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534310 Los(e)/Seite
Los 222
Collection of assorted military cap badges, various to include: Royal Field Artillery, Royal Devon Yeomanry, Duke of Wellingtons, West Riding Regiment, Duke of Lancaster's Own Yeomanry, King's Liverpool Regiment, Essex Regiment, King's Shropshire Light Infantry, 19th century brass snuff box etc. (B.P. 21% + VAT)
Los 552
Crate of vintage railway interest books to include: various books published by Bradford, Barton, Truro; 'London Midlands Steam North of the Border', 'European Steam in Action' etc, 'Southern Steam in Close Up', 'The Pictorial Encyclopedia of Railways' Hamilton Ellis, 'London and North Eastern Railway a Century and a half of progress LNER 150', 'The Somerset & Dorset then and now', 'Steam on the GWR', 'The Golden Years of British Steam Trains' Collin Garrett, 'Liverpool & Manchester Railway' R.H.G Thomas, 'Heart of Wales Line', 'Vale of Rheidol light railway', 'Taff valley railway Miscellany' etc.(B.P. 21% + VAT)
Los 196
Hand painted, glossy figural of mice standing behind wall. Colored in light brown, blue, green and orange. Limited edition 682 of 3500. Beswick Ware backstamp. Beatrix Potter backstamp. This item has a base with name plate included: 7"L x 5.5"W x 1"H. Artist: Graham TongueIssued: 1998Dimensions: 5.5"L x 4"W x 4.75"HEdition Number: 682 of 3500 Manufacturer: BeswickCountry of Origin: EnglandCondition: Age related wear.
Los 252
A trio of Goebel woodland animal figures that include a lively brown and white bunny, a sweet light brown bunny in an eggshell, and a seated brown bunny. Goebel backstamp. Goebel manufacturing sticker. Dimensions of the largest item: 2.25"L x 2"W x 4"H. Manufacturer: Goebel HummelCountry of Origin: GermanyCondition: Age related wear.
Los 18
SHEVCHUK, MYKOLA (Ukrainian, b.1965) "Morning", a forest view with morning dappled light, Impasto acrylic on canvas, signed bottom right, 80 x 60 cms (1) Further information:Mykola Shevchuk, is a Ukrainian artist. sculptor member of the National Union of Artists of Ukraine (1997 ) was born on October 30, 1965, in the village of Smiga, Dubensky district, Rivne region, Ukraine)., Honored Artist of Ukraine (2015), teacher, volunteer, head of the district organization of the Vasyl Stus "Memorial" soclety, "Person of the Year of Ternopil Oblast - 2015" in 1980-1984 he studied at the Kremenets Pedadodical School. After araduation. he worked as a teacher of labor and drawing at an eight-year school in the village of VovchkivtsI, Zboriv district, Ternopil region In 1992, he graduated from the Faculty of Architecture of the Lviv Polytechnic Institute (now Lviv Polytechnic National University). In 1993-199. he worked in the Tereboviva Cit Councias an endineer-architect. Since 1995, he has been a teacher at the Terebovlya Higher School of Culture (TVUK), [now the Terebovlva Vocationa Collece of Culture and Arts) one of the founders of the Department of Decorative and Applied Arts of this institution. Creative activity covers the fields of graphics, monumental, easel and decorative painting, iconography and sculbture. He is a participant in regional, regional, All-Ukrainian and international exhibitions of painting, graphics and sculpture. In 1997 he was the author of the idea and the artist of the mosaic bane "Terebov-900" (34 square meters, enamel), which was created for the 900th anniversary of the city of Terebovli, Ternopil region together with Dmytro Shainoga, Honored Artist of Ukraine, and Bohdan Tkachyk, People's Artist of Ukraine. Personal exhibitions; Organized the first personal exhibition at the Ternopil Regional Art Museum (1995), Terebovlyan Museum of Local Lore (2005), Exhibition of icon painting in the Ternopil "Art Gallery" (2010), A series of personal exhibitions from the 200th anniversary of Taras Shevchenko's birthday, "In our paradise on earth", which highlight the history of Ukraine from ancient times to the present: National University "Ostroh Academy" (2014), Rivne, art gallery of the National Union of Artists of Ukraine [2014), Ternopil, art gallery of the National Union of Artists of Ukraine (2015), Terebovlia. central district library for adults (2015), Kyiv, municipal gallery in Troeshchyna (2018), Zbarazh. National Reserve "Castles of Ternopil" (2019), Berezhany, Bohdan Lepky Museum (2019), Smiga of the Duben District, Center for Culture and Leisure (2019), Historical and Architectural Reserve "Duben Castle" (2019). The author and performer of the first three-dimensional monument of the Heavenly Hundred in Ukraine in 2014 in the city of Terebovli (sandstone 4 m./0.80 m./0.70 m) Author and executor of the monument to the Fighters for the Freedom of Ukraine (Terebovlia) Organizer and leader of a number of art symposia and plein airs: 1.International pictorial plein air "StareNove city. Terebovlya-2012, 2.International pictorial plein air "Stare Nove city. Terebovlya-2013" 3.All-Ukrainian stone symposium "Water from under the stone. Terebovlia 2013". 4.All-Ukrainian charitable plein-air exhibition in support of defenders of Ukraine "To vou. Mother of God. Zarvanvtsia-2015" 5. All -Ukrainian charitable plein-air exhibition in support of the defenders of Ukraine "Bayda-SICH. Vyshnivets-2015", 6. All-Ukrainian charitable Icon-painting and painting plein air in support ot defenders ot UKraine "WINDOW IN THE SKY. Zarvanytsia-2016",-2017,-2018, 1.Initiator and organizer of the First All-Ukrainian Sculpture Symposium "THE AGE OF GOD. Zarvanvtsia - 2017". 2.Participant in the charity painting of the first military chapel in Ukraine on Mount Lvson to commemorate the 100th anniversary of the battle of the Sich riflemen with the Russian invaders Received man state awards Mykola Shevchuk's paintings are in private collections in Ukraine, the USA, England, and Europe.
