THE SMITHS - 7" COLLECTION. Great collection of 17 x 7". Titles include Hand In Glove (RT 131, UK og with Manchester address), This Charming Man (RT 136), Heaven Knows I'm Miserable Now (RT 156), How Soon Is Now? (RT 176), That Joke Isn't Funny Anymore (RT 186), The Boy With a Thorn In His Side, Bigmouth Strikes Again (RT 192), Panic (RT 193 - 2 copies with one copy including the very cool 6 x stickers 'Panic', 'Hang The DJ' and 'Smiths'), Ask, Shoplifters Of the World Unite, Sheila Take a Bow, Girlfriend in a Coma, Last Night I Dreamt That Somebody Loved Me, There Is a Light That Never Goes Out (scarce UK 1992 original with paper labels - Ex condition record with some light easily cleaned storage marks/Ex+ superb sleeve) and I Started Something I Couldn't Finish. Condition is a lovely Ex to Ex+
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BLACK SABBATH/DEF LEPPARD - VERTIGO SWIRL LPs/CD BOX SET. Rockin' pack of 3 x collectable releases. Titles are Black Sabbath (x2) - Vol 4 (UK og Vertigo swirl 6360 071 1Y//1 & 2Y//1 PORKY/PECKO - super fine and clean Ex condition record/Ex sleeve with just a couple of light and minor scuffs, booklet page attached) and Master Of Reality (UK og Vertigo swirl 6360 050 1Y//1 & 2Y//1 - VG+ a few light surface scuffs/with og swirl inner/no poster/VG+ sharp embossed og sleeve with some of the usual laminate creasing) and Def Leppard - Let's Get Rocked (DEF CD-7 'Limited Edition CD Singles Collectors Box - Mint and sealed).
CREAM & RELATED - LP COLLECTION. Ace collection of 13x LPs plus 1 x 12" (14 releases in total) featuring Cream. Titles are Disraeli Gears (UK stereo front laminated 594003 - clean Ex record with some light poly bag residue/VG+ sharp condition sleeve, partial top seam unglued, an easy repair), Live In Rotterdam (NS 13028, scarce private release - Ex/Ex), Fresh Cream (inc. UK mono 593001 - G+/VG and Australian LPHM-593001 - lovely Ex/Ex), Wheels Of Fire (583040 - VG+/VG+ and 583 033 - Ex+/VG), Live Cream I and II, Off The Top (US promo PD 5529, S/T (2384 067), Goodbye (583 053), The Savage Seven, Badge and Jack Bruce - Willpower. Condition is typically neat VG+ to Ex=.
A Royal Worcester fruit painted coffee set, c.1924/25, painted by H N Price, W H and R. Austin, H. Everett and W. Hale, puce and blue marks, Coffee pot 17.5cm highSome occasional wear to the gilt rooms. Occasional light scuffing and scratching to the gilding on some items. Light crazing to the cover of the coffee pot only. The milk jug has a splinter chip to one side of the spout, otherwise in good condition with no cracks or restoration detected.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. Coffee pot 17.5cm high
A Stevens and Williams cameo glass vase, late 19th century, decorated in white overlay with bell shaped flowers and a butterfly on a translucent pale blue ground, unmarked, 22cm highThree very light scuffs at broadest point of body’s circumference, not serious. Otherwise good.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 22cm high
A pair of large Chinese blue and white brushpots, late 19th century one painted with rows of ‘Shou’ characters, the second with brocaded medallions, 25 cm diameter, one crackedPot with shou characters damaged as shown, i.e. large oval section of base has been broken clean-off and glue re-attached, approx. 20 x 10cm; further long, diagonal star-crack opposite, approx. 20 x 20cm. Other pot with light scratches only, not serious.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 25 cm diameter, one cracked
Nine bottles of Chateau Trotanoy Pomerol 1999, height 30cmAll in good clean condition just a little light dirt specking to the labels, levels are high neck.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. height 30cm
A Chinese gilt-decorated lacquer games box, mid 19th century, typically decorated with figures amid pavilions and trees, the interior fitted with similarly decorated boxes and gaming trays containing a large collection of Cantonese carved and engraved mother-of-pearl gaming counters, 37. 5 cm wideTop one corner with slight shrinkage; base similarly with signs of light shrinkage at corners; interior covers good; pearl counters generally good; all four claw feet with grazes and are marginally incomplete.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 37. 5 cm wide
