A William IV letter opener, the silver blade engraved with flowers, having a silver collar and blue guilloche enamel handle, maker probably Aaron Hadfield, Sheffield, 1835, 21cm, together with one other Victorian letter opener having a silver blade and collar with green guilloche enamel handle, William Hutton & Sons (Edward Hutton), London, 1885, 23cm. (2)Both enamelled to one side.Blue – only light marks and scratches to the enamel, length 21.5cm.Green – light marks and scratches, slightly dull area where it has worn, some nibbles to the edges. Length 23cm.
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A Victorian letter opener, having a silver blade with embossed white metal collar and blue guilloche enamel handle, maker William Hutton & Sons (Edward Hutton), London, 1885, 21cm, together with one other example by the maker, London, 1892, 22.5cm. (2)Blue handle – good condition overall, the enamel with very light scratches/marks and very small nibbles to the edges only, length 21cm.The other – overall good condition, tortoiseshell inset handle with some scratches/marks.
A Czech Bandaska smoked glass pendant light, h.37cm (including fittings); together with a cut glass and chrome mounted table lamp; and an Alfier table lamp with shade (3)Alfier lamp – glass is not cracked, the brass surrounding the glass has a major repair, the brass has several dents all over.
A Liberty's oak table, the rectangular top supported at each narrow end by panel legs pierced and carved with foliate lattice squares and joined by a spiral turned pole stretcher. W 153 x D 76 x H 76cms. Sound solid and stable. Expected age commensurate wear, minor scuffs, and stains, no maker marks. Consigned from a private home history unknownGood age commensurate condition, some light general wear minor scuffs and bumps. No noted big damage or repair
A simulated bamboo hall stand, the top with a mirror flanked by four coat hooks the stick stand base with a brass linerGeneral light wear age commensurate condition but a little warped, the upper curves forward slightly. Period mirror not beveled, brass possibly replaced, one brass hook snapped but present, no damage to brass liner.
A pair of Japanese bronze incense burners liners and covers, the latter surmounted by qilin reclining above silver wire inlaid clouds, the tripod bases with lion mask handles flanked by gold, silver and copper inlays of birds amongst flowers. H 32cms.Some light handling wear to patinaOne handle slightly looseOver all good age commensurate condition
An Arts and Crafts oak wardrobe, the broad top board over a door with a copper inset with three flower heads in relief, the narrow sides with coat hooks. W 114 x D 59 x H 199cmsGood age commensurate condition. Some light scratches to sides. Very minor scratches to sides, good age commensurate condition. No splits or cracks to copper. Opens well, nothing missing, slight separation of joint front right hand side.
Volkswagon "up!" car. BJ13EUH.Approx 22,000 miles. Has been stood since 2015. Rear tyre flat. Crack to nearside front bumper by the light. Scruffy conditionManualNo paperwork V5 lost Runs and drives well From a deceased estateUnused since 2020Rear Tyre flatSmall bump damage to near side front plastics/bumperNo rot/rust noted
A collection of seven cap badges, including a British Army King's Royal Rifle Corp cap badge, an Argyll and Sutherland Highlanders cap badge, a British Army Cameron Highlanders badge, a Royal West Kent Regiment badge, a Somerset Light Infantry 'Jellalabad' cap badge, and a Duke of Cornwall's Light Infantry cap badge. (1 bag)
Moseley-J.A.P Speedway motorcycle. 1939Frame - Moseley (England), this pre war machine belonged to Eric ChittyEngine - J.A.P 500cc, long five, 40 bhp and 5800 rpmClutch - Rudge, multiplate Carburettor - Ama, twin floatFuel - Methanol Alex Moseley built 3 "super frames" in 1939. One each for Eric Chitty, Arthur Atkinson and Jimmy Gibb. The complete machines weighed approximately 60lbs lighter than their rivals, owing to the superb frame design and the extensive use of light- weight materials.