Los 100
Joan Miro (Spanish (Catalan), 1893-1983). Lithograph depicting a composition in the artist's signature style with bright red, blue, green, and yellow. Likely from "Lithographe II," ca. 1975. Pencil signed along the lower right; numbered XXVI/LXXX (26/80) along the lower left.Sight; height: 17 in x width: 13 3/4 in. Framed; height: 28 in x width: 24 3/4 in.br/>Condition:The colors are bold and bright. There are no visible creases, tears, losses, or restorations. The sheet is slightly toned. Framed under plexiglass; light wear to the frame. Not inspected out of frame.
Los 101
Sam Francis (American, 1923-1994). Color screenprint on Arches 88 wove paper titled "Toward Disappearance" depicting splatters of colors forming an arch, 1973. Pencil signed along the lower left; numbered 9/72 along the lower right.Lot Essay:Sam Francis came to be an artist under unlikely circumstances. After serving the Air Force during World War II, Francis was injured during flight test maneuvers and subsequently hospitalized. It was while he was recovering that he first began to paint. Francis went on to graduate from the University of California, Berkeley in 1950 with a degree in art and began his European travels. His first stop was Paris, where he studied Monet’s “Water Lilies†and developed a relationship with the Matisse family and artists such as Al Held, Joan Mitchell, and Jean-Paul Riopelle. He went on to develop and maintain studios in Bern, Paris, Tokyo, Mexico City, New York and Northern and Southern California.Sam Francis was considered a revolutionary master of color, space, and light. His works call to various art movements - New York Abstract Expressionism, Impressionism, Art Informel, and color field painting. They are characterized by bright, vibrant splashes of color against a luminous white background. Francis took great interest in the creative process, but his understanding of the relationship between color and light set him apart from contemporaries such as Jackson Pollock and solidified him as a key player in contemporary art history.Sight; height: 37 in x width: 31 1/4 in. Framed; height: 43 in x width: 37 1/4 in.br/>Condition:No visible tears, losses, or restorations. A few light creases along the corners. All four corners have a rectangular spot of acidic burn, likely from the tape along the verso. The work is floated in frame. Framed under glass; light wear to the frame. Not inspected out of frame.
Los 102
After Salvador Dali (Spanish, 1904-1989). Suite of six lithographs from the series "Destino," 1946, concept art for Salvador Dali's collaboration with Walt Disney to create a short animated film with the same title. The film would eventually be completed and released in 2003. Each signed and dated 1946 in plate along the lower right; numbered 58/475 in pencil along the lower right; titled in pencil along the lower center; and embossed title "Destino" along the lower left.(Sight) height ranges from 14 1/2 in to 22 1/4 in; width ranges from 18 in to 26 1/2 in. (Framed) height ranges from 28 1/2 in to 36 1/2 in; width ranges from 32 1/4 in to 40 1/4 in.br/>Condition:There are no visible tears, creases, or restorations. The colors are bold, bright, and deep in all prints. Some scratches and scuffs on the plexiglass. Light wear to the frames; not inspected out of frame.
Los 104
Steve Kaufman (American, 1960-2010). Screenprint on canvas titled "George Washington, Father of Our Nation" depicting the profile of the United State's first president as he appears on the one dollar bill. Signed along the verso. Kaufman is well known for his association with Andy Warhol and the Pop Art movement.Provenance: Distinguished corporate collection, Minnesota.Height: 20 in x width: 20 in.br/>Condition:No visible tears, creases, or restoration under UV light. The color is bold and bright, and the surface is stable. To the upper and lower right corners, there is wear. Along the right side of the recto, there are light pen marks; please see the listing image. Along the verso, there is a pen inscription along the lower right; along the upper center, there are four handling marks that are visible in the listing image.
