A John Galliano black wool suit, 'Pin-up/Misia Sert' collection, Spring-Summer 1995, burgundy satin Paris label, jacket with padded shoulders and halter-neck style lapel, cord covered buttons; the high-waisted pencil skirt with interior corset, bust 92cm, 36in, waist 71cm, 28in (2) CONDITION REPORT: Jacket: good condition, no problems. Skirt: good condition, lining has split along seam below rear zip closure (minor). Would benefit from dry cleaning, light soiling.
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A Maggy Rouff black zibeline mini dress, circa 1965, labelled, the hem trimmed with silk raw-edged ruffles, the cleverly constructed bodice with angular yoke, bust 81cm, 32in CONDITION REPORT: Good condition. Light soiling to front skirt hem and deodorant mark at underarm edge. Just needs dry cleaning. Good piece
A Biba tapestry weave jersey grey coat and hat, circa 1973-75, printed satin art-nouveau label, the swing-style coat with concealed button front and two pockets, chest approx 87cm, 34in (2) CONDITION REPORT: Good condition. Pocket linings are odd shape. Faint light brown stain to centre back hem and a couple at cuffs, minor and hard to see.
Ten vanity and boudoir purses, 1920s, including two dance purses, the first of celluloid with interior mirror and rouge, the second silver plated with mirror and powder puff; faux tortoiseshell chinoiserie example with wrist strap; and others (10) CONDITION REPORT: ·Good condition with some minor flaws·Painted celluloid vanity is broken#·1. Light surface scratches, light speckling to leather, lining is shattering at fold, lacking mirror·2. Surface scratches and soil mark·3. Surface scratches and crack to one corner of mirror·4. Boudoir purses - splits to silk
Two printed chiffon garden party dresses, mid 1930s, each with a matching jacket/capelet, one printed with roses in shades of pink and green; together with a pale blue ostrich feather bolero, busts approx 86-97cm, 34-38in (5) CONDITION REPORT: Good condition. Rose print dress: faint perspiration stains at underarms of dress, approximately two tears at edge of neckline and handstiched repair here also, pre-studs have been added at right shoulder seam. A couple of light brown stains to skirt. Small hand stitched repair to rolled seam edge of capelet near tie. Feather bolero: blue dye has faded
A pair of chisel-toed scarlet wool ankle boots, circa 1850, with black glass and brass side buttons, flat, straight soles, 'Miss Davis' written in ink to interior of right boot, 20cm, 8in long (2) CONDITION REPORT: Good condition. Great bright colour, good condition overall, slight moth damage (4 small moth holes) to one boot. Soles show signs of light use.
A Norman Hartnell couture chiné taffeta ensemble, circa 1956, labelled, in shades of yellow and green, the dress with cross-over bodice and bow to left hip; tent coat with slit to rear, bust approx 97cm, 38in (2) CONDITION REPORT: Good condition, very fresh. Hem has been altered to both coat and dress. Coat: sleeve dart has been let out by 1cm (minor). Dress: 3 small faint grease marks to right bodice (not immediately obvious as concealed by print) and at right hip also. Scattering of pin marks from brooch to right shoulder (minor). One light brown spot stain at left shoulder (minor). Faint perspiration stains at underarms which are very hard to see as concealed by print. Dart has been let out at shoulders by 1cm (minor), rear wrapover bodice dart has been taken in by 1cm (minor).
