Suzanne Caporael (American, b. 1949). Woodcut on Torinoko Natural paper titled "Hendry's" depicting an ocean wave at Hendry's beach in western Santa Barbara in California, 2006. Pencil signed and dated along the lower right; numbered 2/30 along the lower left.Height: 14 1/2 in x width: 18 1/4 in.Condition:The colors are bold and bright. There are no tears, creases, losses, or restorations. Light wear to the deckled edges. The work is not framed.
534325 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
534325 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
534325 Los(e)/Seite
Al Held (American, 1928-2005). Lithograph on Strathmore paper depicting black cubes, 1969. Strathmore blind stamp along the lower right. Pencil signed and numbered 27/100 along the verso.Height: 34 1/4 in x width: 24 1/2 in.Condition:The colors are bold and bright. There are no major tears or restorations. Some light wear along the edges and corners. The work is not framed.
Hilda Pertha (American, 1911-2011). Ink and acrylic symmetrical abstract painting titled "Morning Reflection" recalling the mirrored glass-like reflection of clouds on a lake, 1996. Signed and dated along the lower left; further signed and titled along the verso.Sight; height: 11 1/2 in x width: 15 1/4 in. Framed; height: 20 1/2 in x width: 24 1/2 in x depth: 1 in.Condition:The colors are bold and bright. There are no visible tears, creases, losses, or restorations. Extreme edges and verso not inspected. Housed under three mats. Framed under glass; light wear to the frame. Not inspected out of frame.
Frank Gehry (Canadian/American, b. 1929) for Knoll, New York, United States. Bent and woven laminated maple wood "Cross Check" armchair. Inspired by bushel baskets and apple crates, this chair was first designed in 1990. Woodburned impressed maker's mark, signature, and manufacture date (September 30, 1994) along the underside of the seat.Height: 33 1/2 in x width: 25 1/2 in x depth: 26 in.Condition:The chair is structurally sound and stable. There are no splits to the wood, chips or cracks, losses, or repairs. There are several areas throughout where the pieces have come slightly loose or the glue has come unstuck. A few areas along the edges of the pieces with light wear or areas of rubbing. Light wear along the underside of the feet.
Elizabeth Cohen (Australian, b. 1973). Watercolor on paper painting titled "Tangiers" depicting a landscape with a crowd, moving towards the west. Signed along the lower right.Sight; height: 5 1/2 in x width: 8 in. Framed; height: 11 in x width: 14 in x depth: 1 in.Condition:The colors are bold and bright. There are no visible tears, losses, or restorations. The work is framed under glass; light wear to the frame. Not inspected out of frame.
Paul Cadmus (American, 1904-1999). Crayon on green paper drawing depicting a sketch of David with the head of Goliath. Signed along the lower right. The verso with a partial sketch of a nude male torso and head.Provenance: Estate of Paul Cadmus; The collection of Jon Anderson; Private Minnesota collection.Height: 12 in x width: 8 1/2 in.Condition:The colors are bold and bright. There are no tears, losses, or restorations. There are a few light handling creases. The work is not framed.
Richard "Dick" Huss (American, b. 1946). Group of two glass fruits. The largest signed and dated 1998 along the underside. The smaller signed and dated 1995 along the underside.As one of the most accomplished glass artists hailing from St. Paul, Minnesota, his works can be found in collections worldwide including the Art Institute of Chicago and the Corning Museum of Glass in New York.(Larger) height: 15 1/2 in x diameter: 7 1/2 in. (Smaller) height: 7 1/4 in x diameter: 5 in.Condition:All fruits are free from cracks, losses, chips, or restorations. All have a natural crackle pattern throughout. Light wear throughout all works consistent with age and display.
Janet Culbertson (American, b. 1932). Oil on canvas painting titled "Designated Site" depicting a landscape with a vibrant low-hanging orange sun above a tributary with a solitary billboard. 1996. From the "Billboard" series. Signed and titled along the verso.Provenance: Distinguished Corporate Collection, Minnesota.Culbertson is a pioneering eco-feminist artist who, in this series, juxtaposes an icon of American consumerism against the beauty of nature so often destroyed and polluted by human interference.Unframed; height: 48 in x width: 34 in. Framed; height: 49 1/4 in x width: 35 1/2 in x depth: 2 in.Condition:No apparent losses or restorations. The colors are bold and bright and the surface is stable. Light wear to the frame.