Los 105
Richard Lindner (German/American, 1901-1978). Serigraph titled "1+1=2" depicting two brightly dressed figures. Numbered 99/100, pencil signed, and dated. From Graphic (Graphik) USA, Edition Plus, Baden-Baden. Distributed by Trois Anges, Inc., New York. Published by Edition Plus, Suzanne L. Fischer, Baden-Baden.Height: 29 1/2 in x width: 23 1/2 in.br/>Condition:The colors are bold and bright. There are no creases, tears, or losses. There are no signs of restoration under UV light.
Los 106
Mario Yrisarry (American, b. 1933). Serigraph titled "Stern 1967" depicting a series of black lines in a grid-like pattern. Numbered 99/100, pencil signed, and dated. From Graphic (Graphik) USA, Edition Plus, Baden-Baden. Distributed by Trois Anges, Inc., New York. Published by Edition Plus, Suzanne L. Fischer, Baden-Baden.Height: 29 1/2 in x width: 23 1/2 in.br/>Condition:The colors are dark and deep. There are no losses, creases, or tears. There are no signs of restoration under UV light.
Los 107
Marvin Israel (American, 1924-1984). Serigraph titled "Handiwork" depicting a face with a hand and a grid of red dots. Numbered 99/100, pencil signed, and dated. From Graphic (Graphik) USA, Edition Plus, Baden-Baden. Distributed by Trois Anges, Inc., New York. Published by Edition Plus, Suzanne L. Fischer, Baden-Baden.Height: 29 1/2 in x width: 23 1/2 in.br/>Condition:The colors are bold and bright. There are no tears, creases, or losses. There are no signs of restoration under UV light.
Los 108
Allan D'Arcangelo (American, 1930-1998). Serigraph depicting two red and yellow striped lines crossing on a blue background with two small trees. Numbered 99/100, pencil signed, and dated. From Graphic (Graphik) USA, Edition Plus, Baden-Baden, 1967-68. Published by Edition Plus, Suzanne L. Fischer, Baden-Baden. Distributed by Trois Anges, Inc., New York.Height: 29 1/2 in x width: 23 1/2 in.br/>Condition:The colors are bold and bright. There are no visible creases or tears. There are no major losses. There are minute losses to the extreme edges of the sheet. There are several faint scuffs along the lower end of the upper left quadrant. There is a small, light area of soiling along the corner of the upper left quadrant. There is a minute scuff along the left edge of the lower left quadrant. There are no signs of restoration under UV light.
Los 109
Alfred Jensen (Guatemalan/American, 1903-1981). Serigraph titled "Squaring of the 260-Day Calendar" depicting a grid of colors with annotations throughout. Numbered 99/100, pencil signed, and dated. From Graphic (Graphik) USA, Edition Plus, Baden-Baden. Distributed by Trois Anges, Inc., New York. Published by Edition Plus, Suzanne L. Fischer, Baden-Baden.Height: 29 1/2 in x width: 23 1/2 in.br/>Condition:The colors are bold and bright. There are no visible tears, losses, or creases. There are a few minute scuffs along the left edge of the lower left quadrant. There are no signs of restoration under UV light.
Los 110
Ad Reinhart (American, 1913-1967). Serigraph depicting a black square in three shades of black. As noted along the verso of this print, Reinhardt died during the production of the portfolio but approved of the proof in a letter dated shortly before his death. From Graphic (Graphik) USA, Edition Plus, Baden-Baden. Distributed by Trois Anges, Inc., New York. Published by Edition Plus, Suzanne L. Fischer, Baden-Baden.Height: 29 1/2 in x width: 23 1/2 in.br/>Condition:The colors are dark and deep. There are no visible tears or creases. There are several faint scuffs throughout the image. There is a minute white spot in the lower right quadrant. There are no signs of restoration under UV light.
Los 111
Jasper Johns (American, b. 1930). Offset lithograph with paints and paintbrush titled "Target" depicting a 'blank' target. Signed in print along the lower left; the second line in the artist section has been left to allow the purchaser to paint the target themselves and sign their own name. Along the the catalog "Technics and Creativity" published by Gemini G.E.L., Los Angeles, in conjunction with the Museum of Modern Art, New York, 1970-71. Contained in a white plastic case.(Print) height: 10 1/2 in x width: 8 1/2 in. (Case) height: 10 3/4 in x width: 9 in x depth: 1 1/4 in.br/>Condition:Light wears, scratches, and scuffs to the white case. Light wear including some discoloration and scratches to the cover of the book. All pages appear present. The paintbrush has come unattached to the sheet of the target print. The print is in otherwise good condition and is still firmly held within the case. A few small discolorations from the paint including a few small red spots near the red paint pot.
Los 113
Jenny Holzer (American, b. 1950). Group of 10 offset lithographs on paper from "Inflammatory Essays," 1979-82. Published in various colors. Generally shortened in title to the first line, this group includes the following: "The End of the U.S.A...," "Destroy Superabundance...," Freedom is it...," Don't Talk Down to Me...," Repressing Sex Urges is So...," "Fear is the Most Elegant Weapon...," "Rejoice! Our Times Are Intolerable...," "Shriek When the Pain Hits...," "Because There is No God Someone...," "You Get Amazing Sensations From...."Each, height: 17 in x width: 17 in.br/>Condition:The colors and print are bold and bright. There are no visible tears, creases, or losses. There are no signs of restoration under UV light. All prints are unframed.
