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534338 Los(e)/Seite
Los 245
HENRY JOHN SYLVESTER STANNARD, RBA, FRSA (1870-1951) 'Harvesting', with children seated on a riverbank, mid ground a bridge, to the distance hay carts and a church tower, Watercolour painting. signed 23cm x 33cm, gilt framed, mounted and glazed Condition Report – A few very small brown marks in the sky, some minor rippling to paper (not laid down which is good) a little light staining as watercolour nears the mount. Bright colour overall, no signs of rips or restoration.
Los 18
Ɵ Russo-Turkic and -Perso printing, three typeset and lithographed Persian and Ottoman Turkish texts from different authors [Tashkent and Kazan, 1896-1909]three volumes, comprising: Mukhtasar al-Wiqayyat fi Masa'il al-Hidayaat, commissioned (or perhaps) permitted by St. Petersburg, dated Shawwal 1314 (30 April 1896), typeset printed on yellow paper, imprint details printed in Russian and Ottoman Turkish, title-page with engraved borders, first and final leaves a little mottled, 265 by 180 mm; Ilm al-Tabi'i ..., Kazan, dated Safar II 1322 AH (1904 AD), volume two only (of two), typeset printed, 6pp. full-page plates, some light finger-soiling and darkening to outer edges, 265 by 175 mm.; An-Allah al-Ayda Ajr al-Muhsinin, lithographed by V. M. Nilnna, Tashkent, dated 1327 AH (1909 AD), lithographed throughout in nasta'liq script, some ink inscriptions to title in black ink, a few spots and stains, some worming to outer edges of leaves (not affecting text), 265 by 170 mm.; all bound in uniform calf-backed boards, covers decorated with Ottoman-style medallions, stamped in blind with green outlines added by hand, ruled in green, covers a little rubbed, else attractive condition
Los 23
Ɵ "Kem" Kimon E Marengo. Set of 5 World War II propaganda posters depicting adaptations of Shahnameh scenes, in Farsi, apparent reprinted edition of the complete 6 scenes, chromolithographs on paper [London (for the Ministry of Information), 1942 or slightly later] 6 leaves (forming the complete set, a few light creases and chips to outer extremities, some scattered spotting and light surface dust, fair condition, versos blank, each 370 by 250 mm.Marengo was an Egyptian, who worked in Paris as a satirical cartoonist. At the outbreak of World War II, he was studying in Exeter College, Oxford, and turned his talents to aiding the Ministry of Information in London, producing over 3000 images on behalf of the British war effort. The Germans were increasingly using propaganda in Iran, and so Marengo was tasked with devising counter-measures. He drew on that nation's rich manuscript heritage, and repainted six images from the Shahnameh, replacing key figures with likenesses of Roosevelt, Churchill and Stalin overseeing the downfall of Hitler. These were initially produced as posters, and then as booklets of postcards, and dispersed during the Tehran conference when the Allied powers signed a declaration that committed them to Iran's independence.
Los 24
Collection of early photography of Ceylon, including three by Charles T. Scowen, black and white photographs [Sri Lanka (Ceylon), c. 1890] five black and white photographs, each mounted on thick card, depicting a market scene, Perraheriya feast, Ruins of Anuradhapura, View from the Grand Hotel (Nuwara Eliya), and General View (Nuwara Eliya), mounts a little spotted, some light surface scratching to photos, each c. 215 by 275 mm.
Los 25
Large collection of photographs of India, many originals from photographers including Murray, Bourne and Shepherd [India, most late nineteenth century] over 60 photographs, most individually mounted on thick card, all black and white or sepia-tint, some a little faded, some light surface scuff marks, many with manuscript captions beneath image, smallest 95 by 150 and most 280 by 230 mm. A wonderful collection of views of palaces, trainlines and cities of India, including the regions of Madras, Delhi, Sikri, Ghudderghat, Gwalior, Karli, Ahmedabad, Tanjore and Lucknow by important photographers including Murray, Bourne and Shepherd.