Kodjovi Olympio (Togolese/American, 20th/21st c). Acrylic on canvas painting depicting three abstracted figures against a black background highlighted by a vibrant swathe of red. Signed along the lower right.Height: 36 in x width: 48 in x depth: 1 5/8 in.Condition:The colors are bold and bright the surface is stable. Light wear along the edges. The work is not framed.
Mid-century modern pen and ink drawing depicting abstracted black shapes in spikes and balls, 1962. Illegibly signed and dated along the lower right. Similar to works by Edward Landon.Height: 19 in x width: 24 1/2 in.Condition:There are no major tears or losses. The sheet is toned. There is soiling, foxing, and possible moisture exposure throughout. There is wear, creasing and minute tears along the edges. There is a small loss along the center of the top edge. The print is affixed to a backing board. There are no signs of restoration under UV light.
Richard Merkin (American, 1938-2009). Lithograph titled "Nagasaki" depicting a colorful abstract collection of scenes including a smoking rabbit, a nude woman, and a man with a briefcase. Pencil signed and editioned A.P. along the lower left.Provenance: Merrill Chase Galleries, Chicago; Private Minnesota Collection.Sight; height: 26 3/4 in x width: 39 1/4 in. Framed; height: 36 3/4 in x width: 49 in x depth: 1 in.Condition:The colors are bold and bright. There are no visible creases, tears, or losses. There is light undulation to the sheet along the upper right quadrant. There is a minute spot of soiling along the top upper right margin. No signs of restoration under UV light. Not examined out of frame, heavy wear to the frame.
Will Wright (20th/21st c). Serigraph print on paper titled "Why" depicting a Y-shape in green against a blue background, 1976. Pencil signed and dated along the lower right; numbered 5/7 along the lower center; titled along the lower left.Sight; height: 23 1/4 in x width: 18 1/4 in. Framed; height: 25 in x width: 20 in x depth: 1 in.Condition:The colors are bold and deep. There are no visible tears, creases, losses, or restorations. The sheet is toned. There is an undulation to the sheet throughout. Extreme edges and verso not inspected. Framed under glass; light wear to the frame. Not inspected out of frame.
Don Hornberger (American, 1921-2006). Acrylic on Masonite board painting titled "Bi-Plane Dogfight" depicting two airplanes whirling through the sky. Signed along the lower left.Sight; height: 19 1/2 in x width: 23 1/2 in. Framed; height: 27 in x width: 31 in x depth: 2 in.Condition:The colors are bold and deep; they have yellowed somewhat with age. The are no major losses or tears. Under UV light there are a network of accretions and scuffs that fluoresce under UV light. There is a minute loss along the right margin of the lower right quadrant. There is wear to the frame. Extreme edges not examined.
Emmy Lingscheit (American, 20th/21st c). Pair of lithographs including "The Leap" and "Immortality" both depicting fantastical creatures, 2007.(Immortality) Sight; height: 20 in x width: 14 in. Framed; height: 26 1/2 in x width: 20 1/2 in x depth: 1 1/2 in. (The Leap) Sight; height: 20 in x width: 15 in. Framed; height: 26 1/2 in x width: 20 1/2 in x depth: 1 1/2 in.Condition:The colors are bold and bright. There are no visible tears, losses, or restorations. Light wear to the deckled edges. The works are floated in frame. Framed under glass; light wear to the frames. Not inspected out of frames.
Ron Bailey (American, 1943-1984). Oil on board painting titled "Three Teepees" depicting a western prairie landscape with three Native American tipi, 1980. Signed and dated along the lower right.Provenance: John Clarke Western Art Gallery, East Glacier Park, Montana; Private Minnesota Collection.Sight; height: 17 1/4 in x width: 23 1/4 in. Framed; height: 22 in x width: 28 in x depth: 1 1/4 in.Condition:The colors are bold and bright. There are no major losses, tears, or creases. There are several scuff marks along the top half of the image, particularly throughout the sky. No signs of restoration under UV light. Extreme edges not examined.
