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534297 Los(e)/Seite
Selection of Palitoy vintage Action Man vehicles and accessories including Field Radio, Good (missing back cover), within Fair box. Belt Feed Machine Gun, Fair (incomplete), within Good box. Rifle Pack, within Fair sealed packaging. Light Machine Gun, within Good sealed packaging. Assaut Craft, Fair incomplete, within Fair box. Skyhawk, Fair to Good (unchecked), within Fair to Good box. 45rpm 7" Record, Fair, within Good sleeve and 2 x Army Manual, Good, (see pictures for whats included). (qty)
Large selection of Spin Master Disney Tron and Tron Legacy figures and Die-cast vehicles including Recognizer Play-set, Rinzler, Black Guard, Quorra, Clu's Command Ship, One Man Light Jet and others, majority within Good to Excellent sealed packaging. Also includes Funko Pop's x 2 Sark and Flynn, both Near Mint, within Good Packaging. (21)
Eric Ravilious (1903-1942) for Wedgwood, a 'Travel' part dinner / tea service, comprising six medium dinner plates, 23cm diameter, six larger dinner plates, 26cm diameter, five soup plates, 23cm diameter; a pair of circular tureens and covers, five sideplates, 17.5cm diameter, a sauce boat stand (no sauce boat), and two graduated meat platters, the largest 36cm wide; together with five tea service sideplates, 15cm diameter, a sugar bowl, a cream jug, a cake plate, printed marks (37 pcs including covers)Condition:Cream jug - spout chippedTureens - one with small rim chipSauce boat stand - some scratchesPlates - a few others with minor scratches and light signs of use throughoutPlatters - again some light scratchesNo other damages or any restoration. Condition is good overall
A Stratocaster electric guitar, labelled Tokai Goldstar SoundBody: Solid, metallic 'Caribean' blue, white pickguardNeck: MapleFingerboard: Maple, inlaid black dot markers, 21 fretsHeadstock: Maple, S-style, polished steel tuners and keysPickups: 3Bridge: TremoloControls: 1 volume, 2 tone, 1 five-way switchSize: 38.5" overall, scale length 24.75"Accompaniments: Gator hard caseProvenance:The Neil Jackson collection.Footnote:This guitar bears no serial number and so it's authenticity is unverified.Condition:Immediately playable. Some signs of use including chips to the paintwork in places and some light scratches. Case good.
A Gretsch 1959 Double Anniversary hollow-bodied electric guitar, model 6118Body: Hollow, two-tone smoke green with ivorine bindings, floating scratchplate, serial no.39732Neck: Maple, mid-greenFingerboard: Rosewood, inlaid pearloid markers, 21 fretsHeadstock: Solid, inlaid pearloid logo, applied 'Anniversary Model' plaque, polished steel machine headsPickups: 2 GretschBridge: Bigsby roller tremoloControls: 3 chrome volume knobs, 2 three-way switchesSize: 41.5" overall, scale length 24"Accompaniments: Associated period hard caseProvenance:The Neil Jackson collection.Footnote:Introduced in 1958, the Gretsch Anniversary models followed the same construction pattern as the firm's cornerstone models such as the 6120 Chet Atkins. Both had hollow bodies that were 16 inches wide and 2.5 inches deep, made from braced laminated maple, with dual f-holes and rounded cutaways. Likewise, their necks had ebony or rosewood fingerboards, and they were made to the shorter traditional 24.5-inch Gretsch scale length. The Single Anniversary had one Filter’Tron humbucking pickup in the neck position, a tone switch, and a single volume control. The Double Anniversary boasted two Filter’Tron pickups, a three-way selector switch beside the tone switch on the upper bout, plus an individual volume control for each pickup in addition to the master volume on the horn. Each was available in a sunburst finish or a stylish two-tone, which had a light ‘Smoke Green’ on the top and contrasting darker green on the back and neck, as in the present lot.Condition:Immediately playable. Signs of age and use including minor craquelure to lacquer, some de-chroming to one of the control knobs, wear to the underside of the neck around frets 1 to 7, minor chips and scratches in places, one tuner bent. Case showing some wear but is serviceable.
