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Chinese silver tea service, comprising tea pot, cream jug and sugar bowl decorated with dragons, and a non-matching kettle on stand with silver plated burner with floral decoration, maker`s mark `HM` 64oz gross weight not including burner,Various dents and dings. Light rubbing to decoration. Kettle finial detached but present.
Eugene Galien-Laloue (1854-1941) 'La Porte Saint-Martin,' Figures and horse drawn Omnibuses on a Parisian boulevard, evening. signed, also inscribed on a plaque attached to the frame, with a further exhibition label verso, gouache heightened with white, 18 x 29.5 cm, **The artist was born in Paris, he was mainly known for his impressionistic portrayal of that City. In 1877 he was a student of Charles Laloue, a long time member of the Artistes Francais. During the early part of his career he used a number of pseudonyms to overcome an exclusive contract with a major gallery, these included, L.Dupuy, J.Lievin and E.Galiany, all of which are listed in the catalogue raisonne. He worked mainly in gouache with a light expressive style. He depicted the early 1900's with an accuracy that reflected that iconic era, indeed he was one of the first painters to historically represent these bustling streets and as such has been a great influence to a host of later artists, such as Edouard Cortes and Antoine Blanchard.
A pair of French patinated and gilt bronze twin light figural candelabra, circa 1880, the fluted urn sockets above drip pans with leaf cast edges, on berried stems held in the arms of an infant faun and an amorino respectively, the circular white marble bases with beaded collars, each on four toupie feet, 40cm high, 26.5cm wide
A parcel gilt and japanned metal and glazed hall lantern in Regency style, of recent manufacture, by Vaughan Lighting, the `Sezincote`, the octagonal pagoda top hung with faux bells at the angles, above eight rectangular red glass panes interspersed with clear glass rods, on bun feet, the interior with a four light electrical fitment, 50cm high overall, 44cm wide
A gilt metal, moulded and cut glass adorned eight light chandelier in Louis XV style, early 20th century, the electrical fitments in urn sockets on dished drip pans, arranged around an openwork frame fixed overall with glass flowerheads, a faceted finial within, hung throughout with faceted glass pendants to a spherical terminal, 96cm high overall
Eugene Galien-Laloue (1854-1941) 'La Porte Saint-Martin,' Figures and horse drawn Omnibuses on a Parisian boulevard, evening. signed, also inscribed on a plaque attached to the frame, with a further exhibition label verso, gouache heightened with white, 18 x 29.5 cm, **The artist was born in Paris, he was mainly known for his impressionistic portrayal of that City. In 1877 he was a student of Charles Laloue, a long time member of the Artistes Francais. During the early part of his career he used a number of pseudonyms to overcome an exclusive contract with a major gallery, these included, L.Dupuy, J.Lievin and E.Galiany, all of which are listed in the catalogue raisonne. He worked mainly in gouache with a light expressive style. He depicted the early 1900's with an accuracy that reflected that iconic era, indeed he was one of the first painters to historically represent these bustling streets and as such has been a great influence to a host of later artists, such as Edouard Cortes and Antoine Blanchard.
A cased `Praktica` BCI 35mm camera, sold with accessories, i.e. extra lens, flashlight, sold together with a carrying bag, also included in lot a leather cased 35mm Yashica `J`, sold together with light maker and flash within a carrying bag, a Kodak box camera, a Kodak Brownie 127 and a transparency viewer. (5)

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534338 Los(e)/Seite