Erskine Staride J.A.P Speedway motorcycle. 1963. Believed ridden by Gordon McGregor. Frame - Staride (England) Engine - J.A.P 500cc short four, 45 bhp and 6000 Clutch - Norton, multiplate Carburettor - Amal, twin float Fuel - Methanol Mike Erskine joined the post war light weight frame builders. His Staride machines were first available for the 1948 season and continued in various styles until about 1968. c/w J.A.P Manual.
Calthorpe Speedway motorcycle. 1929-30 Frame - Calthorpe (England), fully strutted with "un sprung" forks Engine - Calthorpe 350cc special super sports, 22 bhp and 6500 rpm. Engine No. DR555113 Carburettor - Amal, twin float Fuel - RDI or PMS The 350cc Calthorpe was an ultra light weight machine even when fitted with its bracing struts. The counter shaft was eccentric in construction to provide primary chain adjustment.
Six Dartington glass vases, all boxed, a set of three 1960s ceiling light shades, a Zampiva pastel ceramica figure, a Eurocraft lidded pot, an apple shaped preserve jar, a trivet, flatware, a foliocase and three prints including Nottingham Castle/Trip to Jerusalem **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR IN-HOUSE POSTING AND PACKING**
Konvolut aus 7 Vasen: Emile Gallé, Nancy, kleine bauchige Vase, signiert, H. 7 cm, D. 11,5 cm; Vase im Gallé-Stil auf niedrigem Sockel mit Blumendekor, unleserl. sign., am Fuß best., H. 19 cm; Bauchige Vase mit runden Einbuchtungen, irisierende Muster, am Rand min. best., H. 12,5 cm; Vase mit gebauchter Form, eingezogenem Hals und auskragender, gewellter Mündung, hellrosa mit unterschiedlichen hellgrünen und roten Fadenaufschmelzungen, H. 12,5 cm; Hohe Vase, bronzefarben mit hellblauen, irisierenden Einschmelzungen, H. 22,5 cm; Schmale Vase in olivegrün-orangenem Farbverlauf, H. 17,5 cm; Rosenthal, studio-line, Tütenvase, Entwurf Tapio Wirkkala, außen mit Silber-Overlay, H. 15,5 cm. / Set of 8 vases: Emile Gallé, Nancy, small bulbous vase, signed, h. 7 cm, d. 11.5 cm; Gallé-style vase on low base with floral decoration, illegible sign, chipped to foot, h. 19 cm; Bulbous vase with round indentations, iridescent pattern, slightly chipped to rim, H. 12,5 cm; Vase with bulbous shape, retracted neck and protruding, wavy mouth, light pink with different light green and red thread meltings, H. 12.5 cm; tall vase, bronze-coloured with light blue, iridescent fusions, h. 22.5 cm; narrow vase in olive green-orange colour gradient, h. 17.5 cm; Rosenthal, studio-line, bag vase, Tapio Wirkkala design, exterior with silver overlay, h. 15.5 cm.
Vier Figuren aus hellgrüner Jade: Adler auf einem Ast sitzend, H. 13,5 cm; sowie drei Elefanten, zwei größere Elefanten 7 x 9 x 4,5 cm, einer davon best. (Zahn); kleiner Elefant 4 x 6 x 3 cm, best. an Rüssel, Ohren, Schwanz, alle vier auf kleinen Holzsockeln, Altersspuren. / Four figures of light green jade: eagle seated on a branch, h. 13.5 cm; and three elephants, two larger elephants 7 x 9 x 4.5 cm, one dam. (tooth); small elephant 4 x 6 x 3 cm, dam. to trunk, ears, tail, all four on small wooden bases, signs of age.