A set of 16 Chinese pith paintings of birds and flowers, mid 19th century, each finely painted with pairs of birds amid foliage and flowers, European gilt foil edging and mounts, Largest Image 12cm x 18cmOne with two minor tears affecting cream ground at top border; one with two minor tears at lower border; one with two tears at top centre, clearly seen, largest 6 x 4mm; one with three light scratches; one with white blemish affecting a blue plant, bottom right corner; one with a curved scratch top-left corner; one with seven holes, all clearly seen; one with slight tear affecting green leaf-stem; one with dis-coloured stain against cream field, loss to lower right corner, approx. 6 x 4mm;:one with small hole at centre, approx. 3mm diam. Others good.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. Largest Image 12cm x 18cm
An early 20th century Italian pietra dura plaque depicting an elegant lady holding a lorgnette and fan, 26 x 15cmSome light surface scratching and two spots in the top left grey column otherwise looks to be in good order, housed in the original gilt gesso and wood frame which has some scratches and losses to the corners, reverse of the panel shows chipping at the top and measures overall 27.5 x 16cmPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 26 x 15cm
Pierret a Paris. Ms Honorables Exp. Paris. Londres. A small 19th French skeleton alarm timepiece, with enamelled Roman dial, inner brass alarum ring and foliate scroll engraved frame, makers stamp to the base and raised on an ebonised socle concealing the bell and housing a side pull string, overall height 30cm, clock height 17cmOverall looks to be in very good clean condition, a few very minor small dirt spots and scuffs to the brass work, has silk suspension movement and the silk had perished, comes with original pendulum, some light scuffing to one side of the glass dome.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. overall height 30cm, clock height 17cm
An early 20th century French ormolu and champleve enamel clock garniture, the mantel clock of architectural four glass form with urn finial, Arabic dial and Marti eight day movement, with a pair of matching two handled urn ornaments, clock: height 50.5cm urns: height 32.5cmClock in very good clean condition, very slight oxidisation to the dial with some very light spotting to the ormolu case, movement stamped Made in France and numbered 72, going but not tested for time keeping, one of the urns is in a near dismantled state and will need re-assembling, champleve enamelling is similar but not identical to the main mantel clock, feet also differ slightly.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. clock: height 50.5cm urns: height 32.5cm
An antique hardstone cameo of Hermes and nine Italian lava cameos largest 2.75 x 2.25cm.Hermes in white hard stone, light rubbing to the edges 2 x 1.5 cm. Reddish oval woman with laurel wreath to hair, chipping around the edges 2.5 x 2.25 cm.Large brown Lava woman with flowers in hair, chips at one and 5 o’clock, 2.75 x 2.25 cm.Grey lava octagonal head with laurel wreath very minor chipping, 1.75 x 1.5 cm.Beige lava head of bearded man, chip between 10 and 12 o’clock, 2.25 x 2 cm.Beije lava oval with head with vinous Garland, minor rubbing 2 x 1.5 cm.Octagonal pale beige lather head looking to the right, minor chipping 1.75 x 1.5 cm.Beije lava oval head with roof looking to the right, chip between one and 2 o’clock, small chip at 6 o’clock 2.25 x 2 cm.Brown lava octagon with head looking to left, stained near the top right, tiny chips to the base, 1.75 x 1.5 cm.Oval composition head wearing helmet black staff to the left, looks to be mercury with bright glaze to the front and rough finish to the underside, chipped between 12 and two, minor chipping elsewhere 2.25 x 1.75 cm.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. largest 2.75 x 2.25cm.
