Boutcher (William). A Treatise on Forest-Tress:..., Edinburgh: printed by R. Fleming, 1775, engraved half-title, some light spotting & toning, front board & endpapers detached, rear board & endpapers partially detached, contemporary full calf, boards & spine rubbed with some loss, 4to, together with:Tullii (Marci), Ciceronis de Officiis, de Amitcitia et de Senectute Libri, Paris: Antonium Augustinum Renouard, 1796, engraved title page, bookplate to the front pastedown, front gutter cracked, some minor toning, contemporary red half morocco, boards & spine rubbed with some loss, folio, plusMabill (D.), Iter Italicum Litterarium Annis MDCLXXXV & MDCLXXXVI, circa 1637(?), 244 pages, engraved plates, period inscription to the foot of pp.3, bookplate to the front pastedown, some toning & minor spotting,contemporary limp vellum, slightly rubbed & faded, 4to, and other 17th-19th-century literature & art reference, mostly leather bindings, some original cloth/boards, overall condition is generally good, 8vo/folioQTY: (3 shelves)
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Hardy (Thomas). Far From The Madding Crowd, London: Osgood, McIlvaine and Co., 1895, etching frontispiece, map of Wessex to the rear, some toning & light wear, later endpapers, rebound retaining original gilt decorated green cloth boards & spine, spine slightly rubbed, 8vo, plus other works by Thomas Hardy, together with:Harris (Stanley), Old Coaching Days, London: Richard Bentley & Son, 1882, 12 illustrations by John Sturgess, some light spotting & toning, original illustrated brown cloth, spine slightly rubbed to head & foot, 8vo, plus other miscellaneous literature, including publications from the New Naturalist series, mostly original cloth, some in dust jackets, G/VG, 8vo/4toQTY: (3 shelves)
Dart (John). Westmonasterium. or The History and Antiquities of the Abby Church of St Peters Westminster..., 2 volumes, London: printed for T. Bowles, 1742, engraved plates, period inscriptions to the head of both title pages, some marginal toning throughout, contemporary gilt decorated full calf, boards & spines lightly rubbed, folio, together with:Vernor and Hood, publisher, Select Views of London and its Environs;..., volume 1, London: 1804, 22 engraved plates, front board through to 'Subjects of the Plates' detached, some spotting & toning throughout, contemporary gilt decorated full calf, spine partially detached, board & spine rubbed with some minor loss, large 4to, plusCroker (Temple Henry, Thomas Williams & Samuel Clark), The Complete Dictionary of Arts and Sciences..., volume 1, London: printed for the authors, 1764, 55 engraved plates, some toning & light wear throughout, front & rear gutters cracked, contemporary gilt decorated full calf, hinges split, boards & spine rubbed with some loss, folio, and other 18th & 19th-century reference, literature & plate books, many leather bindings, some original cloth, some odd volumes & foreign language, overall condition is generally fair/good, 8vo/folioQTY: (6 shelves & a carton)
Buckle (A.). Yorkshire Etchings with Sonnets and Descriptions, Leeds: Richard Jackson, 1885, 21 etched plates, modern endpapers, some marginal toning & light spotting, title page detached, modern green cloth, folio, together with:Adam & Charles Black, publisher, Hampshire, by Wilfrid Ball & Telford Varley, 1st edition, London, 1909, Yorkshire, by Gordon Home, 1st edition, 1908, top edge gilt, Wessex, by Walter Tyndale, reprinted, 1912, top edge gilt, all with colour illustrations, all original illustrated cloth, lightly rubbed to head & foot, 8vo, and 32 further publications by A. & C. Black, all original cloth, plus other modern U. K. topographical reference, including publications by Batsford, Beautiful Britain Series, all original cloth/boards, some in dust jackets, G/VG, 8vo/folioQTY: (6 shelves)