4 Fayencen, Altersspuren: Walzenkrug mit Zinnstandreif und -deckel (lose), manganfarbene Malerei mit Chinoiserie. Ein Chinese mit Teller inmitten einer asiatischen Landschaft, im Hintergrund eine Pagode, Blumen und verschiedene Bergformationen, H 21 cm; kleiner Walzenkrug mit einem Rastenden, der Pfeife raucht, Zinnstand und -deckel (locker), H 13 cm; hellblauer Enghalskrug mit dunkelblauem Blumendekor, Henkel und Schankrand restauriert, H 28 cm; Kanne mit blauem Ornamentdekor, Hals restauriert, diverse Glasurfehler, H 18,5 cm. / 4 faience pieces, signs of age: a cylindrical jug with pewter stand and lid (comes off), manganese-coloured painting with chinoiserie. A Chinese man with a plate in the middle of an Asian landscape, in the background a pagoda, flowers and various mountain formations, h 21 cm; small cylinder jug with a resting man smoking a pipe, pewter stand and lid (loose), h 13 cm; light blue narrow-necked jug with dark blue floral decoration, restored handle, neck and rim, h 28 cm; jug with blue ornamental decoration, restored neck, various glaze defects, h 18.5 cm.
Konvolut asiatische Vasen: Paar Cloisonneé-Vasen, Messing, langovoider Vasenkorpus mit kurzem taillierten Hals, Schauseite mit feinen Blüten und Vögeln auf hellblauem Grund, eine Vase z. T. best., H. 21,5 cm; Vase mit weißen Reliefs auf rotem Blätterdekor, auf der Unterseite gemarkt, H. 23 cm; Ovale Vase auf goldenem Stand, Cloisonneé, Dekor mit Pfauen und Schlange, H 34 cm. / Mixed lot of Asian vases: A pair of cloisonneé vases, brass, long oval vase body with short waisted neck, the front with fine flowers and birds on a light blue ground, one vase partially dam., h. 21.5 cm; Vase with white reliefs on red foliate decoration, marked on the underside, h. 23 cm; Oval vase on gold stand, cloisonneé, decoration with peacocks and snake, h. 34 cm.
Leopold Mozart: Gründliche Violinschule. 3. vermehrte Auflage. Verlag: J. J. Lotter u. Sohn, Augsburg 1787. 268 S. + Register. Im Schober. Der Komponist u. Kapellmeister Leopold Mozart, Vater von Wolfgang Amadeus Mozart, unterwies u.a. die Salzburger Kapellhausknaben im Violinspiel. Dazu hatte er einige Regeln niedergeschrieben und lange gezögert diese zu veröffentlichen, "weil ich zu blöde war bey so aufgeklärten Zeiten mit meiner geringen Bemühung an das Tageslicht zu treten" (aus dem Vorwort). - Die erste umfassende Violinschule in deutscher Sprache. / Leopold Mozart: Gründliche Violinschule. 3rd enlarged edition. Publisher: J. J. Lotter u. Sohn, Augsburg 1787. 268 pp. + index. The composer a. conductor Leopold Mozart, father of W. A. Mozart, taught the Salzburg Kapellhaus boys how to play the violin. He had written down some rules for this and hesitated to publish them for a long time "because I was too stupid in such enlightened times to step into the light of day with my little effort" (from the preface). - The first comprehensive violin school in German.
Zwei Gemälde mit Hafenansichten: Unbekannter Maler, Zwei Boote am Fluss in einer niederländischen Landschaft im Abendlicht, unleserl. signiert, Öl/Spanplatte, 60 x 77 cm; Unbekannter Maler, Hafen mit bunter Stadtkulisse im Hintergrund, Öl/Lwd. 47 x 65 cm. / Two paintings with harbor views: Unknown painter, Two boats by the river in a Dutch landscape in the evening light, illegible signed, oil/chipboard, 60 x 77 cm; Unknown painter, Harbour with colorful city scenery in the background, oil on canvas. 47 x 65 cm.
Unbekannter deutsch-italienischer Künstler, 17./18. Jh., Anbetung der Hirten: Maria und das Jesulein vom Licht erstrahlt, verschiedene Figuren und Tiere in Betrachtung versunken, links oben eine singende Gruppe von Frauen in einer Wolke, Öl/Holz (kassettiert), 31 x 23 cm. / Unknown German-Italian artist, 17th/18th century, Adoration of the Shepherds: Mary and the Virgin illuminated by light, various figures and animals absorbed in contemplation, a singing group of women in a cloud at top left, oil/wood (mounted), 31 x 23 cm.
