A pair of Regency-style side cabinets, late 20th century, in the manner of Arthur Brett, each with twin silk-lined and wire grille doors enclosing two shelves, flanked by reeded columns and raised on toupie feet,130cm wide36cm deep84cm high (2)Condition ReportGeneral light surface wear and scratches. Minor rubbing and loss to gilding. Some small dings and dents. One or two small chips to feet. Drawers and doors open and close smoothly. Joints sound and solid. Overall appear in good structural and cosmetic condition and are ready for use.
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A fossil marble low table, 20th century, the moulded oval top raised on a pair of 'L' shaped supports,89cm wide63cm deep48cm highCondition ReportThe table is in very good order with only light traces of wear. There is a surface scratch to the top and two small chips/nibbles to the underside of the edge. The supports can be placed facing either way. Dismantles into three pieces (top and 2 x supports). Overall very good cosmetic and structural condition and ready for placement. See additional photos for size.
Two pairs of 'Oak Leaves' curtains by Robert Kime,20th century,256cm wide at the bottom edge220cm long,with a pair of oak rails and brass rings (qty.)Condition ReportOverall these curtains are in very good used condition with only light traces of age. There is a slight stain/mark about halfway down one leading edge. Small area of wear/fray - see photo. Slight musty smell when first unpackaged but this has improved since the curtains have been on view. Lined, interlined and weighted. Only one set of curtain rings. Width measurements are for each drop and not a complete pair. Width for top pleated edge 105cm per length.
A Victorian oak twin-pedestal desk in the George II taste, late 19th century, with all-over carved decoration, 165cm wide68cm deep75cm highCondition ReportSome splits, marks, rubbing and wear to the leather. General light knocks and surface wear to oak surfaces. Drawers functioning well. The door doesn't quite sit flush at the top corner. Some small losses to carving and mouldings. Overall appears in fairly good structural and cosmetic condition and is ready for use. See additional photos.
English School, 20th century,a patinated bronze small abstract form, on a polished stone plinth,5.5cm wide22cm highThe Accumulations of a Cotswold Antiques Dealer: The David Pickup Edit.Condition ReportThere are some scratches and small nicks to the stone base. Areas of dirt and light verdigris to the bronze. Overall in good cosmetic and structural condition and ready for placement.
A Louis XV-style mahogany, ormolu and bois satiné parquetry centre table,late 19th/early 20th century, French, attributed to François Linke, the shaped circular top above a frieze decorated with Bacchic masks, goats and foliate scrolls, the legs with ram's-head mounts and acanthus-cast paw feet,92cm diameter74cm highFor very similar examples, see Christie's, 'The Collector', 8 October 2020, lot 268, and 8 April 2021, lot 292, as well as Sotheby's, 'Arts of Europe', 15 May 2014, lot 438.Condition ReportCleaned and re-finished. Two paw sabots off but present. Two ram head mounts appear later. Some mounts loose, with pins missing here and there. General light surface wear commensurate with age and use. Some tarnish, discolouration and polishing residue to metalware. Joints sound and solid. Drawer runs smoothly. Overall appears in fairly good structural and cosmetic condition.
A blonde oak compactum wardrobe,c.1900, the panelled doors enclosing an arrangement of drawers and shelves, 150cm wide64cm deep199cm highThe Estate of the Late Malcolm Frazer.Condition ReportSplits into at least four parts - right and left (approx 70 x 60 x 178), cornice (149 x 64 x 12cm) and base (144 x 81 x 10cm). The doors also come off. Overall it is in good cosmetic and structural condition and ready for use. The hinges are in good order. Shelves lay flat and stable. Metalware with slight tarnish but overall good. Mirror plate in good condition. General wear, small polished in dents and scratches and light scuffs/rubbing commensurate with use. Stable and ready for placement. See additional photos.
A painted metal lantern,early 19th century, probably Continental, with polychrome chinoiserie decoration, 30cm diameter64cm highCondition ReportThe paint chipped and peeling in areas, the light will need to be re-wired. There is one window pane missing, another is slightly loose. Pat test failed.
