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Preisdatenbank abonnierenC. Marius C.f. Capito Denarius. Circa, 81 BC. Silver, 3.86 grams. 18.6 mm. Obverse: Bust of Ceres right, CAPIT.XVI behind. Laurel wreath below chin. Reverse: Ploughman with a yoke of oxen left, IXVI above. C.MARI.C.F / S.C in ex. Ref: Babelon Maria 9. Sydenham 744b. RBW 1404. Crawford 378/1c. Good very fine with light toning. Ex NN auction 39, ex John Wells collection.
Edward IV Bristol Groat. Light coinage, 1464 - 70. Silver, 2.75 grams. 25.04 mm. Obverse: Crowned facing bust, quatrefoils at neck. EDWARD DEI GRA REX ANGL FRANC. Reverse: Cross with pellets in each quarter, VIL LAB RIS TOLL. Mint mark sun. I in BRISTOLL over an E. Ref: Buck, Medieval English Goats. Type VI. Spink, 2004.
AFTER ÉTIENNE-MAURICE FALCONET, (FRENCH 1716 - 1791), 'BAIGNEUSE', A PATINATED BRONZE MODEL OF A MAIDEN, portrayed as nude but for light drapery across her loins, standing next to a tree stump, the circular base inscribed FALCONNET (sic), on a square section socle with imbricated laurel cast collar; on an associated stained oak stand, height of bronze: 88cm, height of stand: 37cm
A JAPANNED METAL TWIN LIGHT BOUILLOTTE TABLE LAMP, in early 19th century style, 20th century, the conical shades height adjustable on a square section stem, above twin electrical fitments on outscrolled arms, above a galleried oval base on four ball feet: a red and gold painted metal table lamp modelled as a Spanish altar stick, 20th century; and a modern black ceramic urn table lamp, the Bouillotte lamp: 52cm high, 37cm wide, the altar stick: 80cm high, the urn lamp: 39cm high overall
A PAIR OF FRENCH GREEN AND WHITE OVERLAID GLASS THREE LIGHT LUSTRE CANDELABRA, each with one raised sconce on a baluster, knopped and moulded stem, with two further sconces issuing on scrolled arms, all with electrical fitments within, decorated with flowers and foliage overall, height: 60cm, width: 45cm
A PAIR OF RESTAURATION GILT AND PATINATED BRONZE FIGURAL FIVE LIGHT CANDELABRA, circa 1825, with foliate cast urn sockets on scrolling foliate arms, on torcheres held aloft by standing and wreath bearing amorini, the engine milled baluster plinths with domed tops and square, foliate cast bases, height: 67cm
A PATINATED AND GILT BRONZE TWIN LIGHT TABLE LAMP, IN EMPIRE TASTE, the electrical fitments with flambeau finial, above a reeded column, rising from above the head of a standing and formally draped maiden, a laurel sprig held in each hand; the cylindrical white marble plinth with foliate cast swag and mask mounts, height: 80cm
A PAIR OF PAINTED AND PARCEL GILT BRONZE TWIN LIGHT WALL APPLIQUES IN REGENCY EMPIRE STYLE, 20th century, the tulip form sockets with foliate and shell cast undersides, in petal cast drip pans, on fluted cornucopia arms issuing from foliate cast bosses on octagonal bases; the backplates cast as stylised quivers with spiral ribbed finials and acanthus cast terminals, height: 34cm including electrical fitments, width: 18.5cm, protuberance: 12cm
A PAIR OF WROUGHT IRON TWIN LIGHT WALL APPLIQUES, IN GOTHIC REVIVAL TASTE, each with electrical fitments in urn sockets, the drip pans with inverted crenellations, on branches issuing from backplates modelled as flambeau torcheres, height: 58cm, width: 41cm, protuberance: 18cm. Note: These wall lights are redolent of the interiors designed by Oliver Messel
A PAIR OF BRASS TWIN LIGHT WALL APPLIQUES IN REGENCE STYLE, 20th century, the electrical fitments in hexagonal section urn sockets, on octagonal drip pans and scroll cast arms, issuing from waisted and faceted backplates, height: 33cm, width: 45cm, protuberance: 38cm*Please note these wall lights are brass, not silvered metal as originally described*
A SET OF FOUR GILT METAL TWIN LIGHT WALLL APPLIQUES, IN LOUIS XV TASTE, 20th century, cast opposing as two pairs, the electrical fitments in scrolling foliate cast sockets and drip pans, on scrolling foliate cast arms issuing from conforming backplates, height excluding fittings: 37cm, width: 33cm, protuberance: 15cm
A PAIR OF WALNUT AND GILT METAL MOUNTED TWIN LIGHT WALL APPLIQUES, the sconces, arms and backplates modelled in each applique as twin joined hunting horns; beneath profile roundels carved in relief in the manner of early 17th century romayne heads, height: 45cm, width: 23cm, protuberance: 12cm
A GILT METAL AND GLASS HUNG TWELVE LIGHT CHANDELIER, the upper tier of six sockets with electrical fitments, the lower tier without, all on scrolling branches issuing from a central rod, hung overall with faceted glass bead swags and moulded peardrop pendants, height overall: Approximately 92cm, width: 64cm