Los 114
Original exhibition poster for "Frank Stella: The Circuits Prints," which was on display at the Walker Art Center in Minneapolis, MN from September 17 to November 27, 1988. Hand-signed and dated by Frank Stella (American, b. 1936) along the lower right of the image.Height: 38 in x width: 23 in.br/>Condition:The colors are bold and bright. There are no major creases, losses, or tears. There are no signs of restoration under UV light. The work is not framed.
Los 116
Pierre Alechinsky (Belgian, b. 1927). Etching with aquatint on a laid paper titled "Entre Quatre Faux," depicting an abstract scene in black with a circular bold red accent, 1978. Signed and dated along the lower right; titled along the lower center; numbered 10/60 along the lower left.Sight; height: 26 1/2 in x width: 39 in. Framed; height: 30 1/4 in x width: 43 in.br/>Condition:The sheet is slightly toned. There are no visible rips, losses, or restorations. There are networks of foxing and small stains throughout. Creases and handling marks throughout; some undulation to the sheet. Framed under glass; some light wear to the frame. Not inspected out of frame.
Los 117
Todd Norsten (American, b. 1967). Intaglio with chine colle from the "ALLSOMENONE" suite, 2003. Depicting concentric rings of yellow and orange in the lower left of a cream-colored background. Pencil signed and dated along the lower right; numbered 16/18 along the lower left. Published by Highpoint Editions.Sight; height: 24 in x width: 20 in. Framed; height: 28 in x width: 24 in.br/>Condition:The colors are bold and bright. There are no major creases, tears or losses. There are no signs of restoration under UV light. Framed under glass. Not examined out of frame.
Los 121
Ras Aykem Ramsey (Barbadian, 20th/21st c). Oil on canvas painting depicting the American boxer John Arthur "Jack" Johnson (American, 1878-1946). Akyem is closely associated with the Rastafarianism movement and is often compared to Jean-Michel Basquiat.Sight; height: 31 1/4 in x width: 31 in. Framed; height: 35 in x width: 34 3/4 in.br/>Condition:The painting is in good condition with no visible tears or creases. There is an area of minute paint loss along the upper right quadrant. The surface is stable, and the color is bold and bright. When inspected under UV light, there is no sign of restoration. There is some undulation to the canvas and it is slightly loose on the canvas. There is a stretcher bar mark along the top margin. Light wear to the frame.
Los 122
Christian Riese Lassen (American, b. 1956). Oil on canvas painting titled "Wind Surfer" depicting a colorful abstract composition of a figure on a sailed surfboard. Signed along the lower right.Lot Essay:Christian Riese Lassen is a celebrated marine artist and environmental advocate recognized for his breathtaking depictions of marine life and seascapes. Immigrating to the United States at a young age, Lassen found inspiration in the natural beauty of the Hawaiian islands, where he later established his artistic career. His works often feature vibrant and surreal underwater scenes, showcasing a unique blend of fantasy and ecological consciousness.Lassen's artistry gained widespread acclaim for its ability to convey a deep connection with nature and a commitment to environmental conservation. His paintings have been featured in numerous exhibitions and are widely collected around the world. Over the years, Lassen has utilized his artistic platform to raise awareness about marine conservation issues, aligning his passion for art with a mission to protect the oceans. Christian Riese Lassen's legacy extends beyond the canvas, embodying a harmonious fusion of art and environmental advocacy that continues to inspire both art enthusiasts and conservationists globally.Sight; height: 39 1/2 in x width: 59 3/4 in. Framed; height: 52 3/4 in x width: 72 3/4 in.br/>Condition:The colors are bold and bright. There is light wear along the edges including some rubbing and minor spots of paint loss. Some dust gathered along the surface of the work. Light wear to the frame. Edges and verso not inspected.
Los 123
James Rizzi (American, 1950-2011). Mixed media three-dimensional collage depicting a view of New York City, 1977. Written around the "Big Apple" is "Martin Sumers Graphics N.Y.C. Artist James Rizzi," written in a cloud is "May 17 June 4," written in another cloud is "3D Prints of City Landscapes," and written along the lower margin is "50 West 57 St. New York 11019 5812268." Housed in a paper shadowbox. Signed and dated along the verso.Height: 5 in x width: 7 in.br/>Condition:There are no major tears, losses, or restorations. The sheet is slightly toned. The rightmost skyscraper is slightly curved upwards, visible in the lot listing. Light wear to the shadowbox. There is a plexiglass covering that is not attached to the box.
Los 124
Wesley A. Rusnell (American, 1934-2023). Oil on canvas painting titled "Mojave Sky Study #4" depicting an abstract view of a desert sky, 1972. Signed along the lower right; titled and dated along the verso.Unframed; height: 18 in x width: 24 in. Framed; height: 18 3/4 in x width: 24 1/2 in.br/>Condition:No major losses, tears, or restorations present under UV light. There is craquelure present, mainly along the edges. Stretcher bar marks along all four edges. There is a spiral crack along the upper right edge with a small paint loss in the center. A couple of light surface marks/scuffs - the largest along the upper left quadrant. Verso not inspected. Light wear to the frame.
