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534297 Los(e)/Seite
Los 188
A Chinese celadon ovoid wine jar and cover, moulded in relief with four reserves of traditional figures below a ruyi frieze, domed cover with outswept meander border, monochrome light green opaque glaze throughout, the European gilt metal base cast with masks, 33cm high, impressed Yongzheng square mark Reference: For a jar of the same shape see Chinese Celadon and other related wares in South East Asia, SACS, Singapore 1979, fig 262, plt 217, lower right
Los 547
VINYL LP RECORDS a lot of prog rock, rock and pop LP records with SAHB The Sensational Alex Harvey Band, Moody Blues, Gallagher and Lyle, The Ozark Mountain Daredevils, Linda Ronstadt, Robert Palmer, Supertramp, Kokomo, The police, Human League, Frankie Miller, Rod Stewart, Fleetwood Mac, Electric Light Orchestra, Carmel, del Amitri, The Beatles, Eurythmics, Pretenders, Steel Eye Span, Lena Lovitch, Elvis Costello, Simple Minds, America, Barclay James Harvest, Neew Riders of the Purple Sage, The Doobie Brothers etc (77) Condition Report:Available upon request
Los 1075
A PAIR OF CHINESE FAMILLE ROSE WALL SCONCES FIRST HALF 18TH CENTURY Each brightly painted with an oval roundel of lovers under an umbrella by deer, with a lady gazing from the pavilion, surrounded by a pair of phoenix and blossoming peonies, each with gilt-metal European light fittings, 39.5cm. (4)
Los 1111
A CHINESE SGRAFFITO AND EN GRISAILLE BRUSHPOT, BITONG SIX CHARACTER QIANLONG MARK AND OF THE PERIOD 1736-95 The cylindrical body painted with two panels containing idyllic mountainous landscapes, set against a light sea green ground incised with stylised lotus scrolls, the interior and the base glazed turquoise, 9.1cm.
Los 69
RICARD CHIANG (Barcelona, 1966)."Rio", 26/06/2006.Mixed media on panel.Signed and dated in the lower left corner.Size: 31 x 84 cm; 35 x 87,5 cm (frame).Ricard Chiang's landscapes exert an attraction probably based on the light that seems to emanate from the paintings, a luminosity that comes from the technique itself. The entire support is covered with thin sheets of burnished silver that vibrate with their imperfection in iridescent shades and at the same time have the intensity of worked paint. These backgrounds become light, either from the sky or from the shimmering reflections of bodies of water, in that fleeting moment of transition between the last lights of twilight and the deep shadows of night, during which the light has no known origin. From this light emerge plant forms, magical, supernatural and fantastic enclaves, recreations of a mysterious nature that unsettles and moves. Richard Chiang's works are thresholds through which we enter that "dark side" that harbours the terrible and phantasmagorical.He has attended fairs such as ARCO, ARTFAIR Cologne (Germany), Art LISBOA... His work has been recognised since the beginning of his career and has been awarded the best painting prizes: Accésit VIII Concurso internacional de pintura Fundación Barceló (Palma, 1998) and the 1st Prize of the Salón de Otoño de Plasencia awarded by Caja de Extremadura (2005). He has been working with the ASTARTÉ Gallery since 2002.
Los 86
KLAUS OHNSMANN (Mannheim, Germany 1962)"Interior with glassware", 2007.Acrylic, methacrylate and aluminium.Retains information label on the back of the IX Carriegos Painting Prize.Dated and titled on the back.Measurements: 180 x 110 cm.In this image the artist recreates in a realistic way an interior scene, where through a set of crystals a landscape can be appreciated in the last plane. The perspective is slightly rotated and the sharpness of the glass is distorted in such a way that the artist creates a piece with a naturalistic aesthetic, where light and reflections are the protagonists.Klaus Ohnsmann is a renowned German artist who began his career in his native country, although when he moved to Spain, his artistic production and career has been developed mainly in the country. He has an extensive curriculum with solo and group exhibitions, has won numerous prizes and has works in various international collections. He also has a museum that bears his name, located in the town of Sintra, which shows the evolution of his work, both technical and thematic, as well as his relationship with the Portuguese town.
Los 2611
A pair of 9ct white gold and diamond pear shaped cluster drop earrings, each with fifteen fancy light brown and twenty-six single cut diamonds in claw and grain settings, with post and scroll fittings, fancy light brown diamond diameters each approx 1.3mm, total weight estimated as 0.24 carats, single cut diamond diameters each approx 1mm, total weight estimated as 0.15 carats, earring lengths approx 16mm, gross weight 4.3g, hallmarked 9ct, London, sponsor TGCC
Los 2646
A late Georgian yellow metal and amethyst mourning ring, the raised cabochon amethyst measuring approx 10 x 5mm, within a reeded and white enamel set surround, the band being further reeded and with traces of white enamel, the reverse inscribed Richard H J Smith and dated 18th July 1816, unmarked but tests as approx 18ct, 2.5g, size J/KStone with some light surface abrasions only.Significant loss to white enamel.Shank good.Weight 2.5g.
Los 2672
A pair of Victorian gold pique tortoiseshell obelisk ear pendants, 4.5cm; together with a pair of pierced pear shape examples (a/f); and two convex boss shaped ear studs (one lacking stud) (3)One boss ear stud is lacking the back post.One pear shaped earring lacking pendant bale.The long pairs of earrings are the same length.All gold inlay appears complete with light surface abrasions only.Gold not marked.
Los 2760
An Art Deco white metal mounted carved celadon jade pendant on lozenge bale, height 38mm, and on fine link white metal neck chain, and with further cabochon jade stone, in probably original leather box retailed by PJ Hirdarmani, ColumboThe extra pictures were taken in natural light.Jade measures 38 x 15mm.Jade is good, no chips or damage but some minor age/handling wear.Gross weight to include chain 5.5g.
Los 2823
A gent's Tudor Oyster-Prince Rotor self-winding stainless steel cased wrist watch having a signed champagne dial (discoloured) with quarter Arabic numerals, automatic movement, the screw down back cover numbered 7909 146456, case dia. 35mm, on associated leather strapCrown screws down fully.Automatic self-winding.Hands move freely when setting.Dial badly discoloured.Case with light surface scratches.Otherwise appears good.