A George III needlework sampler,late 18th century, worked in black cross-stitch on a linen ground, titled 'The Countries of Europe and Their Capitals', 'British Isles' and 'Chief Islands of England' signed 'Frances Amelia Roberts, Marlborough House',34.5 x 31.5cm, in a glazed bird's-eye maple frameProvenance: A private collection, Gloucestershire;purchased by the above from Woolley & Wallis, 'The Collection of Micheál & Elizabeth Feller', 9 November 2021, lot 285;Upper Slaughter Manor, The Collection of Micheál and Elizabeth Feller.Marlborough House is a Grade I listed mansion in St James's, London. It was built for Sarah Churchill, Duchess of Marlborough, the favourite and confidante of Queen Anne. For over a century, it served as the London residence of the Dukes of Marlborough.Antique Needleworks from a Private Gloucestershire Collection.Condition ReportThere is a very small hole under the word 'Italy' by one edge near the 'Q'. Some other very small areas of wear to the ground. Overall the stitches are in exceptional condition and retain good colour. The ground has minimal discolouration. The frame has some light wear and rubbing to the moulded area and slight loss to gilding on the slip. Overall this sampler is in exceptional cosmetic and structural condition with only very minor traces of age.
After Jean de Boulogne called 'Giambologna',late 19th/early 20th century, a pair of patinated bronze figures of Mercury and Fortuna, each balanced on a gust of wind issuing from the mouth of Zephyr, on a turned bas-relief plinth representing an allegory of the arts after Clodion,87cm high (2)Condition ReportA few fine scratches in a small number of areas. Some light rubbing and wear to patination. A few small nibbles to the edges of stone bases. General light wear commensurate with age and use. Overall appear in generally good structural and cosmetic condition. Please see additional photos.
A collection of Regency hand-coloured engravings,early 19th century, including a pair, 'Matrimony' and 'Courtship', and another pair, 'Connubial Happiness' and 'The Pleasures of Love and Retirement',the larger pair 15.5 x 20.5cm, each in a glazed frame (6)The Estate of the Late Malcolm Frazer.Condition ReportA few small holes to 'The Pleasures of...'. Discolouration to the prints. Light fading to colours. Some damages and losses to the frames. Overall in fair cosmetic condition but the frames are stable and ready to hang. Largest pair with frame - 19 x 24cm.
A group of Victorian sand pictures,mid-19th century, two dated 1840, depicting scenes of the Isle of Wight,each approximately 12 x 10cm, framed and glazed (4)Provenance: A private collection, Gloucestershire.Condition ReportThe sand pictures themselves are in good condition but the colours have most likely faded. The card they are stuck to and mount are discoloured with some areas of light foxing. The flag in the far right picture is a little fuzzy. The frame is stable and ready to hang. Overall the images are in nicely aged condition and ready for placement. See additional photos.
A pair of gilt-metal and moulded glass column lamps, 20th century, each in the form of a wrythen twist column, surmounted by a Corinthian capital, with a pleated silk shade,15cm wide15cm deep47cm high (2)Condition ReportLight surface wear. Some tiny knocks and scratches. Some stains and small tears to shades. Pat test passed
A large George IV silver tureen and cover, by Rundell, Bridge & Rundell, London 1825, engraved with the Lockwood family crest and inscribed 'I bind you to constant and by no means light duties', with original box, 35cm wide 28cm deep 29cm high, 115ozt (2) Condition ReportGeneral knocks and surface wear commensurate with age and use. Some dents around the body. Some light rubbing to the marks. Lid sits fairly flush to the body. A tiny amount of wobble on a flat surface. Please see additional photos. We believe that the Latin inscription translates loosely as 'Thomas Frost Gepp bound to a friend at arm's length by constant and by no means light duties, this and every little gift merits and odd one...'
An ormolu-mounted mahogany and bois satiné parquetry bureau à cylindre,c.1880, French, after Jean-Henri Riesener and Adam Weisweiler, the pierced guilloché brass gallery above three frieze drawers, each mounted with bead-and-reel panelling, over a fall with conforming panel mounts, enclosing a fitted interior, on angled ormolu legs, each modelled as a herm tapering figural column of the goddess Flora with a basket of flowers balanced on her head, united by an interlaced stretcher and terminating in elongated spiral fluted sabots,94cm wide57cm deep 112cm highCondition ReportGeneral light knocks and surface wear throughout commensurate with age and use, with some small splits in places. Some light scratches. Some small breaks and dents to brass gallery. One small loss to the upper left drawer. Right-hand roll thumbpiece is loose and in need of securing. Roll action working well. Some wear to interior, with replacement leather. One drawer doesn't quite sit in perfectly. Interior slide functional. The central sprung freize drawer action doesn't currently work perfectly, however generally all drawers open and close as they should. Tarnish and discolouration to ormolu. General knocks and wear to supports. Joints sound and solid. Overall appears in fairly good structural and cosmetic condition. Please see additional photos.
