AFTER FRANCOIS-RAOUL LARCHE (FRENCH 1860-1912)the sculpture is electrified, with two sockets and is in working conditionCONDITION The eletrified sculpture appears in good orginial condition. Scattered patina and overall light surface dust visible to the creases and folds of the sculpted fabric. Rubbing visible to the naked eye, most notably to the foundry mark. Is it working condition as a lamp. With no significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
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A BRONZE INKWELL AND LETTER OPENER BY FRIEDRICH GORNIK (AUSTRIAN 1877-1943), 1895-1925 the inkwell formed as a lion and lioness walking next to one another on a rocky terrain, accompanied by a conforming letter opener featuring a lion's head, both signed and marked with Arthur Rubinstein foundry mark; dimensions of inkwell: 15 x 47 cm (5 7/8 x 18 1/2 in.), length of letter opener: 23 cm (9 in.) CONDITION In age-appropriate condition. Darkening between cervasses of lion and ink well. Overall dust, most notably under the lions. Patina has occurred on the interior of the inkwell, on the lion's face, mane and mouth and on the mane of the lion's head on the letter opener, darkening between the crevasses around the lion's mane of the letter opener. Light surface scratches and scuffs to the letter opener as well as some darkening spots on the right side below the signature. Otherwise no other issues to report. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A GERMAN 'WIENER REGATTA-VEREIN' BRONZE TROPHY, 19TH CENTURY of elongated cylindrical form, with a single handle formed from three linear bars topped with three snakes coming from Medusa's head which forms the spout, Medusa's mouth is open and is looking downwards, a foliate garland in a continuous motif, the body is a green hardstone with, centered on the body of the trophy, Wiener Regatta-Verein Kaisermuhlen-Preis, 16 Juni. 1901 in gold lettering, the base features curved feet with a foliate garland featuring centering alternating wreaths on each scrolled foot, overall height: 43 cm (16 7/8 in.) CONDITION In age-appropriate condition. Overall surface dust and discoloration to the bronze. Discoloration and light surface scratches to the green hardstone. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
SET OF EIGHT CONTINENTAL ORMOLU SCONCES, LATE 19TH-EARLY 20TH CENTURY a set of eight ormolu sconces, each with two arms formed from an acanthus leaf. one arm slightly higher than the other; all in gilt gold; dimensions: 64 x 18 cm (25 1/4 x 7 1/8 in.) CONDITION In age-appropriate condition. Minor patina between crevasses as well as some darkening, visible to the naked eye. One of the arms has become detached to the sconce itself. Visible screws from previous use. Should be noted it was wired for lighting but is not in working condition. Some of the light bulbs have become loose and detached. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A PAIR OF EGYPTIAN REVIVAL WOOD AND GILT BRONZE SCONCES, 20TH CENTURY each three-light, the body of solid dark wood, the terminals formed as pharaohs in ceremonial headdresses, the arms emerging from a lion head; overall height of each: 60 cm (23 5/8 in.) CONDITION The pair appears in age-appropriate condition. The head of one of the sconces is disconnected. Both wired but not in working condition. Overall surface dust and grime around the gilt detailing and heads. Light surface scratches to each of the bodies. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
PAIR OF GILT CANDLESTICKS, EARLY 20TH CENTURY fluted stem and rounded ribbed sconce in gilt, the recto features a rose branch on a rounded stepped base. overall height: 17.8 cm (7 in.) CONDITIONThe candlesticks appear in age-appropriate condition. Visible wax residue evident on the interior of each sconce. Overall light scuff marks and scratches, most notably around the sconces, stem and base. Losses of paint and uneven paint to the rose branches and rims of sconce. Inspection under UV shows no apparent signs of restoration or repairs. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A PAIR OF BRONZE CANDELABRAS, LATE 19TH CENTURY three light candelabras, the arms formed from a continuous grapevine, the center light and body terminating from leaves, all atop a square plinth; overall height: 51 cm (20 1/8 in.) CONDITION The pair appear in age-appropriate but fragile condition. Overall tarnish and darkening visible to the naked eye. Visible surface dust and grime. Appears to be wired but no longer in working condition. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A PAIR OF FRENCH ORMOLU-MOUNTED PORCELAIN CANDELABRA, LATE 19TH-EARLY 20TH CENTURY of urn form, five light candelabras with a cobalt ground and gilt details, the arms formed from acanthus with floral detailing, the body with three terminating goat heads, the rounded foot rim with three putti connected with a floral garland swag, on rounded feet formed from acanthus; overall height: 58 cm (22 7/8 in.) CONDITION The pair appears in very good original condition. Overall surface dust and grim visible to the foot rim and gilt detailing. Scattering dark spots to the goat heads, putti and foot rim. No significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
ANONYMOUS (20TH CENTURY)Bust of a Turbaned Man , bronze with gilt overall height: 23 cm ( 9 in.) CONDITION The sculpture appears in very good original condition. Minor patina around the man's ears. Minor surface dust visible to the naked eye. Light surface scuffs visible to the gilt hat.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A CHINESE EARTHENWARE BRUSH POT, LATE MING-EARLY QING, 16TH-17TH CENTURYcylindrical, the exterior glazed in oxblood shading to pale blue on the exterior and to the center of the underside, the interior cream; overall height: 10.2 cm (4 in.), diameter: 6.8 cm (2 5/8 in.)PROVENANCE Christie's, South Kensington, 1986Tresscot Collection, London, 1986-2003Mike Boison, St. Louis, 2004CONDITIONThe brush is in overall good age-appropriate condition. Overall crazing to the glaze with six or so prominent hairline cracks emerging from the lip, as apparent in photographs. Inspection under UV light shows variant fluorescence, apparent retouching to the hairline cracks on the lip.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
