin, Hall & Co, London 1916, 62oz Good condition, no engraving or erasure, some light polish residue, marks good, handle straight
Americana. Signed Books: Paretsky (Sara), Killing Orders, ffep signed by the author, first UK edition, London: Victor Gollancz Ltd, 1986, original publisher's dustjacket, light creases, spine slightly faded, some stable tears to verso, red cloth boards, 8vo; crime fiction: Ellroy (James), American Tabloid, ffep signed by the author, first UK edition, London: Century, 1995, pictorial dustjacket, black cloth, 8vo; idem, The Black Dahlia, signed and dedicated, Arrow, 1993, pb, 8vo; Mason (Bobbie Ann), In Country, signed and dedicated title-page, first edition thus, New York: Harper & Row, 1986, paperback, 8vo; Updike (John), Recent Poems 1986-1990, signed, first edition thus, limited edition copy no. 246/350, Helsinki: Eurographica, June 1990, original wrappers, uncut, 8vo; Ford (Richard), Independence Day, signed and dedicated by the author, first UK edition, Harvill, 1995, dj, hb, 8vo; another signed Richard Ford novel; Larry Brown's Dirty Work, dj, hb, 8vo; Sheila Bosworth's Slow Poison, dj, hb, 8vo; other authors, all signed, including Don DeLillo John Irving, Hilton Obenzinger, Barry Hannah, Andre Dubus, Kevin McDermott, Robert Kroetsch, Walter Mosley, Sara Paretsky, etc., (29) Provenance: Peter Messent, Emeritus Professor of Modern American Literature and former Head of the School of American and Canadian Studies at the University of Nottingham.
A George II silver salver, engraved at later date with crest, coronet, initial H of Hamilton and motto THOROUGH, in gadrooned rim with shells at intervals, on three ball feet, 23cm diam, by Dorothy Sarbitt, London 1754, 14oz 5dwt Field 'whippy' and with light wear and polish scratches consistent with age, no repair, feet undamaged
The Inklings. Williams (Charles), The House of the Octopus, first edition, London: Edinburgh House Press, 1945, half-title, original publisher's dustjacket, price-clipped, over green cloth, 8vo; idem., The Descent of the Dove, first edition, London: Longmans, Green and Co., 1939, red cloth only, 8vo; idem., Flecker of Dean Close, first edition, London: The Canterbury Press, 1946, dj, worn, chipped and creased, over grey cloth boards, 8vo; idem., Collected Plays, first edition thus, Oxford University Press, 1963, publisher's dj, some tears, over blue cloth, 8vo; Hadfield (Alice Mary), An Introduction to Charles Williams, London: Robert Hale Limited, 1959, original publisher's dustjacket, price-clipped, sunned spine, over blue cloth, 8vo; Tolkien (J.R.R.), Beowulf: The Monsters and the Critics, Oxford University Press, 1963, original wrappers, 8vo; idem., The Silmarillion, first edition, London: George Allen & Unwin, 1977, original publisher's dustjacket over cloth, spine sunned, 8vo; idem., Smith of Wootton Major, first edition, 1967, original pictorial hardback boards, worn and somewhat twisted, 8vo; idem., The Letters, first edition, 1981, dj over brown cloth, spine sunned, 8vo; idem., Mr Bliss, first American edition, Boston, 1983, dj, somewhat sunned, over cloth, oblong 8vo; & Gibb (Jocelyn, editor), Light on C.S. Lewis, London: Geoffrey Bles, 1965, dj over cloth boards, 8vo, (13)
Crime & Corruption. James I Broadside: By the King. A Proclamation for the Banishing of Giles Mompesson. Whereas Giles Mompesson, late Knight, for great and insufferable crimes by him committed, to the abuse of His Majestie (sic), and grieuous (sic) oppression of his Subjects, hath by the High Court of Parliament beene (sic) declared to bee (sic) Degraded of the order of knighthood [...], Giuven (sic) at Our Palace of Westminster the thirtieth of March [...], Imprinted at London by Bonham Norton, and John Bill, Printers to the Kings most Excellent Maiestie (sic), 1621, 35 lines, mostly Gothic Black Letter, crested by the wood-engraved royal arms, large foliated 'W' initial, now in two pieces, with loss of one sentence but not general sense, some minor losses at folds, 36 x 24.5cm Prior to the English Civil War Sir Giles Mompesson (c. 1583-1663) was seen by the public as the archetypal corrupt aristocratic courtier, aided by a nepotistic association with a distant kinsman, the grossly unpopular George Villiers, Duke of Buckingham. His criminal corruption, in particular the pocketing of licensing businesses, usually pubs, raised popular sentiment against him to such a height that eventually the House of Commons and House of Lords were compelled to act. Unexamined out of mount and frame. In two pieces following vertical tear, minor losses of varying degrees along vertical folds; creases in places, as well occasional light stains or minor grime.
Roxburghe Club. Locke (John), Directions Concerning Education: Being the First Draft of His Thoughts Concerning Education Now Printed from Additional MS. 38771 in The British Museum, with an Introduction by Frederic George Kenyon, first edition thus, Oxford: Printed for Presentation to the Members of The Roxburghe Club, 1933, half-title, rubricated title-page, frontispiece, [viii], 84pp, prelims with some light foxed spots, original brown morocco over red cloth, slight wear, lettered in gilt direct, top edge gilt, others uncut, 4to Provenance: Sir Frederic George Kenyon GBE, KCB, TD, FBA, FSA (1863-1952), President of The British Academy (1917-1921), Director and Principal Librarian of The British Museum (1909-30); Roxburghe Club member no. 187 and one of his own personal copies (of 2) of the sole book he presented to the bibliophile's club (no. 198), though his name is not printed in red on the membership leaf in this copy.
A pair of George III silver cream bowls, oval shaped with gadrooned rim, the loop handles with leaf terminals, 15.5cm over handles, maker's mark rubbed, London 1806, 24oz 15dwt Light consistent wear, other than the maker's mark the marks good, gilding to the interior intact and original, handles intact, no repair, no dents
A Queen Anne silver sugar bowl and cover, with band of fluting on a matted ground, the domed cover with leaves finial, the underside engraved with contemporary initials N*C, 85mm h, fully marked on bowl and cover, by William Fleming, London, probably 1706, 5oz 12dwt Good condition with light consistent wear, the twin leaf knop apparently original

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