534325 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
534325 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
534325 Los(e)/Seite
Los 318
Antique Chinese blue and white porcelain vase of waisted baluster form with continuous landscape of pine trees, bamboo and prunus tree. Double underglaze blue rings to base, 25cm high.Condition report:Chips and cracks to rim.Broadly good, some glaze impurities and light scratches consistent with age.Knife cut or chip to inside foot rim
![Louis Phillippe Boitard (fl. 1733-1767), by and after, The Cov:t Garden Morning Frolick (sic), [London]: Oct:r 9 1747, Sold b](https://cdn.globalauctionplatform.com/4a50c25d-e839-4d59-b35e-ab5000f8d1a5/812cde79-e399-44a6-b154-ab5a011d61ce/468x382.jpg)
Los 738
Vinyl Records - 7” singles and Promotional copies including Electric Light Orchestra - Confusion/ Last Train To London (Double A side) - JET 166 - Promotional Copy; The Way Life’s Meant To Be - JET 7021 - Promotional Copy; Toto - Africa - CBS A2510 - Promotional Copy; Art Garfunkel - I Only Have Eyes For You (Double A side) - CBS 3575 - Promotional Copy; James Taylor - Handy Man - S CBS 5363 - Promotional Copy; Ain’t No Song - K 16444 - Promotional Copy; Jimmy Buffett - Come Monday - Promotional Copy; Robin Sarstedt - Let’s Fall In Love - F 13662 - Promotional Copy; Barry Manilow - Weekend In New England - ARISTA 77 - Promotional Copy; The Ponitails/ Joe Bennett & The Sparkletones - Born Too Late/ Black Slacks - ABC 4223 - Promotional Copy; Bryan Ferry - Let’s Stick Together - WIP 6307 - Promotional Copy; Supertramp - Breakfast In America - AMS 7451 - Promotional Copy; The Logical Song - 2128-S; Strawbs - Part Of The Union - AMS 7425 - Promotional Copy (14)
Los 1140
A Regency style glass and gilt metal frame chandelier, first half 20th century, hung with cascades of facet cut glass drops above a scallop shell gallery, with four graduated circular tiers below hung with spike shape facet cut glass drops surrounding the single light, 77cm drop.Illustrated
Los 230
A pair of Victorian silver four-light candelabraJoseph & Horace Savory, London 1885The detachable branch sections with three reeded scroll arms issuing from below a central spiral fluted light, removable central snuffer, tapering square columns on square bases, embellished with rams masks, husks, festoons and drapes, loaded bases, height 53cm, weight of branch sections 88oz.
Los 297
Frederick Rowland Emett (British, 1906-1990)A kinetic sculpture or automaton created for PI Castings, 1964-5, depicting in the foreground an elegant gentleman studying blueprints, a white-coat-clad engineer, a tree with die-cast parts like birds, and a revolving carousel of further die-castings, in the background a factory with outbuildings, the main building 'cut away' to reveal 9 spinning scenes of the casting process which appear one after another, all in painted metal and wood against a light blue ground with several coloured lights, lit from below by a fluorescent tube, contained within a substantial mahogany cabinet with gilt picture-frame facade and on-off button at the base, the cabinet 111cm wide x 42cm deep x 93cm high (44in wide x 16 1/2in deep x 36 1/2in high)Footnotes:Known as Rowland Emett, Frederick Rowland Emett OBE (1906-1990) was a celebrated cartoonist, a brilliant inventor, a designer, an engineer and a constructor of whimsical kinetic sculptures (automata).The son of a businessman and amateur inventor, and the grandson of Queen Victoria's engraver, Emett initially found work in the commercial art field, but soon moved to Punch and quickly became one of their most popular cartoonists. In 1950 the organisers of the Festival of Britain approached him to see if he might create a real-life version of one of his cartoons. The automaton became one of the main attractions at the Festival and made his reputation as a maker of mechanical 'Things'. This led both to numerous commissions such as the present sculpture, and his 'thingamabobs' created for the 1968 movie Chitty Chitty Bang Bang.This sculpture was commissioned in 1964 by a Cheshire engineering company, PI Castings, and delivered in 1965.The lot includes 3 original artworks by Emett:(i) Maquette of a brochure entitled 'The Secret of PI Casting Revealed by Emett' (ink and white paint on blue paper, 285 x 140mm.);(ii) Ink designs for four of the spinning activities within the factory: 'Pouring centrifugally', 'Assembling wax patterns', 'Investing the mould' and 'Final inspection', together on one sheet of artists' board (sheet 285 x 390mm.);(iii) Ink sketch on artists' board for an invitation 'to see Emett's newest un-setpiece, replete with movements, & fraught with messages', with areas of blue wash and overlaying sheet with additional sketch of 'SweetiePI', PI Castings' imaginary work cat (sheet 285 x 390mm.).Also included in the lot is a small archive of correspondence between PI Castings (carbon copies) and Mary Emett as her husband's business manager (mostly typed letters signed, a handful autograph). In one, dated 18 January 1967, she reports that they have been asked 'to work with the Mary Poppins creative team on a new musical with Dick Van Dyke in the lead (a film) of a story for children by Ian Fleming, called Chitty Chitty Bang Bang. The hero is a failed inventor and Rowland is to make all his inventions!'Please note that whilst this automaton appears to be fully functioning, some electrical and mechanical parts may not operate or may not comply with current statutory requirements. You should not assume that electrical items designed to operate on mains electricity will be suitable for connection to the mains electricity supply and you should obtain a report from a qualified electrician on their status before doing so. Such items which are unsuitable for connection are sold as items of interest for display purposes only. If you yourself do not have expertise regarding a lot, you should consult someone who does to advise you.
