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534338 Los(e)/Seite
Los 1
Amy's Light - Emma’s design tempts you to find out more about the derring-do attitude of Hull’s aviation champion Amy Johnson and the natural beauty of Spurn Point. The lighthouse is of great importance and holds a vital turning point in this story and its outcome. The Puss Moth is attracted to the safety of its light. On the back of the Puffin, Amy is centre stage with her high collar coat, and from her heart space flows the Puss Moth plane, compass, sea rocket, brent goose and water.
Los 8
Lightbulb Moment - Hannah was inspired by the theme of global warming and green energy. The light bulb and elements of renewable energy structures express the necessity of energy, while the sunny picture reminds us there is a greener way to ensure sufficient generation of energy that will help our ecosystem. To raise awareness of the darker side of her theme, Hannah presents us with a melting planet in an over heated light bulb, demonstrating the destruction caused by global warming.
Los 272
An early 20th century Empire style gilt-metal mounted four-light candelabra. With a winged figure supporting three branches centred by a fourth with stiff-leaf cast sconces, standing atop a ball on waisted base and reeded alabaster base edged with gilt-metal laurel footrim, pierced for electric fitting, 54cm high
Los 279
A group of Royal Worcester blush ivory ground wares, circa 1900. Printed puce and green marks, comprising: two small two handled vases and a shell-shaped dish, variously printed, painted and gilt with flowers, the tallest vase 8.5cm high Condition Report: In good-poor condition. The dish has several breakages to the rim which have been badly restored and the gilt details have been retouched. All show signs of wear including rubbing to the details and light scratches. Would all benefit from a clean. The two vases have no obvious cracks, chips or restoration.
Los 147
An Urbino maiolica armorial dish, circa 1600, perhaps Patanazzi workshop. Painted with a bearded figure holding an open book before a putto in architectural landscape cartouche, the broad borders decorated with Grotteschi and centred with a Cardinal's coat-of-arms with putti flanking a shield shaped escutheon, the reverse with yellow bands (cracked and restored) 33.2cm diam. Condition Report: Cracked into two large sections with two further smaller cracks within the larger break. All restored with old in-filling, and with associated areas of restoration to rim and small areas of restoration to footrim. Look 4. 30 to 7 .30 to see a well restored crack ( though edge is easy to see)at 3.30 restored but not quite aswellcrack at 1 . visible in right light to fronton the whole a rerally good museum restoration which is not immediately visible but is on close inspection,.great to display I fel the marks you refer to as label marks are infact old tape marks before the item was restored, this makes me think of over varnishing, so not so good we have a rule here- if the item appears perfect then it must have had work !
Los 184
Burslem Artwares, a pair of Royal Doulton Flambe Fuyang dragon vases, nos `23 & 59 /1999, bears sticker under for DB undeer , 26.5 cm high Condition Report: condition is very goodno chips, cracks or restoration visible at allthey are dusty and have that typical very slight light blue flecking to glazeThey appear to be 'handed' as one coils one way and the other the opposite way , note that one has it claws to the rim of one and the other to the side, I have no doubt that this is just as it should be !Still has the DB sticker under so good enough for Doulton !
Los 365
A 19th century bronze figure of a chained and scantily draped mythological figure. He modelled standing holding a sword in his left hand and his right wrist chained, in flowing drapes (lacking elements to left side, chain and sword), 37cm high Condition Report: Patena lightly rubbed to see bronze below in places, nose, elbow and knees, etc. Hole where sword should be. Back part of the cloat is riveted on. Light surface marks.
Los 354
A German .800 standard silver mounted clear-glass tapering claret jug and hinged stopper. The tapering glass body engraved with flowers and leaves above a broad fluted section and a narrow diamond-cut band, the mount with a scroll handle, the shaped spout with hinged and knotted stopper, a moulded border and engraved with a presentation inscription in German as a special prize for a dog shown in Linz, Austria in 1889, the German 800 standard marks, 31cm highProvenanceBy family repute this jug formerly belonged to Charles Cruft (1852-1938), the founder of the World Famous Dog show first held first at the Royal Agricultural Hall, Islington in 1891. Having no desire to join the family jewellery business, in 1876 he joined James Spratt in a new venture in Holborn, London selling 'Dog cakes'. Over the following years he travelled extensively in Europe and the United Kingdom as General Manager of Spratts (Dogs Biscuits) in order to better understand the needs and the market in his chosen field. It is thought this jug was given during this period. Condition Report: Overall in good condition. Some small chips to the glass at the point at which the glass and silver connects. Tarnishing to the metal. No obvious cracks. Signs of wear including light scratches consistent with age and usage.