Los 29
Ɵ Abu Muhammad al-Qasim ibn Ali bin Muhammad ibn Uthman al-Hariri, known as 'al-Hariri of Basra', Maqamat al-Hariri (the Assemblies of al-Hariri), in Arabic, decorated manuscript on buff paper [Mamluk territories (probably Egypt), second half of the thirteenth century] single volume, 60 leaves, misbound and uncollatable, containing majority of anecdotes numbered 30-50 (of 50), single column, 15 lines elegant black thuluth with chapter headings in red, some ink annotations and marginalia from fourteenth and fifteenth centuries, some light water-staining to outer edges, a few leaves with edges repaired (not affecting main body of text), overall bright and presentable condition, 300 by 205 mm.; eighteenth-century leather-backed boards, covers stamped with circular motifs in Mamluk style, rebacked and outer edges repaired, covers slightly faded The Muqamat of al-Hariri is arguably the most treasured work of literature in the Arabic language after the Qur'an. The text consists of fifty literary and poetic anecdotes, endorsing Arabic proverbs, idioms and expressions, presented to the reader by Abu Zady al-Harith who is commonly interpreted as the narrator of the stories. The social history of the Maqamat is deeply rooted in oral traditions, with many anecdotes meant to be memorised and retold in large gatherings. The immediate popularity of the text meant that manuscript copies were commissioned all across the Islamic territories from Andalusia to Eastern Persia with translations into Turkish and Hebrew appearing in the fourteenth and fifteenth centuries as well. The rich imagery of the work also lead to the production of many illustrated manuscript copies, containing iconic illustrations of the famous scenes, and leaving an Arabic literary legacy comparable to that of the Shahnameh in Persian tradition. Al-Hariri of Basra (d. 1122) was a poet and government official based in the city of Basra in Seljuk Iraq. Although the concept of the 'muqama' had already been established by the twelfth century, al-Hariri elevated the existing form of Arabic literature, a literary genre combining rhymed prose with intervals of poetry, to a fine artform with his Muqamat. The present codex is a fine and early example of the text, containing almost half of the anecdotes, copied only about 150 years after the author's death. Very few early copies survive in book form, for another example see Sotheby's, 1 May 2001, Lot 12. For a leaf from an early illustrated Muqamat, see lot 28.
![Ɵ Brion. "Perse, Turquie Asiatique et Arabie", engraved map on paper [Paris, 1786] single leaf, engraved map of Persia, Asiat](https://cdn.globalauctionplatform.com/86a7f3be-5787-4e9d-b1c0-ac3500de1216/5671f419-1c7a-4130-a1a8-ac60010ff1e2/468x382.jpg)
Los 3
Ɵ Brion. "Perse, Turquie Asiatique et Arabie", engraved map on paper [Paris, 1786] single leaf, engraved map of Persia, Asiatic Turkey and Arabia with surrounding oceans and seas including the Black Sea, Mediterranean Sea and Indian Ocean, additional highlights in colour added by hand, focusing particularly on the Arabian peninsula, a few small spots and some light browning, overall bright and attractive condition, c. 230 by 265 mm.; framed and glazed, "Sebastian D'Orssai Ltd" label to the reverse of the frame
Los 38
Ɵ Safar Youhna al-Ra'ani (The Book of Revelations), in Bohairic Coptic and Arabic, decorated manuscript on paper ["The Holy City of Jerusalem", dated 9 April 1579 AD] single volume, complete, 108 leaves (including a contemporary blank), double-column throughout, large full-page illustration of the holy cross opening the text in polychrome colour, polychrome heading and illustrated initial opening the first page of text, a few small stains and smudges to outer edges of leaves, some light finger-soiling, else bright and presentable condition, 230 by 170 mm.; contemporary leather-backed cloth over boards, covers a little soiled and faded, extremities worn A fine example of the Coptic and Arabic manuscript tradition, found here with full-page and colour illustrations. The manuscript includes a complete colophon inscribed by Jubra'il bin Yousha (Gabriel son of Joshua) recording that the volume was completed in the Holy city of Jerusalem on 9 April 1579 AD.
