BOX 112 - SPIRITS "A" Artemisia Vegetalis Génépy Belsazar Vermouth Red Clarke's Court Superior Light Rum Vodka Sierakow Manor Barrel Aged Majestät Weinbrand Grafenwald Dark Rum Vodka Sierakow Manor Pepper Casamigos Anejo Tequila Roner Grappa Gewürztraminer Riserva Castle Rock Blended Scotch Whisky Grafenwald Marille Destillat El Dorado Rum 15YO
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A mid Victorian green leather writing and document box by Asprey, with gilt line decoration, the lid with an engraved sunken brass handle, with a writing surface to the underside, above a fitted interior with a divided lift-out tray flanked by 'ACCOUNTS' and 'JOURNAL' leather covered books, an inkwell and light box, with silver gilt engraved lids, hallmarked for John Harris, London 1854, fitted with mother of pearl handled utensils, pens, pencils, a ruler, seal, letter opener and scissors, stamped 'ASPREY MANUFACTURER 166 BOND STREET, with engraved locks and hinges, 14.2cm high, 38.3cm wide, 28cm deep. Provenance: The Dr Lawrie Webster Collection of Boxes.
An early 20th century black leather writing box by Asprey, the hinged lid with a sunken brass handle and initials 'M. G.', with a blotter and pen holder to the underside of the lid, with light and ink boxes, stamped 'ASPREY & SON. 165. BOND ST. AND 22. ALBEMARLE ST.', 11.5cm high, 26.6cm wide, 21.1cm deep. Provenance: The Dr Lawrie Webster Collection of Boxes.
Chinese porcelain bullet shaped teapot with enamelled and gilded figural decoration, together with a similar Chinese porcelain baluster shaped, sparrow beak jug. (2) CONDITION REPORT: Teapot - Wear to gilding, chip to spout, chip to base rim and top of rim. Fritting in places. Jug - chips to spout and light wear overall.
A marcasite set enamelled peacock pattern brooch; a light blue coloured glass necklace on yellow metal mount and chain; a pair of 9ct. gold square pattern earrings; a Ruskin brooch; another blue stone brooch; a plaited hair watch chain; and a quantity of other jewellery and costume jewellery.
A ship's starboard navigation light by Seahorse, with inscribed brass label numbered '33765', fitted dioptric lens (missing its lamp); together with a ship's smaller port side copper navigation light, with brass plaque inscribed 'Port', fitted dioptric lens (missing its interior lamp); and a ship's copper stern light fitted a plain lens, with three brass plaques inscribed 'Smith & Barnes, Glasshouse Bridge Works, Newcastle on Tyne' (also missing its interior light). (3)
A quantity of First World War Victory medals, awarded to 14559 Private J.T. Hunter, East Yorkshire Riding Regiment; 13596 Private J. Gilston, Yorkshire Regiment; 2612 Driver C. Beasley, Royal Artillery; 41401 Private R. Atkinson, Highlands Light Infantry; 22-731 Private E. Masters, Durham Light Infantry; Lieutenant R.W. Milburn, Royal Navy Reserves; 48891 Gunner R. Gurney, Royal Artillery; T4-036601 Driver G. Peel A.S.C.; 258644 Private D. Gardiner, 85th Canadian Infantry; and 127993 Private F. Russell, Machine Gunners Corps; together with a death plaque commemorating the life of Thomas Embleton.
