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534325 Los(e)/Seite
A Linhof aluminium extending Monopod a Sakar ultra wide macro lens attachment, a Weston Master III photographic Light Meter an Olympus Infinity Twin 35mm compact weatherproof Camera with 35mm and 70mm lenses, an Olympus Superzoom 120 TC weatherproof 35mm compact Camera and a Canon Ixus M-1 APS Camera.
An art nouveau light Oak Sideboard having plain top with moulded edge, over two Oak lined moulded front frieze drawers with copper coloured ring handles, over pair of opposing single carved panel doors with copper coloured ornate strap hinges and ring handles, standing on shaped rectangular legs. 60'' wide x 37'' high x 19 1/2'' deep
THE GIFT OF HRH PRINCE EDWARD OF WALES TO THE REVEREND CANON JOHN NEALE DALTON, a pair of silver twin branch three light candelabra by Elkington & Co., in neo-classical style, each with raised centre light with stiff leaf bordered and fluted urn shape sconces with circular drip trays, reeded 'S' scroll arms and on square tapered and fluted column and weighted square base with conforming stiff leaf borders, inscribed to base ' From HRH Prince Edward of Wales January 8th 1885' and from their 'Royal Highnesses The Prince and Princess of Wales January 8th 1885', Birmingham 1884, 41cm high, with oak fitted cases bearing seals and labels for Lady Forbes-Watson. See illustration
Andersen (Hans Christian) THE LITTLE MERMAID one of 150 copies, bookplate on front pastedown, a little light spotting to preliminaries, plates with tissue guards, publisher's boards, lacking spine, 1903; Shelly (Percy Bysshe) THE LYRICAL POEMS AND TRANSLATIONS… large paper copy, one of 250, vellum, Florence Press, 1918, 4to (2)
REJLANDER (OSCAR), AN ALBUM OF SEVENTY ALBUMEN PRINTS, CIRCA 1865-66 A rare and interesting folio of seventy portrait and figurative photographs by this pioneer, the albumen prints mounted on gilt-edged card leaves in a single volume with gilt and tooled black morocco bindings, the sitters including Rejlander himself, Mary Rejlander (nee Bull), Sir Henry Taylor, Hallam Tennyson (son of Lord Alfred Tennyson), John and Minnie Constable, the youngest of Lord Hawarden's children, possibly including Elphinstone 'Eppy' Maud and other unidentified subjects, album 30cm x 25cm, prints varying in size from 12cm oval up to 21cm x 15cm, some with titles or annotations in pencil. See illustration. The complete album is re-created as a pageturner pdf book on www.morphets.co.uk Provenance: This album was part of the estate of Surgeon Commander Herbert Ackland Browning RN and thence by descent to the vendor. Commander Browning served throughout the First World War, never married and died at the family home in Dawlish in 1955. Herbert's father, Captain George Browning RN, was a naval hydrographer and married Elizabeth (nee) Kendal, daughter of Dr Marsters Kendal of Kings Lynne, honorary surgeon to the Prince of Wales, later King Edward VII, at Sandringham. It is possible that the album belonged to him and was thus lent to the Prince of Wales and others as annotations indicate. Footnote: Oscar Gustav Rejlander (1813-1875), known as the Father of Art Photography, was born in Sweden and studied art in Rome, settling in England in the 1840s. He lived in Lincoln and later Wolverhampton, working as an artist and portrait miniaturist. He took an active interest in photography, seeing its potential for assisting artists and in 1853 attended lessons in the London studio of Nicholas Henneman. This inspired him to develop his own techniques experimenting with portraiture although it is his pioneering work in photo-montage, combining several negatives to form one image, that brought him to wider renown. His best known work The Two Ways of Life comprised thirty-two negatives and took six weeks to produce. Following its exhibition in Manchester in 1857 a copy was ordered by Queen Victoria for Prince Albert. Rejlander became a member of the Royal Photographic Society, regularly lecturing and publishing on the subject and in 1862 he moved to London where he built a photographic studio designed