A hanging ceiling light, 19th century/20th century, with an engraved frosted glass shade, 121cm highThe Estate of the Late Malcolm Frazer.Condition ReportSome light marks and surface scratches to the frosted glass. Some metal elements bent - see additional photos. Some tarnish and wear to metal. One metal branch appears to have been broken and repaired. Overall in fair cosmetic order and ready for placement.
Two needlework pictures,mid-18th century, English, worked in tent stitch using coloured wools on canvas, one depicting figures in a colonial landscape, a large house and cypress trees in the background, the second depicting a couple in a verdant landscape, largest 66 x 52, both framed (2)Antique Needleworks from a Private Gloucestershire Collection.Condition ReportLarger (couple in a landscape) - the pigments have faded quite noticeably to brown, quite a few areas of loss to threads, generally discoloured and dusty. Smaller (landscape with figures) - fading to colours, areas of raised work which could be historic repairs (particularly to faces), otherwise it is in fair cosmetic condition, frame is stable with only light traces of wear.
A Kerewa hardwood skull rack or 'agiba',19th/20th century, Papua New Guinea, modelled as a polychrome-painted stylised figure, fragments of raffia hair remaining,14cm wide9.5cm deep74cm highProvenance: Private J H collection, Beaverton, Oregon, USA, acquired in May 2013;Dieter Schnurr Tribal Arts, Cologne, Germany;Gallery for Tribal Art, Australia;Peter J Eddowes collection;probably collected in the Southern Coastal Region, Papua New Guinea, c.1960s.Mr Eddowes was stationed near Rabaul in East New Britain from 1961 onwards and was the Officer in Charge of Wood Utilisation and Marketing at the Papua New Guinea Forest Products Research Centre from 1965 to 1981. During his time in New Guinea, Mr Eddowes amassed a substantial collection of Gulf Art.Agiba are the most important sacred objects to the Kerewa people. Displaying the human skulls of ancestors or victims, the racks were kept in houses to honour the spirits ('imunu') of the dead. The skulls were suspended on vertical hooks and tied on to the rack using loops of rattan or cane.Condition ReportGeneral light knocks and surface wear commensurate with age and use. Some light wear to painted decoration. Evidence of old woodworm, none appear active. Probable re-painting. Stands stable on a flat surface. Overall appears in good structural and cosmetic condition.
A pair of George II-style carved giltwood console tables,20th century, in the manner of William Kent, each with a serpentine marble top over a moulded frieze and eagle base,94cm wide 48.5cm deep91cm high (2)Condition ReportOne or two small chips to the marble tops, and a few light surface scratches. A few very minor cracks and knocks to the carving, however generally the pair appear to be in good structural and cosmetic condition. Gilding appears very fresh, with one or two minor areas of touching up. Joints sound and solid. Ready to place.
Three pairs of gold silk curtains,of recent manufacture, each with a triple pinch pleated edge, lined and interlined,each length approximately 175cm wide268cm long (6)Condition ReportThe colour is a very pale gold/yellow/cream colour, see photo next to white card for comparison. Each length approximately 175cm wide x 268cm long. Together with a selection of swags and drapery (2 x pairs of borders, 5 x larger swags, 3 x smaller swags), the various sizes don't match up to create a set for each drop and the curtains have been in storage and never seen in situ, it's therefore not clear which parts belong to each curtain exactly. There are light signs of wear and marks but overall in very good condition and no unpleasant smell. They are lined, interlined and weighted, and although they have not been tested the lining is very thick and most likely blackout.
A small patinated bronze bust of Napoleon,19th century, French, depicted as First Consul, raised on a black marble socle base,11cm wide22cm highCondition ReportThe bust leans quite considerably to the left on its marble plinth. Some light rubbing and wear to patination. General surface wear commensurate with age and use. Some small chips to the marble.
A pair of carved and painted wooden brackets in the manner of Robert Adam,probably 20th century, each with a polished slate top,30cm wide23cm deep30cm high (2)Condition ReportRe-painted. Tops later. General small splits, knocks and light wear. Overall appear in good structural and cosmetic condition and ready to hang.