An important 18th century Lombardy ebony banded walnut and ivory inlaid twin pedestal desk, the top and sides inlaid with a scenes from Homer’s Iliad, after original drawings by John Flaxman RA (1755-1826), within moulded shaped ebony cartouches, fitted with three frieze drawers over hinged cupboards, inlaid with allegories representing Hope and Faith, on later castors.UK APHA Registration of an ivory item Submission reference: D99UXPKP W.118cm D.61cm H.82.4cm LOT ESSAY BY DR. ARABELLA CIFANIThe scene is taken from a drawing that the English sculptor and draftsman, John Flaxman(1755–1826), made to illustrate the passages of Homer's Iliad, a commission proposed to him in 1791 by Georgiana Hare-Naylor while he was living in Rome. Here is represented a rare episode, with Polydamas, a character from Greek mythology soothsayer, adviser and valiant warrior, friend and lieutenant of Hector, who fought in the Trojan War and who, in the twelfth book of the Iliad, advises Hector not to cross a dangerous moat that was part of the defence at the Achaean port and also advises Hector not to continue the siege. Hector will not listen to him and will face death at the hands of Achilles (Homer Iliad 12.60).‘’Then verily Polydamus drew nigh to Hector, and spake, saying: “Hector, and ye other leaders of the Trojans and allies, it is but folly that we seek to drive across the trench our swift horses; hard in sooth is it to cross, for sharp stakes are set in it, and close anigh them is the wall of the Achaeans.’’ Homer - Iliad 12.60John Flaxman, sculptor and draftsman, a leading proponent of English neoclassicism, created 34 drawings for Homer's Iliad in Rome in 1793, which were engraved on copper for the first time in Rome by Tommaso Piroli in 1793 ("L'Iliade et the Odyssée d'Homère gravéepar Thomas Piroli d'après les desseins composés par John Flaxman. 94 gravures ", Francesco Romero publisher, Rome, 1793). The meeting Flaxman and Piroli was a happy union, sealed by a public success that also provoked real acts of editorial piracy. "The reprints followed one another in various original editions or copies of the branches in different European cities, attesting to the vast success achieved from Flaxman's inventions masterfully translated and propagated with the burin of Piroli. Two years later, the plates for "The Iliad" were republished in London. In 1805, publishers Longman, Hurst, Rees and Orme printed new editions of both series, including eleven extra illustrations commissioned from Flaxman (five for "The Iliad" and six for "The Odyssey").The style of the ivory inlay perfectly reflects the spirit of Flaxman's engraving, the figures in fact retain their taste for graffiti, which was an absolute novelty at the time. Flaxman avoided the background landscape, setting and detail, focusing on figures rendered with pure outlines. It has long been known that Flaxman drew on and synthesized a wide variety of visual sources in the development of his outline illustrations, combining classical figuration from "Etruscan" reliefs, sculptures, engravings and vases with forms derived from medieval and early Renaissance sources, life studies and observational sketches of daily Italian scenes and characters. Flaxman's style of illustration has been discussed and celebrated by a multitude of critics across Europe and has had a demonstrable influence on artists such as Ingres, Goya and Blake.The cabinet is also enriched with other ivory inlays, representing divinities and allegories, including the allegory of Hope and Faith.GORRINGE’S are grateful to Dr. Cifani, for her identification of John Flaxman’s designs, used in the ivory inlays on this desk.Overall a little evenly faded to a light walnut tone with old dents, small losses and splits throughout commensurate with age, ivory inlay looks to be mostly complete but some small losses notably to the right side of the top, the doors to the drawers are fitted with English locks but no escutcheons suggesting the later addition of the veneers, cupboard doors have Italian locks but no key, lower front right corner is broken with the foot now come loose, minor dents and scuffing elsewhere around the base.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. W.118cm D.61cm H.82.4cm
A Louis XIV period carved giltwood console table, with variegated rouge marble top, concave frieze and ornate foliate carved and pierced tapering squared legs with scrollwork X stretcher and stylised lion's paw feet, W.108cm D.56cm H.82cmHeavy marble top looks to be original, a little light nicking to the back edge but otherwise good, underframe of an even worn and slightly faded gilt colour, with further rubbing to the raised extremities, minor chips and losses scattered throughout but no major faults noted.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. W.108cm D.56cm H.82cm
A 19th century turned scagliola marble column, on later composition foot height overall 112cm diameter 36cmA number of small nicks around the edge to the top which has a hole drilled through the centre and probably once had a revolving platform sat upon it, main column in good order but some light scratching around the base, the later foot is white painted composition and has cracks and flaws running through it.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. height overall 112cm diameter 36cm
A Victorian figured walnut secretaire Wellington chest, with scroll carved brackets, five drawers and fall front secretaire drawer, W.59cm D.43cm H.124cmOverall in good condition, probably slightly faded but of a good light treacle tone, side locking bar has a working key, drawers are hardwood lined, secretaire with four pigeon holes and two short drawers, splits running in from the left hand side of the base of the secretaire drawer, minor scuffing to plinth.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. W.59cm D.43cm H.124cm
Victorian walnut and marquetry breakfast table Victorian walnut and marquetry breakfast tableThe circular tilt top inlaid with a floral design, on acanthus carved baluster stem and scrolled tripod foot Diameter 129 cm. Height 80 cm.Very good clean condition, looks to have been restored within the past 10 years also. Light rubbing to the feet.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. Diameter 129 cm. Height 80 cm.