Los 111
Emily Woodard I'm The King Of The Castle, 2022 Watercolour and Gold Leaf on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Emily Carew Woodard is one of the most exciting illustrators in Britain today - operating out of her Waterloo studio, she works closely with the Roald Dahl team, is exhibiting alongside Quentin Blake later this year and is regularly commissioned by major global brands, including Godiva Chocolatiers, Annabel's Club, Hitachi, McCann, Penguin Random House, The National Trust, John Lewis, Alexander McQueen, The Guardian and many more. A darkly romantic style, evocative of the Golden Era of children's literature is woven into the fabric of her paintings, with clear influences from artists that have inspired her style, such as Edward Gorey, Edmund Dulac and Arthur Rackham, apparent in each work. She amalgamates this with her own light-touch and irreverent humour to create some truly charming pieces. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 112
Emily Woodard Prince, 2022 Watercolour and Gold Leaf on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Emily Carew Woodard is one of the most exciting illustrators in Britain today - operating out of her Waterloo studio, she works closely with the Roald Dahl team, is exhibiting alongside Quentin Blake later this year and is regularly commissioned by major global brands, including Godiva Chocolatiers, Annabel's Club, Hitachi, McCann, Penguin Random House, The National Trust, John Lewis, Alexander McQueen, The Guardian and many more. A darkly romantic style, evocative of the Golden Era of children's literature is woven into the fabric of her paintings, with clear influences from artists that have inspired her style, such as Edward Gorey, Edmund Dulac and Arthur Rackham, apparent in each work. She amalgamates this with her own light-touch and irreverent humour to create some truly charming pieces. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 124
Tin Stanton Lovers Leap, 2022 Ink and Charcoal on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Tin Stanton is a creative artist from Bristol with a passion for painting. His study of traditional impressionist techniques and his experience as a photographer enable him to deliver the dramatic through the use of colour and light, giving his paintings an intrinsically cinematic feel. With several works claiming finalist positions in galleries in London, Birmingham and Doncaster in 2021, Tin Stanton has also had his own solo exhibition in the D31 Art Gallery, Doncaster in 2022 as well as a painting displayed in the Royal Academy Summer Exhibition. Education 2019-22 - First Class BA (hons) Drawing & Print (University of West of England) 2022 - 2023 MA Graphic Art (current study) Select Exhibitions/Awards Visitors - D31 Art Summer Exhibition Finalist (D31 Doncaster) 2021 The Heat - Clifton Arts Summer Exhibition (Bristol) 2021 From Dust - UK Coloured Pencil Society 2oth Anniversary Gala(OXO Tower Bargehouse, London) 2021 Above New London - The Artist Lounge Finalist, Artist of the Year (Online, Magazine) 2021 Day at the Beach / Above New London - April Fish - Round Lemon (Zest, Birmingham, Online, Magazine) 2021 Sol IX / The Towers - D31 Art Gallery Winter Exhibition (D31 Doncaster) 2021 Visitors Solo Exhibition - D31 Art Gallery (D31 Doncaster) 2022 Visitors II - Objects In Mirrors Are Closer Than They Appear - UWE / Jan-Philipp Fruehsorge (Centrespace Gallery, Bristol) 2022 Perspective / GET OFF MY LAND! / The Towers II - Doncaster Art Fair (Doncaster, Online) 2022 The Clearing / Dreaming Northward / Fire at Fox Cove - D31 Art Gallery Summer Exhibition (D31 Doncaster) 2022 The Towers II - Royal Academy Summer Exhibition (London) 2022 Statement about AOAP Submitted Artwork Tin Stanton's postcard submissions form part of his ongoing futuristic exploration 'Visitors'; a collection of beautiful yet haunting paintings underpinned by a dark, insightful world of drawings, photographs, digital works, sculpture and text, which raise questions about aspects of our own futures in a way that is both convincing and compelling. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 125
Tin Stanton The Point, 2022 Ink and Charcoal on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Tin Stanton is a creative artist from Bristol with a passion for painting. His study of traditional impressionist techniques and his experience as a photographer enable him to deliver the dramatic through the use of colour and light, giving his paintings an intrinsically cinematic feel. With several works claiming finalist positions in galleries in London, Birmingham and Doncaster in 2021, Tin Stanton has also had his own solo exhibition in the D31 Art Gallery, Doncaster in 2022 as well as a painting displayed in the Royal Academy Summer Exhibition. Education 2019-22 - First Class BA (hons) Drawing & Print (University of West of England) 2022 - 2023 MA Graphic Art (current study) Select Exhibitions/Awards Visitors - D31 Art Summer Exhibition Finalist (D31 Doncaster) 2021 The Heat - Clifton Arts Summer Exhibition (Bristol) 2021 From Dust - UK Coloured Pencil Society 2oth Anniversary Gala(OXO Tower Bargehouse, London) 2021 Above New London - The Artist Lounge Finalist, Artist of the Year (Online, Magazine) 2021 Day at the Beach / Above New London - April Fish - Round Lemon (Zest, Birmingham, Online, Magazine) 2021 Sol IX / The Towers - D31 Art Gallery Winter Exhibition (D31 Doncaster) 2021 Visitors Solo Exhibition - D31 Art Gallery (D31 Doncaster) 2022 Visitors II - Objects In Mirrors Are Closer Than They Appear - UWE / Jan-Philipp Fruehsorge (Centrespace Gallery, Bristol) 2022 Perspective / GET OFF MY LAND! / The Towers II - Doncaster Art Fair (Doncaster, Online) 2022 The Clearing / Dreaming Northward / Fire at Fox Cove - D31 Art Gallery Summer Exhibition (D31 Doncaster) 2022 The Towers II - Royal Academy Summer Exhibition (London) 2022 Statement about AOAP Submitted Artwork Tin Stanton's postcard submissions form part of his ongoing futuristic exploration 'Visitors'; a collection of beautiful yet haunting paintings underpinned by a dark, insightful world of drawings, photographs, digital works, sculpture and text, which raise questions about aspects of our own futures in a way that is both convincing and compelling. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 127
Tin Stanton Dreaming Northward, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Tin Stanton is a creative artist from Bristol with a passion for painting. His study of traditional impressionist techniques and his experience as a photographer enable him to deliver the dramatic through the use of colour and light, giving his paintings an intrinsically cinematic feel. With several works claiming finalist positions in galleries in London, Birmingham and Doncaster in 2021, Tin Stanton has also had his own solo exhibition in the D31 Art Gallery, Doncaster in 2022 as well as a painting displayed in the Royal Academy Summer Exhibition. Education 2019-22 - First Class BA (hons) Drawing & Print (University of West of England) 2022 - 2023 MA Graphic Art (current study) Select Exhibitions/Awards Visitors - D31 Art Summer Exhibition Finalist (D31 Doncaster) 2021 The Heat - Clifton Arts Summer Exhibition (Bristol) 2021 From Dust - UK Coloured Pencil Society 2oth Anniversary Gala(OXO Tower Bargehouse, London) 2021 Above New London - The Artist Lounge Finalist, Artist of the Year (Online, Magazine) 2021 Day at the Beach / Above New London - April Fish - Round Lemon (Zest, Birmingham, Online, Magazine) 2021 Sol IX / The Towers - D31 Art Gallery Winter Exhibition (D31 Doncaster) 2021 Visitors Solo Exhibition - D31 Art Gallery (D31 Doncaster) 2022 Visitors II - Objects In Mirrors Are Closer Than They Appear - UWE / Jan-Philipp Fruehsorge (Centrespace Gallery, Bristol) 2022 Perspective / GET OFF MY LAND! / The Towers II - Doncaster Art Fair (Doncaster, Online) 2022 The Clearing / Dreaming Northward / Fire at Fox Cove - D31 Art Gallery Summer Exhibition (D31 Doncaster) 2022 The Towers II - Royal Academy Summer Exhibition (London) 2022 Statement about AOAP Submitted Artwork Tin Stanton's postcard submissions form part of his ongoing futuristic exploration 'Visitors'; a collection of beautiful yet haunting paintings underpinned by a dark, insightful world of drawings, photographs, digital works, sculpture and text, which raise questions about aspects of our own futures in a way that is both convincing and compelling. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 209
Lois Wallace Field of Fire, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Lois Wallace is a contemporary painter who trained at the Slade School of Art. Education B.A Fine Art (Painting) Coventry Polytechnic. HDFA The Slade School of Art, University College London. Select Exhibitions/Awards Recent selected solo exhibitions 2022 Silent fire PS Mirabel gallery, Manchester, 2020 Small worlds The Old Lock up gallery, 2019 Perfect Day International project space Birmingham, 2019 Other Places Tarpey Gallery. Selected Group Shows Royal Academy Summer exhibition 2022, 2017, 2016 and 2015; Beep Painting Biennial, 2022; New Light touring exhibition 2020-21. Other exhibitions include The Discerning Eye 2018 and the Columbia Threadneedle competition where she was awarded a finalist prize. . Gallery Representation Raab Gallery Berlin. Saul Hay Gallery. McAllister Thomas Fine Art. Statement about AOAP Submitted Artwork Blaze and Field of fire are paintings of imagined places that depict fragility and disquiet through the tonality of light and atmosphere. The paintings are located within the genre of the sublime and are aligned to the tradition of English landscape painting. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 210
