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Preisdatenbank abonnierenTen boxed Matchbox Superfast diecast models to include 45 Mercedes 300 SE., 45 Ford Group 6, 56 BMC 1800 Pininfarina, 19 Road Dragster, 13 Dodge Wreck Truck, 60 Lotus Super Seven, 46 Stretcha Fetcha, 75 Alfa Carabo, 67 Volkswagen 1600TL (creasing & small tear to box) and 14 Iso Grifo. Diecast shows some paint chipping / light play wear, boxes vg unless stated
Three boxed / cased Dinky diecast models to include 153 Aston Martin DB6 in metallic steel blue, 131 Jaguar 'E' Type in off white, and a Dinky Supertoys 665 honest John Missile Launcher (damaged, incomplete & missing missile, tatty box). Diecast shows light play wear / paint chipping unless stated, cases show cracking & storage wear
Two boxed Sideshow Collectibles James Bond 007 Collectibles 12" figures to include Thunderball - 7717 Sean Connery as Bond and Tomorrow Never Dies - 7714 Michelle Yeoh as Wai Lin (figures ex, boxes show light storage wear), plus an unboxed Sideshow Collectibles Thunderball 7717 Sean Connery as Bond (vg) (3)
Boxed Blue Box Toys Elite Force WWII 2nd British Commando Unit 1/6 scale figure (figure ex, box gd - light storage wear); together with a carded Barrack Sergeant L42 A1 British Army Lee Enfield Military Sniper Rifle (model ex, card shows creasing to corner), and two sniper rifle metal models with scopes and removeable magazines (one painted)
Tamiya 1/10 scale R/C monster truck with Blackfoot chassis and Custom F150 black body, with battery pack, Futaba Attack-R controller and a Riko battery charger, all housed within a Beatties carry bag (break at attachment between body and front suspension unit), together with a quantity of spare parts & accessories (featuring Mascot Batterieliminator, Sanwa Dash controller and 4 x spare wheels), plus 2 x boxed & partially built Tamiya 1/32 monster trucks with motors (17002 1000 - Blackfoot Junior & 19011 600 - Suzuki Jimny; models appear vg, unchecked for completeness, boxes show light storage wear) (2)
Five boxed tinplate toys to include a Moonrocket (some squash to box), Mechanical Walking Robot-7, MS 405 Clockwork Ice Cream Vender, Pop Pop Boat and a Japanese ST Wind Up Puzzle cat (mostly showing light play wear, boxes vg unless stated) together with 2 x unboxed tinplate models (featuring a play worn Nylint crane), plus a boxed New Bright ' The Old Smokey Express ' battery-operated locomotive
James Bond ; A large and heavy quality 1:8 scale Eaglemoss diecast precision model of James Bond's Aston Martin DB5. Highly detailed, the original spec for the model includes; working rear and front lights, working horn, ejector seat, accelerator sound effects, brake lights, light up map to interior, machine guns in lights, movable bullet proof rear screen, key ignition, rubber tyres etc. This particular model is well made. .
A PALE GREEN AND RUSSET JADE CARVING OF A COCKEREL18th century The flattened pebble crisply carved with finely detailed plumage, the finely delineated feet tucked beneath the large body, the head with cockscomb clasping in the beak a floral spray, the stone of pale green tone with some light-brown russet patches. 9cm (3 1/2in) long.Footnotes:十八世紀 青玉雕公雞擺件Provenance: Dr Isaac Newton (d. circa 1982), Livingston, ScotlandBluett & Sons Ltd., LondonSpink & Son Ltd., LondonJoseph (1938-2005) and Bella (1941-2011) Shapiro, acquired from the above on 7 January 1987, and thence by descent Published, Illustrated and Exhibited: Bluett & Sons Ltd., Dr Newton's Zoo: A Study of post-Archaic Small Jade Carvings, London, 1981, no.95來源：Isaac Newton博士舊藏 (約1982年去世), 利文斯頓, 蘇格蘭倫敦古董商Bluett & Sons Ltd.倫敦古董商Spink & Son Ltd.Joseph Shapiro (1938-2005)和 Bella Shapiro (1941-2011)在1987年1月7日從上處購得，並由後人保存迄今展覽著錄：Bluett & Sons Ltd.，《Dr Newton's Zoo: A Study of post-Archaic Small Jade Carvings》， 倫敦， 1981年， 編號95Representing fidelity and punctuality, the cockerel is the tenth in the 12-year cycle of Chinese zodiac signs. It underscores auspicious connotations relating to awakening people and ending darkness. See a related jade carving of a cockerel, Qing dynasty, illustrated in Chinese Jade Animals, Hong Kong, 1996, no.180.Compare with a related pale green jade carving of a cockerel, early Qing dynasty, which was sold at Sotheby's New York, 19 March 2019, lot 239.For further information on this lot please visit Bonhams.com