ALFONS WALDE (AUSTRIAN 1891-1958) Bauernsonntagoil on cardboard 53 x 46.6 cm (20 7/8 x 20 7/8 in.) signed lower right, inscribed Bauern Sonntag on artist's studio label on verso PROVENANCECollection of Kamillo & Aenne Koelblinger, AustriaThence by descent in the family to Henrich Walter Koelblinger (1941-2020), U.S.Thence by descent in the family to present ownerWe are grateful to Gert Amman and Michael Walde-Berger for providing their opinion of authenticity based on photographs.RELATED LITERATUREFor a highly comparable eponymous composition, dated 1927, in the collection of the Stadtische Galerie, Nuremberg, inv. no. 334, see: Gert Ammann, Alfons Walde. 1891-1958 (Innsbruck; Vienna; Munich: Tyrolia-Verlag, 1981), p. 220 (illustrated).LOT NOTESThe work originates from the estate of Kamillo and Aenne Koelblinger, the first owners of this painting. Along with the family estate and art collection, their children, Mr. Henrich Walter Koelblinger and siblings inherited the Koelblinger’s heritage businesses - a leather tannery (seen in the reference image) and lumber forest in Vocklabruck. The family also owned a home on the Attersee lake, where they frequently hosted Walde, as well as another local, the artist’s friend Gustav Klimt.Mr. Henrich Koelblinger left Austria at 19 with a master’s degree in leather chemistry, intent on settling in Australia. He was employed by BASF leather chemicals by the time he got to New York, and settled in Beacon with his wife Mary. After returning to Austria for a short period to steward the family business, Mr. Koelblinger carried over the experience back to the U.S., where he managed several tanneries. The work took the family to Milwaukee, then West Virginia, then Mercersburg, PA, Hagerstown, MD, Luray, VA, and back to Milwaukee, now with four children. The work, now belonging to his heirs, has continuously remained in the family over four generations.Alfons Walde, unparalleled master of Alpine landscapes, produced this painting among a series of others sometime in the early 1930s. This iconically Waldean composition, titled Bauernsonntag, depicts a pair of nearly identical robust men set against a brilliantly white snow and blue skies in the Austrian town of Kitzbuhel. Though it occupies a relatively small portion of the painting, the ultramarine sky, echoed in the Tyrolean aprons of the countrymen, is a blue as quintessential to Walde as YKB is to Yves Klein. Upon close inspection, initial tonal uniformity gives way to subtle modulation, revealing a delicate haze of clouds. The impasto, becoming more pronounced toward the bottom of the panel, integrates the crisp freshly-fallen snow and voluminous blouses, rooting the figures in the environment. (For example, along the right edge, where the sloping roof extends effortlessly to one of the sleeves). The smiling figures, as if mid-sentence, gaze off beyond the confines of the painting, prompting the viewer to do the same. Walde's formal rigor, from the abbreviated rectilinear figures to the limited but striking color palette, produces an impactful high-contrast image, equally deferential to the landscape and to its admirers. CONDITIONObserved outside of the frame, the work is in overall good age-appropriate condition, recently cleaned of surface dirt and grime. Pair of pinholes to the bottom left corner. Board slightly uneven at the lower right edge. Some lifting to the top layer of the cardboard at the top right corner (not apparent in frame). Minor losses and lifting to the very edge of the board, at the top left and bottom right corners (not apparent in frame). Otherwise, no significant issues to report. Inspection under UV light shows a layer of old varnish; discolouration beneath the frame rabbet. Scattered dark spots to the chest of the left figure. No apparent signs of inpainting. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A LARGE CHINESE PORCELAIN BOWL, KANGXI PERIOD (1661-1722)the deep bowl with yellow glaze with white and green accents, the body featuring a continous motif of blossoming plums, chrysanthemums, peonies and lotus, the rim with a green foliate motif, the interior with a stylized dragon, raised on a low foot, marked with a Kangxi six character mark in blue underglaze under base; overall height: 20 cm (7 7/8 in.); diameter: 39 cm (15 3/8 in.) PROVENANCEDoyle, New York, March 18, 2019, lot 176 CONDITION The bowl appears in good stable condition. Minor chips to the rim. Light surface scuffs and scratches visible to the body. Rubbing to the rim and foot rim. Very fine cracks to the interior of the bowl. Endemic texture to the interior of the bowl. Inspection under UV shows repairs to the cracks of the body and rim restoration. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A FAMILLE ROSE MEDALLION PUNCH BOWL, CANTON, MID-19TH CENTURYthe interior and exterior featuring panels of court ladies and dignitaries against a lush foliate ground with blooming roses, birds and butterflies in flight; height: 14 cm (5 1/2 in.), diameter: 33.8 cm (13 1/4 in.)CONDITION The bowl is in overall good condition. Some rubbing to the glaze, most apparent on the rim. Inspection under UV light shows no apparent signs of restoration or repair. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A RUSSIAN YELLOW GOLD AND RUBY EGG PENDANT, WORKMASTER MIKHAIL PERCHIN, ST. PETERSBURG, CIRCA 1890the ovoid body centered with a flower with four cabochon ruby petals and a curved stem, marked with 56 standard and town mark, additional standard mark on loop, workmaster's mark M.P in Cyrillic for Mikhail Perchin; length including loop: 2.7 cm (1 in.); total weight: 5.38 g (0.19 oz)PROVENANCE Doyle, New York, October 28, 2020, lot 108 Acquired at the above by the present ownerCONDITION The pendant appears in very good condition, with light surface wear consistent with age and use. No significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A FABERGE YELLOW GOLD EGG PENDANT, ST. PETERSBURG, 1908-1927the ovoid body with a raised pattern of six-pointed stars, suspension and loop marked with 56 standard, maker's mark KF in Cyrillic for Karl Faberge; length including loop: 3 cm (1 1/8 in.), total weight: 5.7 g (0.2 oz)CONDITION Observed with a loupe, the pendant appears in good original condition. Minor discoloration around the stars as well as minor light surface scratches to the stars with no significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A PAIR OF RUSSIAN YELLOW GOLD, ENAMEL, AND PURPURINE CUFFLINKS, WORKMASTER OSKAR PIHL, MOSCOW, CIRCA 1890in Art Deco taste, featuring triangles within an opaque white border, the gold endbars centered with cabochons, each marked with 56 standard and Moscow town mark, workmaster's mark OP in Latin for Oskar Pihl; overall length of each: 2.5 cm (1 in.), net weight: 9.4 g (0.33 oz)CONDITION The pair appears in very good original condition. With light surface wear consistent with age and use. No apparent issues visible to the naked eye. With no significant issues to report. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A 19KT GOLD AND DIAMOND 'QUEEN BEE' RING, ELIZABETH LOCKEcushion-form, centered with the Queen Bee surrounded by a laurel leaf garland with a crown, flanked by four round-cut diamonds, marked with 19K standard and signed on interior of band; ring size: 6 US, dimensions of cushion: 25.4 x 25/4 mm (1 x 1 in.), total weight: 18.5 g (0.652 oz) CONDITION Observed with a loop, the ring appears in very good condition. Light surface scratches and scuffs to the cushion. Minor dust in the band corners. Otherwise no significant issues to report. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A CARVED DARK WOODEN CHEST, ALPINE REGION, 17TH CENTURYthe carved chest, with possibly African influence, with a geometric carved trim relief around the perimeter and front legs, centered key hole which was added later, opening to a conforming interior, on four square legs; dimensions: 81 (h) x 138 (l) x 51 (w) cm 9 (31 7/8 x 54 3/8 x 20 1/8 in.) CONDITION The piece appears in age-appropriate but fragile condition. Termite damage to the carved relief. The wood has splintered to the right back edge extending inwards towards the center, measuring: 40 cm (l) (15 3/4 in.). Overall surface dust, and light surface scratches, dents and scuffs visible to the top, side panels and front panel, consistent with age. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A FLEMISH CARVED WALNUT FIDDLEBACK CHAIR, 19TH CENTURY the chair carved from light brown walnut, the back of fiddle shape with turned twisted legs with a conforming stretcher, the fabric of an ornate feathered pattern of red, blue and green; overall dimensions: 120 (h) x 64 (w) x 52 (d) cm (47 1/4 x 25 1/4 x 20 1/2 in.) PROVENANCE Property of the Nicholas Roerich Museum, New York, sold for its benefit CONDITION The chair appears in good original stable condition. Minor surface scuffs and scratches to the arms and legs, most notably to the back left stretcher. The fabric appears in excellent original condition. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A LARGE CARVED AND STAINED WOODEN SIDE BOARD, LATE 19TH CENTURY large light wood sideboard from the late 19th century. the sideboard features a vase a central focal point. the shelves feature an intricate scroll design. four cabinets, two cabinets are square and the pair is rounded. on a rounded base. 220 x 203.2 x 50.8 cm (86 1/2 x 80 x 20 in.)CONDITION The piece is in overall stable condition. Large splintering on left center measuring at 50 cm; large splintering on right measuring at 60.6 cm. Top shelf is splintering in center measure at 90.9 cm.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A WOODEN ENTRYWAY TABLE WITH A GREEN MARBLE INSET, 20TH CENTURY wooden entryway table with brass winged lions on legs. green marble inset. dimensions: 72 x 99 x 70 cm (28 3/8 x 39 x 27 1/2 in.).CONDITION The table is in overall good condition. Light scratches and scuffs on wood trim around marble inset. With no significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A FRENCH ONYX AND CHAMPLEVE ENAMEL PEDESTAL, CIRCA 19TH CENTURYcircular onyx top with a continuous pierced floral and foliate brass motif, set on a cylindrical support with a foliate brass motif, centered a champleve floral decorated band of light blue, dark blue, white and maroon floral motif, capped with a brass end, on a stepped square plinth with rhombus medallions on each side featuring the same motif as the band with a centered brass daisy; overall height: 80 cm (31 1/2 in.); diameter of rounded top: 41 cm (16 1/8 in.) CONDITION The pedestal appears in good condition, slight abrasions surrounding the base, minor patina around the brass details. No significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A FRENCH ONYX ORMOLU TABLE PLANT STAND, CIRCA 19TH CENTURY of rounded squated form, rose onyx with endemic faults and cracks set in a foliate gilded scroll setting with four curved legs, stamped with A.B. under each foot; overall height: 14 cm (5 1/2 in.); diameter: 25.4 cm (10 in.) CONDITION In age-appropriate condition. Endemic Y shaped crack down the center of the onyx. Minor surface dust to the gilded setting as well as some visible patina. Light surface scuffs and scratches to onyx surface. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A LOUIS XV-STYLE CARVED WALNUT SILK-DAMASK UPHOLSTERED FOUR-PIECE PARLOR SUITE, LATE 19TH CENTURYlate 19th century louis xv-style carved walnut light beige and white silk damask upholstery. comprimisng of a settee, and three cabriole armchairs. sette dimensions: 80.6 x 100.7 x 50.7 cm (34 x 42 x 22 1/2 in.); chair dimensions: 88.9 x 60.1 x 53.3 cm (35 x 24 x 21 in.).CONDITIONThis set is in overall good stable condition. The batten under the sette will need to be reapplied, it has started to fall off. The chairs are in very good condition with no issues to report.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A RENAISSANCE REVIVAL MAHOGANY FAUTEUIL, LATE 19TH CENTURY carved throughout with rocaille motifs, with openwork splat, the seat leather, supported by four feet, the front pair cabriole, modelled as webbed feet surmounting a ball; overall dimensions: 120 (h) x 63 (w) x 57 (d) cm (47 1/4 x 24 3/4 x 22 1/2 in.) CONDITION The chair appears in good stable original condition. Minor light scuffs to the legs, most notably to the verso of the back right leg. No significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