Lois Wallace Blaze, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Lois Wallace is a contemporary painter who trained at the Slade School of Art. Education B.A Fine Art (Painting) Coventry Polytechnic. HDFA The Slade School of Art, University College London. Select Exhibitions/Awards Recent selected solo exhibitions 2022 Silent fire PS Mirabel gallery, Manchester, 2020 Small worlds The Old Lock up gallery, 2019 Perfect Day International project space Birmingham, 2019 Other Places Tarpey Gallery. Selected Group Shows Royal Academy Summer exhibition 2022, 2017, 2016 and 2015; Beep Painting Biennial, 2022; New Light touring exhibition 2020-21. Other exhibitions include The Discerning Eye 2018 and the Columbia Threadneedle competition where she was awarded a finalist prize. . Gallery Representation Raab Gallery Berlin. Saul Hay Gallery. McAllister Thomas Fine Art. Statement about AOAP Submitted Artwork Blaze and Field of fire are paintings of imagined places that depict fragility and disquiet through the tonality of light and atmosphere. The paintings are located within the genre of the sublime and are aligned to the tradition of English landscape painting. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 215
Gethin Evans Rose Dawn Swimmers, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Born in Maesteg, South Wales. Figurative painter who lives and works in London. Studio is part of Space Studios complex in the East End. The paintings are often large scale compositions primarily dealing with light, colour, space and image and sourced from memories of figures and city spaces and travel experiences. Works are oil and acrylic on both paper and canvas. Education 1978 - 1980 - Slade School of Fine Art, HDFA 1975 - 1978 - Camberwell School of Arts and Crafts BA (Homs) Painting 1974 - 1975 - Byam Shaw School of Art Foundation Course Select Exhibitions/Awards 2022 - Royal Academy Summer Exhibition ASSEMBLE 20 - Tregony Gallery 2021 - ING Discerning Eye Exhibition Battersea Art Fair with Lucinda Dalton Gallery 2020 - Meeting Points - two person show with Sharon Beavan at the Royal Drawing School Shoreditch Gallery 2019 - Creekside Open Exhibition- APT Gallery 2018 - CASHE - group exhibition at Angus Hughes Gallery, London 2017 - Wall, Window, World - group exhibition at Tregony Gallery, Cornwall 2015 - ALIGNMENTS- group exhibition at espacio gallery, London 2013 - Zeitgeist Art Projects Open Exhibition- ASC Studios, London 2012 - COMPASS - group exhibition of five artists - Street Road Gallery, Pennsylvania, USA TERRITORIES - group exhibition at Galerie Windkracht , Den Helder, Holland 2007 - Celeste Art Prize Exhibition 2002 - Small is Beautiful- Flowers East Gallery 1994 - The Whitechapel Open 1989 - QUEST - group exhibition at New York Stufio School Gallery Representation Tregony Gallery, Cornwall Lucinda Dalton Gallery, London Oakham Contemporary (online) Statement about AOAP Submitted Artwork Two images of early morning swimmers. I wanted to capture a sense of light and colour specific to a particular space, time, and place. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 216
Gethin Evans Golden Dawn Swimmer, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Born in Maesteg, South Wales. Figurative painter who lives and works in London. Studio is part of Space Studios complex in the East End. The paintings are often large scale compositions primarily dealing with light, colour, space and image and sourced from memories of figures and city spaces and travel experiences. Works are oil and acrylic on both paper and canvas. Education 1978 - 1980 - Slade School of Fine Art, HDFA 1975 - 1978 - Camberwell School of Arts and Crafts BA (Homs) Painting 1974 - 1975 - Byam Shaw School of Art Foundation Course Select Exhibitions/Awards 2022 - Royal Academy Summer Exhibition ASSEMBLE 20 - Tregony Gallery 2021 - ING Discerning Eye Exhibition Battersea Art Fair with Lucinda Dalton Gallery 2020 - Meeting Points - two person show with Sharon Beavan at the Royal Drawing School Shoreditch Gallery 2019 - Creekside Open Exhibition- APT Gallery 2018 - CASHE - group exhibition at Angus Hughes Gallery, London 2017 - Wall, Window, World - group exhibition at Tregony Gallery, Cornwall 2015 - ALIGNMENTS- group exhibition at espacio gallery, London 2013 - Zeitgeist Art Projects Open Exhibition- ASC Studios, London 2012 - COMPASS - group exhibition of five artists - Street Road Gallery, Pennsylvania, USA TERRITORIES - group exhibition at Galerie Windkracht , Den Helder, Holland 2007 - Celeste Art Prize Exhibition 2002 - Small is Beautiful- Flowers East Gallery 1994 - The Whitechapel Open 1989 - QUEST - group exhibition at New York Stufio School Gallery Representation Tregony Gallery, Cornwall Lucinda Dalton Gallery, London Oakham Contemporary (online) Statement about AOAP Submitted Artwork Two images of early morning swimmers. I wanted to capture a sense of light and colour specific to a particular space, time, and place. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 235
Mary Romer Smouldering August, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Mary's childhood was spent in India, Southern Yemen and East Africa. Born in 1952 in Dar-es-Salaam, Tanzania. Her early years where the vast landscapes of Africa contrasted with the vibrant colours in India were a formative influence. Educated in India, England and France. In 1972 she moved to London taking advantage of the cultural events, attending exhibitions, art lectures at the V & A and life drawing classes at Chelsea College of Art. Over the years she travelled often to France and Italy visiting the major art exhibitions and studying the early frescos of Masaccio in Florence. After marrying and having two sons, she enrolled as a mature student to study art at Anglia Ruskin College, Cambridge. She holds a BA in Fine Art (Contemporary Practice). 2015 she was selected and completed an intensive 3-week course at The Slade, UCL Her work has been exhibited in London and East Anglia, with solo shows as well as being selected for mixed shows. Her work is in private and public collections worldwide. Education England and France Anglia Ruskin College, Cambridge - BA Fine Art (Contemporary Practice) Selected 3 week residency at The Slade, UCL Select Exhibitions/Awards Eastern Open Kings Lynne - 2004, 2005, 2006 One Church Street Gallery, Amersham selected Winter Open - 2012 Cambridge Artworks - 2013 Cambridge Artworks - 2014 The Lacey Gallery - selected for Summer Exhibition Prize 2016 The Sentinel Gallery - Wivenhoe selected for The Summer Show - 2017 Cobbold & Judd - selected for Winter Show - 2017 Contemporary British Painting, The Crypt, Marylebone, London - 2019 The London Ultra - The Barge House - Free Painters & Sculptors - 2019 The Muse Gallery, Notting Hill, London - Encounters 2021 The Fry Art Gallery, Saffron Walden - 2021 The Royal Academy of The Arts, London, IndiaSummer Exhibition - 2022 AWARDS The Bank House Postcard Award - 2006 Highly Commended - The Orangery, Holland Park - 2011 Gallery Representation The Muse Gallery, Notting Hill, London The Angela Mellor Gallery, - Ely Statement about AOAP Submitted Artwork The Red Dust Vapour paintings are a multi-layered response. Using a palette of pinks and earth-reds became a meditation, recollecting colours used in Renaissance painting, yet pertinent to concerns reflecting the increasing desertificaton of Africa and dust storms that covered streets and cars across Europe. In this series of paintings, I am able to link both process as well as concept. Preparing colour solutions of heavily diluted paint, I begin saturating the surface with water, leaving certain areas dry. The fusion of pigment and water pooling on the surface helps achieve the veils and skeins of tinted colour, expressing sensations of light, vapour and mist as seen in the skies above. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 237
Mary Romer Red Dust Vapour II, 2022 Watercolour on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Mary's childhood was spent in India, Southern Yemen and East Africa. Born in 1952 in Dar-es-Salaam, Tanzania. Her early years where the vast landscapes of Africa contrasted with the vibrant colours in India were a formative influence. Educated in India, England and France. In 1972 she moved to London taking advantage of the cultural events, attending exhibitions, art lectures at the V & A and life drawing classes at Chelsea College of Art. Over the years she travelled often to France and Italy visiting the major art exhibitions and studying the early frescos of Masaccio in Florence. After marrying and having two sons, she enrolled as a mature student to study art at Anglia Ruskin College, Cambridge. She holds a BA in Fine Art (Contemporary Practice). 2015 she was selected and completed an intensive 3-week course at The Slade, UCL Her work has been exhibited in London and East Anglia, with solo shows as well as being selected for mixed shows. Her work is in private and public collections worldwide. Education England and France Anglia Ruskin College, Cambridge - BA Fine Art (Contemporary Practice) Selected 3 week residency at The Slade, UCL Select Exhibitions/Awards Eastern Open Kings Lynne - 2004, 2005, 2006 One Church Street Gallery, Amersham selected Winter Open - 2012 Cambridge Artworks - 2013 Cambridge Artworks - 2014 The Lacey Gallery - selected for Summer Exhibition Prize 2016 The Sentinel Gallery - Wivenhoe selected for The Summer Show - 2017 Cobbold & Judd - selected for Winter Show - 2017 Contemporary British Painting, The Crypt, Marylebone, London - 2019 The London Ultra - The Barge House - Free Painters & Sculptors - 2019 The Muse Gallery, Notting Hill, London - Encounters 2021 The Fry Art Gallery, Saffron Walden - 2021 The Royal Academy of The Arts, London, IndiaSummer Exhibition - 2022 AWARDS The Bank House Postcard Award - 2006 Highly Commended - The Orangery, Holland Park - 2011 Gallery Representation The Muse Gallery, Notting Hill, London The Angela Mellor Gallery, - Ely Statement about AOAP Submitted Artwork The Red Dust Vapour paintings are a multi-layered response. Using a palette of pinks and earth-reds became a meditation, recollecting colours used in Renaissance painting, yet pertinent to concerns reflecting the increasing desertificaton of Africa and dust storms that covered streets and cars across Europe. In this series of paintings, I am able to link both process as well as concept. Preparing colour solutions of heavily diluted paint, I begin saturating the surface with water, leaving certain areas dry. The fusion of pigment and water pooling on the surface helps achieve the veils and skeins of tinted colour, expressing sensations of light, vapour and mist as seen in the skies above. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 238