An 18th century North Italian marquetry inlaid rosewood serpentine commode, fitted two short and two graduated long drawers, on bracket feet, the top, front and sides delicately inlaid with marquetry bell husks, swags and stringing, W.140cm D.67cm H.82cmOverall of a good rich darkish rosewood tone and fair state of polish although some blooming and minor scattered dents and splash marks throughout, a little light undulation showing to the top, the carcass is made from pine, locks look original but no key present, some repairs to the feet.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. W.140cm D.67cm H.82cm
A 19th century Irish yew wood, oyster veneered and burr wood serpentine collector's cabinet, with a pair of shell inlaid panelled doors enclosing two banks of ten drawers, all with later baize lining, on spiral turned column supports with understage and pad feet, W.118cm D.57cm H.128cmOverall of a light golden tone with a fair eveness of colour, perhaps a little faded lower down, the top veneered in hexagons of yew or laburnum wood, the sides with matching but larger hexagons, a little scuffing where the right drawer catches at the bottom, lock is a later replacement and no key present, inner drawers are made up from assorted timbers suggesting that this may well be a later adaptation.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. W.118cm D.57cm H.128cm
An oak 'Mouseman' refectory table by Robert Thompson of Kilburn with adzed rectangular top and octagonal pillars, one carved in relief with a mouse, on plain H stretcher, 275 x 98cm, H.73cmOverall in good if used condition, colour is a rich golden brown, top has some scuffing and minor scratching commensurate with use along with an oval bleached stain in one corner, underframe equally with light wear from use but no real faults noted.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 275 x 98cm, H.73cm
James Ramsay (1786-1854) 'The Young Archer'oil on canvasexhibited R.A.182575 x 62cmOIl on canvas cleaned and relined within the past 10 to 20 years, canvas remains tight and paint looks in good clean condition with a bright shiny varnish, one or two very light surface scratches lower down and a little fine but stable craquelure showing in patches, housed in a period giltwood frame which has an attribution plaque and some small losses, label verso for Pawsey & Payne Ltd.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 75 x 62cmRamsay (1786-1854), James
After Sir Thomas Lawrence (1769-1830) Portrait of William Wilberforce MPoil on canvas60 x 50cmOil on canvas relined many years ago, canvas remains tight, paint looks rather dirty with some light scuffing around the edges but overall looks to be in good order, not signed, paper label verso inscribed no.71, trace of a Christie's stencil number across the top, housed in a gilt gesso frame with attribution plaque.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 60 x 50cmLawrence (1769-1830), After Sir Thomas
A W.F. Homer taxidermic roach, caught at Marlow by E. Stapleton, Aug 25th 1905, wgt 1lb 4ozs, in bowfront display case, width 45cm, depth 13cm, height 29cmVery good clean condition with no faults noted but for a little light rubbing to the case.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. width 45cm, depth 13cm, height 29cm
Follower of Nicolaes Eliazoon Pickenoy (Dutch, 1588-1656) Study of a courting couple, she holding a basket of flowers, he in a vermillion suit, a courtyard beyondoil on wooden panel34 x 23.5cmOil on board in honest untouched condition, would benefit from a light clean, a very slight undulation to the board along with small losses to the right corners and some fine vertical splits running up from the base, housed in an old but not original gilt frame, remnants of old labels with attribution verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 34 x 23.5cmPickenoy (Dutch, 1588-1656), Follower of Nicolaes Eliazoon
After Francesco Guardi (Italian, 1712-1793) Views of Veniceoil on canvas, a pair24 x 44.5cmBoth oils on original canvas, in honest untouched condition, would benefit from a light clean but no real faults noted, housed in what appear to be the original silvered wood Venetian frames, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 24 x 44.5cmGuardi (Italian, 1712-1793), After Francesco