Los 125
Wesley Rusnell (American, 1934-2023). Oil on canvas painting titled "Mojave Sky Study #5" depicting an abstract view of a desert sky, 1972. Signed along the lower right; titled and dated along the verso.Unframed; height: 18 in x width: 23 in. Framed; height: 19 1/4 in x width: 24 1/4 in.br/>Condition:No major losses or restorations are visible under UV light. There is craquelure throughout, mainly along the edges. Stretcher bar marks along all four edges. There is an accretion along the lower left edge which fluoresces under UV light. Edges and verso not inspected. Light wear to the frame.
Los 126
David Shapiro (American, 1944-2014). Very wide acrylic on canvas painting titled "Savasan 23" depicting six squares, each painted with a unique pattern or texture, 1988. Signed, titled, and dated along the verso.Height: 22 in x width: 132 in x depth: 2 in.br/>Condition:The work is in good condition with no major losses or restorations. Light wear along the edges.
Los 127
James Broderick (American, 20th/21st c). Intaglio print titled "Brian/It's Me/Your Father" depicting an abstract scene in earth tones, 1967. Pencil signed along the lower right; numbered 3/15 along the lower center; titled along the lower left.Sight; height: 12 3/4 in x width: 13 in. Framed; height: 18 1/2 in x width: 18 1/2 in.br/>Condition:The colors are bold and bright. There is undulation throughout the sheet. Foxing and staining are present mainly along the margins, and the mat is toned. Framed under plexiglass with light wear to the frame. Not inspected out of frame.
Los 128
Luis Seoane (Argentine, 1910-1979). Mixed media on board painting titled "No Azul Feliz" depicting an abstract composition in bright red, blue, and purple. Signed along the lower right; titled along the verso.Sight; height: 26 3/4 in x width: 38 3/4 in. Framed; height: 30 1/4 in x width: 42 1/2 in.br/>Condition:The colors are bold and bright. There are no major losses, cracks, or tears. There is craquelure throughout the areas with black paint. There are small losses throughout the areas with dark paint. There is a minute loss along the center of the lower half of the recto. No signs of restoration under UV light. Not examined out of frame.
Los 129
Theo Tobiasse (Tobias Eidesas) (French, 1927-2012). Lithograph on paper titled "Le Cantique des Cantiques V" depicting a nude woman, 1996. Pencil signed along the lower right; numbered 99/150 along the lower left.Image; height: 11 1/4 in x width: 14 1/4 in. Framed; height: 16 1/4 in x width: 22 1/4 in.br/>Condition:There are no visible rips, losses, or restorations when inspected under UV. There are some light undulations to the sheet. There are several creases along the upper edge: one along the upper left corner and one along the upper right corner. Light wear to the frame; framed under glass; not inspected out of frame.
Los 13
Edward Brewer (American, 1883-1971). Group of three graphite on paper sketches. One titled "Head of a Lioness" depicting a profile view of a lion; one depicting three big cats including a lion and a tiger; one depicting a view of a wagon party traveling through a forest.Height ranges from 5 1/4 in to 6 1/4 in; width ranges from 9 in to 12 in.br/>Condition:All sheets are toned. There is soiling throughout; some likely original to the artist process such as light smudging of the graphite. The view of three big cats has some spots of foxing. Some light wear along the extreme edges of each sheet.
Los 130
Patrick Bradley (American, 20th/21st c.). Acrylic on paper painting titled "Avian Architecture" depicting a geometric scene with numerous squares overlapping with each other, 1986. Signed, titled, and dated along the verso.Height: 30 in x width: 22 in.br/>Condition:The colors are bold and bright and the surface is stable. No tears, losses, or restorations. Light undulation to the sheet. Light wear along the verso. The work is not framed.
Los 132
Paul Richards (British, b. 1949). Oil painting on paper titled "Head of Michael" depicting an abstract face colored with energetic vivid colors, 1988. Consisting of two sheets of paper, one stapled atop the other; the edge of the top sheet forms the left side of the head. With a label from Connaught Brown, London, affixed to the verso.Unframed; height: 31 1/2 in x width: 22 1/2 in. Framed; height: 37 in x width: 28 1/2 in.br/>Condition:The colors are bold and bright. Pinholes along the larger, bottom sheet along both upper corners, likely original to the artistic process. There is some staining encircling areas of paint from the oil in the paint seeping into the paper. Some wear along the deckled edges. The artwork is floated in frame. Verso not inspected; not inspected out of frame. Some wear to the plexiglass, especially where the thick paint has met the plexi. Light wear to the frame.
Los 133
Stephen Hartman (America, b. 1947). Mixed media painting on board depicting a geometric scene with red, blue, and white squares, 1990. Signed and dated along the verso.Sight; height: 31 in x width: 48 in. Framed; height: 33 3/4 in x width: 49 1/2 in.br/>Condition:The colors are bold and bright. No visible losses or restorations. Light wear to the verso and frame.