Six handbags in mainly bronze tones, 1950s-early 60s, comprising; a Llewellyn Inc. shell-shaped lucite example; two by Kurt Chambré with hand-painted designs; two basket-shaped examples with lucite handles and another shaped like a Chinese take-out box (6) CONDITION REPORT: ·Good condition overall, no cracks to lucite examples·Shell-shaped bag - slight rubbing to faux mother of pearl finish to exterior (minor)·Chinese take-out box - scuffing to base, rubbing to cardboard interior and make-up smudge, otherwise good·Bronze box shaped - slight rubbing to bronze exterior finish, tarnishing to hardware (minor)·Basket-weave - good condition, no problems·Two Kurt Chambré - light rubbing to corners of bases and scuffing to interior of 'Highstreet' example from gentle use (minor), good
A group of mostly evening-wear, 1950s, approx five ensembles, including a Christian Dior New York grey wool jacket with rhinestone buttons, labelled; Ceil Chapman black tree-bark taffeta evening coat, 1950s, labelled; a Philip Hulitar black satin coat; and others (5)Grace Kelly was photographed wearing a similar Ceil Chapman coat. cf :'A Touch of Grace' by Cindy de la Hoz p.122, photo from the Lou Valentino collection. CONDITION REPORT: ·Good condition overall ·Grey Dior - good condition, no problems·Beige P Henry jacket - light soiling, needs cleaning, few faint marks to lapel·Mr Blackwell black shantung dress with feathers - good condition·Philip Hulitar black satin New Look coat - good condition, great quality·Ceil Chapman - very fresh, good condition
Six Hermès printed silk scarves, 1970s-modern, including the brightly coloured 'Festival' by Henri d' Origny, 1992; two examples of 'Springs' by Philippe Ledoux, 1974; and others, approx 90 by 90cm (6) CONDITION REPORT: Good. 'Festival' has brown soiling/make-up mark in one corner. 'La Chasse en Afrique' has greasemark to orange ground. Red flowers: red mark to centre. Ship - mark and light brown stains to central ship. Burgundy 'Springs' several light brown stains. Blue 'Springs' has light brown stain and crease mark to centre, not immediately obvious, and a couple of faint watermarks (minor).
A Biba ercru lace maxi-dress, late 1960s-early 70s, woven art-nouveau label; together with a Simon Jeffrey linen-blend dress and a Jotheringay Chepplewaite velvet maxi-coat, busts 81-86cm, 32-34in (3) CONDITION REPORT: All good condition. Biba: has a couple of light brown stains to lower front of skirt, not immediately obvious, faint discolouration to trim at neck (minor), lipstick mark to lower rear skirt, otherwise good.
A Chanel red bouclé wool suit, 1990s, Boutique labelled, the jacket edged with silk braid and with gilt double 'C' knot-shaped buttons, chain weighted hem; skirt with front pocket to right hip, bust 92cm, 36in (2) CONDITION REPORT: Good condition. Very light soiling to silk lining at underarms, minor. Skirt pocket has come slightly unstitched at right corner (minor)
Five pairs of Chanel shoes, 1990s-modern, stamped to interiors, including a pair with black and cream tweed uppers, metal tipped 4.5in heels; pale green sling-backs with enamelled double 'C' camelias to toes; three pairs in original boxes; and others, sizes 37.5-39 (10) CONDITION REPORT: Good condition, two pairs are unworn, others with scuffing to soles from light wear. 1 pair size 37.5. 1 pair size 38. 2 pairs size 39. Black satin pair with ankle strap marked size 8.
An Yves Saint Laurent hot-pink 'gem' adorned leather jacket, Spring-Summer 1990, Rive Gauche labelled and size 38, with colourful and large irregular stones, pink satin lining, chest approx 102cm, 40inChristy Turlington is photographed wearing a similar black version of this jacket over her bare chest, accessorized with large 'matador' style hat, in the advertising campaign for this collection. CONDITION REPORT: Good condition. A few tiny surface nicks to leather at right side of bodice and right collar edge, minor. Occasional light surface scratch to leather.
Three pieced panels of finely embroidered linen, Gujarat, late 17th-early 18th century, finely worked in chain stitch with acanthus scrolls, coiling exotic blooms, the panels approx 60 by 110cm; 57 by 50cm; 40 by 97cm (3) CONDITION REPORT: ·Panel A: composed of 2 horizontally joined strips, each 20x96cm. Colours are great. The join isn't particularly well matched. Faint damp speckling in a couple of places but nothing too detrimental, slight wear to edges of outer border. 5cm horizontal split in linen above one border edge.·Panel B: formed of 3 horizontal joined strips. Great colours overall. One strip (26x123cm) - the ground is generally clean and white in appearance with a few faint stains or damp speckles. Other two (each approx. 18x112cm) are generally damp stained - the ground is discoloured to beige. The upper panel has a 7cm split, no edging border and a chunk missing top right side.·Panel C: Approx 54x64cm, ground is generally discoloured to light beige. Colours are good, edging borders on 2 sides have been machine stitched in place. One small hole.