Los 50
Ɵ Hasan bin Umar bin Hasan ibn Habib al-Halabi, Jami'yat al-Akhbar fi Isma' Al-Khalaf'a wa Muluk al-Amsaar (A historical and geographical account of the Caliphs and Kings of Islamic lands), in Arabic, decorated manuscript on buff paper [Ottoman Levant, dated Sha'ban 1125 AH (1713 AD)]single volume, 91 leaves, possibly lacking a fihrist at the front of the volume, else apparently textually complete, single column, 24 lines cursive naskh, headings and key words in red, catchwords throughout, contemporary marginalia and annotations throughout, waqf inscriptions for a private collector named Haj Ibramin Efendi Arabi (dated 1135 AH / 1723 AD), with their seal stamped to final leaf, some light water-staining to upper edges of leaves, a few scattered marks and stains, overall clean example, 222 by 165 mm.; contemporary leather-backed boards with flap, worn, covers and edges crudely repaired Habib al-Halabi (d. 1377 AD) was a Damascus-born historian that lived in Aleppo. He travelled extensively during his lifetime, notably visiting Egypt, the Hejaz and the Levant. The present work is a historical and geographical account of the early Caliphs and Kings of these regions, possibly inspired by his travels. The volume not only describes these rulers, but also offers insight into the geographical locations in which they settled, their 'Amsaar' (garrison towns), and the physical proximity of these locations to each other. Manuscript copies of Habib al-Halabi's works are uncommon, the two known works are Durrat al-Aslak fi Dawlat al-Atrak and Tadkirat al-Nabih fi Ayaam al-Mansur wa Banih, which are recorded in institutional ownership. However the present work is an exceptionally rare text, with no other copies traced in such institutions or sold at public auction.
Los 52
A calligraphic panel by Ismail Zuhtu, in Arabic, illuminated manuscript on paper [Ottoman Turkey, second half of eighteenth century] single sheet, 3 lines competent black thuluth, gold circular roundels separating the verses, ruled in black and gold, then mounted on card with eighteenth-century marbled paper added to border, some light surface soiling, some very slight rubbing to final line of text (with slight loss), modern ink inscriptions to versos in ink, 182 by 240mm. Signed inscriptions of authentication to the verso of this panel are in the hand of the celebrated Uskudar born scribe Necmeddin Okyay Efendi (1883-1976), whose talents extended calligraphy into the arts of marbling and bookbinding.
Los 65
Ɵ Ali ibn al-Abbas al-Majusi, Kitab Kamil as-Sina'a at-Tabbaiya (The Complete Book of the Medical Art), copied by Salam'ullah bin Habib'ullah bin Muhammad, in Arabic, decorated manuscript on paper [Safavid Persia, dated 990-91 AH (1582-84 AD)]single volume, two books bound in one, each of these with ten chapters (together 20 chapters), 600 leaves, one leaf lacking in final gathering (replaced in manuscript facsimile), textually complete, single column, 21 lines black naskh, chapter headings and important sections in red, catchwords throughout, each of the twenty chapters with an index of the 'bab' within and each with a separate colophon, first six chapters of first book misbound in nineteenth century (with book 1 bound after book 2, and the maqalas in Book 2 misbound in the present sequence 3, 4, 1, 5, 6, 7, 8, 9, 10), some very minor marginal staining to some small sections, occasional light mottling, a few outer edges repaired (only affecting the text of two leaves), overall very attractive and clean condition, 240 by 180 mm.; later leather over pasteboards, faintly pressed central medallions to covers, rebacked, edges a little scuffedExceptionally rare complete copy of a primary and fundamental work of medicine from the Golden Age of Islam, preceding and influencing Avicenna's Canon on Medicine Provenance:Produced for a wealthy and important patron in sixteenth-century Persia on fine paper, and in the hand of a single scribe, who names himself as Salam'ullah bin Habib'ullah bin Muhammad in a number of the colophons at the end of individual sections of the work. In addition, many of these colophons record dates of their completion showing that the whole codex took two years to produce (Book 1, maqalas 1 records a date of "Jumadi 990", while 2 has "Rajab 990", 3 has "Rajab 990", 4 has "Shaban 990", 5 has "Dey 990", 6 has "Muharram 991", 7 has "Safar 991", 8 has "Safar 991", 9 has "Safar 991", 10 has "Rabi Thani 991"; and Book 2, maqalas 5 and 10 record dates of "Rajab 991" and "Dey 991"). Text:Ali ibn al-Abbas al-Majusi was a tenth-century Persian physician and psychologist, known in the west by his latinised name 'Hali