NO RESERVE Almanac.- Cortés (Geronimo) El non plus ultra de el lunario y pronostico perpetuo, general, Madrid, woodcut illustrations, I4 burn to upper corner, with loss of a few letters, S2 tear with loss of a few letters, closely trimmed at head, affecting the odd headline, occasional spotting and light staining, contemporary vellum, soiled, no printer, 1787 § Horses.- Mottin de la Balme (Augustin) Essais sur l'équitation, ou Principes raisonnés sur l'art de monter et de dresser les chevaux, first edition, half-title, engraved frontispiece, occasional spotting and light staining, lightly browned, charming gilt star decorative endpapers, contemporary calf, rebacked, corners worn, rubbed, [Mennessier de La Lance II, 228], Amsterdam & Paris, Jombert & Ruault, 1773; and 7 others, all but 1 Continental, v.s. (9)
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NO RESERVE Crane (Walter) Mrs Mundi At Home, 24 plates, occasional light spotting and finger-soiling, lacking upper board and spine, [c.1875] § Morrow (W. C.) Bohemian Paris Of To-Day, illustrations, endpapers browned, book-label to rear pastedown, original pictorial cloth, a little rubbed, spine ends chipped and corners bumped, shelf-lean, 1899; and 23 others, children's or illustrated, 4to & 8vo (25)
Nelson (Horatio).- Nicolas (Sir Nicholas Harris) The Dispatches and Letters of Vice Admiral Lord Viscount Nelson, 7 vol., second edition, portrait frontispiece, 4 battle plans (3 folding, 2 colour), 4 folding facsimile letters, bookplates to front pastedowns, occasional spotting or light foxing, contemporary half calf, spines gilt with red and green morocco labels, 8vo, 1845-46
NO RESERVE Egypt.- Hieroglyphics.- Clayton (Robert, Bishop of Clogher) A journal from Grand Cairo to Mount Sinai, and back again...in company with some missionaries de propaganda fide at Grand Cairo. To which are added remarks on the origin of hieroglyphics, and the mythology of the ancient heathens, second edition, 2 engraved plates on 1 folding sheet, short split at 1 fold, creasing, occasional spotting, lower blank corners little frayed at end, [Blackmer 367], Printed for William Bowyer, 1753 bound with 4 others, Religion, together 5 works in 1 vol., occasional spotting and mostly light staining, contemporary calf, spine gilt and with black morocco label, rubbed, 8vo
NO RESERVE America.- Kemble (Frances Anne) Journal of a Residence on a Georgian Plantation in 1838-1839, first English edition, 32pp. publishers' catalogue at end, original cloth, a little rubbed and soiled, spine browned, [Sabin 37329], 1863 § Colonial Policy of Great Britain (The), considered with relation to her North American Provinces, and West India Possessions, first edition, title a little spotted and soiled, light water-staining to upper margin, original boards, rubbed, [Sabin 14695], 1816 § Sala (George Augustus) America Revisited, fifth edition, plates and illustrations, hinges weak, original pictorial cloth, soiled, 1885, 8vo (3)⁂ The first is an anti-slavery work written by the British actress Fanny Kemble who had married the American heir to cotton and tobacco plantations in Georgia. Spending a winter there she wrote this journal which led to their separation and eventual divorce, although she did not publish it until after his death. The second is an anti-American work concerning the development of Canadian trade against the threat of the United States.
NO RESERVE Barthoux (Jules) Les Fouilles de Hadda. I Stupas et Sites, Texte et Dessins, 7 folding plans, illustrations, some cracking at gutter, original wrappers, hinge broken, spine with chips and tears and loss to foot, Paris, 1933 § Martin (Camille) L'Art Roman En Italie, L'Architecture et La Decoration, 2 vol., photographic plates, some light spotting to endpapers, loose as issued in original cloth-backed boards, rubbed with some loss to extremities and spine ends, lacking one tie, Paris, 1912 & 1924; and 4 others, architecture related, folio (7)
NO RESERVE Jersey.- [Survey of the Island of Jersey, taken by order of his Grace the Duke of Richmond, Master-General of the Ordnance], detailed military survey of Jersey, scale of six inches to the mile, 3 sheets only (of 4), lacking SW sheet, engravings, each sheet approx. 725 x 1030 mm (28 1/2 x 40 1/2 in), good margins, minor surface dirt, light spotting, handling creases, rolled, [1787-1795].⁂ Scarce.