Cripps (Harrison). On Diseases of the Rectum and Anus, including a portion of the Jacksonian Prize Essay on cancer, 1st edition, London: A. & A. Churchill, 1884, monochrome plates & illustrations, front & rear gutters cracked, some light toning & spotting, original red cloth, boards & spine lightly rubbed, 8vo, together with:Gosse (Philip Henry), Evenings at the Microscope;..., new edition, London: Society for Promoting Christian Knowledge, 1884, monochrome illustrations, modern endpapers, period inscription to the head of the title page, some light spotting & toning, original gilt decorated brown cloth, boards & spine lightly rubbed, 8vo, plusTommasini (Fra Anselmo M.), Irish Saints in Italy, 1st edition, London: Sands and Company, 1937, some marginal toning, original green cloth, spine lightly rubbed to head & foot, 8vo, and other 19th & early 20th-century history, biography, & miscellaneous reference, all original cloth, G/VG, 8voQTY: (6 shelves)
Muybridge (Eadweard). The Human Figure in Motion, 7th impression, London: Chapman & Hall, 1931, numerous monochrome illustrations, period inscription to the front endpaper, some light marginal toning, original red cloth, boards slightly rubbed & marked, spine faded & rubbed to head & foot, oblong 4to, together with:Di Grappa (Carol), Fashion:Theory, 1st edition, New York: Lustrum Press, 1980, numerous monochrome illustrations, some minor toning & marks, original cloth in dust jacket, covers slightly toned & rubbed, large 8vo, plusNewby (Eric), What the Traveller Saw, 1st edition, London: Collins, 1989, numerous monochrome illustrations, period inscription to the front endpaper, some minor marginal toning, original cloth in dust jacket, covers lightly toned & rubbed to head & foot, 4to, and other modern photography reference, including Silver and Grey, fifty years of Australian photography 1900-1950, edited by Gael Newton et al, London: Angus & Robertson, 1980, original cloth in dust jacket, large 8vo, some original cloth in dust jackets, some paperbacks, G/VG, 8vo/4to70 volumesQTY: (3 shelves )
Sparrow (W. Shaw, editor). In the Open Country, the work of Lucy E. Kemp-Welch [artists of the present day series) London: Hodder & Stoughton, 1905, 21 colour & monochrome plates, endpapers spotted, some light marks & toning, original green cloth, boards slightly rubbed to head & foot, folio, together with:MacGregor (Arthur, editor), The Late King's Goods, collections, possessions and patronage of Charles I in the light of the Commonwealth Sale Inventories, 1st edition, London: Alistair McAlpine, 1989, numerous colour & monochrome illustrations, original cloth in dust jacket, covers very lightly rubbed to the head, large 8vo, plusNoon (Patrick), Richard Parkes Bonington 'On the Pleasure of Painting', 1st edition, London: Yale University Press, 1991, numerous colour illustrations, original cloth in dust jacket, covers slightly faded & rubbed with small tears to the head, large 4to, andPostle (Martin, editor), Johan Zoffany RA, Society Observed, 1st edition, London: Yale University Press, 2011, numerous colour illustrations, original cloth in dust jacket, large 4to, plus other British art reference & related, many original cloth in dust jackets, some paperbacks, G/VG, 8vo/folioQTY: (3 shelves & a carton)
Bradbury (Frederick). History of Old Sheffield Plate..., 1st edition, London: Macmillan and Co., 1912, numerous monochrome illustrations, front gutter cracked at the title page, some light toning, original brown cloth, top edge gilt, slightly rubbed to head & foot, large 8vo, together with:Curzi (Daniel), Andrew Vican, vie et oeuvres, 1986, inscribed & signed by Andrew Vican to the front endpaper, numerous colour & monochrome illustrations, original black cloth in book box, box slightly rubbed, includes 'La Circassiene' lithograph, folio, limited edition 149/3000, plusArts et Métiers Graphiques, publisher, Photo 1931, Photo 1938, (2 volumes), Paris, numerous monochrome illustrations, some light toning & wear, original wrappers bound with steel ring binders, large 4to, and other art, photography, & art technique reference, including Petzendorfer's Letter book, a superb collection of several hundred modern alphabets, signs and monograms, London: The Trade Papers Publishing Co., 1906, original cloth, folio, many original cloth in dust jackets, some paperbacks, G/VG, 8vo/folioQTY: (6 shelves)