A PAIR OF SPINACH-GREEN JADE CUPSQianlong/Jiaqing Each expertly hollowed with thin and deep gently flaring sides, rising from a short slightly tapering foot, the translucent stone of dark-green tone with black speckles and light green striations. Each, 6.3cm (2 1/2in) high. (2).Footnotes:清乾隆/嘉慶 碧玉小杯一對Provenance: a Western private collection, and thence by descent來源：西方私人收藏，並由後人保存迄今Compare with a related spinach-green jade cup, 18th/19th century, which was sold at Sotheby's New York, 27 September 2021, lot 603.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A RARE FLAMBE-GLAZED RECTANGULAR PEAR-SHAPED VASE, HUQianlong seal mark and of the periodThe pear-shaped vessel covered in a rich purple transmutation glaze streaked with mottled sky-blue, thinning to a light beige at the mouth rim, the edges of the square tubular handles and the moulded channels on the neck, all running down to a neatly finished footrim, the glaze with typical triangular pin-pricks, the body with moulded peach-shaped panels to each side, the base and inside footrim with an ochre glaze over the incised zhuanshu mark.30cm (11 3/4in) high. Footnotes:清乾隆 窯變釉貫耳方壺 「大清乾隆年製」篆書刻款Provenance: John Sparks Ltd., LondonAn Irish private collection, acquired from the above on 5 November 1952, and thence by descent來源：倫敦古董商 John Sparks Ltd.愛爾蘭私人收藏，在1952年11月5日從上處購得，並由後人保存迄今The inspiration for the flambé glaze can be traced back to the splashed Jun wares of the Song dynasty. However this particular red glaze, derived from copper but also containing lead, was exceptionally unstable and difficult to control in the kiln, resulting in the highest failure rate of all Chinese glazes. It was not until an extraordinary technical mastery was developed during the Qing period, and the Qianlong reign in particular, that successful flambé-glazed porcelain could be produced, highlighting the exceptional quality and rarity of the present lot. The unusual shape of the hu vase, with its corners, handles and shallow boss on each side, presented additional possibilities for streaking and pooling for the craftsman to explore.A number of examples of this type of vase are in museum and private collections: one in the British Museum is illustrated by R.L.Hobson, Chinese Pottery and Porcelain, Vol.II, London, 1915, pl,.23, fig.1. A very similar vase in the Huaihaitang collection, Qianlong seal mark and period, is illustrated by P.Lam, Ethereal Elegance: Porcelain Vases of the Imperial Qing: The Huaihaitang Collection, Hong Kong, 2007, no.78, and another in the Tsui Museum of Art is illustrated by Yang Boda, The Tsui Museum of Art: Chinese Ceramics IV: Qing Dynasty, Hong Kong, 1995, no.47.See a similar flambé-glazed rectangular pear-shaped vase, Qianlong seal mark and of the period, which was sold at Bonhams London, 15 May 2014, lot 41.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A RARE COPPER-RED GLAZED VASE, YUHUCHUNPINGQianlong six-character seal mark and of the periodThe vessel elegantly potted with a pear-shaped body sweeping up to a waisted neck and a broad everted rim, supported on a short slightly splayed foot, richly applied to the exterior starting right below the rim with a mottled raspberry-red glaze thinning to a light mushroom tone at the foot, the reserved base glazed white and inscribed with the reign mark within a double circle. 35cm (13 6/8in) high.Footnotes:清乾隆 霁紅釉玉壺春瓶青花「大清乾隆年製」篆書款Provenance: a European private collection來源：歐洲私人收藏A similar copper-red-glazed vase, Qianlong seal mark and of the period, in the Nanjing Museum, is illustrated in The Official Kiln Porcelain of the Chinese Qing Dynasty, Shanghai, 2003, pl.346. Another similar vase, Qianlong seal mark and of the period, is illustrated in the Illustrated Catalogue of Tokyo National Museum: Chinese Ceramics, vol.2, Tokyo, 1990, pl.697. See also another similar vase, Qianlong seal mark and of the period, from the Hellebronth and Bernheimer collections, illustrated in Chinesische Keramik: Museum für Ostasiatische Kunst, Cologne, 1988, no.110.Compare with a similar copper-red-glazed vase, Qianlong seal mark and of the period, which was sold at Sotheby's New York, 15 September 2015, lot 85. See also a similar copper-red-glazed pear-shaped vase, Qianlong seal mark and of the period, which was sold at Christie's New York, 24 March 2011, lot 1144.