Los 134
Horace Clifford Westermann (American, 1922-1981). Two-color photogravure depicting a folkloric scene of a scarecrow and a cow in a desert landscape. The image with a wood-grain pattern throughout. From the Landfall Press 30th Anniversary portfolio, 2000. Dated in the image along the lower right, 1972. Pencil numbered 20/30 along the lower left.Height: 21 in x width: 26 1/4 in.br/>Condition:The item is in great condition with no visible tears, creases, or losses. The color is bold and bright. Light creases to the corners. Light brown accretion to the lower left margin, which does not affect the image. No visible restoration when inspected under UV light. Along the verso, there is light brown accretion to the lower right quadrant. Clean verso.
Los 135
Chris Roberts-Antieau (American, b. 1950). Embroidered textile art composition titled "Conga Line" depicting a line of figures performing a line dance, 2003. In a hand-painted frame. Titled and signed along the center of the lower frame; further signed, titled, and dated along a label affixed to the verso. Chris Roberts-Antieau is a fiber artist based in Michigan. She characterizes her work as "embroidered tapestries", composed of fabric applique, thread painting, and hand embroidery.Sight; height: 16 1/4 in x width: 57 1/4 in. Framed; height: 21 1/2 in x width: 63 1/2 in.br/>Condition:No signs of stains, loose threads, rips, or repairs. The textile is floated in frame. Light wear to the frame; framed under glass; not inspected out of frame.
Los 136
John Randall Nelson (American, b. 1956). Mixed media painting on panel titled "Lexico" depicting a white geometric symbol against the black background. Signed and titled along the verso.Height: 9 in x width: 9 in.br/>Condition:The colors are bold and deep. Light wear along the edges and verso. No apparent chips, losses, or restorations.
Los 137
Steven Sorman (American, b. 1948). Gouache, watercolor, and collage on St. Armand linen paper titled "Oh I'm (Maundy Thursday) LXX" depicting an abstract scene with bright orange and cream against a deep navy background, 1999. Pencil signed and dated along the lower right; titled along the lower center.Steven Sorman is an internationally recognized Minnesota artist, best known as a painter and printmaker. He earned his BFA from the University of Minnesota. Currently, he resides and is active in Red Wing, Minnesota. His work is housed in numerous international museums that include Stedkijk Museum in Amsterdam, Netherlands, The Museum of Modern Art and the Whitney Museum of American Art in New York, New York, the Art Institute of Chicago in Chicago, Illinois, and Walker Art Center, Minneapolis, Minnesota. Sorman won the Bush Foundation Artist's Fellowship in 1979, the San Francisco Museum of Modern Art Merit World Print III Award in 1980, the Rockefeller Foundation American Center Artist in Residence in Paris in 1982 and the 2nd Bhrat Bhavan International Biennial of Prints Merit Award in 1991.Unframed; height: 18 1/2 in x width: 14 in. Framed; height: 25 1/4 in x width: 21 1/4 in.br/>Condition:The colors are bold and bright. There is undulation to the sheet throughout. No visible rips, creases, or restorations. The artwork is floated in frame. Framed under plexiglass; light wear to the frame; not inspected out of frame.
Los 138
Gregory Van Mannen (American, b. 1957). Acrylic on board painting titled "Spell/Remedy/Soul" depicting a white, skull-like shape against a darkened background, 1985. Initialed along the lower right.Provenance: Janet Fleischer Gallery, Philadelphia; Distinguished Corporate Collection, Minnesota.Sight; height: 3 1/4 in x width: 3 in. Framed; height: 9 1/2 in x width: 9 in.br/>Condition:The painting is in good condition with no visible losses or restorations. The painting is floated in frame. Verso not inspected; not inspected out frame. Framed under glass; light wear to the frame.
Los 14
Nicholas R. Brewer (American, 1857-1949). Oil on canvas landscape painting depicting a road curving into a group of trees with towering mountains rising in the background. Signed along the lower right.Lot Essay:Born in a log cabin in Minnesota in 1857, Nicholas Brewer’s work typifies his frontier spirit and love for the American landscape. He grew up on a farm, where his days were defined by hard work, but he still found the time to draw and paint in between chores. At the age of 18, he moved to St. Paul. He received some art training there from Henry Koempel, a local painter and decorator, and ended up marrying Koempel’s daughter. He eked out a living for his swiftly growing family through portrait commissions and teaching.In 1885, Brewer first traveled to New York, determined to make it as a serious artist. He received a small amount of training there; however, he remained primarily self-taught. He began receiving some success in New York, and continued spending winters there for much of his career. His work was included in several exhibitions, and he was inducted into the illustrious Salmagundi Club. In his later career, he traveled the United States, giving traveling lectures and exhibitions, as well as taking portrait commissions wherever he went. During one productive visit to Washington D.C., Brewer even painted a portrait of President Franklin Delano Roosevelt.The main reason for his travels, though, was his love of the American landscape. Although Brewer was never able to fully make a living by landscape painting, it remained his true passion. His agrarian upbringing left him with a sense of reverence for the earth, and he delighted in experimenting with colors and textures to best capture the mood of a landscape. He paid particular heed to the flora he passed by, from the solemn Minnesota prairie grasses to southern blue bonnets to the tiny patches of scrub grass clinging to vertiginous California cliffs. His paintings rarely depict specific places; Brewer instead preferred to paint landscapes that he felt represented an ideal, more the spirit than the actuality of a location. Nevertheless, his travels provided him with a rich backdrop upon which to base his works.Sight; height: 20 in x width: 24 in. Framed; height: 21 3/4 in x width: 25 3/4 in.br/>Condition:The colors are bold and bright. The surface is stable. There are no major losses or signs of restoration under UV light. There is minute craquelure along the top half of the painting, particularly along the white areas. In the top right quadrant there is a loose brush hair in the paint, that was assumedly artist generated. The verso of the canvas is in stable condition, there are no losses or signs of repair.