to make the best use of natural light for his subjects. During his work he came into contact with Julia Margaret Cameron, Charles Dodgson (aka Lewis Carroll), Lady Clementina (Maud) Hawarden and Charles Darwin. In the early 1870s he worked with Darwin on illustrations for his treatise on The Expression of the Emotions in Man and Animals. Although Rejlander sold volumes of his photography through book shops and art dealers it is unknown if the album in this lot was obtained thus by Captain Browning. One pencil annotation suggests it may have been bought directly from the photographer as it reads 'Rejlander had refused to sell this copy (the only one obtained from the negative taken) at any price: but the offer of £2.2.0 for the Swedish poor was too much for his nerves and I obtained it DEO GRATIAS'. A further annotation inside the front cover reads 'This album has the honour of being submitted in 1866 to HRH The Prince of Wales by Colonel Teesdale (3 weeks), in 1870 at the request of Cardinal Antorelli to HH Pope Pius IXth by Monsignor Pacca (1 week), into 1871 to Her Majesty by Lady Elgin (several weeks)'. Some of the prints herein are well known examples also held in the collections of the Royal Photographic Society, the Victoria and Albert Museum and the Metropolitan Museum of Art, New York.
A pair of 19th Century Rococo style carved gilt wood and gilded wall hanging three light Girandole, the shaped plates surrounded by 'C' scrolls and other rocaille style ornament each with top and bottom candle shelves in the 18th Century style, each approx. 92cm high x 61cm (widest point) (some minor damage and condition generally commensurate with age)
A gentleman's 9ct gold Art Deco wristwatch, by J W Benson, the rectangular silvered dial with stylised Arabic numerals and subsidiary seconds dial, to a bevelled case, after market expanding bracelet fitted, movement no 11126, case no 15776, ALD no 60807, Birmingham 1937 CONDITION REPORT: Winds and ticking. No guarantee given as to time keeping. Dial deteriorated. Marks to the case. Very dirty. Light scratches to the glass.
A cultured pearl and diamond motion ring, by N Teufel, with a cup and peg set cultured pearl to the centre, damage, surrounded by a spinning hoop of brilliant cut diamonds, marked 14k CONDITION REPORT: The nacre on the cultured pearl has been damaged with approximately 1/3 missing. The ring will require a replacement pearl. Light surface wear to the shank.
A Sèvres style campana vase, with shipping scenes on a bleu celeste ground, a Staffordshire candlestick, and a pâte-sur-pâte vase with an eidelweiss (3) CONDITION REPORT: Sevres style vase -Extensive scratching to interior. Firing cracks to base of interior. Fritting around foot rim. Candlestick - Light wear to gilding. Two handled vase - Wear to gilding around foot rim and handles.
A Royal Worcester cabinet plate, 'Catopsilia Pomono 7L', decorated with two butterflies and signed R Rushton, with a matt tooled ground border of leafy scrolls and paterae, printed and inscribed marks verso, no 9762, 23cm CONDITION REPORT: Small light scratches to central panel. Light wear to gilt rim. No obvious major damage. Minor rubbing to gilt rim.
A pair of large glass sweetmeat urns and covers, with lattice cut bodies, domed covers, on star cut bases, and another smaller pair, one without a cover (4) CONDITION REPORT: Small urn and cover: chips to base, including a large corner one. Large urn and cover: chips to three corners of base corners. No 1. Chip to inner rim of cover. Large urn and cover; Chips to two corners of base. No 2. Two chips to inner rim. Few light scratches. Urn without cover: Couple of minor chips to base corners and light surface scratches.
A set of George III steel and brass coin scales, circa 1775, the turned beam with box ends and brass pans, with three tapering cylindrical guinea, half guinea and seven shilling weights, within a plush claret fitted shark skin case, beam 10.3cm CONDITION REPORT: Light wear to the outer edges. Catches present and working. Light wear to top of case.

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