GRIGORY GLUCKMANN (RUSSIAN 1898-1973) Sylvan Frolicoil on board 20.32 x 12.7 cm (8 x 5 in.) signed lower center; titled on a label on verso PROVENANCEO'Brien's Art Emporium, ScottsdaleShannon's, Milford, October 26, 2017, lot 197CONDITIONObserved in frame, the work appears in excellent original condition with no issues to report. Inspection under UV light shows no apparent signs of restoration.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A FRENCH WOODEN EBONIZED BLACK AND GILT GOLD SQUARE PEDESTAL, MAISON JANSEN, MID-19TH CENTURY of elongated square form, with a tiered base and tiered top, each panel carved out with a gilt gold border, stamped Jansen SA17071 underbase; overall height: 117 cm (46 in.) CONDITION The pedestal appears in very good original condition. Minor light surface scratches and scuffs to the top and base. Rubbing to the gilt gold borders. No significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A GREEN HARDSTONE SQUARE PEDESTAL, 2OTH CENTURY a green hardstone pedestal with light and dark variants, the top of rectangular form with a conforming base, the column with four inset panels; overall height: 127 cm (50 in.); dimensions of top: 39 x 24 cm (15 3/8 x 9 1/2 in.) CONDITION The pedestal appears in age appropriate but fragile condition. A chip to the left corner top, the back left corner, back left side, bottom left back corner. Discoloration visible to the center front inset panel. Overall surface dust and grime, scattered surface scuffs and scratches visible to the naked eye. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A BRASS ENAMEL TRIPOD CANDLE STAND, 20TH CENTURYcandle stand with three square legs, rounded drip pan, each leg with five enamel plaques with a floral motif; overall height: 48 cm (18 7/8 in.) CONDITION The candle stand appears in good original condition. Minor use and wear. Light surface scuffs visible to the legs and drip pan. Overall surface dust, grime and scattered dark spots around the legs and enamel plaques. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
JESUS RAFAEL SOTO (VENEZUELAN 1923-2005) Sotomagie II (from Serie Sotomagie), 1967 silkscreen on plexiglass 34.5 x 34.5 x 8 cm (13 5/8 X 13 5/8 x 3 1/8 in.) signed and inscribed with edition 15/100 on Denise Rene publisher's label PROVENANCEPrivate Collection, VenezuelaCONDITION The sculpture appears in good original condition. Light surface scratches visible to the naked eye. With no significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
ABRAHAM MANIEVICH (UKRAINIAN 1883-1942) Eagle Avenue, The Bronx, circa 1924 oil on canvas 58 x 84 cm (23 1/4 x 25 1/4 in.) signed lower left EXHIBITEDPittsburgh, Carnegie Institute, Twenty-Fourth Annual International Exhibition of Paintings, October 15 - December 6, 1925PROVENANCEWith ACA Gallery, New York (label on verso)Private collectionLITERATURE Alan Pensler and Mimi Ginsberg, Abraham Manievich (New York: YIVO Institute for Jewish Research; Manchester: Hudson Hills Press, 2011), p. 121, pl. 62 (illustrated)CONDITION Observed in frame, the painting appears in good original condition. Light surface dust. Very fine stable craquelure visible to the naked eye. Inspection under UV shows no apparent signs of restoration or repairs. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
FRANCIS SPEIGHT (AMERICAN 1896-1986) San Souci Ferry, Spring, 1969 oil on canvas 81 x 102 cm (31 7/8 x 40 1/8 in.) signed and dated lower left PROVENANCE Veronese Beatty Atkins Estate, Southern Pines, North CarolinaCalvin Beatty Atkins Estate, Vero Beach, FloridaPrivate collection, Connecticut LITERATUREBen F. Williams, Francis Speight; a retrospective exhibition, (Raleigh, 1984), ex. cat., pp. 6-7, 24 (illustrated)LOT NOTES Francis Speight was born in Bertie County, North Carolina, in 1896. After being drafted, but never deployed, into the U.S. Army, Speight enrolled at the Corcoran School of Art in Washington, D.C. Inspired by an exhibition of the American Impressionist Daniel Garber at the institution, Speight decided to seek out Garber's instruction at the Pennsylvania Academy of the Fine Arts. Speight would spend some forty years at the Academy, as both student and teacher. He remained fascinated by the atmospheric light and verdant variety of the natural landscape -- whether along the Schuylkill River in Philadelphia or Cashie River in North Carolina, where he returned in 1961. The Cashie River and its Sans Souci Ferry, seen in the present work, were a particularly beloved subject matter, painted over the seasons and through the years in a lively and memorable manner. CONDITIONObserved in frame, the painting appears in age-appropriate condition. The canvas slightly warped. Small stain to the right edge. Otherwise, no significant issues to report. Inspection under UV shows no apparent signs of restoration.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
LEONARDO NIERMAN (MEXICAN B. 1932) Layered Ruins oil on board 89 x 44 cm (35 x 17 3/8 in.) signed lower left CONDITION Observed in frame, the work appears in very good original condition. Very light surface scuffs and scratches visible to the board. Inspection under UV shows no apparent signs of restoration or repairs. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
OSCAR RABIN (RUSSIAN 1928-2018) Ferris Wheel (In Memory of Artist Evgeny Rukhin), 1977 oil on canvas 90 x 109 cm (35 3/8 x 42 7/8 in.) signed and dated upper left; signed, dated, titled and numbered 670 on verso This painting will be included in the catalogue raisonne on the artist, in preparation by Marc Ivasilevitch.EXHIBITEDForbidden Art: The Postwar Russian Avant-Garde, February 1998-April 2002The exhibition traveled to:Pasadena, ArtCenter College of Design, Alyce de Roulet Williamson Gallery, February 22 - May 3, 1998Moscow, The State Tretyakov Gallery, May 15 - June 15, 1999St. Petersburg, The State Russian Museum, February 12 - April 4, 1999Oxford, Ohio, Miami University Art Museum, November 2 - December 12, 1999Brighton, Massachusetts, Boston College, McMullen Museum of Art, October 15 - December 10, 2000Gainesville, University of Florida, Samuel P. Harn Museum of Art, April 12 - July 3, 2005Laramie, University of Wyoming Art Museum, September 8 - November 18, 2007St. Peter, Gustavus Adolphus College, Hillstrom Museum of Art, September 3 - November 10, 2008LITERATUREForbidden Art: The Postwar Russian Avant-Garde (Los Angeles, New York: Curatorial Assistance, Distributed Art Publishers, 1998), ex. cat., p. 54 (illustrated)For another variant of this work in the collection of the Jane Voorhees Zimmerli Art Museum at Rutgers University, New Jersey, see: Oscar Rabin. Almanac. Edn. 148 (Saint Petersburg: Palace Editions, 2007), pp. 134-135 (illustrated) and Oscar Rabin. Three Lives. The Retrospective Exhibition / Almanac, Edn. 219. (St. Petersburg: Palace Editions, 2008), pp. 168-169 (illustrated)CONDITIONObserved in frame, the work is in good original condition. Some scuffing apparent at the top right corner. Fine craquelure at the perimeter. Inspection under UV light shows no apparent signs of restoration. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