Abbas', who is best known for this encyclopaedia of medicine. Al-Majusi was born in Ahvaz (southwest Persia) and was , perhaps, the most celebrated physician in the Eastern Caliphate of the Buwayhid dynasty, becoming royal physician to Emir 'Abdul al-Daula Fana Khusraw (reigned 949-983). The present medical treatise was compiled under Emir Khusraw's patronage, and hence is also known by the alternative title Al-Malikiyya (The Royal Book, or 'Liber Regalis' in Latin). Emir Khusraw founded a hospital in Shiraz and the 'al-Adudi Hospital' in Baghdad to show his support for the medical arts, and Al-Majusi was probably working in the latter in circa 981 AD, where he must have composed this work. He s thought to have died either c. 990 AD or 1010 AD.This work was monumentally influential in Islamic medicine, and even had a profound impact in the West. It was first translated into Latin by Constantinus Africanus in the eleventh century, for use as a primary text in the medical school of Salerno, and then it was translated again in 1127 by Stephen of Antioch. Knowledge of the work was so widespread by the fourteenth century that he is named in Chaucer's Canterbury Tales, in which the Doctor in the prologue is described as "Well read was he in Esulapius, / And Deiscorides, and in Rufus, Hippocrates, and Hali, and Galen". This text is divided into two distinctive books, and then these are each divided into ten 'maqalas' (sections), which are further divided into 'babs' (chapters), forming the twenty sections as represented here. The first deals with the theory of medicine, including anatomical structures (the physical structure of the body) and its physiology (the function of these parts), and the second examines the practical treatment of medicine, the application of medical treatments and surgery. Indeed, It is earliest known Arabic medical work to provide detailed instructions on surgical procedure. Complete manuscript copies of this text are exceptionally rare. The vast encyclopaedic nature of the text made it an expensive commodity in the medieval world, and the volume of text included meant that it would likely have to be copied across multiple codices. The present example appears to have been bound as two separate books at the time of copying before being joined together in one large volume in the nineteenth century (albeit bound in reverse order with Book 2 preceding Book 1.
Los 7
Ɵ Yusuf Nabi, Dhayl-i Siyar-i Nabawi (on the life of Prophet Muhammad), printed in Arabic, on paper, by the Bulaq Press [Egypt (Cairo) dated Jumada II 1248 AH (1832-33)]single volume, complete, fihrist at the front of the volume, engraved head-piece opening the body of the text, text-block ruled, catch-words throughout, some foxing, a few smudges and light water-stains, final section with some minor worming to outer margins (not affecting text), 270 by 175 mm.; modern brown morocco, stamped in blind, covers a little scuffed A continuation of the work of Uways Ibn Muhammad's (d. 1637 AD) work on the life of Prophet Muhammad known as Siyar'i Waysi, starting form the third year in the Hijri calendar until the death of the prophet. An alternative title for the present work is Dhayi'i Nabi.
Los 73
A Celestial Globe, engraved in brass by "Iskandrani", depicting zodiac signs and stellar constellations [probably Safavid Persia, dated 1128 AH (1716 AD)] single brass sphere, engraved with signs of the zodiac, individual stars and stellar constellations, inscribed throughout with jagged inscriptions carved into the brass by hand, latitudinal and longitudinal lines present, brass a little darkened, some oxidisation to sections of engravings, a few small areas of rubbing and light surface scratches, c. 200 mm. in diameter Celestial globes of this nature were used by astrologers, astronomers, Islamic scholars and scientists alike. They were popularised in the Timurid period by patrons who extended their support for the arts into the sciences as well, and fine examples of these scientific and astrological instruments including astrolabes and other astrological globes from this period are predominantly from the Eastern Ilkhanate regions of Samarkand and Herat. Celestial globes of this nature portray stars and constellations as if viewed from above, and were often used as astronomical instruments to guide the viewer and serve as a map of the heavens. The exact proportions and presence of lines also gave these objects a religious purpose as they could be used to tell prayer times and also establish the location of Mecca. A similar example, dated 1197 AH (1782-83 AD) was sold in Sotheby's, 25th April 2012, lot 584, realising £38,450.