RICKY HATTON SIGNED COLOUR PHOTOGRAPH from the Hatton v Tszyu I.B.F. light welterweight championship fight, Manchester M.E.N. Arena, 5th June 2005, framed together with ANOTHER COLOUR PHOTO of Hatton at the same fight, 12" x 26" (30.5cm x 66cm) overall framed and glazed TOGETHER WITH A CERTIFICATE OF AUTHENTICITY (No. 7756) signed by S.J. Kay
B.G.L. LONDON. 'ELECTRIC SPEEDWAY' MOTOR CYCLE RACE GAME, the 8 cast metal motorcycles and riders inclined inward on the circular turntable, 11" (28cm) diameter, the winning rider indicated on a row of eight screw in battery powered light bulbs, all on shallow oblong wooden box base, 20" (50.8cm) x 12" (30.5cm)
* Hubert Coop [1872-1953]- East coast hay barges unloading on the Thames, St Paul's in the distance:- signed watercolour 37 x 52cm. * Notes. Thames barges played an important part in life along the river and in Essex by making use of the many creeks and inlets to collect produce from the farms and take it to markets and into the City. The barges were flat bottomed wooden craft to ensure that they could navigate the shallow inlets by sailing in as little as three feet of water and then lying on the mud without tilting. The distinctive barge rigging incorporates a large topsail, a mainsail and foresail on two masts. The rusty red colour is due to the waterproofing traditionally used on these sails. A regular cargo was hay and straw from the Essex countryside to service the thousands of horses and stables in London. Although the cargo was relatively light, it was bulky and it was common to see barges loaded with twelve feet of hay on the decks with the helmsman at the wheel totally blind relying on information from a crewman perched on top of the hay.
John Constable R.A. [Suffolk 1776-1837 London]- Landscape with horses:- oil sketch on canvas 24 x 36cm. * Provenance. Collection of Lionel Constable. [Probably] Sir Robert and Lady Borwick (Eden Lacy House and 16, Berkeley Square London). [Probably] Lady Caroline Borwick, circa 1922-1936.(Crabbe House, Ilmington, Warwickshire). John Woodman Esq., until 1959. William Drown [Bond Street] Ltd., 1965 Conservators. Mrs.Irene Woodman until 1981. Thence by family descent. Literature. Carlos Peacock The Man and His Work, 1965, Plate 34 Charles Rhyne Fresh Light on John Constable - Apollo Magazine 1968, p230, note 7 Robert Hoozee L'Opera Completa di Constable 1979, No. 111 Graham Reynolds The early Paintings and Drawings of John Constable, Yale University Press, 1996, 10.6. plate 839 (Yale Catalogue Raisonne). The sketch, Ponies and Donkey in a woodland clearing, is recorded by Graham Reynolds as 'Landscape with horses' in the Yale Catalogue Raisonne with a date of 1810. The date, Oct. 8th 1810, was noted on an old label,(now believed lost) by Lionel Bicknell Constable (Constable's son) who presumably copied this from an original inscription by Constable on the back of the sketch, but was then covered, some years later, possibly when conserved by William Down Ltd., in 1965, with a lining. Reynolds notes that Constable was in Suffolk on October 8th 1810. Reynolds also informs us (on page 128 of the same book) that this is one of three dated, plein-air landscapes made in Suffolk that year (the other two are 10.4 and 10.5, dated 27th Sept. and 30th Sept. respectively). This sketch is close in handling to the other two sketches painted that year. We suspect this sketch was painted by Constable on one of the lanes in and around East Bergholt. However it does have certain compositional similarities with two other oil sketches Constable made circa 1810 in the nearby village of Stoke by Nayland (Reynolds 11.44 and 11.45). So it is just possible this subject also depicts Stoke by Nayland though, if so, perhaps odd that Constable should omit the church with its tall tower on the left hand side. Acknowledgements. We are most grateful to Anne Lyles for her assistance in cataloguing this lot.
A Moorcroft pottery vase: of pear shaped two handled form, tubelined in the Spring Flowers pattern in light and dark blue, yellow, red and green reserved on a graduating blue green ground, impressed Moorcroft, Potter to H.M. the Queen and Made in England, painted signature, circa 1945-50, 18 cm high.
Tea light holder (20X14cm) by AMO Glass Fusion – 1 of 3 lots - Amo Glass Fusion began in 2012 and is a collaboration between Marie & Marie to create bespoke unique pieces of fused glass artwork, bowls and decorative objects. Their 2 studios are based in South Liverpool and Marie delivers glass fusing classes to small groups in her purpose built studio in Liverpool 8 They both have their own individual style of fusing and design and inspire each other to experiment and develop their skills. They draw their inspiration from a wide range of sources.

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