Carl Oskar Arends (1863-1932), Schäfer mit seiner Herde vor einem Schlosspark im Sommerlicht, signiert und datiert "(19)30", Öl/Karton 70 x 99 cm. / Carl Oskar Arends (1863-1932), Shepherd with his flock in front of a castle park in summer light, signed and dated "(19)30", oil/cardboard 70 x 99 cm.
3 Fayence Krüge, 18. Jh./19. Jh.: 2 x türkisfarben mit Tulpen und anderen Blumen in Mangan, Grün, Gelb und Blau, einer mit Zinndeckel, divers bestoßen, Henkel ergänzt etc., H ca 18 cm; Birnkrug mit STreifen aus Mangan, Gelb und Astdekor auf hellem Grund, Zinnstandreif und -deckel, H 18 cm. / 3 faience jugs, 18th/19th century: 2 x turquoise coloured with tulips and other flowers in manganese, green, yellow and blue, one with pewter lid, various knocks, handle replaced etc., h approx. 18 cm; pear jug with manganese, yellow and branch decoration on a light ground, pewter stand and lid, h 18 cm.
A good quality Cabinet maker made Mahogany bow fronted Corner Cupboard having inlaid shell detail, contrasting light and darkwood frieze, boxwood stringing, the opposing pair of two panelled doors opening to reveal an interior with shelves and three drawers below, 29 1/2'' wide x 44 5/8'' high.
Victorian silver open face lever pocket watch, No. 51655, silvered dial with Roman numerals and subsidiary seconds dial, case by John Harris, London 1875Condition Report:Movement functioning, some light scratches to case and dial, case also with soldering marks, case opening attached to dial worn - difficult to open, diameter = 53mm
A pair of French patinated and gilt bronze and Rouge Griotte marble twin light figural candelabraPossibly early 19th century, the figures in the manner of Claude Michel, known as Clodion (French, 1738-1814)Each formed as an infant Bacchanalian putto before fringed drapery holding aloft twin scrolling cornucopia candle arms with fruiting vine mounted cylindrical nozzles with detachable drip pans, raised on half column pedestals with laurel wreath cast socles on square shallow plinth bases, One, 45.5cm high, 15cm deep, 22cm wide, Second, 43.5cm high, 15cm deep, 23.5cm wide (2)This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A pair of French gilt bronze wall single light appliquesin the Régence taste, possibly early 18th centurythe acanthus S scroll arms with stiff leaf cast candle nozzles and gadrooned drip pans, the undersides cast with formalised foliate borders, issuing from floral garlanded scrolling pilaster backplates with foliate terminals, one surmounted by a classical styled male bust, the other a similar female bust, both clad in drapery and wearing feathered headdresses, the pair perhaps representing one of the Continents, on socle bases, 28cm high, 8.5cm wide, 22.5cm deep (2)For further information on this lot please visit Bonhams.com
​A pair of early 19th century French patinated and gilt bronze figural twin light candelabra in the Egyptian tasteAfter models by Claude Galle (French, 1759-1815)Each formed as a kneeling Naophori priestess supporting stylised cornucopia branches, the cylindrical nozzles with detachable crown drip collars, the rectangular tapering plinths cast with pseudo-hieroglyphics, 41cm high, 11cm deep, 9cm wide (2)Footnotes:The son of a farmer, Claude Galle rose beyond his humble roots to become an important bronze caster and gilder at the end of the 1700s. Although never apparently signing his works and producing in a variety of styles popular at the end of the 18th and start of the 19th century, he collaborated with numerous other craftsmen, and scholars.By 1784 Galle had become extremely successful, producing mounts for furniture, clocks, and other objects in gilt bronze for the palaces of Fontainebleau, Versailles, Saint-Cloud, and Compiègne in his workshop and he was made a master bronzier in 1786.After the French Revolution, Galle continued to produce numerous pieces for Napoleon Bonaparte, receiving an order worth more than 65,000 francs for the Château of Saint-Cloud. As many of his clients were slow to pay their bills, however, he fell increasingly into debt. In 1811 he was even forced to write