A collection of studio glass, comprising an amber Rosice Sklo Union (Czech) "Lens" glass vase designed by Rudolf Schrotter, circa 1955, 15cm high; a blue Ingrid Gläser candleholder, foil label, 17.5cm high; an Anchor Hocking ruby bubble vase, circa 1960s or 1970s, 15cm high; a heavy green glass vase, unattributed, 14cm high; and a Dartington 'stacked ring' vase designed by Frank Thrower, etched mark, 14cm high; sold together with a modern Milford Collection tea light holder, 8cm high
A George III needlework sampler, circa 1810By Helen Ingles, worked with a country house or cottage with fenced garden surrounded by flowering plants, peacocks and other fauna beneath a floral garland, bordered with meandering flowers and foliage, framed.33cm x 36cm (frame 40cm x 42.5cm)Condition:Patches of light staining/discolouration - not disfiguring. No obvious holes, repairs or restorations. Fair to good colour.
A small Rene Lalique 'Asters' dish or plate, circa 1935, clear glass with faint blue opalescence, stencilled R.LALIQUE FRANCE, model 10-3040,18cm diameterCondition:Good condition with no damages or restoration. A couple of very minor small surface scratches to the centre, commensurate with general age and light wear.
A Coalport vase and cover, early 20th century, of twin-handled form, light scaled blue ground reserving panels of hand-coloured flowers, raised on pedestal foot, pattern V6553, 22.5cm high; together with a Coalport jardiniere, pierced upper rim, light green ground reserving two oval landscape panels, printed factory mark and 'Leighton' (shape) in green, pattern number V5324, 10cm high (2)Condition:Jardiniere - minor gilding wear to handles and rims and some crazing to the landscape panels.Vase and cover - Fine glaze crazing throughout.
A Hofner electric 'violin' bass guitarBody: Sunburst mapleNeck: Sunburst mapleFingerboard: Rosewood, inlaid pearloid dots, 22 fretsHeadstock: Solid, applied Hofner logo, steel machine heads with yellow acrylic keysPickups: 2 HofnerBridge: Hofner tailpieceControls: 2 volume, 3 switches for Rhythm/Solo, Bass and TrebleSize: 42.75" overall, scale length 29.5"Accompaniments: Modern hard caseProvenance:The Neil Jackson collection.Footnote:The Höfner Violin Bass, model 500/1, was introduced in 1955, unveiled at the Frankfurt Music Fair the following year. The instrument gained celebrity status during the 1960s as the primary bass of choice for Paul McCartney of The Beatles, giving rise to its nickname 'The Beatles Bass'. Constructed with a hollow maple body without soundholes, the 500/1 is often referred to as a semi-hollow bass, making it light and easy to play while retaining a rich tone.Condition:Immediately playable. Significant wear to varnish throughout. Frets 15, 16 and 18 have been patched. Neck possibly re-attached. Case good.
* An Empire-style French porcelain coffee service, 19th century, plain white with bands of gilt lines, dots and swags, the cup handles formed as mythical beasts, the spouts as dragons, service comprising eleven coffee cans, eleven saucers, one large and one small coffee pot and cover, tall baluster milk jug and a sugar tureen with cover, unmarked, tallest coffee pot 26.5cm high (29 pcs including covers)Condition:One handle to the sugar pot broken and re-gluedOne coffee can has a short internal hairline through the gold inner upper band.General light scratches to saucers commensurate with age and light use.No other damages or repairs.
A Coalport Coalbrookdale basket, circa 1820-25, with a single central overhead handle encrusted with flowers, painted to the interior with bunches of flowers in polychrome enamels with gilt scrolls, further encrusted with flowers to the rim, the exterior of the basket in a light blue colourway, unmarked, 19.5cm including handle, 26cm longCondition:Some crazing and a slight hairline are visible to the interior of the basket. Some chips and losses to the foliage and flowers around the rims and each side of the basket, including two flowers missing two petals entirely and other smaller losses elsewhere.