A Parian bust of Clytie,mid-late 19th century, stamped 'B.B-W & M',19cm wide30cm highThe Accumulations of a Cotswold Antiques Dealer: The David Pickup Edit.Condition ReportSome remnants of glue to the underside of the base. Very slight area of wear to the left shoulder. No chips or cracks. Some light dirt and dust throughout. Stands stable on the base. Overall in very good cosmetic and structural condition and ready for placement.
A Meissen porcelain dinner service,decorated in underglaze with pink flowers, comprising forty pieces including ten dinner plates, six soup bowls and a large tureen and cover, with underglazed crossed swords mark and impressed numbers,plates 25cm diametertureen 32cm wide (40)Condition ReportThis service is in used but generally good condition with some light traces of wear such as small areas of discolouration, small chips to the feet and surface scratches. There are some slight manufacturing faults such as pitting to the undersides. Marks with double incised strikes. One saucer with break and repair to rim. The large tureen has a small loss to one handle. One soup bowl with breakage to the rim and repair, with two pieces detached but present. Two dinner plates with rim chips. Two large circular plates with rim chips. One large oval platter with rim chip. See additional photos. Service includes -10 x dinner plates, 25cm diameter, two with rim chips3 X side plates, 16cm diameter 1 x oval platter, 55.5cm diameter1 x serving platter with scroll handles, 51cm diameter, scroll handles with slight damage2 x vegetable dishes, 25cm diameter6 x soup bowls, 23.5cm diameter, one with loss to rim1 x tureen lid, lacking base1 x large tureen, 32cm wide, one handle chipped1 x large circular plate, 35cm diameter, rim chip1 x smaller circular plate, 32cm diameter, rim chip1 x small dish, 23cm wide, foot chip1 x oval platter, 49cm wide1 x smaller oval platter, 42cm wide, chips to underside of rim
A collection of desk and other accessories, including: early 20th Century oak desk stand with perpetual calendar and two ink pots; John Peel tobacco pipe; silver plated cigarette case with Durham Light Infantry enamelled badge to exterior; two Victorian floral decorated embossing stamps; and another.
Orlando Norie, group of four watercolours, the Warwickshire Hussars on horseback outside a country inn, ' The Field Camp ' officers and a horse with a troop of soldiers in a tented field, Hussars on horseback riding along a country lane and ' The Charge ', all signed, 20 x 30cm approximately each, gilt framedSome light foxing to each image. Frames have been restored.
Continental silvered pewter oval dish relief decorated with a stag in a landscape, 51.5cm wide together with an oval pewter dish by Kayserzin, 44cm wide and a small silvered pewter dish relief decorated with a mother and child, 30cm widePewter dish with mother and child has scratches, approximately 7cm top right side, slight pitting around image, some dinks commensurate with age, wear and tearPewter dish by Kayserzin has slight scratches and minor dents/dinks associated to age.Pewter dish with stag has light scratches due to its age, wear and tear
Large reproduction gilt brass and marble three piece clock garniture in 19th Century French style, the lyre shaped clock with an enamel dial and Roman numerals flanked by figures, the side pieces each with a seven light candelabra above a baluster form column support, the bases with outswept paw supports, the side pieces 67cm high
Continental porcelain and floral encrusted four light candelabra (at fault), 34cms high, together with a vase in the form of putti drawing a chariot, together with a Continental porcelain and floral encrusted mantel clock with replacement quartz movement and a small 19th century English floral encrusted two handled vase and cover
Rowling, J. K. Harry Potter and the Philosopher's Stone, Uncorrected Proof Copy of the first edition, octavo, printed paper covers in black & yellow, London: Bloomsbury, 1997. All requisite issue points present: the title page gives the author as 'J. A Rowling'; the copyright page states 'Joanne Rowling'; full number line, '10 9 8 7 6 5 4 3 2 1'; '1 wand' appears twice in the list on p. 53. Internally very good, clean & bright, faint fold-lines to lower corners of first leaves, covers with light handling marks, light creasing at lower corners, faint ghost impression of handwriting at centre of upper cover. Very scarce. NB. The first appearance in print of Harry Potter and the Philosopher's Stone. 'An unconfirmed print-run of 200 copies is generally accepted.' [Errington, AA1 (a)] Provenance: Purchased by St Kenelm's COE Primary School, Minster Lovell, Oxfordshire from the Red House bookshop in Witney, 1997. The foot of title page bears a stamp for the school. This uncorrected proof is being sold on behalf of St. Kenelm's School