Workhouse.- St Giles' in the Fields.- Regulations of the Work-house... belonging to the Parish of St. Giles, woodcut head-, tail-pieces and initials, early ink annotations, slightly trimmed, A1 & A2 with tape repair to small marginal defect lower edge, A3-B3 very small marginal defect lower edge, spotting and light browning,12th July 1726 bound with At a Meeting of the Gentlemen of the Vestry of the Work-house, mounted on stub and folded, tape repairs to verso, small hole affecting text, 291 x 188mm, 15th March 1726, plain modern wrappers, together 2 in 1, plain modern wrappers, v.s. ⁂ Rare. For the first, ESTC lists only two copies in British Isles, neither in British Library; for the second, ESTC lists only one copy, in the British Library.
A QUANTITY OF INDIAN TREE PATTERN DINNER AND TEA WARES by Wedgwood, Grosvenor, Sadler and un-named, Wedgwood comprising a pair of serving bowls and covers, a pair of rectangular twin handled sandwich plates, six dinner plates, diameter 24cm (one being chipped to rim), gravy boats and saucer, oval meat plate 20cm x 24cm, other manufacturers include six tea cups and saucers and side plates, six dessert plates, six un-named dinner plates, tea pot, twin handled cake plate, milk and sugar, etc, approximately 54 pieces, damage as mentioned, light signs of wear and usage
GOOD BLACK FOREST SMOKING TABLE,late 19th century, in lindenwood, the base modelled as a bear clutching a tree-trunk, the hinged head enclosing a storage compartment, supporting a pierced foliate carved oval top housing two lidded compartments with bear finials, with further bear surmount, 90.8cm highCondition report: Condition good to fair. Damage to right paw and restoration to left foot of the small bear surmount to the top. Also screw lacking/work carried out to the two smaller compartments hinges. No ashtray insert. Stable split, to wood on right arm of larger bear, and light wear throughout, though nothing which compromises the structure of the piece.Additional images available.
VICTORIAN SILVER PLATE AND PORCELAIN OIL LAMP,with foliate scroll etched globular clear glass shade and clear chimney, the ceramic burners stamped 'Walker & Hall Sheffield', the blush ivory body gilt, enamelled and relief decorated with floral sprays, to cast relief detailed base on four shaped supports, 58.3cm high overall Condition report: Small chip and nibbles to chimney upper rim; shade with light scratches, rubbing and fritting to base but otherwise fine; font is somewhat loose on its base, crazed, but no visible damage
LARGE AND IMPRESSIVE BRASS TWO TIER WATERFALL CHANDELIER,the ceiling fixture surrounded by cast fronds to chromed column, the scrolled branches each with twin light fixtures, with additional chromed uplights and hundreds of prismatic drops, approximate diameter 150cm at broadest point, approximately 200cm longFootnote: Formerly hung and pictured in the Hilton Hotel, Glasgow; this chandelier is now deconstructed and ready for transportCondition report: Additional images available, some of the fronds out of place/knocked, similar to sconces and uplights, overall general wear, due to the extensive nature of this item it is impossible to determine whether any individual components are missing but the main components appear complete
MID-20TH CENTURY DESIGN ROSEWOOD EFFECT EXTENDING DINING TABLE,in the manner of Robert Heritage for Archie Shine or Merrow Associates, on shaped chromed supports, 199cm long extended, 92cm wideCondition report: This is an imitation rosewood 'effect' finish, not real rosewood veneer.There is surface wear and light fading as per use and age, the integral leaf is far darker.Chrome supports sound, with wear as per age.Additional images now available.