Los 339
English School, late 18th centuryA three-quarter-length oval-form portrait of an officer of the Light Company of the 47th (Lancashire) Regiment of Foot, circa 1790.oil on canvas 37.2 x 29.5cm (14 5/8 x 11 5/8in).Footnotes:Provenancewith The Parker Gallery, London.Private collection, UK.Shown at a period when the British Army had adopted somewhat dandified uniforms to improve its morale after its defeat in the American War of Independence, this officer wears the 1768 Pattern uniform as modified in the following 25 years. His service in the Light Company of that regiment is shown by his wearing epaulettes on both shoulders and the appearance of a bugle-horn embroidered on a red patch at the end of his epaulette straps. The wearing of wings to indicate attachment to the Light Company only became common after 1797. His sword belt plate is of a previously unrecorded pattern that does not appear in H.G. Parkyn, Shoulder-Belt Plates and Buttons (Aldershot: Gale & Polden Ltd, 1956).An inscription on the frame suggests that this is a portrait of James Cuming. Cuming was born in Scotland 1768. He served in the West Indies 1793-1802, at the Cape of Good Hope 1806, South America 1807 and commanded the 47th Regiment of Foot in India 1808-1813. He died on the Isle of Man 16 August 1839.We would like to thank Dr Andrew Cormack for his assistance cataloguing this lot.
Los 343
J. Matthews, 19th centuryOfficer of the 14th (King's) Light Dragoons, 1830ssigned 'J.Matthews' (lower right) oil on board 31.1 x 25.4cm (12 1/4 x 10in).Footnotes:Provenancewith The Parker Gallery, London.Private collection, UK.On the orders of King William IV the Light Dragoon regiments were ordered to wear scarlet coats instead of the blue that they had worn for the previous 40 years. The 14th was given the title King's Light Dragoons after a review in July 1830 and thereafter adopted dark blue collars and cuffs with gold lace. Dubois Drahonet shows the trouser stripe as being scarlet rather than gold - See J. Spencer-Smith, Portraits for a King - the British Military Paintings of A.J. Dubois-Drahonet (London: National Army Museum, 1990). The Light Dragoons reverted to blue uniforms in 1840.We would like to thank Dr Andrew Cormack for his assistance cataloguing this lot.
Los 344
English School, 19th centuryA European Officer, 4th Bengal Irregular Cavalry, 1840soil on board 46.4 x 39cm (18 1/4 x 15 3/8in).Footnotes:Provenancewith The Parker Gallery, London.Private collection, UK.The uniforms of the forces of the Honourable East India Company were influenced both by the dress of the British Army but also, of course, by Indian dress. The yellow kurta or long coat was a traditional Indian garment but is here combined with a white metal helmet of Germanic style and long Heavy Cavalry boots and European horse furniture, despite the fact that this regiment was designated as Light Cavalry. The officer appears to have received the Jellalabad Medal of 1842.We would like to thank Dr Andrew Cormack for his assistance cataloguing this lot.
Los 400
A collection of eighteen Geissler and Crooke's glass tubes, late 19th and early 20th centuries,of various designs, colours and shapes, together with a Apps' Patent Induction Coil in pine carrying case, the largest tube, 9¾in (24.5cm) long, (qty)Footnotes:The tube was invented by the German physicist and glassblower Heinrich Geissler in 1857. It consists of a sealed, partially evacuated glass cylinder of various shapes with a metal electrode at each end, containing rarefied gasses such as neon, argon, or air; mercury vapor or other conductive fluids; or ionizable minerals or metals, such as sodium. When a high voltage is applied between the electrodes, an electrical current flows through the tube. The current dissociates electrons from the gas molecules, creating ions, and when the electrons recombine with the ions, the gas emits light by fluorescence. The colour of light emitted is characteristic of the material within the tube, and many different colours and lighting effects can be achieved. The first gas-discharge lamps, Geissler tubes were novelty items made in many artistic shapes and colors to demonstrate the new science of electricity. In the early 20th century, the technology was commercialized and evolved into neon lighting.
Los 613
A brass and glass hexagonal hall lanternin the Georgian style, probably late 19th centurythe shaped arch panels with acorn finials below a scrolling corona with three light central hanging fitment, 67cm highThis lot is subject to the following lot symbols: TPTP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.
Los 667
Franz Xaver Bergmann (Austrian, 1861–1936): An early 20th century cold painted bronze metamorphic seated Buddha/female deity lamp the figure of the rotund seated buddha opening to reveal an exotic scantily clad jewelled female deity or goddess raised on a platform before a shell light fitting, on oval lotus base, the rear with Nam Greb and amphora B factory marks, mounted on a Porto marble rectangular plinth, fitted for electricity, 26cm high
Los 3187
A Victorian 1822 pattern light cavalry officer's sword, by Reeves, Birmingham, 87.5cm slightly curved fullered blade etched with crowned VR cypher and triumphal regalia, inscribed Presented to Private Luke Staniforth by Lieut Colonel Earl Fitzwilliam and the Officers of the 1st WYYC as being the best swordsman in Capt Athorpes (k) or Kiveton troop 24 April 1862, steel hilt, wire-bound shagreen grip, steel scabbard, 105.5cm long overall
Loading...-
534325 Los(e)/Seite