Two winter hats, Chinese, late 19th-early 20th century, edged in fur with red tassels; together with a pair of black silk boots with 1.5in platform soles (4) CONDITION REPORT: Hats- silk is frayed/thinned, one has red tassels detached, both lacking finials. One with handwritten label to interior 'Greenfield du Bonlay'. Boots- silk is frayed/thinning in places. Soles show signs of wear. Each has handwritten chinese letters to interior and Light brown fur edged hat - rubbing to black satin crown, lacking finial, fur is matted around the sides, pink cotton interior is soiled from use. Black fur edged hat - has fringing but lacking finial, black satin crown is badly split, fur brim is bald along upper edge, fur along sides is generally good, pink cotton lining faded and soiled, hat looks as though its had lots of use. Boots - poor condition, satin has shredded, soles show signs of wear, each has handwritten Chinese letters to interior and handwritten label 'Greenfield du Bonlay'
A pair of cloth of gold panels appliquéd satin, Italian, 19th century, in 18th century style, with large scrolling foliate repeats, the motifs edged with couched gold threads, fringed borders, 250 x 50cm and 255 x 50cm (2) CONDITION REPORT: Silk appliqué have almost entirely worn away and fraying. Metallic threads to ground of shorter panel have mostly worn away also. What appears to be glue spots in various places, several light brown stains to both.
A Brussels mixed lace ensemble, late 19th century, made into a loose fitting jacket and skirt/slip in the 1930's, the jacket sleeves edged with chiffon and with scalloped hem (2) CONDITION REPORT: Dress: the under-dress is modern silk crepe with deep flounce of Brussels guipure overlaid over the skirt. The rear skirt seam needs re-stitching and the lace flounce is open/unsewn here also. Lace is generally good - the odd broken linking 'brides'. Jacket is mixed lace - generally good, the odd broken bride, nothing immediately noticeable, barely detectable, light brown mark rear right side, scalloped floral point de gaze edges with slight wear.
A Chanel Boutique pink tweed jacket, Spring-Summer 1990, labelled, with black knot buttons, chain weighted hem, bust 87cm, 34in; together with a Chanel white piqué trouser suit, 2001, labelled and size 38 (3)Naomi Campbell is pictured wearing the couture version of the jacket smiling backstage at the catwalk show in 'Chanel: The couturiere at work' by Amy de la Haye/Shelley Tobin, p.117 CONDITION REPORT: Good condition. Very faint small light brown spot stain to front of pink jacket near middle button, minor.
A whitework muslin dress, early 1920s, with scalloped hem and Valenciennes lace edged yoke and sleeves, bust approx 92cm, 36in, waist 81cm, 32in CONDITION REPORT: Good. Faint perspiration stains at underarms and small light brown stains at right underarm. 2.5cm lace insertion needs re-stitching. Darned repair rear hem, not immediately obvious.
A group of Yves Saint Laurent Rive Gauche separates, 1970s-80s, labelled, comprising; taffeta peasant blouse with voluminous sleeves; white and black maxi-skirt; two floral print skirts and others, busts approx 92-97cm, 36-38in, waists 61-66cm, 24-26in (8)Provenance: Jane, Lady Abdy CONDITION REPORT: Good. White skirt has approx three small light brown spots to front.
An Yves Saint Laurent Fourrures mongolian lamb jacket, 1980s, labelled, chest approx 97cm, 38in; together with a Chloe beaver lamb coat with black/blue fox fur collar, late 1970s, labelled, chest approx 92cm, 36in (2) Provenance: Jane, Lady Abdy CONDITION REPORT: Good condition. YSL has 2cm L-shaped split at left shoulder, label has come unstitched at one corner. Chloe is good condition, light rubbing to fur at cuffs, lining has come un-stitched in a couple of places with one scuff/ladder at rear right (minor).
Jerry Hall's Antony Price 'chicken' dress, 1990s, labelled, the short dress of yellow and green plumes with adjustable tail section, bust 86cm, 34in, waist 66cm, 26in This dress was worn by Jerry Hall to attend a party given by Princess Margaret and also in a Bovril advertisement. Provenance: The Jerry Hall collection, Kerry Taylor Auctions, 6th June 2008, lot 108. CONDITION REPORT: Good condition. Several feathers detached but not any obviously missing from dress. Some ruffling to feathers in places from light wear, and occasional tiny soil mark/brown spots to feathers (minor).