Louis De Mayo (American, 1926-2016). Acrylic on canvas painting titled "The Yellow Umbrella" depicting a woman shading herself with a vibrant yellow umbrella against a white background. Signed along the upper right.Unframed; height: 36 in x width: 48 in. Framed; height: 37 3/4 in x width: 49 3/4 in x depth: 1 1/2 in.Condition:The colors are bold and bright. The surface is stable. There are a few minute scattered areas of soiling throughout the white background, in particular along the top extreme edge of the upper left quadrant. There are no signs of restoration under UV light. Not examined out of frame. Wear to the frame.
Martin Kersels (American, b. 1960). Chromogenic print photograph titled "Blue Swimmer" depicting a man in a body of water, dramatically lit from above, 1999.Sight; height: 12 in x width: 18 in. Framed; height: 19 1/2 in x width: 25 1/2 in x depth: 1/2 in.Condition:The emulsion appears smooth with no breaks. There are no visible tears or restorations. There are several small creases or handling marks throughout, only visible at critical angles. Light undulation to the sheet. Extreme edges and verso not inspected. Housed under a non-acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Wooden pine Modernist corner chair with three carved grooves along the back splat. Bearing similarities to Bob & Dries van den Berghe for Tranekaer "Iris" Mid-century dining chairs.Height: 64 in x width: 31 in x depth: 20 in.Condition:The chair is structurally sound and stable. There are a few dents/chips in the arms, visible in the lot listing photographs. Light wear to the seat and legs.
Bruce Anderson (American, b. 1945). Lithograph titled "Conversation" depicting two stylized heads, July 17, 1981. Pencil signed and dated along the lower right of the right head; numbered 20/20 along the lower center of the right head; titled along the lower left of the right head.Sight; height: 22 1/4 in x width: 29 1/2 in. Framed; height: 24 1/2 in x width: 31 3/4 in x depth: 1 1/4 in.Condition:The colors are bold and deep. There is a slight undulation to the sheet. There are no visible tears, losses, or restoration. The work is floated in frame. Framed under glass; light wear to the frame. Not inspected out of frame.
Ilya Bolotowsky (Russian/American, 1907-1981). Silkscreen on paper depicting a horizontal rectangular geometric composition, largely in blue, with accents of red, yellow, black, and white. Pencil signed along the lower right; numbered 62/150 along the lower left.Sight; height: 12 in x width: 23 3/4 in. Framed; height: 22 in x width: 30 in x depth: 1 in.Condition:The colors are bold and bright. There are no tears, creases, or losses. There is a slight undulation to the sheet. No signs of restoration under UV light. Framed under glass. Not examined out of frame. Wear to the frame.
Daphne Keskinis (French/American, 20th/21st c). Enamel on copper painting titled "Flagstaff Winter" depicting a snowy city street. Signed along the lower right; further signed and titled along the verso.Sight; height: 7 1/2 in x width: 7 1/2 in. Framed; height: 16 1/2 in x width: 16 1/2 in x depth: 2 1/2 in.Condition:The colors are bold and bright and the surface is stable. There are no bends, breaks, losses, or restorations. Very light wear to the frame.
Mary Pettis (American, 20th/21st c). Oil on board painting titled "Snowy Valley," likely depicting the St. Croix River along the border of Wisconsin and Minnesota, 2007. Signed along the lower right. Further signed, dated, and titled along the verso.Sight; height: 5 1/2 in x width: 7 1/2 in. Framed; height: 8 1/2 in x width: 10 1/2 in x depth: 1 1/4 in.Condition:The colors are bright. There are no signs of tears, creases, or losses. There are no signs of restoration under UV light. Not examined out of frame, wear to frame.
Louis De Mayo (American, 1926-2016). Acrylic on paper portrait painting depicting a Native American man wrapped in a blanket or shawl. Signed along the lower left.Sight; height: 8 1/2 in x width: 6 in. Framed; height: 17 1/2 in x width: 15 in x depth: 1 3/4 in.Condition:The colors are bold and deep. The surface is stable. No visible tears, creases, or losses. There are no signs of restoration under UV light. Framed under plexiglass. Not examined out of frame. Light wear to frame.