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A YELLOW JADE CARVING OF A HORSE18th/19th centuryThe pebble smoothly carved as a recumbent horse, the forelegs arched forward, the hind legs tucked underneath, the head with finely incised mane, an aperture drilled through the body, the stone of yellowish-green tone with light brown patches. 5.4cm (2 1/8in) long. Footnotes:十八/十九世紀 黃玉馬See a similar pale green jade carving of a horse, in a very similar pose, but dated Jin/Yuan dynasty, illustrated in Chinese Jade Animals, Hong Kong, 1996, pp.146-147.Compare with a related small yellow jade carving of a horse, 18th/19th century, which was sold at Christie's London, 10 November 2015, lot 60.For further information on this lot please visit Bonhams.com
A PAIR OF HUANGHUALI LOW-BACKED ARMCHAIRS, MEIGUIYIQing Dynasty/Republic PeriodEach chair with low back frames formed by vertical spindles and sectioned by interlaced ring struts, the straight arms continuing down forming the front posts and similarly rendered with vertical spindles, the mat seat set within a rectangular frame, all supported on a latticework apron with vertical struts, the side aprons of similar design, the legs joined by stretchers. 86.5cm (34in) high x 54cm (21 2/8in) wide x 40cm (15 6/8in) deep. (2).Footnotes:清/民國 黃花梨玫瑰椅一對Notable for their elegant form and proportions, the present chairs convey an extraordinary sense of lightness, conveyed by the use of pillar-shaped struts above the seat frame, which encouraged portable and functional ease.Armchairs displaying a low back were usually referred to as either 'rose chairs', meiguiyi, or 'writing chairs', wenyi. These seats were the smallest of the standard chair designs in Chinese furniture, making them appropriate for both indoor and outdoor use. In addition, the straight back and arms conveyed a sense of austerity to the scholar sitting in them and would fit neatly under the window of a scholar's studio, without obstructing the outside view.Low-back armchairs often displayed decorative frames and stretchers on the back panels, such as the present example. In addition, the top rail and arms curve smoothly into the posts, imitating the flexibility of bamboo by means of complex mortise-and-tenon joints. This design was probably inspired by a low-back armchair produced during the Song dynasty, an example of which is depicted in a twelfth century painting by Ma Gongxian (act.1131-1162). Here, Li Ao (d.ca. 844), a Confucian scholar, is seeking instruction from Yaoshan Weiyan (751-834), a Chan master, who is seated on a low bamboo chair which resembles the construction of a meiguiyi, with the addition of a back rest.See a related huanghuali chair, Ming dynasty, illustrated by S.Handler, Ming Furniture in the Light of Chinese Architecture, Beijing, 2005, p.129; see also a pair of huanghuali chairs in the Minneapolis Institute of Arts, illustrated in R.D.Jacobsen and N.Grindley, Classical Chinese Furniture, Minneapolis, 1999, pl.16.Compare with a related pair of huanghuali armchairs, meiguiyi, Qing dynasty 17th/18th century, which was sold in Sotheby's New York, 20 March 2012, lot 131.This lot is subject to the following lot symbols: TP YTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
AN OLIVE-GREEN-GLAZED VASENorthern Qi/Sui DynastyOf elegant pear shape rising from a short tapered foot to a tapered neck terminating with a bulbous mouth, with four double-bow strings across the body, covered overall in a light-green glaze turning to amber-brown. 17.3cm (7in) high. Footnotes:北齊/隋 青釉弦紋蒜頭瓶The result of Oxford thermoluminescence test number TL test C206g43 (8 January 2007) is consistent with the dating of this lot. 本拍品經牛津熱釋光檢測編號C206g43(2007年1月8日)，結果與其斷代相符Provenance: Roger Keverne Ltd., LondonA British private collectionPublished, Illustrated and Exhibited: Roger Keverne Ltd., Winter Exhibition, London, 2007, no.25來源：倫敦古董商Roger Keverne Ltd.英國私人收藏展覽著錄：Roger Keverne，《冬季展覽》，倫敦，2007年，編號25A related vase is illustrated by E.B.Avril, Heavenly Earth: Early Chinese Ceramics from the Shatzman Collection, Ithaca, NY, p.59, no.54. See also two related examples, Sui dynasty, illustrated in The Complete Collection of Treasures of the Palace Museum: Porcelain of the Jin and Tang Dynasties, Hong Kong, 1996, nos.65 and 68.For further information on this lot please visit Bonhams.com