A set of eleven Irish Belleek 'Greek' dessert plates, Second Period, circa 1891-1926, of circular form with pierced detail to the rim, the border moulded with a band of anthemion enriched in gilt and green, printed mark in black, some pieces numbered '28', 30cm diameterThe 'Greek' shape is somewhat scarce but typically found with First Period markings, so these plates were possibly produced early in the Second Period date range.Condition:Two plates have a minute stress/firing crack to the reverse edge of one pierced section each, approximately 2mm wide. One of these plates also has an errant line of gilding to the reverse.A third plate has a hairline to the rim, 5mm long.No other damages or repairs are noted. All plates ring nicely when tapped. The gilding remains generally in good order with only a few very minor spots and patches of rubbing to a couple of the plates. There are only very light signs of use in the form of surface scratches visible to the centre of the plates when held in a particular light.
A Gretsch Chet Atkins 'Country Gentleman' electric guitar, circa 1963 Body: Hollow dark cherry mahogany, ivorine bindings, floating scratchplate Neck: Maple Fingerboard: Ebony, inlaid pearloid markers, 22 frets Headstock: Solid, black lacquer top, inlaid pearloid logo, applied Chet Atkins plaque, Grover gilt machine heads Pickups: 2 Bridge: Gretsch Bigsby roller tremolo Controls: 1 volume, 2 tone, 3 three-way switches, 2 damper switches Size: 42" overall, scale length Accompaniments: Period hard case Provenance:The Neil Jackson collection. Footnote:The Gretsch Country Gentleman guitar, introduced in 1957, is one of the most iconic models produced by the firm, designed in collaboration with the legendary guitarist Chet Atkins, who sought a sleek, stylish instrument with a versatile tone suitable for various music styles.The original Gretsch Country Gentleman featured a hollow body design with a double-cutaway shape, allowing for easier access to the higher frets. It was made of laminated maple and had a 17 inch wide body with a stylish walnut finish. The guitar also came equipped with unique 'hump block' inlays, a Bigsby vibrato tailpiece, and Gretsch's 'Filter'Tron' humbucking pickups, which provided a warm, clear sound with reduced noise, making it suitable for both country and rock musicians.The Country Gentleman gained widespread popularity in the early 1960s, particularly after George Harrison of The Beatles adopted it as his main guitar. Harrison's use of the guitar on numerous Beatles recordings, such as I Want to Hold Your Hand and during their iconic 1964 performance on The Ed Sullivan Show, solidified the instrument's place in rock history and led to a surge in its popularity.Over the years, Gretsch has released several versions and reissues of the Country Gentleman, maintaining the guitar's classic aesthetic while incorporating modern innovations to meet contemporary players' needs. Today, the Gretsch Country Gentleman remains a beloved and sought-after model, celebrated for its rich heritage, distinctive sound, and connection to some of the most influential guitarists in music history.Chet Atkins (1924–2001) was an influential American guitarist, songwriter, and record producer, widely regarded as one of the most important figures in the development of country music and the Nashville sound. Born in Luttrell, Tennessee, Atkins displayed an early talent for music, learning to play the guitar, mandolin, and fiddle. His innovative fingerpicking style, influenced by Merle Travis, Django Reinhardt, and Les Paul, set him apart as a guitarist and earned him the nicknames 'Mister Guitar' and 'The Country Gentleman'. Condition:Immediately playable. Some signs of age and use including small chips and light scratches, wear to gilding on tailpiece and tremolo arm and wear to gilding on tuners. The dampers have both vulcanised. There is some light craquelure to the headstock. The case is heavily worn.
A George III needlework sampler of maritime interest, circa 1805By Maria Thorneycroft, aged 14, worked in three panels, the top with flowering plants and birds, the middle with a ship of the line flanked by six marines and the inscription 'This is to let you know and see / What care my parents took of me / This work in hand my frends may have / When I am dead and in my grave / Lord Nelson', the bottom panel with a country house surrounded by trees, figures and animals, further inscribed 'tally o tally o tally oooo, hark forward huzza tally o', all within a border of meandering flowers and foliage, framed.43cm x 32cm (frame 49cm x 37cm)Condition:Some spotting and light staining in places - not disfiguring. Some very small/tiny holes in places. Fair colour.