Paul Sandby RA (1730-1809) Warwick Castle, c.1775watercolour and ink en grisailleAquatints of the same composition were published by the artist in January 177629 x 45cmWatercolour on off white paper laid down onto card, this looks to be the original work from which the aquatint was taken, apparently unsigned and showing undulation across the work along with a number of small scattered dirt specks and some very light surface scuffing towards the lower left, washline mount and glazed plain oak frame, inscription verso relating to the aquatint.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 29 x 45cmSandby RA (1730-1809), Paul
Nicola Funno (Italian, 19th C.) Portrait of the British ship, 'Moolsington R.C. Wilson Commander 1847', with Vesuvius in the backgroundgouache on papersigned54 x 76cmGouache on paper which has been laid onto a thin card, some distressing around the edges, particularly at 12 and 3 o'clock, some light surface scratching going through the rear sails and elsewhere, some discolouration spots together with vertical acid stains showing left and right, under glass in what may be the original carved giltwood frame that has a number of losses and damages and has been overpainted in gold.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 54 x 76cmFunno (Italian, 19th C.), Nicola
James Campbell Noble R.S.A. (1846-1913) 'Fading Light'oil on canvassigned and indistinctly dated29 x 44cmOil on original canvas, untouched for many years, canvas remains tight, paint looks rather dirty with some fine hairlines of craquelure running through the sky and slight wrinkling of craqleure running through the darker areas below, some small signs of retouching in the sky, signed and dated lower right, housed in an old gilt gesso scroll frame which has suffered a few losses, Purchased from Nick Cotton Fine Art of Somerset.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 29 x 44cmCampbell Noble R.S.A. (1846-1913), James
Edward Pritchett (1828-1864) View of Venicewatercoloursigned22.x32cm.Probably a little faded but still retaining good strength of colour, light acid staining around the Mount. Signed lower right, later card mount and probably original overpainted gesso frame with some losses. Handwritten label verso giving details of been cleaned in 1983.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 22.x32cm.Pritchett (1828-1864), Edward
Angelos Giallina (Greek, 1857-1939) View of Athens and the Acropoliswatercoloursigned48 x 91cmWatercolour on paper in good untouched condition, colours remain strong, one or two small scattered dirt specks and probably some light foxing although nothing obvious noted, a little acid staining showing particularly across the top, housed under glass in an old gilt frame with Ernest Lewis of South Kensington label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 48 x 91cmGiallina (Greek, 1857-1939), Angelos
Oliver Clare (1853-1927) Still lifes of grapes, a peach and greengages and apples, plums and strawberriesoil on board, a pairsigned19 x 29cmBoth oils on board in honest condition, might benefit from a light clean but no real faults noted, housed in later ornate carved giltwood frames, one with extract from a Haynes Fine Arts Exhibition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 19 x 29cmClare (1853-1927), Oliver
Thomas Bush Hardy (1842-1897) Fishing boats off Venicewatercoloursigned and dated 188245 x 71cmWatercolour on paper that may well be laid down onto a card backing as it looks a little flat, colours remain strong but some fading in the sky with some very very light sepia damp tones starting to show through, some scattered foxing throughout, signed and dated lower right, housed in the original glazed gilt slip gesso frame with some losses to the corners, old label for A. Fletcher of Melbourne verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 45 x 71cmBush Hardy (1842-1897), Thomas
Charles Archer (1855-1931) Still life of grapes, strawberries, raspberries and redcurrantsoil on boardsigned and dated 191615 x 20cmGood untouched condition, looks like the work has slightly slipped in the mount but no other faults noted, would probably benefit from a light clean, under glass in the original ornate gilt scroll frame which has old cracking, no labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 15 x 20cmArcher (1855-1931), Charles
Charles Archer (1855-1931) Still life of apples, grapes, plums, gooseberries and raspberriesoil on canvassigned30 x 34cmOil on original canvas in honest untouched condition, slight undulation of the canvas showing, might benefit from a light clean but no real faults noted, housed in the original glazed ornate gilt gesso frame which has some cracking but is otherwise good, framers label for Herbert J. Taylor of Derby verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 30 x 34cmArcher (1855-1931), Charles