De La Mare (Walter). The Connoisseur and other stories, 1st edition, London: W. Collins Sons & Co., 1926, signed by the author to the title page, endpapers toned & spotted, original orange cloth spine to gilt decorated boards, minor rubbing to head & foot, 8vo, plusPogany (Willy, illustrator), Faust, by Goethe, London: Hutchinson & Co., 1908, 31 colour illustrations with tissue paper guards plus monochrome vignettes, some minor toning, original cloth decorated red cloth, spine slightly faded, boards & spine lightly rubbed to head & foot, large 8vo, plusBrock (C. E., illustrator), Penelope's English Experiences, 1900, Penelope's Experiences in Scotland, 1902, Penelope's Experiences in Ireland, 1902, by Kate Douglas Wiggin, London: Gay and Bird, all with monochrome illustrations, some light toning & spotting, all edges gilt, original uniform gilt decorated green cloth, boards & spines lightly rubbed to head & foot, 8vo, andTownsend (F. H., illustrator), Melincourt or Sur Oran Haut-ton, 1896, The Misfortunes of Elphin and Rhododaphne, 1897, by Thomas Peacock Love, London: Macmillan and Co., monochrome illustrations, some minor spotting, all edges gilt, original uniform gilt decorated blue cloth, spines & boards lightly rubbed, 8vo, plus other 19th & early 20th-century literature & illustrated literature, some leather bindings, many original cloth, some odd volumes, G/VG, 8voQTY: (6 shelves)
McLeod (John). Voyage of His Majesty's Ship Alceste, to China, Corea, and the Island of Lewchew, with an account of Her shipwreck, 3rd edition, London: John Murray, 1820, portrait frontispiece, folding map, 5 hand-coloured plates, bookplate to the front pastedown, some minor toning, contemporary green half morocco, spine slightly faded, boards & spine lightly rubbed, 8vo, together with:Kent (Samuel), The Grammar of Heraldry..., London: printed for J. Pemberton, 1716, etched examples of heraldic shields, period inscriptions to the front endpaper & title page, book plate to the front pastedown, some light wear & marks, contemporary embossed full calf, some loss to the front board, slightly rubbed, 8vo, plusMilton (John), The Poetical Works of Mr. John Milton, volume 1 only, London: printed for Jacob Tonson, 1720, engraved portrait frontispiece plus title vignettes, bookplate to the front pastedown, some light toning, spotting & offsetting, later endpapers, all edges gilt, 19th-century gilt decorated full calf, boards & spine lightly rubbed, large 4to, and other 18th & 19th-century literature, mostly contemporary leather bindings, some odd volumes & French language, overall condition is generally good/very good, 8vo/4to59 volumesQTY: (3 shelves)
Nansen (Fridtjof). Farthest North..., 1st edition, London: Archibald Constable and Co., 1904, 25 monochrome illustrations & maps, front & rear gutters cracked, inscription dated 1925 to the front endpaper, some toning & light spotting, top edge gilt, original gilt decorated red cloth, boards & spine slightly rubbed & marked, 8vo, together with:Roberts (Frederick 'Lord Roberts of Kandahar'), Forty-One Years in India from Subaltern to Commander-in-Chief, 2 volumes, London: Richard Bentley and Son, 1897, monochrome illustrations, period inscription to the half-title of volume 1, some light toning & spotting, original uniform gilt decorated & embossed blue cloth, lightly rubbed to head & foot, 8vo, plusMundy (P. C. D.), History of the 1/1st Hants Royal Horse Artillery during the Great War, 1914-1919, 1st edition, Southampton: The Hampshire Advertiser Company, 1922, monochrome illustrations, some light spotting, all edges gilt, original gilt decorated cloth, 8vo, and other Word War I history & related reference, mostly original cloth, some paperback editions, G/VG, 8vo/4toQTY: (5 shelves)
Wilds (William). Elementary and Practical Instructions on the art of building Cottages and Houses for the humbler classes; an easy method of constructing earthen walls, adapted to the erection of dwelling houses, agriculture, and other buildings..., to which are added, practical treatises and the manufacture of bricks and lime... for the use of emigrants to the better lodging of the peasantry of Ireland, London: John Weale, 1835, light library ink stamp to title and dedication leaf, six lithograph plates at end, some overall spotting, mainly to plates, original boards, refurbished, with some surface marks and wear, 8vo, together with Schrodinger (Erwin). What is Life? The Physical Aspect of the Living Cell, 1st edition, Cambridge University Press, 1944, original green cloth gilt, 8vo, plusGourmont (Remy de). Le Latin Mystique, les poetes de l'antiphonaire et la symbolique au moyen