Rowling, J. K. A mixed collection comprising: a scarce Bloomsbury promotional booklet offering various POS to help bookshops advertise the release of Harry Potter and the Chamber of Secrets, [1998]; a promotional bookmark advertising the first two novels, [1998]; Quidditch Through the Ages, by "Kennilworthy Whisp", and Fantastic Beasts & Where to Find Them, by "Newt Scamander", first editions, London: Bloomsbury/Comic Relief, 2001, neat owner inscriptions and light creasing; The Tales of Beedle the Bard, first edition, London: Bloomsbury/Children's High Level Group, 2008, hardback, in fine condition (5)
Rowling, J. K. Harry Potter and the Chamber of Secrets, first edition, first issue, London: Bloomsbury, 1998, hardback with unclipped dust-jacket, print line on copyright page reads '10 9 8 7 6 5 4 3 2 1'. Contents very good, clean & bright, binding tight & square, boards bold & vibrant with very light bumping to extreme corners, dust-jacket good & bold with bumping along edges. A very good example
Dahl, Roald. The Gremlins, first English edition of the author's first children's book, London & Glasgow: Collins, [1944]. Quarto, quarter-cloth with publisher's pictorial boards, illustrated endpapers. Internally very well-preserved, fine, clean & bright, binding tight & square, the boards very good with light bumping & wear to extremities. A very good example with a loosely-inserted catalogue entry from Bromlea & Jonkers Rare Books
Dulac, Edmund (Illus.). Edmund Dulac's Picture-Book for the French Red Cross, first edition, London: Hodder & Stoughton, [1915]. Quarto, publisher's cloth, complete with all 20 tipped-in colour plates as called for, internally good & bright with pale spotting and very slight wear in places, covers slightly bumped at corners with light wear to extremities. Together with Just Among Friends, by Cecil Aldin, first edition, New York: Charles Scribner's Sons, 1934, illustrated with 28 lithographic plates of dogs heightened with white, quarto, cloth, internally very good & bright, later gift inscription on ffep (2)
A mid-19th century Italian Grand Tour inkwell, likely Rome or Florence, serpentine, the lid bearing seven brass-mounted cameos depicting portraits of notable Italian greats such as Dante, the interior complete with glass liners. Condition appears to be very good, some very light chipping to edges, some very faint surface wear to cameos
Martin, (George R. R.). A Song of Ice and Fire. Collection comprising: A Game of Thrones, first edition, first issue, number line '1 2 3 4 5 6 7 8 9', London: Harper Collins/Voyager, 1996, octavo, publisher's red cloth, unclipped dust-jacket (priced £16.99), in near-fine condition, some very faint spotting & toning to edges of text block encroaching into lower margins of first & final leaves, the jacket within protective mylar covers, housed in an unrelated slipcase; A Clash of Kings, first edition, first issue, number line '1 3 5 7 9 8 6 4 2', London: Harper Collins/Voyager, 1998, octavo, publisher's blue cloth, unclipped dust-jacket (priced £17.99), 2cm tear to rear of jacket, rear endpapers with very faint creasing and a marginal nick, otherwise very good, the jacket in protective mylar covers, housed in an unrelated slipcase; A Storm of Swords, first edition, first issue, number line '1 3 5 7 9 8 6 4 2', London: Harper Collins/Voyager, 2000, octavo, publisher's blue cloth, unclipped dust-jacket (priced £17.99), slightly bumped at top corner of spine, otherwise very good to near-fine; A Feast for Crows, first edition, second issue, number '2' on copyright page, London: Harper Collins/Voyager, 2005, red cloth with unclipped dust-jacket, light creasing; A Dance with Dragons, first edition, first issue, number '1' on copyright page, London: Harper Collins/Voyager, 2011, black cloth with unclipped dust-jacket, light edge wear to rear flap, otherwise near-fine. Together with The Ice Dragon, first edition thus, signed by the author, New York: Tor Teen, 2014, number line '0 9 8 7 6 5 4 3 2 1', unclipped dust-jacket, near-fine (6)
Milne, A. A. Winnie-the-Pooh, first edition, London: Methuen, 1926. Octavo, publisher's gilt green cloth, top edge gilt, illustrated endpapers, gift inscription dated 1926. Contents very good, clean & bright, a few very pale spots, binding very good, slight shelf-lean, light bumping to corners

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534325 Los(e)/Seite