GEORGE IV ROSEWOOD SEWING TABLE,with single drawer above pleated bag to stretchered shaped supports on whorl feet to castors, 59cm wideCondition report: Condition good to fair. Light wear as per use and age. One or two areas of minor cosmetic restoration. Of slightly loose construction. Additional images now available.
MONT BLANC MEISTERSTUCK EXECUTIVE INKWELL,of square form, in black resin and translucent glass, with gilt metal mounts, the hinged cover 7.4cm wide Condition report: Rear left corner metal with rubbing and abrasions, otherwise light general wear, some scuffs to underside, late 20th/21st century manufacture
TWO DUPONT FOUNTAIN PENS,both gilt finished, one with top marked for silver, the other for gold plate, both with 18ct gold nibs, and a spare Dupont 18ct nib, along with a maroon bodied English fountain pen, four German fountain pens with nibs stamped 'Iridium Point', a Rotring fountain pen and a ballpoint pen, presented in a portable pen trayCondition report: Maroon bodied pen particularly scratched and worn, otherwise usual light general surface wear, slight scuffs, marks and dirt
HERMES LEATHER BELT WITH TWO 'H' BUCKLES,the belt in leather with orange/tan reverse, the buckles gold and silver toned respectively, in two boxesCondition report: Belt 125cm long, some slight marks, two indents to edges at one end (see image), light general wear to packaging, no paperwork, unisex
A. H. MCINTOSH OF KIRKCALDY TEAK SIDEBOARD,with three drawers to left side, the upper fitted for cutlery and housing maker's label, the twin cupboard doors enclosing a single shaped shelf, on slightly tapered supports, 75cm high, 152cm wide, 45cm deepCondition report: Some light scratches and marks but overall good
DANISH STOUBY BLACK LEATHER SOFA,mid-20th century, with cushions and maker's branding beneath, on light wooden supports, 72cm high, 141cm wideCondition report: Fraying to the leather around the tops of the legs, legs scuffed, surface dirt and marks, would benefit from a clean, some further surface scuffs to reverse, additional images available
A Mashiko stoneware storage jarHeisei era (1989-2019), 20th/21st centuryThe roughly textured brown and light grey body framed by drips of olive-glaze running down one side, the shoulder applied with four plug handles, with a heavy accumulation of run-off pottery slag attached on one side and the bottom; unsigned. 38cm (15in) high.Footnotes:Provenance:A distinguished private collection.For further information on this lot please visit Bonhams.com
Suzuki Harunobu (1725-1770)Edo period (1615-1868), circa late 1760sA chuban yoko-e erotic print of Tenugui no kihan (Returning Sail at the Cotton Hand Towel Rack) from the series Furyu zashiki hakkei (Eight Fashionable Parlor Views), depicting a young girl and a man kissing in front of a mirror, a tenugui on a rack on the veranda, fluttering in the light breeze; unsigned. 21.3cm x 28.8cm (8 3/8in x 11 5/8in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Kawase Hasui (1883-1957)Showa era (1926-1989), dated 1933An oban tate-e print, titled along the bottom margin Osaka Soemon-cho no yu (Evening at Soemon-cho, Osaka) from the series Nihon fukei shu II Kansai hen (Collected Views of Japan II, Kansai Edition), depicting a night-time winter scene showing two maiko walking past a teahouse, their highly colourful kimono and elaborate obi (sash) trailing behind them, illuminated by the light streaming from an open door, shadows of figures discernible in the distance, in the foreground a couple walking closely together in the chilly night, dated Showa hachinen shigatsu saku (Work of April, Showa 8 [1933]), published by Watanabe Shozaburo, with a Watanabe mokuhan bijutsu gaho kosaku seal along the bottom right margin above the printer's seal Surishi Ono Gintaro; signed Hasui with Kawase seal. 39cm x 26cm (15 3/8in x 10¼in).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Kawase Hasui (1883-1957)Taisho era (1912-1926), dated 1922An aiban tate-e print, titled along the left margin Kumamoto, Kasuga-cho (Kasuga-cho in Kumamoto) depicting twilight falling on a peaceful village on an embankment, the reflection of the rooftops and light from a window shimmering in the water from the series Nihon fukei senshu (Selection of Scenes of Japan), dated Taisho juichinen saku (Work of Taisho 11 [1922]), published by Watanabe Shozaburo, with a round Watanabe at bottom left corner; signed Hasui with Kawase seal. 30cm x 22.5cm (11¾in x 8 7/8in).For further information on this lot please visit Bonhams.com