An Ossie Clark for Radley 'Floating Daisies' print moss crêpe dress, mid 1970s, printed satin label and size 36, with contrasting black sleeves, bust 92cm, 36in, CONDITION REPORT: Barely visible perspiration stains at underarms, minor, not noticeable unless very closely inspected. Light brown small stains/watermarks to skirt along front and back hem. Not immediately noticeable when worn. Hem has been altered.
A Thea Porter brocaded cotton dress, mid 1970s, woven lily label, with pink and white woven lozenges, the sleeves and hem inset with lace, bust 86cm, 34in, waist 66cm, 26in CONDITION REPORT: Good condition. A few light brown stains to lace at skirt and sleeves, none immediately obvious (minor). Lining at neck/bodice edge has slight discolouration (minor)
Designer separates, 1990s-2000s, all labelled, comprising: Yohji Yamamoto cupro bodice; Comme des Garçons checked cotton jacket; Jean Paul Gaultier red velvet jacket and another of beige denim, chests approx 92-107cm, 36-42in (4) CONDITION REPORT: Good condition. Light brown stain along collar edge of Comme jacket. Denim jacket has small light brown mark to rear left shoulder, and 2 small stains inside.
A Thea Porter chartreuse chiffon ensemble, 1970s, labelled 'Thea Porter Couture', the blouse and skirt with Indian-style embroidery and spangled with silver sequins; original tie belt, bust approx 36in, waist 28in (3) CONDITION REPORT: Good condition, a couple of floating threads to embroidery on blouse (minor), light brown stain at rear of right cuff. Very fresh.
A Digby Morton grey wool pinstripe suit, 1950s, labelled, the jacket with self-covered buttons, two front pockets; matching long pencil skirt; together with an ivory linen summer dress, busts 92cm, 36in (3) CONDITION REPORT: Good. Morton- perspiration stains to underarms at lining only, not visible to exterior. Slight light brown satining to white pin-stripes at right front near hem, minor.
A Chanel haute couture black chiffon dress, 1978, un-labelled, with knife-pleated skirt and bodice, the original strapless slip with light boning, bust 81cm, 32in (2) This was made for the vendor's grandmother in 1978, whose husband was a director at Chanel. CONDITION REPORT: Good condition. Hem of slip needs re-stitching in places (minor)
A pair of Manolo Blahnik black 'Yeti' boots, 1990s, entirely covered in mountain goat fur; together with a pair of Manolo Blahnik astrakhan and suede stilettos; and two other pairs, in boxes, sizes 38.5-39.5 (8)Provenance: From the collection of singer/songwriter Nikki Squire. CONDITION REPORT: Good condition, appear little worn with light scuffing to soles.
A group of Manolo Blahnik stilettos and ankle boots, 2000s, nine pairs, including a tapestry weave pair trimmed with mink; two pairs with zebra stripes; black suede 'Timberland' style example; and others, in boxes, sizes 38.5-39 (18)Provenance: From the collection of singer/songwriter Nikki Squire. CONDITION REPORT: Good condition overall. 4 pairs appear unworn, with the others showing signs of light wear mainly to soles. No significant damage.
Ink (1971) 1-19, 21. Founded by Oz co-founder, Richard Neville, Ink was famous for its Ralph Steadman and Gerald Scarfe covers, one of which parodied Neville's Oz Schoolkids issue showing Rupert in flagrante delicto with Mary Whitehouse in front of the Pope. It is included here. Light horizontal mail folds [vg/fn] (20)
* DAVID CRONE RHA RUA (IRISH b 1937 - ),CLERGUE'S NUDESoil on canvas, signed and dated '96, titled verso70cm x 50cmFramedThis painting is a homage to the French photographer, and close friend of Picasso, Lucien Clergue (1934 - 2014). Clergue's body of work included 'zebra nudes' - when light coming through window blinds casts striped patterns, gracefully highlighting the female form. Note: David Crone was born in Belfast, 1937 and was educated at the Belfast College of Art in 1956 studying sculpture. One of his best-known works in sculpture is the Horse and Rider (1960) and can be seen in the Queen's University Collection. He gradually finished his education in sculpting and then slowly turned to painting which is something he had never done before. Since 1985, Crone has been lecturing at the Belfast College of Art and is viewed as one of Northern Ireland's most vital artists today, having had many solo exhibitions in places such as the Tom Caldwell Gallery, the Northern Ireland Arts Council and the Hendricks and Kerlin Galleries in Dublin. In 2000 The Ulster Museum organised a major retrospective exhibition of his work.

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