Holly Frean 1926 - 2022, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Holly Frean began her formal training in architecture, before completing a BA (Hons) Fine Art at City & Guilds of London Art School, UK. Building a busy studio practice in London and Berlin lead to early exhibitions at the Chelsea Arts Club and other exhibition venues. Early work as a portrait painter developed into the witty, diverse and accomplished style she is known for today. Frequent art historical visual references to both specific paintings and artists contrast with a light-hearted humour edged with wry observations of our reading of art. Holly has shown extensively in the UK and North America with Rebecca Hossack Gallery, ZimmerStewart, Blue Print Gallery, Lawrence Alkin Gallery and has had solo further shows at Paul Smith's London flagship store. Holly has been invited to show work as part of the Royal Academy's Summer Exhibition on a number of occasions. Awards include the 2012 National Open Art Competition Painting Prize (awarded by Grayson Perry). Commissions are numerous and are an ongoing part of Holly's practice alongside developing new bodies of work. Recent patrons include the Duchess of Northumberland, Betty Jackson, Russell Howard, Ricky Gervais, Kit Kemp, Russell Tovey and Johnny Boden. Running parallel to Holly's painting are a growing number of textile, ceramics and wallpaper collaborations and partnerships with prestigious brands including Anthropologie, Andrew Martin, Burberry, Paul Smith, Little Greene Paint Co, Chick'N'Sours. Holly has a new card range published via ArtPress and is represented by Bridgeman Images for image licensing. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 239
Holly Frean Study No.1 of HM The Queen, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Holly Frean began her formal training in architecture, before completing a BA (Hons) Fine Art at City & Guilds of London Art School, UK. Building a busy studio practice in London and Berlin lead to early exhibitions at the Chelsea Arts Club and other exhibition venues. Early work as a portrait painter developed into the witty, diverse and accomplished style she is known for today. Frequent art historical visual references to both specific paintings and artists contrast with a light-hearted humour edged with wry observations of our reading of art. Holly has shown extensively in the UK and North America with Rebecca Hossack Gallery, ZimmerStewart, Blue Print Gallery, Lawrence Alkin Gallery and has had solo further shows at Paul Smith's London flagship store. Holly has been invited to show work as part of the Royal Academy's Summer Exhibition on a number of occasions. Awards include the 2012 National Open Art Competition Painting Prize (awarded by Grayson Perry). Commissions are numerous and are an ongoing part of Holly's practice alongside developing new bodies of work. Recent patrons include the Duchess of Northumberland, Betty Jackson, Russell Howard, Ricky Gervais, Kit Kemp, Russell Tovey and Johnny Boden. Running parallel to Holly's painting are a growing number of textile, ceramics and wallpaper collaborations and partnerships with prestigious brands including Anthropologie, Andrew Martin, Burberry, Paul Smith, Little Greene Paint Co, Chick'N'Sours. Holly has a new card range published via ArtPress and is represented by Bridgeman Images for image licensing. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 240
Holly Frean Study No.2 of HM The Queen, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Holly Frean began her formal training in architecture, before completing a BA (Hons) Fine Art at City & Guilds of London Art School, UK. Building a busy studio practice in London and Berlin lead to early exhibitions at the Chelsea Arts Club and other exhibition venues. Early work as a portrait painter developed into the witty, diverse and accomplished style she is known for today. Frequent art historical visual references to both specific paintings and artists contrast with a light-hearted humour edged with wry observations of our reading of art. Holly has shown extensively in the UK and North America with Rebecca Hossack Gallery, ZimmerStewart, Blue Print Gallery, Lawrence Alkin Gallery and has had solo further shows at Paul Smith's London flagship store. Holly has been invited to show work as part of the Royal Academy's Summer Exhibition on a number of occasions. Awards include the 2012 National Open Art Competition Painting Prize (awarded by Grayson Perry). Commissions are numerous and are an ongoing part of Holly's practice alongside developing new bodies of work. Recent patrons include the Duchess of Northumberland, Betty Jackson, Russell Howard, Ricky Gervais, Kit Kemp, Russell Tovey and Johnny Boden. Running parallel to Holly's painting are a growing number of textile, ceramics and wallpaper collaborations and partnerships with prestigious brands including Anthropologie, Andrew Martin, Burberry, Paul Smith, Little Greene Paint Co, Chick'N'Sours. Holly has a new card range published via ArtPress and is represented by Bridgeman Images for image licensing. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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Godfried Donkor Financial Times Race 1722, 2022 Collage on Paper Signed recto, further signed verso 10 x 15cm (3¾ x 5¾ in.) About Godfried Donkor is a British-Ghanaian artist employing contemporary painting, mixed media collages, video and printmaking, to explore the iconography of mass culture. Mixing styles and imagery from various periods throughout history, Donkor's work emphasis creolisation as a creative force emerging from the reciprocity of language, culture and social interaction. Donkor's work is included in selected international collections such as: National Gallery of Botswana. National Collection of Senegal. Nirox Foundation collection. Studio Museum, Harlem. Stedelijk Museum, Amsterdam. Smithsonian Museum of African Art - Washington D.C. Whitworth Art Gallery, Manchester. Spanish Sports Council Collection. University of Helsinki. Selected group and solo exhibitions include David Adjaye: Making Memory, Design Museum, London 2019. Battle Royale I, last man standing, Gallery 1957, Accra. The First Day of the Yam Custom: 1817, Gallery 1957, Accra ,2017. Afriques Capitales, Parc de la Villiette, Paris 2017 and Still the Barbarians, EVA International Ireland's Biennial, Limerick 2016. Speaking of people, Ebony Jet and contemporary Art, Studio Museum in Harlem, USA ,2014. In 2010 Donkor was approached by Puma sports to design a new football kit for the Ghana National Football team. Godfried Donkor is a fellow of visual arts at the Rockerfeller Foundation Bellagio artist in residence fellowship, 2018 2021, Camberwell Adinkra, Denmark Hill station. Education BA Fine Art Painting (1989) St Martin's school of art, Post Graduate Studies Painting (1992) Escolla Massana, MA History of African Art (1996) SOAS Select Exhibitions/Awards Solo Exhibitions 2021 A Collection on Works on Paper, Gallery 1957, London, UK 2019 Battle Royale - The Last Man Standing - Part I, Gallery 1957, Gallery II, Accra, Ghana 2017 The First Day of the Yam Custom: 1817, Gallery 1957, Accra, Ghana 2011 People of Utopia, Artco Gallery, London, UK 2010 The Fives Court, Fred Gallery, London, UK 2009 The Olympians and Muses, Afronova Gallery, Johannesburg, South Africa Story of a London township, Space, London, UK 2008 State of the Union, T1 + 2 Gallery, London, UK Once upon a time in the west, there was lace, Wollaton Hall Nottingham, UK 2007 Financial Times, Gorre Festival, Gorre Island, Senegal Abolition 07, Hackney Museum, London, UK 2006 The Sable Venus and the Black Madonna, Gallerie 23, Amsterdam, Holland Jamestown Masquerade, Walsh metal works, St Croix, USVI 2005 Concerto in light and Darkness no 1, National Museum, Ghana 2004 Godfried Donkor, Pascal Polar Gallery, Brussels, Belgium Financial Times, Ecole Regionale des beaux Artes, Nantes, France 2003 The Fancy, Stephen Lawrence Gallery, London, UK Godfried Donkor, Recent works, The Scene Gallery, NY, USA 2002 Godfried Donkor, Albrecht Durer Kunstverein, Nuremberg, Germany 2001 Handel and Hogarth at Vauxhall pleasure gardens, St Peters Church, London, UK 2000 Whose Africa, Horniman Museum, London, UK Wrestling and Mysticism, Dak'Art 2000 Dakar, Senegal 1999 Slave to Champ, E M A C A, Nottingham, UK Gallery Representation Gallery 1957 Statement about AOAP Submitted Artwork The financial times race series for this postcard's edition starts from 1722 - 2022 and reminds us of the constant race for humanity to improve and achieve despite all or any obstacles. This is a test for a larger series of paintings and collages in the future. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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Godfried Donkor Financial Times Race 1822, 2022 Collage on Paper Signed recto, further signed verso 10 x 15cm (3¾ x 5¾ in.) About Godfried Donkor is a British-Ghanaian artist employing contemporary painting, mixed media collages, video and printmaking, to explore the iconography of mass culture. Mixing styles and imagery from various periods throughout history, Donkor's work emphasis creolisation as a creative force emerging from the reciprocity of language, culture and social interaction. Donkor's work is included in selected international collections such as: National Gallery of Botswana. National Collection of Senegal. Nirox Foundation collection. Studio Museum, Harlem. Stedelijk Museum, Amsterdam. Smithsonian Museum of African Art - Washington D.C. Whitworth Art Gallery, Manchester. Spanish Sports Council Collection. University of Helsinki. Selected group and solo exhibitions include David Adjaye: Making Memory, Design Museum, London 2019. Battle Royale I, last man standing, Gallery 1957, Accra. The First Day of the Yam Custom: 1817, Gallery 1957, Accra ,2017. Afriques Capitales, Parc de la Villiette, Paris 2017 and Still the Barbarians, EVA International Ireland's Biennial, Limerick 2016. Speaking of people, Ebony Jet and contemporary Art, Studio Museum in Harlem, USA ,2014. In 2010 Donkor was approached by Puma sports to design a new football kit for the Ghana National Football team. Godfried Donkor is a fellow of visual arts at the Rockerfeller Foundation Bellagio artist in residence fellowship, 2018 2021, Camberwell Adinkra, Denmark Hill station. Education BA Fine Art Painting (1989) St Martin's school of art, Post Graduate Studies Painting (1992) Escolla Massana, MA History of African Art (1996) SOAS Select Exhibitions/Awards Solo Exhibitions 2021 A Collection on Works on Paper, Gallery 1957, London, UK 2019 Battle Royale - The Last Man Standing - Part I, Gallery 1957, Gallery II, Accra, Ghana 2017 The First Day of the Yam Custom: 1817, Gallery 1957, Accra, Ghana 2011 People of Utopia, Artco Gallery, London, UK 2010 The Fives Court, Fred Gallery, London, UK 2009 The Olympians and Muses, Afronova Gallery, Johannesburg, South Africa Story of a London township, Space, London, UK 2008 State of the Union, T1 + 2 Gallery, London, UK Once upon a time in the west, there was lace, Wollaton Hall Nottingham, UK 2007 Financial Times, Gorre Festival, Gorre Island, Senegal Abolition 07, Hackney Museum, London, UK 2006 The Sable Venus and the Black Madonna, Gallerie 23, Amsterdam, Holland Jamestown Masquerade, Walsh metal works, St Croix, USVI 2005 Concerto in light and Darkness no 1, National Museum, Ghana 2004 Godfried Donkor, Pascal Polar Gallery, Brussels, Belgium Financial Times, Ecole Regionale des beaux Artes, Nantes, France 2003 The Fancy, Stephen Lawrence Gallery, London, UK Godfried Donkor, Recent works, The Scene Gallery, NY, USA 2002 Godfried Donkor, Albrecht Durer Kunstverein, Nuremberg, Germany 2001 Handel and Hogarth at Vauxhall pleasure gardens, St Peters Church, London, UK 2000 Whose Africa, Horniman Museum, London, UK Wrestling and Mysticism, Dak'Art 2000 Dakar, Senegal 1999 Slave to Champ, E M A C A, Nottingham, UK Gallery Representation Gallery 1957 Statement about AOAP Submitted Artwork The financial times race series for this postcard's edition starts from 1722 - 2022 and reminds us of the constant race for humanity to improve and achieve despite all or any obstacles. This is a test for a larger series of paintings and collages in the future. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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Godfried Donkor Financial Times Race 1922, 2022 Collage on Paper Signed recto, further signed verso 10 x 15cm (3¾ x 5¾ in.) About Godfried Donkor is a British-Ghanaian artist employing contemporary painting, mixed media collages, video and printmaking, to explore the iconography of mass culture. Mixing styles and imagery from various periods throughout history, Donkor's work emphasis creolisation as a creative force emerging from the reciprocity of language, culture and social interaction. Donkor's work is included in selected international collections such as: National Gallery of Botswana. National Collection of Senegal. Nirox Foundation collection. Studio Museum, Harlem. Stedelijk Museum, Amsterdam. Smithsonian Museum of African Art - Washington D.C. Whitworth Art Gallery, Manchester. Spanish Sports Council Collection. University of Helsinki. Selected group and solo exhibitions include David Adjaye: Making Memory, Design Museum, London 2019. Battle Royale I, last man standing, Gallery 1957, Accra. The First Day of the Yam Custom: 1817, Gallery 1957, Accra ,2017. Afriques Capitales, Parc de la Villiette, Paris 2017 and Still the Barbarians, EVA International Ireland's Biennial, Limerick 2016. Speaking of people, Ebony Jet and contemporary Art, Studio Museum in Harlem, USA ,2014. In 2010 Donkor was approached by Puma sports to design a new football kit for the Ghana National Football team. Godfried Donkor is a fellow of visual arts at the Rockerfeller Foundation Bellagio artist in residence fellowship, 2018 2021, Camberwell Adinkra, Denmark Hill station. Education BA Fine Art Painting (1989) St Martin's school of art, Post Graduate Studies Painting (1992) Escolla Massana, MA History of African Art (1996) SOAS Select Exhibitions/Awards Solo Exhibitions 2021 A Collection on Works on Paper, Gallery 1957, London, UK 2019 Battle Royale - The Last Man Standing - Part I, Gallery 1957, Gallery II, Accra, Ghana 2017 The First Day of the Yam Custom: 1817, Gallery 1957, Accra, Ghana 2011 People of Utopia, Artco Gallery, London, UK 2010 The Fives Court, Fred Gallery, London, UK 2009 The Olympians and Muses, Afronova Gallery, Johannesburg, South Africa Story of a London township, Space, London, UK 2008 State of the Union, T1 + 2 Gallery, London, UK Once upon a time in the west, there was lace, Wollaton Hall Nottingham, UK 2007 Financial Times, Gorre Festival, Gorre Island, Senegal Abolition 07, Hackney Museum, London, UK 2006 The Sable Venus and the Black Madonna, Gallerie 23, Amsterdam, Holland Jamestown Masquerade, Walsh metal works, St Croix, USVI 2005 Concerto in light and Darkness no 1, National Museum, Ghana 2004 Godfried Donkor, Pascal Polar Gallery, Brussels, Belgium Financial Times, Ecole Regionale des beaux Artes, Nantes, France 2003 The Fancy, Stephen Lawrence Gallery, London, UK Godfried Donkor, Recent works, The Scene Gallery, NY, USA 2002 Godfried Donkor, Albrecht Durer Kunstverein, Nuremberg, Germany 2001 Handel and Hogarth at Vauxhall pleasure gardens, St Peters Church, London, UK 2000 Whose Africa, Horniman Museum, London, UK Wrestling and Mysticism, Dak'Art 2000 Dakar, Senegal 1999 Slave to Champ, E M A C A, Nottingham, UK Gallery Representation Gallery 1957 Statement about AOAP Submitted Artwork The financial times race series for this postcard's edition starts from 1722 - 2022 and reminds us of the constant race for humanity to improve and achieve despite all or any obstacles. This is a test for a larger series of paintings and collages in the future. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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Godfried Donkor Financial Times Race 2022, 2022 Collage on Paper Signed recto, further signed verso 10 x 15cm (3¾ x 5¾ in.) About Godfried Donkor is a British-Ghanaian artist employing contemporary painting, mixed media collages, video and printmaking, to explore the iconography of mass culture. Mixing styles and imagery from various periods throughout history, Donkor's work emphasis creolisation as a creative force emerging from the reciprocity of language, culture and social interaction. Donkor's work is included in selected international collections such as: National Gallery of Botswana. National Collection of Senegal. Nirox Foundation collection. Studio Museum, Harlem. Stedelijk Museum, Amsterdam. Smithsonian Museum of African Art - Washington D.C. Whitworth Art Gallery, Manchester. Spanish Sports Council Collection. University of Helsinki. Selected group and solo exhibitions include David Adjaye: Making Memory, Design Museum, London 2019. Battle Royale I, last man standing, Gallery 1957, Accra. The First Day of the Yam Custom: 1817, Gallery 1957, Accra ,2017. Afriques Capitales, Parc de la Villiette, Paris 2017 and Still the Barbarians, EVA International Ireland's Biennial, Limerick 2016. Speaking of people, Ebony Jet and contemporary Art, Studio Museum in Harlem, USA ,2014. In 2010 Donkor was approached by Puma sports to design a new football kit for the Ghana National Football team. Godfried Donkor is a fellow of visual arts at the Rockerfeller Foundation Bellagio artist in residence fellowship, 2018 2021, Camberwell Adinkra, Denmark Hill station. Education BA Fine Art Painting (1989) St Martin's school of art, Post Graduate Studies Painting (1992) Escolla Massana, MA History of African Art (1996) SOAS Select Exhibitions/Awards Solo Exhibitions 2021 A Collection on Works on Paper, Gallery 1957, London, UK 2019 Battle Royale - The Last Man Standing - Part I, Gallery 1957, Gallery II, Accra, Ghana 2017 The First Day of the Yam Custom: 1817, Gallery 1957, Accra, Ghana 2011 People of Utopia, Artco Gallery, London, UK 2010 The Fives Court, Fred Gallery, London, UK 2009 The Olympians and Muses, Afronova Gallery, Johannesburg, South Africa Story of a London township, Space, London, UK 2008 State of the Union, T1 + 2 Gallery, London, UK Once upon a time in the west, there was lace, Wollaton Hall Nottingham, UK 2007 Financial Times, Gorre Festival, Gorre Island, Senegal Abolition 07, Hackney Museum, London, UK 2006 The Sable Venus and the Black Madonna, Gallerie 23, Amsterdam, Holland Jamestown Masquerade, Walsh metal works, St Croix, USVI 2005 Concerto in light and Darkness no 1, National Museum, Ghana 2004 Godfried Donkor, Pascal Polar Gallery, Brussels, Belgium Financial Times, Ecole Regionale des beaux Artes, Nantes, France 2003 The Fancy, Stephen Lawrence Gallery, London, UK Godfried Donkor, Recent works, The Scene Gallery, NY, USA 2002 Godfried Donkor, Albrecht Durer Kunstverein, Nuremberg, Germany 2001 Handel and Hogarth at Vauxhall pleasure gardens, St Peters Church, London, UK 2000 Whose Africa, Horniman Museum, London, UK Wrestling and Mysticism, Dak'Art 2000 Dakar, Senegal 1999 Slave to Champ, E M A C A, Nottingham, UK Gallery Representation Gallery 1957 Statement about AOAP Submitted Artwork The financial times race series for this postcard's edition starts from 1722 - 2022 and reminds us of the constant race for humanity to improve and achieve despite all or any obstacles. This is a test for a larger series of paintings and collages in the future. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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Stephen Earl Rogers Please Turn Left/Right, 2022 Acrylic on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Stephen Earl Rogers is an artist whose work is held in collections across the world. He is a highly sought-after portrait painter whose clients include major, international art collectors, public institutions, private individuals and families. Working mainly in oils, he creates striking contemporary portraits through a highly collaborative process. His work brings together a deep understanding of the traditions of portraiture with a very broad range of cultural references. His clients are drawn to a vivid sense of character and atmosphere and the clarity of colour and light present in all his paintings. In addition to his portrait work he creates paintings, in series, based around a common theme; these include 'What To Do In An Emergency' and the ongoing 'Stirchley Twitcher'. Education BA Hons Fine Art University of Derby. Select Exhibitions/Awards RA Summer Show 2022; 'What to do in an Emergency', Ikon Gallery 2011; BP Portrait Award 2016/09/07/06/05/04/02/01; Sunday Times Watercolour Competition 2017; 'Walls have Ears' 400 years of Change, Arts Council Collection, Aston Hall, Birmingham 2018. Gallery Representation Fine Art Commissions, Quantum Contemporary Art, Colley Ison gallery Statement about AOAP Submitted Artwork Please Turn Left/Right: I sometimes make paintings using archive photographic material. In 'Please Turn Left/Right' the archive image held an appeal because it contained a number of symbols (the policeman, stop sign) and a gesture that was a simultaneously a symbol and instruction. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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Stephen Earl Rogers Life Drawing Class x4, 2022 Pencil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Stephen Earl Rogers is an artist whose work is held in collections across the world. He is a highly sought-after portrait painter whose clients include major, international art collectors, public institutions, private individuals and families. Working mainly in oils, he creates striking contemporary portraits through a highly collaborative process. His work brings together a deep understanding of the traditions of portraiture with a very broad range of cultural references. His clients are drawn to a vivid sense of character and atmosphere and the clarity of colour and light present in all his paintings. In addition to his portrait work he creates paintings, in series, based around a common theme; these include 'What To Do In An Emergency' and the ongoing 'Stirchley Twitcher'. Education BA Hons Fine Art University of Derby. Select Exhibitions/Awards RA Summer Show 2022; 'What to do in an Emergency', Ikon Gallery 2011; BP Portrait Award 2016/09/07/06/05/04/02/01; Sunday Times Watercolour Competition 2017; 'Walls have Ears' 400 years of Change, Arts Council Collection, Aston Hall, Birmingham 2018. Gallery Representation Fine Art Commissions, Quantum Contemporary Art, Colley Ison gallery Statement about AOAP Submitted Artwork Life Drawing Class x4: I run a weekly life drawing class and thought it would make for an interesting image if I combined a drawing of my own with that of three of my students. The viewer can form their own view as to who, tutor or student, is responsible for the different drawings. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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Max Renneisen Nave Nave Mahana I, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Max Renneisen (born 1977) is a German painter based in Berlin. It is vital to his paintings and drawings to build on the legacy of the Old Masters and to explore the painterly possibilities of the imitation of nature in the light of modern imagery. Education Humboldt-University of Berlin Statement about AOAP Submitted Artwork Paradise Lost is a continuing group of paintings and drawings, which renews the classical subject of the nude in nature. While the figures derive from modern photographic material found primarily in magazines, the surrounding landscapes are mere constructions inspired by Old Masters paintings. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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Max Renneisen Nave Nave Mahana II, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Max Renneisen (born 1977) is a German painter based in Berlin. It is vital to his paintings and drawings to build on the legacy of the Old Masters and to explore the painterly possibilities of the imitation of nature in the light of modern imagery. Education Humboldt-University of Berlin Statement about AOAP Submitted Artwork Paradise Lost is a continuing group of paintings and drawings, which renews the classical subject of the nude in nature. While the figures derive from modern photographic material found primarily in magazines, the surrounding landscapes are mere constructions inspired by Old Masters paintings. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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Max Renneisen Nave Nave Mahana III, 2022 Oil on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Max Renneisen (born 1977) is a German painter based in Berlin. It is vital to his paintings and drawings to build on the legacy of the Old Masters and to explore the painterly possibilities of the imitation of nature in the light of modern imagery. Education Humboldt-University of Berlin Statement about AOAP Submitted Artwork Paradise Lost is a continuing group of paintings and drawings, which renews the classical subject of the nude in nature. While the figures derive from modern photographic material found primarily in magazines, the surrounding landscapes are mere constructions inspired by Old Masters paintings. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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Olivia Rose Durley Quietly, Patiently, 2022 Oil Paint on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Olivia's work handles the two realities of paint; it's illusionistic spatiality and it's material presence. Her practice appropriates a balance between the fixed nature of photography and the timelessness of painting; photographic details are blurred within painterly brushstrokes and structures. The aberration of the two components creates an enigmatic, placeless experience within nature that on one hand forms a sense of familiarity and on the other, an unidentifiable discomfort. Olivia scrutinises the evolving colours and tones amplified through cloud formations, using her painting technique to highlight the fleeting transience of time and a feeling of nostalgia. She views the landscape as a latent oil painting continuously emerging and coming into being, fascinated by that precious, short space of time in which the sky bursts into colour before it is then submerged into dusk - a distant memory. Education BA (Hons) Fine Art Painting, University of Brighton 2017 Select Exhibitions/Awards House & Garden magazine - The Art Edit, June 2018 The Other Art Fair London - March 2022 and June/July 2022 Gallery Representation Rise Art Statement about AOAP Submitted Artwork Although the scale of my work is usually a lot larger than the size of a postcard, the concept of painting onto a postcard corresponds significantly to the context of my paintings. I'm inspired by memories, snapshots in time or moments that were once there. By relaying these moments through paint I hope to evoke nostalgia or trigger thoughts in someone's mind using the basic principles of colour, light and form to create an abstracted landscape. Each postcard has painterly details of moments drawn from my subconscious from the past few months. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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Kelly-Anne Davitt Love Hearts, 2022 Oil on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Artist and curator Kelly-Anne Davitt is known for hyper-real virtuoso painting style in vibrant pop tones, and her humorous and provocative light-sculptures. Her electrifyingly immaculate canvases fuse traditional still life and portraiture with a contemporary approach, inspired by advertising imagery, pop culture, nostalgic childhood memories and feminist themes. She has exhibited widely across the UK from Cork Street to The Potteries. Education London Guildhall University, BA Honours: Fine Art, 1999-2002 Select Exhibitions/Awards Davitt's curatorial debut, The Most Powerful Woman In The Universe was held at gallery 46 in Whitechapel. This groundbreaking and timely feminist show met with much critical acclaim. Other recent exhibitions include: Pop Now! at Gallery 46, Kapow - The Art of Superheroes and Villains held at The Potteries Museum, Painting Now and 12 Hughes at Hix Art in old street. Successful solo shows include Beach Balls and Melons at Dadiani Fine art, Cork Street and Feel Good at Blacks, Soho. Gallery Representation Currently Kelly-Anne Davitt represents herself. Statement about AOAP Submitted Artwork Love Hearts is a still life oil painting inspired by popular culture. An intricate study of retro sweet packaging exploring a sensory nostalgia and a history of a love of sweets. Elevating an iconic and familiar sweet to a grandiose fine art status. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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Sean Worrall Margate Skyline No 51 (The Turner Contemporary), 2022 Acrylic and Varnish on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Sean Worrall is an artist, a painter, a paint addict, a maximalist, and a (slightly reluctant) curator. Currently based in East London where he co-runs Cultivate, a now nomadic gallery, previously housed in a space smack bang in the middle of East London's Vyner Street. Sean regularly exhibits both in galleries, alternative spaces and on the streets. Sean paints every single day, he also runs Organ magazine, has presented on London arts radio station Resonance FM, run a long-standing alternative record label, put on hundreds of left-field gigs and music events - all this very much fuelled by a DIY punk rock ethic. Sean has mostly being focusing on larger paintings this summer although for the last 800 days and more he has been painting a series of daily concluded paintings, a series called "Ten" - one painting brought to a conclusion every single day, always on a 10cm square canvas. Meanwhile his #43leaves pieces go on - the most recent #43leaves drop was on the streets of Bristol during Upfest weekend where Sean had been invited to paint testival, The #43Leaves pieces are paintings on found recycled material, paintings left hanging on the street for people to just take - art drops, leaves left, there has now been well over 2000 paintings left on the streets Sean was brought up on the isle of Anglesey, made his first artistic moves in North Wales and North West England, he has now lived and worked in East London for more than half his life. Select Exhibitions/Awards 2022 - The Sky Is Moving Sideways - an installation in the grounds of Stephens House, Finchley, London N3 2022 - #43Leaves for Bristol - on the streets of Bristol (During Upfest) 2022 - #43Leaves for January - on the streets of East London 2021 - A third and final #43Leaves for Deptford X - 43 Paintings on found recycled material left on the streets of Deptford, during the art festival 2019 - Harvey and Worrall - Chips, Starz, What Would Joan Jett do? Shipton St Gallery, London E2 2019 - The Fruit Shop at Shipton Street Gallery, London E2 - A solo show of fruit paintings 2018 - The year-long #365ArtDrop18 piece, a piece of work in 365 parts, 365 paintings on found material left hanging on the streets for people to take 2018 - HAMISH MACAULAY and SEAN WORRALL - Unframed? No Format Gallery, Deptford. SE8 2016 - HARVEY & WORRALL at WALL & JONES, a collection of paintings at an Edwardian tailor's shop, Hackney, London. 2016 - SOMETIMES THEY HAVE THORNS - Fount Gallery, Hackney, London. Statement about AOAP Submitted Artwork The ongoing matter of looking up is still very much just that, ongoing. Something that started in Margate in late Summer 2019 and goes on with several new paintings looking over the River Thames and most recently a painting looking beyond a church in Hackney. No idea where these Skyline paintings are going to go, or for how long the series of paintings will go on for, right now I'm enjoying the act of just looking up, of distilling the information, the sky, the space, the shape, the skylines, the sky beyond the rooftops or the spires or the light reflecting off the Shard. Someone asked if I was putting this series of paintings together for a show, no, I'm enjoying them without that pressure, just enjoying them Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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Sean Worrall Margate Skyline No 52 (The Turner Contemporary), 2022 Acrylic and Varnish on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Sean Worrall is an artist, a painter, a paint addict, a maximalist, and a (slightly reluctant) curator. Currently based in East London where he co-runs Cultivate, a now nomadic gallery, previously housed in a space smack bang in the middle of East London's Vyner Street. Sean regularly exhibits both in galleries, alternative spaces and on the streets. Sean paints every single day, he also runs Organ magazine, has presented on London arts radio station Resonance FM, run a long-standing alternative record label, put on hundreds of left-field gigs and music events - all this very much fuelled by a DIY punk rock ethic. Sean has mostly being focusing on larger paintings this summer although for the last 800 days and more he has been painting a series of daily concluded paintings, a series called "Ten" - one painting brought to a conclusion every single day, always on a 10cm square canvas. Meanwhile his #43leaves pieces go on - the most recent #43leaves drop was on the streets of Bristol during Upfest weekend where Sean had been invited to paint testival, The #43Leaves pieces are paintings on found recycled material, paintings left hanging on the street for people to just take - art drops, leaves left, there has now been well over 2000 paintings left on the streets Sean was brought up on the isle of Anglesey, made his first artistic moves in North Wales and North West England, he has now lived and worked in East London for more than half his life. Select Exhibitions/Awards 2022 - The Sky Is Moving Sideways - an installation in the grounds of Stephens House, Finchley, London N3 2022 - #43Leaves for Bristol - on the streets of Bristol (During Upfest) 2022 - #43Leaves for January - on the streets of East London 2021 - A third and final #43Leaves for Deptford X - 43 Paintings on found recycled material left on the streets of Deptford, during the art festival 2019 - Harvey and Worrall - Chips, Starz, What Would Joan Jett do? Shipton St Gallery, London E2 2019 - The Fruit Shop at Shipton Street Gallery, London E2 - A solo show of fruit paintings 2018 - The year-long #365ArtDrop18 piece, a piece of work in 365 parts, 365 paintings on found material left hanging on the streets for people to take 2018 - HAMISH MACAULAY and SEAN WORRALL - Unframed? No Format Gallery, Deptford. SE8 2016 - HARVEY & WORRALL at WALL & JONES, a collection of paintings at an Edwardian tailor's shop, Hackney, London. 2016 - SOMETIMES THEY HAVE THORNS - Fount Gallery, Hackney, London. Statement about AOAP Submitted Artwork The ongoing matter of looking up is still very much just that, ongoing. Something that started in Margate in late Summer 2019 and goes on with several new paintings looking over the River Thames and most recently a painting looking beyond a church in Hackney. No idea where these Skyline paintings are going to go, or for how long the series of paintings will go on for, right now I'm enjoying the act of just looking up, of distilling the information, the sky, the space, the shape, the skylines, the sky beyond the rooftops or the spires or the light reflecting off the Shard. Someone asked if I was putting this series of paintings together for a show, no, I'm enjoying them without that pressure, just enjoying them Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 367
Sean Worrall London Skyline - Bankside Power Station (The Tate Modern No 11), 2022 Acrylic and Varnish on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Sean Worrall is an artist, a painter, a paint addict, a maximalist, and a (slightly reluctant) curator. Currently based in East London where he co-runs Cultivate, a now nomadic gallery, previously housed in a space smack bang in the middle of East London's Vyner Street. Sean regularly exhibits both in galleries, alternative spaces and on the streets. Sean paints every single day, he also runs Organ magazine, has presented on London arts radio station Resonance FM, run a long-standing alternative record label, put on hundreds of left-field gigs and music events - all this very much fuelled by a DIY punk rock ethic. Sean has mostly being focusing on larger paintings this summer although for the last 800 days and more he has been painting a series of daily concluded paintings, a series called "Ten" - one painting brought to a conclusion every single day, always on a 10cm square canvas. Meanwhile his #43leaves pieces go on - the most recent #43leaves drop was on the streets of Bristol during Upfest weekend where Sean had been invited to paint testival, The #43Leaves pieces are paintings on found recycled material, paintings left hanging on the street for people to just take - art drops, leaves left, there has now been well over 2000 paintings left on the streets Sean was brought up on the isle of Anglesey, made his first artistic moves in North Wales and North West England, he has now lived and worked in East London for more than half his life. Select Exhibitions/Awards 2022 - The Sky Is Moving Sideways - an installation in the grounds of Stephens House, Finchley, London N3 2022 - #43Leaves for Bristol - on the streets of Bristol (During Upfest) 2022 - #43Leaves for January - on the streets of East London 2021 - A third and final #43Leaves for Deptford X - 43 Paintings on found recycled material left on the streets of Deptford, during the art festival 2019 - Harvey and Worrall - Chips, Starz, What Would Joan Jett do? Shipton St Gallery, London E2 2019 - The Fruit Shop at Shipton Street Gallery, London E2 - A solo show of fruit paintings 2018 - The year-long #365ArtDrop18 piece, a piece of work in 365 parts, 365 paintings on found material left hanging on the streets for people to take 2018 - HAMISH MACAULAY and SEAN WORRALL - Unframed? No Format Gallery, Deptford. SE8 2016 - HARVEY & WORRALL at WALL & JONES, a collection of paintings at an Edwardian tailor's shop, Hackney, London. 2016 - SOMETIMES THEY HAVE THORNS - Fount Gallery, Hackney, London. Statement about AOAP Submitted Artwork The ongoing matter of looking up is still very much just that, ongoing. Something that started in Margate in late Summer 2019 and goes on with several new paintings looking over the River Thames and most recently a painting looking beyond a church in Hackney. No idea where these Skyline paintings are going to go, or for how long the series of paintings will go on for, right now I'm enjoying the act of just looking up, of distilling the information, the sky, the space, the shape, the skylines, the sky beyond the rooftops or the spires or the light reflecting off the Shard. Someone asked if I was putting this series of paintings together for a show, no, I'm enjoying them without that pressure, just enjoying them Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 377