John Frederick Herring Jr. (1815-1907) 'The Ford' and 'Going Home'oil on board, a pairsignedtondo, 11.5cmBoth oils in honest untouched condition, might benefit from a light clean, a little fine but stable craquelure showing in the brown flank of the horse in 'The Fjord', housed in old titled card mounts and plain gilt frames, no labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. tondo, 11.5cmHerring Jr. (1815-1907), John Frederick
A Leica IIIa camera, number 302196 with Leitz Elmar F51:35 lens, Elmar 5cm adapter ring and leather casesLooks to be in good if used condition, a little light surface dirt, no real faults noted.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Sir Max Beerbohm (1872-1956) 'March of The Gentlemen'pencil on paper study for a muralsigned and dated 1922, inscribed 'For Jack Lynch from Max 1922'47 x 58cm, original velvet mount, overall 67 x 77.5cm This Beerbohm study cartoon was intended for a mural at his Rapallo villa, which was never executed. It was gifted to ‘Jack’ Bohun Lynch (1884-1928), a friend, writer, caricaturist-illustrator , and author of ‘Max Beerbohm in perspective’ in 1922. This study presented a unique and remarkable socio-historical grouping of caricatures of Beerbohm’s closest friends, from the Cultural, Political, Social and Queer communities of Britain in the early 20th Century.Identified sitters by Sir Edward Marsh [ 1872-1953 ] KCVO CB CMG , pps to Joseph Chamberlain and Sir Winston Churchill.Sir Ray Lankester (1849-1929) - biologistSir Edmund Gosse (1849-1928) - poet, author, and criticSir Edward Carson (1854-1935) - politicianCunninghame Graham (1852-1936) - politician, writer, and journalistPhilip Wilson Steer (1960-1942) - landscape artistHenry Tonks (1862-1937) - surgeon and artistGilbert Keith Chesterton (1874-1936) - writer and philosopherJohn Masefield (1878-1967) - poet and writerJohn Singer Sargent (1856-1925) - artistJohn Galsworthy…….[1867-1933] English novelist and playwrightLytton Strachey (1880-1932) - writer and criticHenry Chaplin (1840-1923) - politicianHerbert Asquith (1852-1928) - former Prime MinisterSir Henry Irving, [1838-1905] Stage Actor and Manager.AJ , Earl Balfour (1848-1930) - former Prime MinisterGeorge S Street [1867-1936] critic, journalist ad writerSir Ian Malcolm (1868-1944) - Tory politician Director of Suez Canal Company Chief of Clan MacCallum/Malcolm.George Bernard Shaw [1856-1950] Irish playwright, critic, polemicist and political activist.Inscribed verso ‘This cartoon by Max Beerbohm was drawn for a projected wall-painting for his villa at Rapallo, which was never executed. It was given by him to his friend and biographer (Jack) Bohun Lynch, to whom it is inscribed…… p……. It was purchased in from his estate in 1947 by Scribners…. Several of the identifications were supplied by Sir Edward Marsh’, KCVO CB CMG a British translator and friend to Rupert Brooke.The work was intended as the frieze for the dining Room in his and Lady Beerbohm’s villa, to where they had moved in 1910. Beerbohm had married his wife, the American actress Florence Kahn, in the same year.The work was purchased from Scribners in New York in c 1950 , by Sir Yehudi Menuhin, OM KBE. And was sold by his Estate.Pencil on buff paper which looks to have evenly discoloured and to be laid onto a card backing, slight outward bulging with a number of fine tears around the edges, notably a 1 inch tear near the top right corner, clipping to three of the corners and a 2 inch tear at 6 o'clock with some light discolouration, housed in a later fabric covered mount and glazed gilt frame, a key to the work drawn in pencil onto six sheets of paper which has been laid down onto the card backing, details many of the sitters, further inscription lower left is inscribed 'This cartoon by Max Beerbohm was drawn for a projected wall painting for his villa at Rapullo, which was never executed, it was given by him to his friend and biographer (Jack) Bohun Lynch, to whom it is inscribed and from who's property it was purchased in 1947 by Scribners, several of the identifications were supplied by Sir Sellmaid Marsh'.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 47 x 58cm, original velvet mount, overall 67 x 77.5cmBeerbohm (1872-1956), Sir Max