A GILT METAL AND GLASS ADORNED TWELVE LIGHT CHANDELIER, the later electrical fitments in urn sockets with crenellated and Greek key cut glass drip pans, on scrolling foliate arms around a metal circlet, with reeded glass stem; hung overall with faceted glass beads and pendants, height overall: Approximately 110cm, width: 63cm
A GEORGE IV GILT METAL AND GLASS HUNG SIX LIGHT CHANDELIER, circa 1820, of 'inverted trumpet' form, the later electrical fitments in cut glass drip pans adorned with faceted pendants, issuing around a circlet, the stem rising to a coronet above, hung overall with faceted glass bead swags, with faceted sphere terminal, height overall: 98cm, width: 59cm
A PAIR OF GILTWOOD TWIN LIGHT WALL APPLIQUES IN EMPIRE STYLE, of recent manufacture, modelled as opposing, each with tied ribbon finial above a spreadeagle on a plinth, above acanthus mouldings, each with twin brass arms scrolling out to the foliate carved sockets; the backplates carved as tasselled swags, height: 102cm, width overall: 45cm, - 38cm excluding fabric shades, protuberance overall: 26cm, - 22cm exc. shades
A PAIR OF SUBSTANTIAL GILTWOOD FRAMED GIRANDOLES, IN ROCOCO TASTE, of recent manufacture, of loosely rectangular form, each with maiden's mask cresting above a scrollworked top, the sides with entwined and fruiting grapevines; each with a moulded and cut glass five light candelabrum issuing from the plate, with obelisk finials and hung overall with faceted glass lustres, (the sconces disassembled and unillustrated), height: 214cm, width: 105cm
A collection of unboxed and unchecked Lego City, including 2 x Container Stacker 7992 with manuals, Garbage Truck 2 x 7991 with manuals, 2 x City Tow Truck 7638 with one manual, 2 x Tipper Truck 4434 with manuals, 3 x Light Repair Truck 60054 with one manual, 2 x Repair Truck 3179 with one manual
Capt. Science (Cartoon Art Productions, Glasgow); The New Spaceman, No. 3 (Thomas Hatton/Gould-Light Co.); Pete Mangan (L. Miller), No. 51; Space Adventures, No. 51; The Man From Planet X, Fawcett Movie Comic, No. 56; Space Commander Kerry, No. 51; and other British Science Fiction comics. (13)
Interesting German electric master wall clock by Telefonbau Normalzeit, the rectangular dial plate bearing the maker's monogram logo (TN inside a diamond surround), within a key locking light grey case, 14" high (pendulum); also an ATO Junghans electric mantel clock within a glazed case, 8.5" high and a Tempex Bakelite cased mantel clock, 7.75" high (3)
the contours of the three-legged chairs designed to fit exactly around the table, branded marks 73 x 106cm (5)In good overall condition, some light scuffs and marks, particularly to chair backs, commensurate with age and use. Extends to app. 155cm/ Top surface is clean with significant marks.
Still life of flowers in a blue jug signed 'H Raeburn Dobson' (lower right) oil on canvas 60 x 45cmCondition report: Oil on canvas attached to a wooden stretcher. On the reverse of the canvas is an artists' supplier stamp for Roberson & Co. The canvas has good tension and is in plane. The paint layers have been built up in thick layers which are in a good condition overall. Under ultraviolet light, a thin varnish is evident although the surface of the painting has a matte appearance. There are a few glossy accretions and some dirt on the surface of the painting. The gilded frame has been given a decorative, painted finish.
Shipmeadow Loch, 1928 signed with initials (lower left) oil on board 25 x 34cmFootnote: Exhibited: London, Arts Exhibitions Bureau, Priestman (details untraced)Condition report: Oil on board. The painting and support are in a good condition overall. There are a few small losses at the lower right corner and a white drip at the left hand side. Across the surface is a light build up of dust. The frame has been painted white with a distressed finish.
Reading in Bed signed with initials (lower left) oil on board 29.5 x 39.5cmFootnote: Provenance: Acquired directly from the artist by Marjorie Florence Crossley Thence by family descent to the present owner Exhibited: Liverpool, The John Moores Liverpool Exhibition, 1957 Cambridge born Marjorie Crossley (1905-2001) was both an accomplished painter and sculptor. She was President of The Artworkers Guild, Associate (and later Treasurer) of the Royal Society of British Sculptors and a Member of Council (and later Vice-President) of the Artists General Benevolent Institution.Condition report: Oil on board. On the reverse of the board is a previous composition of a woman's face which has been paint out. Overall the support and paint layer are in a good condition. There is a light layer of dust across the surface.
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