OSCAR RABIN (RUSSIAN 1928-2018) Street in a Breton Village, 2000 oil on canvas 50 x 61 cm (18 1/2 x 22 7/8 in.) signed and dated lower center; signed, dated, titled and numbered 1245 on verso This painting will be included in the catalogue raisonne on the artist, in preparation by Marc Ivasilevitch.CONDITION Observed in frame, the painting appears in good orginial condition. Very light surface dust visible. Inspection under UV shows no apparent signs of restoration or repairs.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
![VLADIMIR NEMUKHIN (RUSSIAN 1925-2016) Joker, 1965 gouache on paper 54 x 40 cm (21 1/4 x 15 3/4 in.) [full sheet] signed and d](https://cdn.globalauctionplatform.com/39dfb77b-ac6c-47cf-a313-ad02012d8a05/1b4b6f8b-9a80-4c50-b6fd-ad020169b33f/468x382.jpg)
VLADIMIR NEMUKHIN (RUSSIAN 1925-2016) Joker, 1965 gouache on paper 54 x 40 cm (21 1/4 x 15 3/4 in.) [full sheet] signed and dated lower right PROVENANCEGalerie Blue Square, Paris (label on verso)CONDITIONObserved in frame, the work appears in good condition. Light wear and creases to the perimeter, a small tear to the left center edge measuring less than 2.5 cm. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
GRISHA BRUSKIN (RUSSIAN B. 1945) Birth of a Hero (set of 15 sculptures) , 1987 painted bronze largest: 67 x 29 x 42 cm (26 1/2 x 11 1/2 x 16 1/2 in.), smallest: 30.5 x 17 x 15 cm (12 x 6 3/4 x 6 in.) EXHIBITEDForbidden Art: The Postwar Russian Avant-Garde, February 1998-April 2002The exhibition traveled to: Pasadena, ArtCenter College of Design, Alyce de Roulet Williamson Gallery, February 22 - May 3, 1998Moscow, The State Tretyakov Gallery, May 15 - June 15, 1999St. Petersburg, The State Russian Museum, February 12 - April 4, 1999Oxford, Ohio, Miami University Art Museum, November 2 - December 12, 1999Brighton, Massachusetts, Boston College, McMullen Museum of Art, October 15 - December 10, 2000Gainesville, University of Florida, Samuel P. Harn Museum of Art, April 12 - July 3, 2005Laramie, University of Wyoming Art Museum, September 8 - November 18, 2007St. Peter, Gustavus Adolphus College, Hillstrom Museum of Art, September 3 - November 10, 2008LITERATUREForbidden Art: The Postwar Russian Avant-Garde (Los Angeles, New York: Curatorial Assistance, Distributed Art Publishers, 1998), ex. cat., pp. 274-276 (illustrated)CONDITION The set appears in overall good condition. Visible surface dust and grime visible within crevices, most notably on the female tennis player. Light surface scuffs and scratches visible. Should be noted that the figurines: USSR, Lenin Sign, Tennis Racquet, Hammer and Sickle have all been repaired (parts re-affixed with adhesive, which remains visible to the naked eye). N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
TATIANA NAZARENKO (RUSSIAN B. 1944) Party , 1990 acrylic on canvas 66 x 120 cm (26 x 47 1/4 in.) signed lower right; signed, titled and dated on verso EXHIBITEDForbidden Art: The Postwar Russian Avant-Garde, February 1998-April 2002The exhibition traveled to:Pasadena, ArtCenter College of Design, Alyce de Roulet Williamson Gallery, February 22 - May 3, 1998Moscow, The State Tretyakov Gallery, May 15 - June 15, 1999St. Petersburg, The State Russian Museum, February 12 - April 4, 1999Oxford, Ohio, Miami University Art Museum, November 2 - December 12, 1999Brighton, Massachusetts, Boston College, McMullen Museum of Art, October 15 - December 10, 2000Gainesville, University of Florida, Samuel P. Harn Museum of Art, April 12 - July 3, 2005Laramie, University of Wyoming Art Museum, September 8 - November 18, 2007St. Peter, Gustavus Adolphus College, Hillstrom Museum of Art, September 3 - November 10, 2008LITERATUREForbidden Art: The Postwar Russian Avant-Garde (Los Angeles, New York: Curatorial Assistance, Distributed Art Publishers, 1998), ex. cat., p. 15 (illustrated)CONDITION Observed in frame. The work appears in good original condition. Light surface scuffs and minor losses of paint to the perimeter. Inspection under UV shows no apparent signs of restoration.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
SERGEI "AFRIKA" BUGAYEV (RUSSIAN B. 1966) Nikolai Nekrasov, "Before the Rain" Poem, from the Anti-Lissitzky Series, 1991 oil on board 98 x 124 cm (38 1/4 x 48 7/8 in.) PROVENANCEProminent Collector of Eastern European Modern art Acquired from the above by the current owner, in this collection for 6 yearsEXHIBITEDLos Angeles, The Fisher Gallery, University of Southern California, Afrika, January 15-February 22, 1992New York, Queens Museum of Art, April 23-June 14, 1992Wexner Center for the Arts, Ohio State University, Columbus, Ohio, April 2-June 13, 1994CONDITION Observed in frame, the painting appears in good original condition. Unevenness to the upper right corner resulting in minor losses of paint. Has not been observed under UV light. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A GROUP OF FIVE DRAWINGS BY LEONID LAMM (RUSSIAN 1928-2017)comprising: a) Carnival (series), Composition #3, 1970, pen, ink, paper mounted on thick paper board, 23.5 x 17 cm ( 9 1/4 x 6 3/4 in.), monogrammed and dated lower center b) Carnival (series), Composition #4, 1970, pen, ink, paper mounted on paper board, 37 x 27 cm (14 5/8 x 10 5/8 in.), monogrammed and dated lower right c) Carnival (series), Composition #5, 1970, pen, ink, paper mounted on paper board, 37 x 27 cm (14 5/8 x 10 5/8 in.), monogrammed and dated lower right d) Flying Objects (series), Composition #1, 1965, watercolor, pen, ink on scratchboard, mounted on thick paper board, 29 x 39 cm (11 3/8 x 15 3/8 in.), monogrammed and dated lower right e) Flying Objects (series), Composition #2, 1965, watercolor, pen, ink on scratchboard, mounted on thick paper board, 39 x 29 cm (11 3/8 x 15 3/8 in.), monogrammed and dated lower left PROVENANCE The Nasher Museum of Art at Duke University, DurhamCONDITION a) Unframed, the work appears in age-appropriate condition. Minor tear to the upper right corner. Overall discoloration and scuffs to the sheet. b) Unframed, the work appears in excellent original condition, minor lifting to to sheet at the lower right corner. Minor dark spot visible to the left of the black figure. On mounted paper tearing is visible to the left side, note this is not to the work itself. c) Unframed, the work appears in age-appropriate condition. Discoloration to sheet around the perimeter. Minor scuff to the lower right near monogram. On mounted paper tearing is visible to the left side, note this is not to the work itself. d) Unframed, the work appears in age-appropriate condition. Minor scuffing visible around the perimeter. Discoloration to the corners and minor lifting to the corners. Minor watermark to the lower right corner. e) Unframed, the work appears in age-appropriate condition. Minor light surface scuffing and scratches. Discoloration to the lower right corner. Craquelure and Unevenness to the left edge. Lifting to the lower half of the work. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