Albert Rutherston, R.W.S. (1881-1953) ‘Le Reveil de Flore’, Cupid. No1A (Pavlova)Ink and watercolourSigned35 x 17cm.Ink and watercolour on a light buff toned paper. Some dirt marking showing across the top otherwise looks to be in very good condition. Old wash line mount and slim oak frame with Stafford gallery label verso inscribed in pencil ‘for Pavlova ballet in New York Reveille de flora.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 35 x 17cm.Rutherston, R.W.S. (1881-1953), Albert
Edward Ardizzone R.A. (1900-1979) 'The Drawing Lesson'lithograph on wovesigned and titled in pencil, 33/10020 x 24cmPaper showing undulation, discoloured to a light buffish tone and acid stained around the margins, but no sign of any dents or tears, housed in the original now discoloured card mount and glazed painted wood frame, Ernest Weekley Framers label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 20 x 24cmArdizzone R.A. (1900-1979), Edward
Teng-Hiok Chiu (Chinese, 1903-1972) 'Green Doors, Polperro'oil on canvassigned and dated 193049 x 75cmOil on original canvas in good untouched condition, canvas remains tight, paint rather dirty with one or two light surface scuffs, signed and dated lower left, housed in an old and probably white frame, title inscribed on the back of the frame, trace of a James Bourlet label on the stretcher.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 49 x 75cmChiu (Chinese, 1903-1972), Teng-Hiok
Anthony Richard Cooke (1933-2006) ‘Houseboats at Shoreham’oil on panelsigned and dated ’58 and inscribed verso74 x 100cmOil on board in honest untouched condition perhaps in needed of a light clean but no faults noted, housed in the original grey painted frame which is a little rubbed, extensively inscribed by the artist verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 74 x 100cmCooke (1933-2006), Anthony Richard
§ § Marcel Dyf (French, 1899-1985) Tour au villagesoil on canvassigned44 x 54cmOil on original canvas in good condition, paint might benefit from a light clean but no real faults noted, signed lower left and housed in an ornate scroll frame with artist title plaque, 1984 Stacy Marks labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 44 x 54cmDyf (French, 1899-1985), Marcel
§ § Bennett Oates (1928-2009) 'Hollyhocks No.1'oil on boardsigned and dated '8560 x 50cmOil on board in honest untouched condition, might benefit from a light clean but no real faults noted, housed in the original scroll frame which is in good order. 1985 Stacy Marks labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 60 x 50cmOates (1928-2009), Bennett
§ § René Charles His (French, 1877-1960) 'Le Chemin d'Aiglard'oil on canvassigned37 x 54cmOil on canvas in honest untouched condition, would benefit from a light clean but no real faults noted, signed lower right, housed in the original carved wood frame with 1958 Stacy Marks and Frost & Reed labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 37 x 54cmHis (French, 1877-1960), René Charles
§ § Pierre de Clausades (French, 1910-1978) 'En Val de Loire'oil on canvassigned58 x 90cm.Oil on original canvas in honest untouched condition might possibly need a light clean but no real faults noted. Inscribed by the artist verso and dated 6VII72, 1985 Stacy marks label versoPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 58 x 90cm.Clausades (French, 1910-1978), Pierre de
§ § Gerald A. Cooper (1898-1975) 'Flowerpiece'oil on canvassigned75 x 62cmOil on original canvas which has a slight undulation in the top right corner, paint looks clean but varnish when examined closely does show the circular marks that would be caused by bubblewrap being pressed against it whilst still slightly wet, this would easily be cleaned away, one very light surface scratch near the signature on the right, otherwise very good, housed in the original ornate scroll frame with artist inscription verso and 1981 Stacy Marks labels.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 75 x 62cmA. Cooper (1898-1975), Gerald
§ § Marcel Dyf (French, 1899-1985) 'Fleurs Pivcines'oil on canvassigned72 x 58cmOil on original canvas in good honest untouched condition, possibly would benefit from a light clean but no real faults noted, housed in the original gilt scroll frame with 1978 Stacy Marks labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 72 x 58cmDyf (French, 1899-1985), Marcel