a begging letter to the government asking for its help and protection reminding them of the awards he had won, the large family he had to feed, and the four hundred employees who depended on him for their jobs. However, he died in poverty four years later, having been forced to close his shop.For two similar pairs of candelabra sold by Bonhams see, Collections: Including the Contents of Stanley House, the Estate of the Late John Schaeffer, and the Estate of the Late Dame Diana Rigg, 14th December 2021, lot 17 and Fine Decorative Arts, 21 November 2018, lot 46.For further information on this lot please visit Bonhams.com
A pair of impressive French patinated and gilt bronze six light figural candelabraIn the Empire taste, the figures of Victory in the manner of designs by Charles Percier (French, 1764-1838), probably late 19th/early 20th centuryThe five acanthus and reeded scrolling arms to each candelabra with florette scrolling terminals, stiff leaf collars and flared nozzles with detachable drip pans, all issuing from flowerhead cast girdles centred by reeded stems surmounted by flambe cast nozzles, each girdle supported by a winged figure of Victory clad in a diaphanous classical robe and standing on a scale cast and scrolling anthemion tapering pedestal and acanthus footed base, the rectangular plinths with applied ribbon tied wreath and classical figural mounts raised on palmette and floral cast rectangular plinths and stiff leaf foot bases, 102cm high (2)Footnotes:The theme of the winged Victory figure became an integral element of Empire design, greatly influenced by the designs of Charles Percier (French, 1764-1838) and Pierre François Léonard Fontaine (French, 1762-1853), who became Napoleon's most important architects and designers and who in turn inspired the figural candelabra produced by Pierre-Philippe Thomire (French 1751-1843) and Claude Galle (French, 1759-1815).This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An early 19th century eight light gilt brass and cut glass tent and waterfall chandelierThe foliate scrolling short arms with facetted and scalloped candle nozzles and corresponding dished drip pans, issuing from a plain central girdle, below a corresponding tiered frame, and matching canopy, the whole strung with strings of facetted beads and hung with tiers of matching beaded prismatic drops, 120cm drop, 82cm diameter approximatelyFootnotes:Restored by Wilkinson Ltd, 2023.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Stevenson (Robert Louis) Treasure Island, first edition, half-title, map frontispiece, 8pp. advertisements, frontispiece detached, occasional light surface marks, original green cloth, joints and extremities a little rubbed and bumped, covers lightly marked, preserved in custom-made drop-back box, [Prideaux 11], 1883; and 3 other first editions by Stevenson, 8vo (4).*** Treasure Island with the following early issue points (though with later advertisements): "dead man's chest" on p.2 and p.7 not capitalised; "rain" for "vain" in last line p.40; "a" not present, p.63, line 6; "7" is missing from pagination on p.127; full-stop is missing after "opportunity" p.178, line 20; "worse" for "worst" p.197, line 3.
Dorset.- [Sale Catalogue] A Catalogue of all the Genuine Household Goods and Furniture, Stock in Trade, &c. of Mr. John Scaplen, Joiner and Cabinet-Maker, Deceased; at his late Dwelling House In the High Street, Poole...Which will be Sold by Auction By William Drew, On Monday, April 4, 1785..., ruled in ink and with many prices in manuscript, a few small ink-stains to title, some light creasing, edges a little frayed, foxed and browned, some light dust-soiling, unbound, later stitching, 8vo, Poole, Rule, [1785]. *** Seemingly unrecorded catalogue of the stock-in-trade of a Dorset cabinet-maker. The sale also includes some household items and a few books, including works on architecture and building by Swan, Gibbs, Halfpenny and Chippendale. Not on ESTC, where the earliest recorded item printed in Poole is Hutchins' History of the town and county of Poole, printed for Joseph Moore in 1788.