DAVID BURLIUK (RUSSIAN 1882-1967) Man at the Night Cafe (Cafe d'Alcazar), Arles, 1949 oil on canvas 51 x 40.5 cm (20 1/8 x 16 in.) signed lower right, dated and inscribed CAFE Alcazar / Arles lower left PROVENANCEWith Burliuk Gallery, Hampton Bays (stamp on stretcher)Collection of Ella Jaffe Freidus, longtime collector and friend of Burliuk, Cold Spring Harbor, NY Thence by descent in the familyCONDITION Observed in frame, the work appears in excellent original condition. Limited areas of extremely fine and stable craquelure, such as to the right side of the lamp. Inspection under UV light shows no apparent signs of retouching.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
FRENCH SCHOOL (LATE 18TH CENTURY) A French Duchessoil on canvas 102 x 72 cm ( 40 1/2 x 28 3/8 in.) CONDITIONObserved in frame, the painting appears in age-appropriate condition. The canvas has been wax lined. Very fine and stable craquelure, most notably to the upper right corner and edge. Light surface scuffs visible to the left side of the Dutchess. Visible inpainting, most notably to the column on by the left upper edge. Inspection under UV shows retouching to around 50% of the figure (forehead, head, neck and bodice).N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
SIR GERALD FESTUS KELLY (BRITISH 1879-1972) Mrs. Burr, 1927 oil on canvas 98 x 86 cm (38 5/8 x 33 7/8 in.) signed and dated lower left CONDITIONObserved in frame, the work appears in age-appropriate condition. Craquelure and a small stain visible to the naked eye above sitter's head. The canvas has been restreched over board. Inspection under UV light shows no apparent signs of restoration.N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A RARE AND STUNNING COPY OF MOSQUES OF SAMARKAND, 1905NIKOLAI VESELOVKSIY (RUSSIAN 1848-1918), compiled by, ALEXEY SCHUSEV (RUSSIAN 1873-1949) and PYOTR PORKYSHKIN (RUSSIAN 1870-1922), illustrated by, MECHETI SAMARKANDA [Mosques of Samarkand] (Saint Petersburg: Ekspeditsyua zagotovleniya gosudarstvennyh bumag, 1905), issue I (Gur-e-Amir), all published, folio (600 x 400 mm closed), [10] pp., illustrated with 18 stunning fold-out plates, depicting the ornate decorative program of the mausoleum of Timur [Tamerlane] in Samarkand, text in Russian and FrenchLITERATUREFor another copy shown at the world exhibition of printed matter, see Katalog Russkogo Otdela [Catalogue of the Russian section] (Leipzig: [Exhibition for Book Printing and Graphics], 1914), p. 174LOT NOTESThis spectacular publication, whose first issue is dedicated to the infamous tomb of Tamerlane, erected in 1404 CE, was intended as a series. Following the Samarkand expedition, however, the Imperial Archeological Commission quickly realized it was lacking funds to complete publication of other installments. Nevertheless, its ornate and meticulous plates, beatifully preserved in this example, made Tamerlane's tomb an architectural wonder around the world.CONDITIONIn overall excellent age-appropriate condition with light handling and wear. Modern black binding. Some mild toning to the perimeter of the sheets. Scattered fingerprint marks, including on title page (plates unaffected and in very good condition.) Repaired tears to the foldout part along the top and bottom edge of Plate XI (Facade). Right and lower edge repaired / reinforced with tape. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A RUSSIAN PORCELAIN CABINET PLATE, IMPERIAL PORCELAIN FACTORY, PERIOD OF PAVEL I, 1796-1801rounded, the border of the plate with a floral motif of wild flower against a gilt ground, the center featuring the ruins of the Temple of Juno and the Church of Sant'Angelo Pescheria, with vine of laurel, the verso with the inscription Ruines du Temple de Junon, Aujourd, Eglise de St. Angel in Pescheria, in French, marked with factory mark in blue imperial cypher and date underglaze under base; diameter of plate: 24 cm (9 1/2 in.) CONDITION The plate appears in good original condition. Light surface scratches, most notably to the center image. Consistent with age and use. Inspection under UV shows no apparent signs of restoration or repairs. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A PAIR OF EUROPEAN MONUMENTAL CHINOISERIE STYLE VASES ON ORMOLU BASES, LATE 19TH-EARLY 20TH CENTURY both of baluster shape with a slender neck, a gilt gold motif of flowering grape vines with butterflies, against a deep red ground, the interior is a bright turquoise, each vase on a gilt ormolu bases with a continuous acanthus motif with dragon feet, impressed with EG in a circle with a diamond above under each vase, the bases stamped illegibly P 11; overall height overall height: 103 cm (40 1/2 in.)CONDITION The vases appear in age-appropriate condition. Overall surface dust visible to the naked eye. Rubbing to the gilt rims and base detailing. Light surface scratches and scuffs visible to the bodies of the bases. Inspection under UV shows no apparent signs of restoration or repairs. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A ROYAL VIENNA PORCELAIN VASE, 'EIN GEHEIMNIS', PAINTED BY WAGNER FINELY, ACKERMANN & FRITZE, GESETZLICH GESCHUTZT TRADEMARK, RETAILED BY OVINGTON BROS NEW YORK , FIRST HALF OF 20TH CENTURYof ovoid form, with two small matching handles, centered in a gold cartouche two young children stand sharing a secret. the little boy dressed in a white peasant shirt, black pants, brown shoes and a green hat stands with his arm around the other child who is dressed in a brown work suit, blue apron, red socks and brown shoes with a fur cap, listening intently. the cartouche is surrounded by gold intricate details in a continuous floral and foliate motif, signed Wagner on the lower left side of the scene. verso features a gold floral bouquet all against a maroon ground. marked with gesetzlich geschutzt trademark in red underglaze, followed by the title Ein Geheimnis in red underglaze, with maker's mark Ackermann & Fritz royal vienna beehive in blue underglaze, followed by Dresden Porcelain gold rose mark in gold underglaze, stamped with retailer's mark Ovington Bros Co. New York in red overglaze, number 03303 Germany in red underglaze all under base of vase; overall height: 33.02 cm (13 in.)CONDITIONThe work appears in age-appropriate condition. Minor rubbing to the gilt rim around the lip of the vase, rubbing to the gilt handles. Minor scuffs and light surface scratches to the maroon ground on the right side of the vase, visible to the naked eye. Minor light scratches and scuffs to the lower and upper left side of the vase, visible to the naked eye. Light surface dust around the two handles. Inspection under UV shows no signs of restoration. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A SEVRES STYLE PORCELAIN URN, GILLY, LATE 19TH CENTURY a sevres style soft-paste vase of ovoid form, the recto featuring a country scene of two men and a woman, one man and the woman stand together in the background in front of a stone cottage, the other man rides his horse on a dirt path, the scene is centered in gilt cartouche signed Gilly, lower right of scene, the verso scene featuring a landscape with a stone castle with a lake and a wooded landscape, the body features an anthemion motif continuous into the strapwork of the tapered neck and base, the lid features an anthemion motif mimicking the body with a garooned pine finial, all against a vienna cobalt ground,marked with facsimile sevre mark between two double-louis under lid in dark gray overglaze, overall height: 71 cm (28 in.) CONDITION In age-appropriate condition. Overall craquelar visible to the scenes and the base. Rubbing to the gilt rim details. Light surface scratches visible to the body. The vase itself is off kilter but is in stable condition. Inspection under UV shows no apparent signs of restoration. Otherwise no other issues to report. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A FRENCH SEVRES STYLE JEWELLERY BOX, LHERI, LATE 19TH-EARLY 20TH CENTURY of square form and in Art Nouveau taste, the jewellery box features a centered profile portrait of a brunette beauty against a gold background with golden foliate scrolls and a continuous motif of bright pink and gold lilies. the box opens from the small foliate bronze scroll handle. on the interior a design of two purple irises is painted on the white porcelain. marked with factory mark blue interlaced L mark with S and iron-red CHÂTEAU mark underneath, signed Lheri lower left of centered portrait; dimensions: 10 x 22 cm (4 x 8 5/8 in.) CONDITION The jewellery box appears in age-appropriate condition. Light surface scratches around the gold background of the centered portrait. Rubbing of gold visible around the feet of the jewellery box. Overall dust around the bronze rim and on the interior. Inspection under UV shows no apparent signs of restoration. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A BRITISH PORCELAIN 'WHITE CAT' VIDE POCHE, BROWNFIELD, STOKE-ON-TRENT, 1860-1876oval, playfully modelled as a pink wicker basket with gold border, with a white green-eyed cat lying on its stomach to one side, impressed with maker's mark and numbered 138 to cat, numbered 1291 under dish in gilt; overall dimensions: 19 x 28 cm (7 1/2 x 11 in.) CONDITION The dish is in good original condition. Light scuffs to the interior of the dish on the centered white oval. Inspection under UV shows no apparent signs of restoration. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A 77-PIECE BRITISH PORCELAIN DINNER SERVICE, SECOND QUARTER OF 19TH CENTURYcomprising a dinner service with conforming decoration: gilt foliate borders with bouquets of wild flowers against a white ground, all marked with blue underglaze In hoc signo vinces factory mark and numbered 1385 in iron red underglaze underneath; a) twenty-two soup plates, diameter: 25 cm (9 7/8 in.) b) twenty-one dinner plates, diameter: 25 cm (9 7/8 in.) c) twenty-two salad plates, diameter: 21 cm (8 1/4 in.) d) one soup tureen and cover, height including cover: 27 cm (10 5/8 in.) e) three vegetable dishes and covers, height including cover: 19 cm (7 1/2 in.), diameter of dish: 27 cm (10 5/8 in.) f) one well-and-tree platter, dimensions: 52 x 44 cm (20 1/2 x 17 3/8 in.) g) four platters of graduating sizes, dimensions of smallest: 26 x 21 cm (10 1/4 x 8 1/4 in.), largest: 42 x 36 cm (16 1/2 x 14 1/8 in.) h) three sauce tureens with covers and stands; height of each including covers: 14 cm (5 1/2 in.) PROVENANCE Christie's, New York, January 15, 2008, lot 694 Acquired at the above by the present ownerCONDITION The set appears in good orginial condition. Rubbing to gilt detailing, resulting in scattered losses. Scattering firing imperfections. Each with light wear consistent with age and use. D with two interior cracks underneath cover. E with a crack to the interior of one of the lids, measuring 10 cm (4 in.). F with three visible cracks, one crack visible to the center of the platter near the cobalt and gilt border, two cracks visible underneath of the platter, largest measuring 24 cm (9 1/2 in.). H with a small chip to one of the sauce tureen covers. Inspection under UV shows fluorescences to the set. A one with a visible crack that has been repaired and visible retouching to the gilt and colbalt border. B one with a crack that has been repaired, a seperate dinner plate shows retouching to the gilt and cobalt border. D with three visible cracks to the interior that have been repaired. E one crack visible to one of the lids that has been repaired. H a crack visible to the chipped lid the crack has been repaired. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