§ § Marcel Dyf (French, 1899-1985) 'Les Fleur d'été'oil on canvassigned54 x 45cmOil on original canvas in good untouched condition, varnish perhaps a little dirty so might benefit from a light clean but no real faults noted, signed lower right, housed in the original gilt scroll frame with 1980 Stacy Marks label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 54 x 45cmDyf (French, 1899-1985), Marcel
§ § Marcel Dyf (French, 1899-1985) 'Claudine'oil on canvassigned54 x 44cmOil on canvas in good original condition, one slight pressure bulge to the left of her hair pushing the canvas slightly inwards but otherwise very good order, possibly in need of a light clean, signed lower right, housed in the original scroll frame with 1980 Stacy Marks labels verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 54 x 44cmDyf (French, 1899-1985), Marcel
§ § Maurice Canning Wilks RUA ARHA (1910-1984) 'Silver Light ...'oil on canvassigned39 x 49cmOil on original canvas in good untouched condition, would benefit from a light clean but no real faults noted, signed lower left, housed in what looks to be the original wood frame, with label for Whitcombe & Co of Cheltenham verso, artist title inscribed verso but fading away.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 39 x 49cmWilks RUA ARHA (1910-1984), Maurice Canning
Yuri Matushevski (Russian, 1930-1999) Hillside houses in summeroil on cardsigned and dated '7054 x 69cmOil on a light card which is showing some undulation, and a little flaking of the paint notably in the blue of the sea and on the brow of the hill, otherwise in good order, signed lower right and housed in a slim wood frame, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 54 x 69cmMatushevski (Russian, 1930-1999), Yuri
Adolf Adler (Israeli - Romanian, 1917-1996) Female nudeoil on canvassigned40 x 33cmOil on original canvas in honest untouched condition, would benefit from a light clean but no real faults noted, looks to be in the original frame with small ballpoint inscriptions to the top.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 40 x 33cmAdler (Israeli - Romanian, 1917-1996), Adolf
A Louis Vuitton train case, no.873750 Width 41cm. Depth 18cm. Height 24cm.Some light wear to the top loo handle but otherwise in very good clean condition no key present, interior with original strap and label with addresses for Paris and Nice.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. Width 41cm. Depth 18cm. Height 24cm.
§ § Rudolf Bonnet (Dutch, 1895-1978) 'Geledek, Bali 35'charcoal on papersigned and inscribed31.5 x 24cmCharcoal on off white paper which is now discoloured to a yellowish buff uneven tone, some damp spotting showing across the work along with very light scuffing near the top left, inscribed and dated top right, housed in the original wood slip frame and gilt outer frame, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 31.5 x 24cmBonnet (Dutch, 1895-1978), Rudolf
§ § Roy Petley (b.1950) 'Last of the sun'oil on panelsigned60 x 91cmOil on board in honest untouched conditiokn, might benefit from a light clean but no real faults noted, housed in the original moulded gilt frame with Petley Fine Art label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 60 x 91cmPetley (b.1950), Roy
§ § Donald McIntyre (1923-2009) 'The Broads'oil on canvassigned and titled verso25 x 35.5cmGood honest untouched condition, possibly needs a light clean but no real faults noted, signed lower left, housed in the original canvas lined white frame with Phoenix Gallery of Lavenham Suffolk label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 25 x 35.5cmMcIntyre (1923-2009), Donald
§ § Henry Moore OM CH FBA (1898-1986) 'Standing and reclining figures'lithograph on plastocowell in three colourssigned in pencil and dated '5032 x 25cmOverall in honest untouched condition, colours remain strong, possibly very slight even discolouration of the unprinted border and a little light insect dirt lower right that looks like it will brush off, some slight undulation of the paper showing it not to be laid down, signed and dated lower right, plain paper mount and slim frame with Chelsea framer's label verso along with the School Prints Ltd label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 32 x 25cmMoore OM CH FBA (1898-1986), Henry
§ § Brian Hagger (1935-2006) 'Façade'oil on boardsigned and dated 1964 verso60 x 121cmOil on board in honest original condition, might benefit from a light clean but no real faults noted, housed in the original white painted frame with artist's inscription verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 60 x 121cmHagger (1935-2006), Brian
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