A QINGBAI EWER AND COVERYuan DynastyElegantly potted of flattened pear shape rising from a tapering foot, applied with a loop handle and curving spout, moulded on each side with a lotus and crane amidst ruyi-clouds respectively, all between patterned borders, the domed cover surmounted by a mythical-beast finial, all covered in a light sky-blue glaze. 14.5cm (5 3/4in) high. (2).Footnotes:元 青白釉執壺帶蓋Published, Illustrated and Exhibited: Chinese Ceramic Treasures, A selection from Ulricehamns East Asian Museum, Including the Carl Kempe Collection, Ulricehamm, 2002, p.231, no.761展覽著錄： 《Chinese Ceramic Treasures, A selection from Ulricehamns East Asian Museum, Including the Carl Kempe Collection》，烏爾里瑟港，2002年，第231頁，編號231For further information on this lot please visit Bonhams.com
A QINGBAI INCENSE BURNER AND COVERSong DynastyThe cylindrical body with straight sides moulded with a continuous scene of fish and lotus scrolls, all supported on three bracket feet, the domed cover expertly pierced with foliate scrolls, covered in a light sky-blue glaze with crackles issuing throughout. 10.8cm (4 1/4in) diam. (2).Footnotes:宋 青白釉刻魚荷紋香爐帶蓋For further information on this lot please visit Bonhams.com
A WHITE AND RUSSET JADE CARVING OF A FISHMing DynastyThe small pebble smoothly carved as a fish with dorsal fins and grooved tail, clasping in its jaws a curled lotus leaf acting as an aperture for a string, the stone of pale white tone with light-brown-russet patches. 6cm (2 1/4in) long.Footnotes:明 玉魚把件Provenance: Sydney L. Moss Ltd., LondonJoseph (1938-2005) and Bella (1941-2011) Shapiro, acquired from the above on 26 July 1989, and thence by descent 來源：倫敦古董商Sydney L. Moss Ltd.Joseph Shapiro (1938-2005)和 Bella Shapiro (1941-2011)在1989年7月26日從上處購得，並由後人保存迄今The present carving carries an auspicious message relating to good wishes for a new year: the word for lotus, lian, sounds like year nian 年), while fish yu 魚 sounds like abundance yu 餘. Taken together, they form the rebus 'abundance through the years' niannian youyu 年年有餘. Compare with a related jade carving of a fish and lotus, Ming dynasty, illustrated in Chinese Jades in the Avery Brundage Collection, San Francisco, 1977, p.104, pl.XLV.For further information on this lot please visit Bonhams.com
A PALE GREEN AND RUSSET JADE CARVING OF A BUDDHIST LION AND CUBMing DynastySmoothly carved as a large Buddhist lion with bushy brows and ruyi-shaped snout turning back to gaze at its cub clambering up the larger's rear with bifurcated tail, the paws tucked underneath, the stone of grey-green colour with light russet inclusions, box. 8.5cm (3 2/8in) long. (2).Footnotes:明 太師少師玉把件Provenance: Dr Isaac Newton (d. circa 1982), Livingston, ScotlandBluett & Sons Ltd., LondonSotheby's Hong Kong, 18 May 1989, lot 857Joseph (1938-2005) and Bella (1941-2011) Shapiro, and thence by descent Published and Illustrated: Bluett & Sons Ltd., Dr Newton's Zoo: A Study of post-Archaic Small Jade Carvings, London, 1981, no.23.來源：Isaac Newton博士 (約1982年去世)，利文斯頓，蘇格蘭倫敦古董商 Bluett & Sons Ltd.蘇富比香港，1989年5月18日，拍品編號857Joseph Shapiro (1938-2005)和 Bella Shapiro (1941-2011)舊藏，並由後人保存迄今著錄：Bluett & Sons Ltd.， 《Dr Newton's Zoo: A Study of post-Archaic Small Jade Carvings》， 倫敦， 1981年， 編號23The theme of Buddhist lions appears to have surged in popularity since the Ming dynasty. The depiction of a Buddhist lion and a young cub forms the pun Taishi Shaoshi, which translates as 'May you and your descendant achieve high rank'. See a related example of a pale green jade beast, Ming dynasty, illustrated in Later Chinese Jades Ming Dynasty to Early Twentieth Century from the Asian Art Museum of San Francisco, San Francisco, 2007, p.78, no.54. A similar white jade 'Buddhist lion and cub' carving, 17th century, which was sold at Christie's Hong Kong, 29 November 2017, lot 3062.For further information on this lot please visit Bonhams.com
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