Los 1316
An impressive contemporary Murano black glass hanging ceiling light, having six S-scroll branch arms fitted for electricity, with five further candle branch sconce arms, five further elongated floral leaf decorated branch arms, and six further floral leaf decorated C-shaped scroll arms, with ceiling rose attachment
Los 1319
An impressive contemporary Murano lime green glass hanging ceiling light, having five S-scroll branch arms fitted for electricity, five further elongated scroll branch arms with tear drop mounts, and five further conforming shorter C-scroll branch arms with tear drop mounts, with chrome metal domed ceiling roseAppears complete.No chips or cracks evident.Approx 62cm dia.
Los 212
JAMES BOND: QUANTUM OF SOLACE (2008) - A group of 4 crew issued t-shirts comprising (M) black 'fire crew' t-shirt, (M) light grey 'second unit', (S) light blue 'VFX department' and (L) navy blue 'special effects' - unworn - these came from a vendor who worked in the film industry for many years (4)
Los 2410
IWC: A Stainless Steel Centre Seconds Wristwatch, signed International Watch Co, Schaffhausen, circa 1966, (calibre 402) lever movement signed and numbered 1809468, white dial with Arabic numerals, snap-on back stamped inside with maker's mark IWC and numbered 1626865, IWC stainless steel textured integral bracelet, with IWC box35mm wideCase with light surface scratches, dial is clean, hand setting correctly and winding smoothly, movement in going order.
Los 2423
Rolex: A Lady's 9 Carat Gold Wristwatch, signed Rolex, 1937, manual wound lever movement signed, silvered dial with Arabic numerals and signed, seconds dial, snap-on back stamped inside with maker's mark RWCLtd and numbered 37015 389, Glasgow import mark for 1937, spring loaded bracelet with one link stamped 9ct23mm wideCase and bracelet with light scratches, later crown, dial with minor spotting staining marks visible under an eyeglass, hand setting correctly and winding smoothly, movement in going order. Total watch weight 19.8g.
Los 2327
An Elizabeth II Silver Two Light Candelabrum, by Wakely and Wheeler, London, The Branches 1983, The Base 1984 in the George I style, on stepped circular base and with baluster stem terminating in spool-shaped socket, with two scrolling branches, each terminating in spool-shaped socket and with plain wax-pan, with central baluster finial24.5cm high, 26oz 12dwt, 827grFully marked under base and further part marked on branch. The marks are clear. There is some overall surface scratching and wear, consistent with age and use. The base is cast and not filled.
Los 2432
J W Benson: A 9 Carat Gold Rectangular Wristwatch, retailed by J.W.Benson, London, 1935, manual wound lever movement, silvered dial with Arabic and baton markers, rectangular seconds dial, case with stepped sides, hinged back stamped inside with maker's mark ALD and numbered 99772 80346, Birmingham gold hallmark for 1935, with J.W Benson box23mm by 30mmCase with light surface scratches, later crown, crown is loose on the winding stem, later strap and buckle, dial with small scratches and staining marks, movement in going order.
Los 2333
An Irish Silver Bowl, by Royal Irish Silver Co., Dublin, 1966, With English Import Marks for Sheffield, 1966 shaped circular and with fluted sides, engraved with a unicorn13.5cm diameter, 8oz 9dwt, 262grFully marked inside bowl including with 'Sword of Light' commemorative mark. The rim further marked with English import marks. There is some scratching and wear, consistent with age and use.
Los 2325
An Elizabeth II Silver Three-Light Candelabrum, by Mappin and Webb Ltd., Birmingham, 1985 in the George III-style, the base shaped square with shell-cast corners, the stem baluster and terminating in spool-shaped socket, with two scrolling branches, each terminating in spool-shaped socket and with conforming matching central socket, each with a detachable square nozzle28.5cm high, 30oz, 933grFully marked under base. Further part marked on detachable arms and on each nozzle. The marks are generally clear. There is some surface scratching and wear, consistent with age and use. Rocks slightly when placed on a flat surface. The base is cast and not filled.
Los 2431
Movado: A Stainless Steel Limited Edition Automatic Wristwatch, signed Movado, Wynton Marsalis limited edition, model: Eliro, ref: 89 F4 1453, circa 2008, lever movement, black dial, tonneau shaped case, glazed back cover numbered 8689357, Movado stainless steel bracelet with a concealed double deployant clasp, with Movado warranty card, insurance paperwork, purchase receipt and booklet 33mm wideCase and bracelet with light surface scratches, hand setting correctly, movement in going order.