![A double kneeling portrait of a young princess and attendant, Indian miniature on paper [India (likely Deccan), c. 1800] sing](https://cdn.globalauctionplatform.com/86a7f3be-5787-4e9d-b1c0-ac3500de1216/4985a4dd-a163-4edb-bb56-ac4c00c64438/468x382.jpg)
Los 89
A double kneeling portrait of a young princess and attendant, Indian miniature on paper [India (likely Deccan), c. 1800] single leaf, ink and gouache on paper heightened in gold, depicting a young princess and attendant kneeling on a palatial terrace, the princess adorned in pearly and emerald jewellery and dressed in a sheer gold-lined sari over a striking green brocade fabric, birds flying in a sky marked with red flashes, possibly signifying the sunset, some light fading and evidence of faint water staining, overall bright and attractive condition, 200 by 125 mm.; mounted, framed and glazed
Los 95
Portrait of a Nobleman, artist signed Qasim Ra'isi, from a fine album leaf with three verses of Persian calligraphy to the reverse, illuminated manuscript on card [Mughal India, dated 1254 AH (1838 AD)] single leaf, ink and gouache depicting a nobleman holding a flower, heightened in gilt, with a line of fine black nasta'liq above and below the image, reverse with six lines of Persian verse in nasta'liq, signed Muhammad Hussain Zarrin Qalam, both sides ruled in orange and green and framed within wider silver-specked card border for album page, remains of linen edge to one side, some light scuff marks and finger-soiling, total 380 by 240 mm.
Los 1231
A Sangorski & Sutcliffe Early XX Century Blotter/Document Binder, the red and green leather cover elaborately tooled in gold and inset with mother of pearl and semi-precious stones, the centre with the Star of India crest 'Heaven's Light Our Guide', the interior with silk to one side and a blotter to the other, makers mark to inside bottom edge, 40.5 x 26cm.
![Two Tiffany style light shades. [2]](https://cdn.globalauctionplatform.com/b6c05b48-3e31-479b-97f8-ac300108e6b2/d760d835-3018-4474-b5cc-ac53009746ca/468x382.jpg)
Los 369
A gentleman's, yellow metal, Smiths Imperial wristwatch with black dial and 19 jewel movement, case diameter approximately 3.3 cm.Condition Report: Watch sets, winds and runs at time of cataloguing (this does not constitute a guarantee), no hallmarks, inside of bezel stamped 939, small dent to rear of case, light surface scratching throughout, approximately 31.5 grams all in.
Los 10
Star Wars - Mark Hamill - an incredibly rare autographed Star Wars comic book ' Splinter Of The Minds Eye ' by Dark Horse Comics. The cover depicting Luke Skywalker & Princess Leia. Signed to the cover by Hamill in blue ink, to a light portion. The autograph obtained in person by the vendor (an AFTAL registered dealer) and supplied with a Beckett Letter Of Authentication. Rare and impressive piece of Star Wars memorabilia.
Los 105
Chariots Of Fire (1981) - dual-autographed miniature 8x10" movie poster photograph from the classic movie, signed by Nigel Havers and Director Hugh Hudson. Both signed in black ink to light areas of the photo. Great item. Obtained in person by the vendor, an AFTAL registered dealer. With certificate.
Los 106
Harry Potter - Imelda Staunton - impressive signed autographed 8x10" colour photograph of Staunton as Professor Umbridge in the franchise. Signed neatly by the actress in blue ink across a light central portion of the image. Obtained in person by the vendor an AFTAL registered dealer. With certificate.
Los 116
James Bond 007 - Britt Ekland - a rare autographed 8x10" colour photograph of Eckland as Mary Goodnight in The Man With The Golden Gun. Signed neatly by the actress in black ink to a light portion of the image, adding her character name. Obtained in person by the vendor, an AFTAL registered dealer. With certificate. Rare.
Los 120
James Bond 007 - Sir Roger Moore (1927-2017) - a stunning signed 7.5x10.5" colour photograph of Moore as Bond in a classic pose. Signed neatly by Moore in black marker, to a light portion of the image. With certificate from B'BC (Bond Collectables). An impressive image of the quintessential 'Bond'. Rare.
Los 125
Star Wars - Carrie Fisher (1956-2016) - Princess Leia - a superb autographed 8x10" colour photograph of Fisher as Princess Leia in A New Hope - signed by the late actress in blue ink across a light portion of the photograph. Obtained in person by the vendor, an AFTAL registered dealer. With certificate. An incredible signed photo.
Los 130
From the collection of Valerie Leon - a large and impressive original vintage 1960's Howitt Printing Group promotional board, with Ms Leon featuring as the model to the top. The board printed on card, with various promotional details to the base. A cut-out of Ms Leon to the centre gives the effect of a 3D television. An original label to the based which reads ' Valerie Leon ' has been autographed in red ink. A rare original large promotional board featuring Ms Leon.Generally very good condition, but some light edge wear from use / age. Measures approx; 70cm x 57cm.
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534338 Los(e)/Seite