Tushar Sabale Swan In A Lake, 2022 Gouache on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Tushar Sabale is an Indian born, British artist based in London. He is an elected Candidate member of ' The Wapping Group of Artists' since February 2022. His works have been selected to exhibit in many renowned galleries in the country including the Mall Galleries for the Federation of British Artists at The NEAC ( New English Art Club) and RSMA (Royal Society of Marine Artists) and ROI ( Royal Institute of Oil Painters). He is the co-founder of ' The London Plein Air' group. Tushar mainly paints plein air in oil colours but occasionally enjoys painting objects and has transitioned from painting portraits to landscapes in recent years. He places his work between Impressionism and Realism with some Luminist touches. Education Art Design and Architecture Select Exhibitions/Awards Mall Galleries, NEAC, RSMA, ROI Gallery Representation Mall Galleries, Adrian Hill Fine Art Gallery, Russell Gallery, Wychwood Gallery. Statement about AOAP Submitted Artwork For this project 'Art on Postcard' I have chosen to paint some Autumn skies in Gouache on paper. I think the twilight sun at this time of the year when we are transitioning from summer to winter is the best. I have deep fascination for the light, the unpredictable colours and the magic of skies and hope my work on these little cards help the trust to raise funds and awareness through the auction. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 378
Tushar Sabale Sunrise In The City, 2022 Gouache on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Tushar Sabale is an Indian born, British artist based in London. He is an elected Candidate member of ' The Wapping Group of Artists' since February 2022. His works have been selected to exhibit in many renowned galleries in the country including the Mall Galleries for the Federation of British Artists at The NEAC ( New English Art Club) and RSMA (Royal Society of Marine Artists) and ROI ( Royal Institute of Oil Painters). He is the co-founder of ' The London Plein Air' group. Tushar mainly paints plein air in oil colours but occasionally enjoys painting objects and has transitioned from painting portraits to landscapes in recent years. He places his work between Impressionism and Realism with some Luminist touches. Education Art Design and Architecture Select Exhibitions/Awards Mall Galleries, NEAC, RSMA, ROI Gallery Representation Mall Galleries, Adrian Hill Fine Art Gallery, Russell Gallery, Wychwood Gallery. Statement about AOAP Submitted Artwork For this project 'Art on Postcard' I have chosen to paint some Autumn skies in Gouache on paper. I think the twilight sun at this time of the year when we are transitioning from summer to winter is the best. I have deep fascination for the light, the unpredictable colours and the magic of skies and hope my work on these little cards help the trust to raise funds and awareness through the auction. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 379
Tushar Sabale Norfolk Sunset, 2022 Gouache on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Tushar Sabale is an Indian born, British artist based in London. He is an elected Candidate member of ' The Wapping Group of Artists' since February 2022. His works have been selected to exhibit in many renowned galleries in the country including the Mall Galleries for the Federation of British Artists at The NEAC ( New English Art Club) and RSMA (Royal Society of Marine Artists) and ROI ( Royal Institute of Oil Painters). He is the co-founder of ' The London Plein Air' group. Tushar mainly paints plein air in oil colours but occasionally enjoys painting objects and has transitioned from painting portraits to landscapes in recent years. He places his work between Impressionism and Realism with some Luminist touches. Education Art Design and Architecture Select Exhibitions/Awards Mall Galleries, NEAC, RSMA, ROI Gallery Representation Mall Galleries, Adrian Hill Fine Art Gallery, Russell Gallery, Wychwood Gallery. Statement about AOAP Submitted Artwork For this project 'Art on Postcard' I have chosen to paint some Autumn skies in Gouache on paper. I think the twilight sun at this time of the year when we are transitioning from summer to winter is the best. I have deep fascination for the light, the unpredictable colours and the magic of skies and hope my work on these little cards help the trust to raise funds and awareness through the auction. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 380
Tushar Sabale Twilight In The City, 2022 Gouache on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About Tushar Sabale is an Indian born, British artist based in London. He is an elected Candidate member of ' The Wapping Group of Artists' since February 2022. His works have been selected to exhibit in many renowned galleries in the country including the Mall Galleries for the Federation of British Artists at The NEAC ( New English Art Club) and RSMA (Royal Society of Marine Artists) and ROI ( Royal Institute of Oil Painters). He is the co-founder of ' The London Plein Air' group. Tushar mainly paints plein air in oil colours but occasionally enjoys painting objects and has transitioned from painting portraits to landscapes in recent years. He places his work between Impressionism and Realism with some Luminist touches. Education Art Design and Architecture Select Exhibitions/Awards Mall Galleries, NEAC, RSMA, ROI Gallery Representation Mall Galleries, Adrian Hill Fine Art Gallery, Russell Gallery, Wychwood Gallery. Statement about AOAP Submitted Artwork For this project 'Art on Postcard' I have chosen to paint some Autumn skies in Gouache on paper. I think the twilight sun at this time of the year when we are transitioning from summer to winter is the best. I have deep fascination for the light, the unpredictable colours and the magic of skies and hope my work on these little cards help the trust to raise funds and awareness through the auction. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 421
Kenneth Draper RA Spring Light 2022, 2022 Pastel on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About 1944 Born, 19 February, in Killamarsh, Derbyshire 1959-62 Studied at Chesterfield School of Art 1962-64 Studied at Kingston School of Art, London (painting) 1964-65 Studied at Kingston School of Art, London (post-graduate year, sculpture) 1965-68 Studied at The Royal College of Art, London (sculpture) 1980 Elected to the Faculty of The British School in Rome 1991 Elected member of The Royal Academy of Arts, London Select Exhibitions/Awards Statement about AOAP Submitted Artwork Over the past five decades I have made sculpture, paintings and drawings consistently related to landscape and nature. The last twenty five years I have lived and worked on the magical island of Menorca. In the work I attempt to solidify wind, the colour of heat, the ambiguity of half light, the sensation of a wisp of air, including the experience of the changing seasons. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 422
Kenneth Draper RA Summer Light 2022, 2022 Pastel on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About 1944 Born, 19 February, in Killamarsh, Derbyshire 1959-62 Studied at Chesterfield School of Art 1962-64 Studied at Kingston School of Art, London (painting) 1964-65 Studied at Kingston School of Art, London (post-graduate year, sculpture) 1965-68 Studied at The Royal College of Art, London (sculpture) 1980 Elected to the Faculty of The British School in Rome 1991 Elected member of The Royal Academy of Arts, London Select Exhibitions/Awards Statement about AOAP Submitted Artwork Over the past five decades I have made sculpture, paintings and drawings consistently related to landscape and nature. The last twenty five years I have lived and worked on the magical island of Menorca. In the work I attempt to solidify wind, the colour of heat, the ambiguity of half light, the sensation of a wisp of air, including the experience of the changing seasons. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 423
Kenneth Draper RA Autumn Light 2022, 2022 Pastel on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About 1944 Born, 19 February, in Killamarsh, Derbyshire 1959-62 Studied at Chesterfield School of Art 1962-64 Studied at Kingston School of Art, London (painting) 1964-65 Studied at Kingston School of Art, London (post-graduate year, sculpture) 1965-68 Studied at The Royal College of Art, London (sculpture) 1980 Elected to the Faculty of The British School in Rome 1991 Elected member of The Royal Academy of Arts, London Select Exhibitions/Awards Statement about AOAP Submitted Artwork Over the past five decades I have made sculpture, paintings and drawings consistently related to landscape and nature. The last twenty five years I have lived and worked on the magical island of Menorca. In the work I attempt to solidify wind, the colour of heat, the ambiguity of half light, the sensation of a wisp of air, including the experience of the changing seasons. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Los 424
Kenneth Draper RA Winter Light 2022, 2022 Pastel on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About 1944 Born, 19 February, in Killamarsh, Derbyshire 1959-62 Studied at Chesterfield School of Art 1962-64 Studied at Kingston School of Art, London (painting) 1964-65 Studied at Kingston School of Art, London (post-graduate year, sculpture) 1965-68 Studied at The Royal College of Art, London (sculpture) 1980 Elected to the Faculty of The British School in Rome 1991 Elected member of The Royal Academy of Arts, London Select Exhibitions/Awards Statement about AOAP Submitted Artwork Over the past five decades I have made sculpture, paintings and drawings consistently related to landscape and nature. The last twenty five years I have lived and worked on the magical island of Menorca. In the work I attempt to solidify wind, the colour of heat, the ambiguity of half light, the sensation of a wisp of air, including the experience of the changing seasons. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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