AN BRITISH SILVER-PLATED AND CUT GLASS TWO-PIECE EPERGNE, PROBABLY DESIGNED BY AUGUSTE ADOLPHE WILLMS (1827-1899), ELKINGTON & CO., BIRMINGHAM, 1872-1873in Egyptian Revival taste, four-light, with three scrolling arms, the body formed as an urn with three sphinx, supported by three lion's paws, atop a mirrored trefoil support, candelabra stamped under base with maker's marks, date mark L for 1872, lozenge patent mark, numbered 7792, base stamped along sides with maker's marks, date mark M for 1873, numbered 8626; height of candelabra: 62.8 cm (24 3/4 in.), overall dimensions of stand: 7.5 (h) x 36 (w) x 34 (d) cm (3 x 14 1/8 x 13 3/8 in.)LITERATUREFor a related example of this model is Kenneth Crisp Jones, The Silversmiths of Birmingham (1981), p. 166, fig. 165 (illustrated)CONDITION Both the candelabra and base are in age-appropriate condition. Minor tarnishing and attractive rainbow toning in places. Several fine scratches to the mirrored base, the longest measuring 3.5 cm (1 3/8 in.) The set of bowls appear in very good original condition. Minor surface scuffs to one of the small bowls. No significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A BRITISH SILVER SERVING TRAY AND CRYSTAL HORS D'OEUVRE FIVE-PIECE SET, ERICH KELLERMAN, 19TH CENTURY comprising: a) of oblong oval form with lifted rim forming two demi-lune handles, with a continuous motif of a foliate vine, around the rim, marked with maker's mark and duty mark on frontside of handle; dimensions: 35 x 56 cm (13 3/4 x 22 in.); total weight: 1.2 kg (38.6 ozt) b) the centered dish of rounded form with cut crystal in a triangular motif, with a silver foliate scrolled band; overall height: 6.35 cm (2 1/2 in.); diameter: 8.89 cm (3 1/2 in.) c) the outer dishes formed as a winged shape, the cut crystal in a geometrical motif with a linear motif on the verso, dishes can be moved and removed from the center dish, when pushed together the overall set is of oblong oval form; overall height: 4.45 cm (1 3/4 in.); dimensions: 24 x 11 cm (9 1/2 x 4 3/8 in.)CONDITION The silver tray appears in age-appropriate condition, overall light surface scratches and scuffs, would benefit from a polish. Centered discoloration in a formation of a ring. Otherwise on significant issues to report. The crystal set appears in age-appropriate condition. Minor surface scratches to the crystal, two minor sealed chips in two of the winged dishes visible to the naked eye. Visible pink residue to the exterior of one of the dishes visible to the naked eye. Tarnish to the silver band on the center dish, would benefit from a polish. Otherwise no other issues to report. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A DUTCH SILVER SERVING SPOON, CIRCA 1870 a silver serving spoon, the serving spoon features two crowned lions flanking a flag with three X's, the handle has intricate foliate and anthemion decoration, the top of the handle features a large ship with sails and portholes, marked with Lion Passant standard purity mark, maker's initials and date mark on interior of spoon; overall length: 29.21 cm (11 1/2 in.) width of interior of spoon: 6.35 x 8.89 cm (2 1/2 x 3 1/2 in.)CONDITION The spoon appears in age-appropriate condition. Overall tarnish visible to the naked eye. Light surface scratches and scuffs to the interior of the spoon. No significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A PAIR OF ITALIAN SILVER AND GLASS PITCHERS, ASCANIO, EARLY 20TH CENTURY of squated baluster form with a tapered neck and base, with curved handles formed as flowering grape vine, the silver is broken up by ribbed glass, the silver spout features a curved shape with a laurel wreath motif, an oval medallion and a scrolled foliate finial, base features two crossed flowering branches with a continuous motif of a laurel wreath, marked with national mark, maker's initials RR and ASCANIO on silver near the handle; overall height: 28 cm (11 in.)CONDITION In good orginial condition. Minor rubbing and dark spots visible to the silver base and neck. Light surface scratches visible to the glass. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
AN AMERICAN SIX-PIECE SILVER TEA SERVICE, MANSFIELD & BAIRD, PHILADELPHIA, 1871-1876the set with with floral and foliate designs, each piece of rounded form, monogrammed MEH on recto and marked with maker’s mark Mansfield & Baird Sterling D&H [Dominick & Haff], 18, 1875, underbase; overall weight: 3.40 kg (119.93 oz.) comprising:a) a hot water kettle; overall height: 20.5 cm (10 in.), weight: .90 kg (31.75 oz.)b) a coffee pot; overall height: 20 (8 1/2 in.), weight: .60 kg (21.16 oz.) c) a teapot; overall height: 20 cm (8 in.), weight: .65 kg (22.92 oz.) d) a covered two-handled sugar bowl; overall height: 20 cm (8 in.), weight: .45 kg (15.87 oz.) e) a creamer; overall height: 10.8 cm (7 in.), weight: .45 kg (15.87 oz.) f) a waste bowl; overall height: 10 cm (4 in), weight: .30 kg (10.58 oz.) CONDITION The set appears in age appropriate condition. Visible wear and use. Minor light surface scratches visible to the naked eye. Tarnishing, most notably to the handles and spouts. The ivory has been replaced. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
A 101-PIECE AMERICAN 'GRAND BAROQUE' SILVER SET, WALLACE STERLING, LATE 20TH CENTURYcomprising 101 pieces, each marked Wallace Sterling, in a light wooden presentation box with one pull-out compartment, each serving element individual velvet polishing pocket, retailed by Bloomingdale's; presentation box dimensions: 29 x 37 cm (11 3/8 x 14 5/8 in.), compartment dimensions: 28 x 35 cm (11 x 13 3/4 in.) comprising of: one tablespoon, length: 20 cm (7 7/8 in.); one sugar spoon, length: 16 cm (6 1/4 in.); one pierced tablespoon, length: 22 cm (8 5/8 in.); one sauce ladle, length: 23 cm (9 in.); one buffet fork, length: 23 cm (9 in.); two pie servers, length of small server: 18 cm (7 1/8 in.), length of large server: 28 cm (11 in.); two olive/pickle forks: 10 cm (4 in.); one cocktail fork, length: 14 cm (5 1/2 in.); one carving knife, length: 33 cm (13 in.); 18 small forks, length: 17 cm (6 3/4 in.); 18 dinner forks, length: 20 cm (7 7/8 in.); 12 fish forks, length: 15 cm (5 7/8 in.); 24 spoons, length: 15 cm (5 7/8 in.); 18 dinner knives, length: 18 cm (7 1/8 in.)CONDITION The set appears in good original condition. Overall tarnish to some of the serving elements, would benefit from a polish. Minor stains to the polishing pockets and compartments. No significant issues to report otherwise. N.B. All lots are sold in as-is condition at the time of sale. Please note that any condition statement regarding works of art is given as a courtesy to our clients in order to assist them in assessing the condition. The report is a genuine opinion held by Shapiro Auctions and should not be treated as a statement of fact. The absence of a condition report or a photograph does not preclude the absence of defects or restoration, nor does a reference to particular defects imply the absence of any others. Shapiro Auctions, LLC., including its consultants and agents, shall have no responsibility for any error or omission.
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