Los 140
Gideon Bok (American, b. 1966). Oil on linen painting titled "Gretchen" depicting a crowded interior room, 2004. With an Alpha Gallery label affixed to the verso.Provenance: Alpha Gallery, Boston, Massachusetts; Private Minnesota collection.Height: 27 in x width: 36 in.br/>Condition:The colors and bold and deep and the surface is stable. No apparent rips, losses, or restorations. Light wear along the edges of the canvas and along the edges of the linen along the verso. The work has no frame.
Los 142
Jamali (Pakistani/American, b. 1944). Color lithograph depicting a surrealist face against a tan background. Signed along the lower right. From a limited edition; numbered 15/195 along an Art & Peace, Inc. gallery label affixed to the verso.Sight; height: 20 in x width: 20 in. Framed; height: 30 1/2 in x width: 30 1/2 in.br/>Condition:The colors are bold and bright. No visible tears, losses, or restorations. There is a slight undulation to the sheet throughout. The print is floated in frame. Framed under glass; light wear to the frame. Verso of print not inspected; not inspected out of frame.
Los 143
Jamali (Pakistani/American, b. 1944). Color lithograph depicting a surrealist face against a tan background. Signed along the lower right. From a limited edition; numbered 15/195 along an Art & Peace, Inc. gallery label affixed to the verso.Sight; height: 20 in x width: 20 in. Framed; height: 30 1/2 in x width: 30 1/2 in.br/>Condition:The colors are bold and bright. No visible tears, losses, or restorations. There is a slight undulation to the sheet throughout. The print is floated in frame. Framed under glass; light wear to the frame. Verso of print not inspected; not inspected out of frame.
Los 144
Tiefeng Jiang (Chinese, b. 1938). Mixed media painting depicting a white swan, 1986. Signed and dated along the bottom corner. Displayed like a diamond.Sheet; height: 41 in x width: 40 1/4 in. Frame; height: 51 1/2 in x width: 51 1/4 in.br/>Condition:There are no major tears, losses, or visible restorations. Undulation to the sheet throughout. Creases along the edges; some wear to the deckled edges. Floated in frame. Verso not inspected. Framed under plexiglass; light wear to the frame. Not inspected out of frame.
Los 145
Takashi Murakami (Japanese, b. 1962). Offset print with silver and high gloss varnishing titled "You Have All Sorts of Ups and Downs in Life. Right, Kaikai and Kiki?!" depicting several anime faces, including the artist, 2018. Further depicts flower heads along with hiragana along the ears of the two large faces that read, "KaiKai and Kiki," 2018. Ink signed along the lower right; numbered 139/300 along the lower right. Includes original Kaikai Kiki Gallery Box.Provenance: Pinto Gallery, Los Angeles.Sight; height: 28 in x width: 28 in. Framed; height: 32 in x width: 32 in.br/>Condition:The print is in good condition with no tears, losses, or restorations. The colors are bold and bright. It is floated in frame. Verso not inspected. Light wear to the plexiglass and frame; not inspected out of frame. Some wear to the original shipping box as expected.
Los 146
Michael Byron (American, 20th c). Group of five hand-colored etchings with aquatint, numbers two, three, four, five, and six from the "Players" suite, 1986. Number one from this suite is not included. Each pencil signed and dated along the lower right, numbered AP III/III along the lower left.Provenance: Distinguished Corporate Collection, Minnesota.(Each) Sight; height: 13 1/4 in x width: 10 in. Framed; height: 19 3/4 in x width: 15 3/4 in.br/>Condition:The prints are in excellent condition with no visible tears, losses, or creases. The color is bold and bright. No visible sign of restoration. Two of the frame has unidentified residue on the glass; however, it does not affect the prints. All of the prints are framed under plexiglass. Not inspected out of frame. Light wear to the frame.