Roman Imperial Coinage, Tiberius (14-37), Denarius, Lugdunum, after AD 16, ti caesar divi avg f avgvstvs around laureate head right, rev. pontif maxim around Livia as Pax, draped and seated right on chair with ornamented legs, holding branch in left hand and spear in right, triple line below, 3.69g/9h (Ghey 392.3, this coin; BMC 42-45; RIC 28; RSC 16b). Fine with a nice light patina £80-£100 --- Provenance: SF 230
British Iron Age, GALLO-BELGIC, Stater, series E [Ambiani], Gallic War uniface type, shallow dome with pronounced die break, rev. stylised horse standing right, charioteer’s arm above, ‘coffee bean’ and ‘thunderbolt’ behind, ‘coffee bean’ before head, corded exergue line, 5.99g (LH 7, this coin; ABC 16; VA 54-1; S 11). Good very fine, well centred and with light hoard patina £600-£800
Roman Republican Coinage, Caius Coelius Caldus, Denarius, Rome, 51 BC, c coel c[–], before head of Caldus right, boar by chin, standard inscribed his behind, cos below, rev. lectisterium inscribed l caldvs vii vr epv between two trophies, c caldvs left, i m[–] right, caldvs iii vir in exergue, 3.83g/6h (Ghey 251, this coin; Craw. 437/2a; BMCRR 3837; RSC Coelia 7). Light scratches on obverse, otherwise good fine £90-£120 --- Provenance: SF 31
Roman Republican Coinage, Quintus Pomponius Musa, Denarius, Rome, 66 BC, laureate head of Apollo, hair tied with band, volumen tied with cord behind, rev. q pomponi mvsa downwards, Clio standing left between legend, holding open scroll in right hand and resting left on column, 3.57g/3h (Ghey 223, this coin; Craw. 410/3; BMCRR 3610-1; RSC Pomponia 11). Banker’s marks to obverse, including ‘V’ on cheek, otherwise nice light patina and well centred, about very fine £90-£120 --- Provenance: SF 360
Roman Imperatorial Coinage, The Second Triumvirate, Mark Antony with Octavian, Denarius, Ephesus, spring - early summer 41 BC, moneyer Marcus Barbatius Pollio, m ant imp avg iii vir r p c m barbat q p around bare head of Mark Antony right, rev. caesar imp pont iii vir r p c around bare head of Octavian right, 3.47g/12h (Ghey 321.2, this coin; Craw. 517/2; BMCRR East 100; RSC 8a). Well centred, good fine, a few light scratches £200-£300 --- Provenance: SF 44
British Iron Age, GALLO-BELGIC, Stater, series E [Ambiani], Gallic War uniface type, shallow dome, rev. stylised horse standing right, charioteer’s arm above, ‘coffee bean’ and ‘thunderbolt’ behind, curve of pellets before horse’s face, corded exergue line, 6.02g (LH 5, this coin; ABC 16; VA 54-1; S 11). Good very fine and well centred; light hoard patina £600-£800
British Iron Age, GALLO-BELGIC, Stater, series E [Ambiani], Gallic War uniface type, shallow dome, rev. stylised horse standing right, charioteer’s arm above, trace of ‘coffee bean’ and curve of pellets before horse’s face, 6.00g (LH 27, this coin; ABC 16; VA 54-1; S 11). Very fine, light hoard patina £500-£700
Roman Imperial Coinage, Tiberius (14-37), Denarius, Lugdunum, after AD 16, ti caesar divi avg f avgvstvs around laureate head right, rev. pontif maxim around Livia as Pax, draped and seated right on chair with ornamented legs, feet on footstool, holding branch in left hand and sceptre in right, single line below, 3.77g/6h (Ghey 394.31, this coin; BMC 48-60; RIC 30; RSC 16a). Good very fine, light hoard patina £150-£200 --- Provenance: SF 385
British Iron Age, CATUVELLAUNI, Cunobelin, AD 8-41, Stater, Plastic type [Class 6], ca m[–] divided by ear of barley with five pairs of grains, rev. cvno below, large ringed pellet below horse galloping right with fine pellet mane, branch above, pellets in field below tail, below branch and before horse’s head, 5.38g/3h (Ghey 7, this coin; Sills O57/R105; ABC 2786). Light hoard patina, firmly struck and well centred, good very fine £1,200-£1,500 --- Provenance: SF 276
Roman Imperatorial Coinage, The Pompeians, Pompey Magnus, Denarius, Military mint moving with Pompey in Greece, 49-early 48 BC, struck under Cnaeus Calpurnius Piso as proquaestor, [–] piso pro q behind bearded head of Numa Pompilius right, wearing a diadem inscribed numa, rev. magn above prow of galley right, pro co[–] below, 3.82g/6h (Ghey 257, this coin; Craw. 446/1; BMCRR Spain 62-3; RSC 4; Sear 7). A few light marks and struck slightly off-centre, otherwise about very fine £150-£200 --- Provenance: SF 356