Byroniana.- [Black (Emily Julia)] "Æmilia Julia". Byron; Salathiel, or the Martyrs; and other Poems, library bookplate, p.27 tears affecting couple letters repaired with tape, some light soiling, gutter cracked with some gatherings loose, upper hinge cracked, original cloth, library blind-stamp to upper cover, spine lightly sunned with ends frayed, light soiling, G. Routledge & Co., 1855 § Parry (William) The Last Days of Lord Byron, engraved frontispiece and 3 hand-coloured aquatint plates, ink-stamp to plates, light offsetting, some soiling, including to title and plate margins, occasional spotting, uncut in original boards, rebacked in cloth, ink-stamp to upper cover, light stains, corners worn, joints split at head but holding, [Wise II, pp.87-88], for Knight and Lacey, 1825 § Byron Painted by his Compeers, later morocco-backed cloth, library blind-stamp to upper cover, spine ends worn, original wrappers bound in (light soiling), [Wise II, p.105], Samuel Palmer, 1869, first editions, ex-library copies with usual stamps (including to titles, embossed to first and last mentioned, ink to second mentioned) and references, rubbed; and others Byron related, including a first edition of Parry's The Beauties of Lord Byron (1823), v.s. (10)
Victorian Writers, Thinkers and Actors.- Collection of correspondence mostly addressed to the well-connected journalist and play licenser Edward Smyth Pigott, including political thinkers such as Daniele Manin, Louis Blanc, Jules Simon and Caroline Norton, actors such as Dion Boucicault and Robert Cecil, writers such as Edmond About and Edmund Yates, and the historian Goldwin Smith, together 28 letters, some in French, folds, some light foxing and staining, v.s., v.d., [c.1850s-80s] (28) *** Edward Frederick Smyth Pigott (1824-1895) was a fellow student with Wilkie Collins at Lincoln’s Inn, then a journalist with The Daily News and The Leader, and in 1874 was appointed to the position of Deputy Licensership of Plays in the Lord Chamberlain’s Office, a position he held until his death in 1895. He maintained correspondence not only with renowned actors and writers of Victorian London but also in French with a wealth of European political thinkers and activists.
Children's.- [Johnson (Richard)] A Fortnight's Tour through Different Parts of the Country, by Master Tommy Newton; Including Original Anecdotes of Several Little Misses and Masters, woodcut frontispiece and 12 illustrations (all but one with partial hand-colouring), 3pp. advertisements at end, ink ownership inscription "Sarah ?Glaisyer 1799" to pastedown, some light soiling, original paper-backed floral boards, worn, spine defective with loss but covers just holding, [Osborne I, 269], for F. Power, 1790; and 4 others, children's, v.s. (5)
Byron (George Gordon Noel, Lord) Don Juan [Cantos 1-2], 'new edition' [but first 8vo edition], half-title (light soiling), title with typed catalogue description tipped onto lower margin, p.85 & p.175 short marginal tear and old tape repair, few leaves guarded, half-title and final 2ff. reinforced at gutter with tape, modern red morocco-backed cloth, Thomas Davison, 1819; Don Juan, Cantos III, IV, and V, first edition, Large Paper copy, half-title, lacking final f. P6 (blank except for imprint to verso), P5 with small chips to fore-margin, the odd spot or light soiling, upper cover detached, Thomas Davison, 1821; Don Juan. Cantos VI.-VII.- And VIII., first edition, Large Paper copy, advertisement leaf, 24pp. catalogue at end, small glue repair to upper joint, for John Hunt, 1823, ex-Nottingham Library with usual ink-stamps and labels (including ink-stamp to titles), all but first uncut in original boards, chipped remains of original printed spine labels, library labels to upper covers, chips to spine, worn, joints cracked; and 2 others, copies of Cantos 9-11 and Cantos 12-14, the former a first edition on Large Paper, 8vo (5)

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