Los 147
Gustavo Montoya (Mexican, 1905-2003). Group of two color serigraphs on paper depicting young children. Both pencil signed along the lower right; numbered 163/250 and 168/250, respectively, along the lower left.Each; Height: 27 1/4 in x width: 21 1/4 in.br/>Condition:The colors are bold and bright. There are no major creases, tears, losses, or restorations. Light handling marks throughout. There is a light undulation to the sheets. The print of a girl playing a guitar has a scattering of small spots of foxing along the verso; one spot of foxing along the lower left corner of the recto. Both works are not framed.
Los 148
William Robinson Leigh (American, 1866-1955). Gouache and watercolor on paper portrait painting titled "Three Calf" depicting a seated Native American man. Signed along the lower right. With a label from Cisco's Gallery in Coeur d'Alene, Idaho affixed to the verso. Depicting the Blackfeet chief Three Calf after Winold Reiss' composition titled "Three Calf."Provenance: Private Coeur d'Alene, Idaho Collection; Artemis Gallery, September 8, 2023, Lot 196; Private Minnesota Collection.Sight; height: 23 1/2 in x width: 14 1/2 in. Framed; height: 30 1/2 in x width: 21 1/2 in.br/>Condition:The colors are bold and bright. There are no major losses, tears, or restoration. The edges are slightly uneven and there some minute areas all the edges with an uneven cut. There are few small areas throughout with light soiling, mainly near the feather along the top. There is some light soiling to the verso, that does not affect the recto. Framed under glass, light wear to the frame.
Los 150
Rudolph Carl "R.C." Gorman (Navajo, 1931-2005). Lithograph on paper depicting three simplified forms of women, one with her hands outstretched. Pencil signed along the lower right; signed in plate along the lower left.Sight; height: 16 3/4 in x width: 22 1/4 in. Framed; height: 27 in x width: 31 1/2 in.br/>Condition:The colors are bold and deep. There is a small tear visible along the upper right edge. A few light creases throughout. Extreme edges and verso not inspected. Some accretions to the glass. Framed under glass; some wear to the frame; not inspected out of frame.
Los 151
Joe Geshick (Miskakeebaneesh) (Ojibwe, 1943-2009). Giclee on canvas titled "Bear Clan" depicting a figure within a bear, 2000. Signed and dated along the lower right; titled and numbered 10/350 along the lower left.Said Geshick of this work, "I dedicate this painting to an Ojibway medicine man referred to as old man Burnside, who during my childhood years, gave me my Indian name, Miskakeebaneesh. This means a big bird coming down from the sky. This old man was from the Bear Clan who lived on the Nett Lake Indian reservation in northern Minnesota. The old woman inside the sweat lodge represents the honoring of the four elements of life: infant, teenager, adult, and old age."Sight; height: 23 in x width: 17 in. Framed; height: 25 3/4 in x width: 19 3/4 in.br/>Condition:The surface is not entirely stable. Along the edges there are areas where the giclee has begun to lift from the canvas. There are several small losses along the edges. The signature is written in gold, though the last name has lost most of the gilding as well as the date. Verso not inspected. Light wear to the frame.
Los 153
Frank Big Bear (Anishinaabe, b. 1953). Screenprint depicting a figure with antlers in bright colors, 1997. With Ben-Day dots. Pencil signed and dated along the lower right; numbered 15/100 along the lower left.Height: 30 1/4 in x width: 22 3/4 in.br/>Condition:Colors are bold and bright. There is slight undulation to the sheet. There is a minute spot of foxing along the lower edge of the recto. There is extremely light wear along the deckled edges. This print is not framed.
Los 154
Jed Jackson (American, b. 1954). Oil on board painting titled "Eldorado...You Take on the Dreams of the One's Who've Slept There" depicting three men, 1986. Signed, titled, and dated along the verso.Provenance: Nye & Company, New Jersey, January 28, 2009, Lot 89; Private Minnesota Collection.Sight; height: 33 in x width: 40 in. Framed; height: 34 in x width: 41 in.br/>Condition:Colors are bright and bold. There is wear to the edges and corners. There is a scuff to the extreme edge of the upper-right corner and along the extreme lower edge of the lower-left quadrant. There is an accretion to the extreme upper edge of the painting on the left side as well as to the middle of the extreme left edge. There are accretions throughout the painting only visible under UV light. Due to the nature of framing could not be examined out of frame. No visible signs of restoration under UV light. Wear to the frame.
Los 155
Henri Hecht Maik (French, 1922-1993). Color lithograph on paper titled "Les Gazelles" depicting colorful animals on a yellow background, 1972. Pencil signed along the lower right; numbered 152/200 along the lower left.Sheet; height: 30 3/4 in x width: 23 in. Image; height: 25 1/2 in x width: 19 3/4 in.br/>Condition:Colors are bright and bold. The sheet is toned; there is uneven toning throughout. There is mat burn along the perimeter of the image. There is discoloration along the edges of the sheet. There is light wear along the deckled edge. There is a horizontal crease along the upper edge. There is a loss to the upper-left edge of the sheet. There is discoloration to the verso of the sheet. The work is not framed.
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534310 Los(e)/Seite