Roman Imperial Coinage, Claudius (41-54), Denarius, Rome, AD 41-42, ti clavd caesar avg p m tr p around laureate head right, rev. praetor recept around Claudius, bare-headed and togate standing right, clasping hands with long-haired praetorian soldier standing left with shield slung on one side, holding aquila in left hand, 3.77g/7h (Ghey 397, this coin; BMC 9; RIC 12; RSC 78). A few light surface marks, otherwise well centred and struck-up, good very fine and very rare £1,500-£1,800 --- Provenance: SF 277
Roman Imperial Coinage, Caligula [Gaius] (37-41), with Agrippina Senior, Denarius, AD 37-38, c caesar avg germ p m tr pot around bare head of Gaius right, rev. agrippin[–] [–]es avg germ around draped bust of Agrippina right, her hair waved and plaited, 3.79g/11h (Ghey 395, this coin; BMC 8; RIC 8; RSC 4). Good very fine, strong portraits, pretty light hoard patina £2,000-£2,600 --- Provenance: SF 260
An Ever-Ready Chronos ticket flip clock, 20th Century, in a brass case 10cm diameter15cm high together with two oval form carriage clocks, one set with porcelain panels the dial marked Elliot and Sons, Londonthe largest11cm high (3)Condition Reportticket flip clock with light tarnishing and cosmetic wear, ticks but movement not checked for accuracy
A collection of British Army service uniforms worn by a former Colonel in the Royal Engineers, comprising two light khaki dress uniforms, and a white warm weather dress uniform (3)Shipping Disclaimer: Buyers must be aware of their country’s shipping and import policies regarding guns, knives, swords, and other offensive weapons prior to purchase. They are required to ensure that the lot can be delivered by a specialist shipper, whether in the UK, Europe or internationally. No compensation will be given to buyers who fail to organise shipping arrangements for goods and weapons due to the prohibitions, restrictions or import regulations of their country.
A boxed Dinky Toys Aeroplane, 1938-1941, No. 62k, A2233, 'The King's Aeroplane' Air Speed Envoy, finished in silver, red and blue, in the original blue lift-off lid box with detailed script concerning the model,box 7.5 x 8cmCondition ReportLight wear to plane. Structurally sound and complete. Box in good condition with some aesthetic wear.
A set of Edwardian brass postal scales, early 20th century, with weights, engraved balance and plaque, 21.5cm widetogether with a miniature oak lectern,with adjustable stand, chamfered shaft and ogee square base,27cm highand a wall clock,with single train movement,19.5cm diameter of dial, overall 28cm (3)Condition ReportScales possibly missing weights.Clock missing pendulum, and could benefit from light restoration.Knocks, scuffs and surface scratches throughout commensurate with age and use.
The Most Distinguished Order of St. Michael and St. George. 20th Century, consisting a Knight Commanders Order of St Michael and St George (KCMG) Sash Badge and Breast Star, in silver-gilt and enamel the sash badge 6.5cm wide 10.5cm high the breast star 8cm wide 8cm high (2) Condition Reportknocks and light wear, no case, not named
After R G A Levinge Meeting at the Sleigh Club at the Barracks (occupied by the left wing). 1837 and The 43rd Light Infantry, as they turn out in their sleighs; at the Falls of Niagara. 1839,lithographs, a pair, in burr maplewood veenered frames41 x 64cm (2)Condition ReportThe Sleigh Club at the Falls of Niagara print is slightly browned.The Sleigh Club at the Barracks has some staining in the lower two corners, but not affecting the print.
A basket form chandelier circa 1900, with gilt metal mountsof waterfall design30cm diametertogether with a pair of gilt metal twin branch wall lights and matching single light sconces22cm wide16cm deep22cm highCondition Reportwaterfall lightfitting with damages and loses, broken and missing drops, rewiring required

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534297 Los(e)/Seite