age, preface de J. K. Huysmans, miniature de Filiger, Paris, Edition du Mercure de France, 1892, light marginal browning throughout, original printed wrappers with colour illustration by Filiger to upper wrapper, rubbed and light wear, contained in modern brown board chemise and slipcase, 8vo, limited edition 127/220, signed by the author, and other miscellaneous books, including an 1860s Post Office Directory of Cambridgeshire & Norfolk (rebound), Days in Cornwall by C. Lewis Hind, illustrated by William Pascoe, 1907, The Art of Tennis by Henri Cochet, 1936 (rebound), other Devon topography, natural history, art, and related, various (approx 100 volumes) QTY: (3 shelves)
Portugal. The History of Spain and Portugal, from B.C. 1000 to A.D. 1814, London: Baldwin and Cradock, 1833, spotted, contemporary calf gilt, red morocco title label, rubbed, 8vo, together with:Vieyra (Anthony). A Dictionary of the Portuguese and English Languages, in two parts, 2 volumes, new edition, London: F. Wingrave, 1809, lightly spotted, contemporary calf, red morocco title label, worn, 8vo, withLacerda (D. José de). A New Dictionary of the Portuguese and English Languages, Lisbon: Imprensea Nacional, 1871, University of Minnesota Library stamp to title, light spotting & dust-soiling, endpapers renewed, modern blue buckram gilt, 4to, with Kingsley's Portugal Illustrated (2nd edition, 1829)QTY: (5)
* Ambrose (John, 1931-2010). Cornish Harbour View, oil on board, signed lower left, sheet size 30 x 40.3 cm (11 7/8 x 15 7/8 ins), Moonshine Framers Penzance stamp to verso, framed (39 x 49.3 cm), together withBaffoni (Pier Luigi, British, 1932-). Evening Light - Peak District, oil on canvas depicting two horses in a countryside setting, signed, dated to verso, 34.5 x 29 cm (13 5/8 x 11 3/8 inches), framed (46 x 50.5 cm), plusWarman (Oliver, 1932-2017). River Thames near Henley, 1981, oil on board, signed and titled to verso, sheet size 30.7 x 40.5 cm (12 1/8 x 16 ins), framed (40.5 x 50.5 cm), and two other similar oil and/or acrylic artworks Cockatoo by Colin Emberson and Summer Fields by Norman BattershillQTY: (5)
![* Duke of Wellington. [Greatbach(W.), Wellington Crossing the Pyrennees, 1858], uncoloured engraving after T. J. Barker, proo](https://cdn.globalauctionplatform.com/09e586ed-2205-489f-8ff5-afa100a0834b/cabfd960-318d-44b1-945c-afa200c9cd6a/468x382.jpg)
* Duke of Wellington. [Greatbach(W.), Wellington Crossing the Pyrennees, 1858], uncoloured engraving after T. J. Barker, proof before title and letters, very slight spotting, 670 x 510 mm, mounted, framed and glazed, together with Lipschitz (S. publishers). The Peninsular Heroes Assembled at the United Services Club, circa 1860, uncoloured lithograph after John Prescott Knight, 450 x 555 mm, mounted, framed and glazed, with Davey (W. T.). The Hero and His Horse on the Field of Waterloo, Twenty Years after the Battle..., Thomas MacLean, November 1st 1851, uncoloured mezzotint after B. R. Haydon, slight staining, 440 x 485 mm, mounted, framed and glazed, plus Smith (Anker). Field Marshall the Duke of Wellington K. G. &c. &c Giving orders to his Generals previous to a General Action..., Heapy Thomas & Ackermann R. August 8th 1822, uncoloured engraving on India wove after Thomas Heapy, some spotting, slight water staining, light overall toning, one repaired marginal closed tear, appears to be laid on card, 620 x 890 mm, framed and glazed, and Cousins (Henry). The Right Honourable & Honourable Elder Brethren of the Corporation of Trinity House London, This Portrait of His Grace The Duke of Wellington K. G. &c. &c. ...., Thomas Boys [Jany. 1st. 1841], uncoloured mezzotint after John Lucas, slight toning and staining, 770 x 485 mm, framed and glazed, with another seven prints similar, various sizes and conditionQTY: (12)
* Duke of Wellington. Greatbach (William), The Waterloo Banquet at Apsley House, June 18th 1836, F. G. Moon, 1846, large uncoloured engraving after W. Salter, light overall toning, title and description affected by water staining and some abrasion, the abrasion creating small holes and loss to the printed text, 700 x 1140 mm, framed and glazed in a highly ornate contemporary gilt gesso frame, decorated with floriate corners and martial crossed banners, cannons and wreaths in relief, overall size 940 x 1400 mmQTY: (1)