Eleven kozuka (knife handles)Edo period (1615-1868), 17th to 19th centuryOf shakudo, shibuichi, copper, or iron, decorated in a variety of chiselling and inlay techniques, the first with a Chinese general and a Tartar warrior, with signature Toshinaga; the second with travellers in a ferry boat, with signature on the side Hamano Noriyuki; the third with Kanzan holding a scroll, with signature Joi; the fourth with monkeys, signed Omori Hidekuni (a nanako specialist); the fifth with a snow-covered stem of bamboo, the moon on the reverse, indistinctly signed; the sixth with a tokkuri and guinomi (sake flask and cup), the reverse with a poem ; the seventh in the form of a fish, signed Yuzo; the eighth with a herdboy on an ox in a river, reaching out to recover his lost flute, signed Kato Tomotoshi and sealed Tomotoshi; the ninth with cranes in a rice paddy, signed Yoshida Kiyoteru; the tenth with a bamboo blind and books, with signature Goto Yujo and a kao; the last with a horned owl on a branch by the light of the moon. (11).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Kawase Hasui (1883-1957)Showa era (1926-1989), dated 1930An oban tate-e print, titled along the left margin Umagome no tsuki (Moon at Umagome) from the series Tokyo nijukkei (20 Views of Tokyo), depicting a clear full moon seen through pine branches, a light shining from the window of a thatched farmhouse in the lower foreground, dated Showa gonen saku (Work of Showa 5 [1930]), published by Watanabe Shozaburo, with a Hanken shoyu Watanabe Shozaburo seal along the lower right margin; signed Hasui with Kawase seal. 39cm x 26cm (15 3/8in x 10¼in).For further information on this lot please visit Bonhams.com
VICTORIAN OAK WHEEL BAROMETER,with white enamel dials, the case carved with foliage, 83cm highCondition report: The glass dial cover has cracks running through it. Hairline running through upper part of enamel thermometer back. Light wear to frame as per age. Additional images now available.
VITASCOPE ART DECO AUTOMATON CLOCK,circa 1940s, electric powered movement, the chrome chapter ring with Arabic numerals, below a perspex window revealing a three-masted ship on stormy seas, in a grey bakelite case, bearing stickers to the reverse, 31.2cm highCondition report: Condition good to fair.The case is with light age related wear. The Perspex screen may need slight adjustment. Chrome hands and chapter ring with wear too and may need slight polish.Mechamism and lamp working at time of testing.The case is in grey Bakelite.Additional images now available.
19TH CENTURY EIGHT DAY LONGCASE CLOCK BY JOHN MURDOCH OF AYR,mahogany cased with inlaid detail, the broken swan neck pediment above circular dial set with Roman and Arabic numerals, with allegorical figural painted surround, the door with ivory escutcheon, with chamfered and fluted front corners, to plinth base on bracket feet, approximately 225cm highCondition report: Case generally good to fair, with light age related wear. No trunk key or weights so unable to test working order, though mechanism looks fine. Losses to enamel in lunette and spandrels.Upon removing the hood and dial, can see the pendulum is present within the trunk.
A BESWICK BEATRIX POTTER FIGURE 'DUCHESS WITH FLOWERS' with oval gold backstamp, 10cm high Condition Report : good condition, no chips, cracks or restoration. minor crazing visible on base under bright light Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
TWO WELSH WOOL BLANKETS of traditional tartan design, comprising one in cream, blue and brown, 226cm x 140cm (inclusive of edging); and one in cream, blue, brown, yellow, red and black, 194cm x 144cm. Condition Report : The first with one snag; the second with some patches of discloration / light staining. Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

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