Los 303
James Power (b.1946) Jockey's silks hanging in the weighing room Signed and dated (19)99, oil on canvas board, 34cm by 24cmBears artist's label to reverse. Appears in overall good, original condition. Some light surface dirt and the odd brush bristle trapped in the surface. Paint thin in places, likely by design. Picture slightly loose in frame.
Los 15
A Wine Glass, circa 1750, the pan topped bowl on an airtwist stem with cushion knop15.5cm highA Similar Wine Glass, the ovoid bowl on an opaque twist stem14cm highPan topped glass - no chips or cracks, some probable light trimming to footSecond glass - No chips or cracks. Light wear and scratches
Los 34
A Dram Glass, circa 1720, the rounded funnel bowl with solid base on an annular knop, plain stem with air tear and basal knop over a folded foot11.5cm highSome minor bubble inclusions and striations. Free from chips and cracks. Very light surface wear and minor scratches. No re polishing. Rockinf very sloghtly on the foot.
![Lake District[West (Thomas)], A Guide to the Lakes in Cumberland, Westmorland and Lancashire, 1784, frontis, folding map, con](https://cdn.globalauctionplatform.com/fae0aeac-16b7-4b2f-80fe-afc000c1f7cf/d2bac4af-71ff-41ae-bf0e-b00000b6f9ba/468x382.jpg)
Los 183
Lake District[West (Thomas)], A Guide to the Lakes in Cumberland, Westmorland and Lancashire, 1784, frontis, folding map, contemporary calf (worn);[Tattersall (George)], Tablets of an Itinerant or The Lakes of England, [1836], with engraved title page but probably lacking printed title, folding coloured map, plates, original cloth;Ford (William), A Description of Scenery in the Lake District, Intended as a Guide to Strangers, 1840, 3 double page coloured maps, folding table, lacking folding map, original boards (spine taped). (not collated). (3)Tattersall - foxing to frontis and plates, 43 plates including map as called for, a little wear to head and tail of spine, upper front joint split.West - armorial bookplate, name obscured on half title, fep and fly leaf torn at hinge, a little staining in places, pages a little rippled but generally good, top edge dust marked, binding worn.Ford - Spine and hinges taped, boards rubbed, light foxing to early and final leaves, top edge dust marked. Sold with pagination not collated.
Los 305
JN Sutton (19th century)The letter Signed, oil on canvas, together with a further work by the same hand depicting an animated figure group in an interior, 25cm by 19.5cm (2)The Letter (Children picking fruit from a basket - In fully restored condition. Stiffly relined, cleaned and revarnished. The restoration has flattened the surface somewhat. Areas of thin paint throughout. Now with some light surface dirt and discoloured, deteriorating varnish in evidence. Frame rubbing to edges. The odd surface score, scuff and knock. One minor scratch through the shoulder of the girl in pink and extending into the door, approx. 7cm in length. Patch of medium spaced stable craquelure to the group of children, centre right. Picture does not sit perfectly in the frame as the edges are just visible. Little to discern under UV light although this does not preclude that some restoration may have been undertaken. Second example (with seated gentleman) - In comparable condition to the former. With more widely spaced stable craquelue throughout.
Los 50
A Pair of Majolica Figural Twin-Light Candelabra, circa 1870, in the Chinoiserie style formed as a young girl and boy, glazed in tones of yellow, green and brown and over a spreading circular bases with shell moulded bracket feet40.5cmBoth crazed all over, the candle sconces and arms detach asd one, one of these broken into three and re stuck. The other with the rim of one sconce broken and re stuck. Some enamel flaking and abrasions, mainly to the male figure. No over spray restoration.
Los 325
Walter J Watson (1879-1979)Cattle watering in an extensive lakeland landscapeSigned and dated 1922, oil on canvas, 39.5cm by 65cmGlazed. Not examined out of the frame or out of the glass. Original canvas. Covered in a layer of dirt and discoloured varnish. Slight stretcher shadow. The odd very minor area of craquelure. Paint shrinkage throughout entire surface. Likely that the painting has been kept somewhere hot, giving the surface the texture of the skin on a rice pudding. Little to discern under UV light. For further information please contact the department.
Los 85
A Minton Porcelain Dessert Service, late 19th Century, with pierced borders, having turquoise bands and edged in gilt, painted with ornithological subjects, impressed marks, comprising: 12 plates 2 tazza, 23cm wide (14)One tazza with a foot chip and a small filled rim chip. One plate broken and restored. Three plates cracked. General wear and light scratches.
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534338 Los(e)/Seite