Beattie (William). The Waldenses or Protestant valleys of Piedmont, Dauphiny, and the Ban de la Roche, London: George Virtue, 1838, engraved portrait frontispiece, title page vignette, folding map to pp.1 & 70 plates, some light toning & offsetting, contemporary gilt decorated plum calf, boards & spine slightly rubbed, large 4to, together with:Roscoe (Thomas), Wanderings and Excursions in North Wales, London: C. Tilt, and Simpkin and Co., 1836m, 51 engraved plates, bookplate to the front pastedown, some toning & light spotting, contemporary gilt decorated blue half calf, boards & spine slightly rubbed, 8vo, plusTwamley (Louisa Anne), An Autumn Ramble by the Wye, London: Charles Tilt, 1939, 20 engraved plates, some marginal toning & light spotting, original gilt decorated green cloth, boards & spine lightly rubbed to head & foot, 8vo, and Thomson (Spencer), Health Resorts of Britain: and how to profit by them, 1st edition, London: Ward & Lock, 1860, folding map frontispiece, engraved illustrations, period inscription & blind stamp to the front endpaper, some light marginal toning, original embossed green cloth, spine lightly rubbed to head & foot, 8vo, plus 2 further volumes of illustrated 19th-century topography, 8vo/4toQTY: (6)
John Stillman - 'Spring Light, Isleworth', oil on board, signed recto, titled and dated 2010 to artist's label verso, 17cm x 24cm, within a painted and gilt frame, together with two similar works by the same hand, 'Summer Afternoon, Richmond' and 'By the River, Shepperton', and a related book.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Juan Manuel Blanes - A Gaucho on Horseback in a Uruguayan Prairie Landscape, 19th century oil on canvas, signed with initials recto, label verso, 112cm x 128cm, within a Watts style gilt composition frame. Provenance: Baldomero Hyacinth de Bertodano, 7th Marquis del Moral (1844-1921), Solicitor of the Supreme Court of Judicature and resident of Cowbridge House, Wiltshire; The sale of the Contents of Cowbridge House, Messrs Matthews, Matthews & Goodman in conjunction with Messrs Dore, Fielder & Co, October 1922, lot no.137 described thus, 'A fine Oil Painting, The Gaucho on the Pampas in Argentine about 52 by 46 ins'; where purchased by Charles Edmund de Bertodano M.Inst.C.E. (1853-1926); thence by family descent. Note: Juan Manuel Blanes was one of the most important artists in the history of Uruguay, helping to shape the visual identity of the country, which was, at the time, locked in an independence battle with Spain. He was also instrumental in establishing wider Latin and South American aesthetic archetypes. The gaucho was a recurring theme in his work. Intrigued by the powerful proud landless cattle ranchers that roamed the plains of Uruguay, Argentina and Brazil, Blanes stamped for posterity his vision of these characters who lived lives of seemingly utter freedom. Blanes himself said of the gaucho, 'A man among the thousands of hapless men who live in our ravaged countryside; a decent, vigorous, and intelligent man reduced by the contempt in which he is held; a man garbed in a chiripá, a rough shirt, a flimsy pair of short trousers, a vincha (headband), a bandanna handy at the neck, carrying the adornments of his trade, the bolas and belt…' Blanes' 'equestrian gauchos' were painted during 1875 to 1878. Light played a crucial element in these works; in this painting the luminous glow from the sky beyond shares the stage with the gaucho, whose pointing gesture amplifies the rising or setting sun. With thanks to Arch. Gabriel Peluffo Linari for his help with the cataloguing of this lot.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of George III silver candlesticks, each sconce with reeded and foliate decoration above a tapering stem on a reeded circular stepped base, Sheffield 1799 by John Green, Roberts, Mosley & Co (lacking nozzles), height 31.5cm, together with a pair of Sheffield plate twin scroll branch three-light candelabra fittings with similar decoration and detachable nozzles (faults).Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A George III silver oval candlestick base with beaded and engraved decoration, Sheffield 1787 by John Younge & Co, width 16cm, later fitted with a plated tapering reeded stem and twin-branch three-light candelabrum, total height 38cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A Collection of Microscope Related Books, Including: The Microscope and its Revelations, by the Late William B Carpenter, seventhe edd, 1891 How to work with the Microscope, Beal, fifth edd, 1880 Practical Microscopy, George E Davis, 1882, with good adverts for Crouch, Ross & Beck A Treatise on Light, R. A. Houston, 1930 Photomicrography, Eastman Kodak, 1930 Optical Mineralogy, Formerly under the title Thin Section Mineralogy, Rogers & Kerr, 1942 Ponds & Rock Pools, Scherren 1894 along with other titles concerned with microscopes and microscopy, ( approx 14)
Lord Rayleigh, Beryllium and Helium, offprint from the Proceedings of the Royal Society, A, Vol. 142, 1933, Beryllium and Helium. I. - The Helium Contained in Beryls of Varied Geological Age, signed in pen to the front cover P.S.I. Tomkeieff, with the author's compliments John William Strutt, 3rd Baron Rayleigh (1842-1919), a mathematician and physicist, won the 1904 Nobel Prize in physics for his work on gases and the subsequent discovery of Argon. Not just confined to research on gases, Lord Rayleigh also contributed to our understanding of how light is affected by particles that are smaller than the light’s wavelength. This phenomenon, known as Rayleigh scattering, explains why the daytime sky is blue. Additionally, he contributed to the study of fluid dynamics, aerodynamics and quantum theory. Even today Lord Rayleigh’s 1877 text, The Theory of Sound, is used by sound engineers. Lord Rayleigh conducted the entirety of his academic career at the University of Cambridge, where he was chancellor in his twilight years from 1908-1919. Professor Sergei Ivanovich Tomkeieff FRSE FGS (1892–1968) was a 20th-century Lithuanian geologist and petrologist. He was born on 20 October 1892 in Vilna the capital of Lithuania. He came to Britain either during or just after the First World War and began lecturing in Geology at Anderson College in Newcastle-upon-Tyne in 1920. In 1948 he was elected a Fellow of the Royal Society of Edinburgh. His proposers were Arthur Holmes, James Ernest Richey, Sir Edward Battersby Bailey, Heslop Harrison, George Walter Tyrrell, John Weir, and H. B. Donald. In 1957 he became Professor of Petrology at the Anderson College. He was Author of many books including; The Tholeite Dyke at Cowgate (1953); Coals, Bitumens and other Related Fossil Carbonaceous Substances (1954); Isle of Arran (1961); The Economic Geology of Quarried Materials (1969) Dictionary of Petrology (1983) (posthumous). He was awarded the Geological Society's Lyell Medal in 1966. He died on 27 October 1968 in Newcastle aged 76
A Leica M3 Rangefinder Camera, 1955, chrome, serial no. 754104, with Leitz Elmar f/2.8 50mm lens, chrome, serial no. 1668099, body, G, shutter working, rangefinder faint, lens, G-VG, some light internal haze and very light cleaning marks to front element, with maker's lens cap Note: Lot imported under Temporary Admission. 5% UK import VAT will be charged on the ‘hammer’ and 20% UK VAT will be charged on the ‘buyer’s premium’ and invoiced on an inclusive basis under UK Margin Scheme rules.
Two Novelty Third Party Made Leica Cameras, to include a brass 'Leica', bodyu G, shutter working, together with a 'Leitz Elmar' f/3.5 50mm lens, optics G-VG, some light dust & haze present, together with a chrome example marked 'Luftwaffe Germany' to the top, shutter not working, with a 'Leitz Elmar' f/3.5 50mm lens, optics P, some haze & fungus present,
A Leica IIIf 'Sharkskin' Rangefinder Camera, 1950, chrome, serial no. 503402, with Leitz Elmar f/3.5 50mm lens, chrome, serial no. 805258, bod,y, G-VG, shutter working, lens, VG, some light cleaning marks, together with a Leitz Elmar f/4 90mm lens, chrome, serial no. 1161757, body, VG, elements, F-G, some internal haze, complete with FISON lens hood, SBOOI finder and maker's case
A Soviet Made Leica III 35mm Rangefinder Camera, chrome, serial no. 121049, body F-G, shutter working but speeds inaccurate & curtains require attention, rangefinder appears good, together with a Leitz Summar f/2 50mm lens, body F-G, focussing stiff, optics G, some light haze & cleaning marks present,
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534325 Los(e)/Seite