Christiaan Karel Appel (Dutch, 1921-2006). Color lithograph on paper depicting an abstract scene in vibrant red, blue, and yellow along with deep black, 1960. Pencil signed and dated along the lower right.Sight; height: 15 in x width: 19 1/2 in. Framed; height: 21 1/4 in x width: 27 in x depth: 1/2 in.Condition:No visible creases, losses, or tears. There are no signs of restoration under UV light. Framed under glass. Not examined out of frame. Wear to the frame.
PaJaMa Group (Paul Cadmus (1904-1999), Jared French (1905-1987), and Margaret Hoening French (1889-1973)). Gelatin silver print photograph depicting two figures, Margaret and Jared French, next to a checkerboard wall with the ocean in the background. Photographed by Paul Cadmus. Depicting a scene in Nantucket, possibly a structure called Target House, 1946. Pencil inscription along the verso with subjects and date. Ink stamp along the verso.Reference: PJM 11205.Provenance: Estate of Paul Cadmus; The collection of Jon Anderson; Private Minnesota collection.Height: 4 3/8 in x width: 6 5/8 in.Condition:The emulsion is smooth with no breaks. There are a few creases throughout, visible at a critical angle. Light wear along the edges. Along the verso there are a few spots of foxing. There are four spots in either corner with residual adhesive and paper. The work is mounted in a mat with four plastic corner tabs. Housed between two non-acidic mats. Not framed.
Richard Tuttle (American, b. 1941). Lithograph and collage titled "Folded Space" depicting an angular composition of colorful stripes and text, 1993. Pencil signed and numbered 123/200 along the lower right. With documentation contained within a sleeve affixed to the verso.Sight; height: 10 3/4 in x width: 19 in. Framed; height: 15 3/4 in x width: 22 3/4 in x depth: 2 in.Condition:There are no visible tears or restorations. The sheets are toned. There is a crease running through the sheet with text on it. There is a slight undulation to the work overall. The work is floated in frame. The work is framed under glass; light wear to the frame. Not inspected out of frame.
Warren MacKenzie (American, 1924-2018). A pair of studio pottery ceramic bowls. Stoneware with Dolomitic Matte glaze dipped over Tenmoku glaze. Each stamped along the foot rim.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.(Each) Height: 2 1/2 in x diameter: 5 1/2 in.Condition:There are no visible cracks, chips, or losses. There is light wear to the footrim, as expected from age and use. There are no signs of restoration under UV light.
Kiki Smith (German/American, b. 1954). Signed original print titled "Untitled (Face in Plaster)" depicting a nude woman with her head covered in plaster, 1996. Signed and dated along a sticker affixed to the verso.Sight; height: 8 3/4 in x width: 5 3/4 in. Framed; height: 17 in x width: 14 in x depth: 1 in.Condition:There are no tears, creases, losses, or restorations. The colors are bold and deep. There is very minor wear to the extreme edges. The works is affixed to a non-acidic mat with four plastic corner tabs. Housed under a non-acidic mat. Framed under glass; light wear to the frame.
John Wilde (American, 1919-2006). Silverpoint, wash, and pencil drawing titled "Portrait of Huge Black" depicting somewhat surreal portrait of Hugo Lafayette Black (American, 1886-1971) seated in robes. Black served as a U.S. Senator in Alabama from 1927 to 1937 and as an associate justice of the U.S. Supreme Court from 1937 to 1971. Dated along the upper right. With a quote from Black reading "No Law Means No Law" along the lower center.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 18 in x width: 8 3/4 in. Framed; height: 23 1/2 in x width: 14 in x depth: 3/4 in.Condition:There are no apparent creases, tears, losses, or restorations. Extremely light undulation. Extreme edges and verso not inspected. Not inspected out of frame. Framed under plexiglass; light wear to the frame.
Colleen Browning (English/American, 1918-2003). Oil on canvas painting titled "Sly's Eye," depicting a graffiti filled exterior subway train with three individuals inside, 1977. Signed and dated along the lower right. The verso with a Kennedy Galleries, New York label as well as exhibition history labels.Provenance: Kennedy Galleries, New York; Distinguished Corporate Collection, Minnesota.Exhibition: Indianapolis Museum of Art, "Painting & Sculpture Today 1978," June 15 - July 30, 1978; Terra Museum of American Art, "Solitude - Inner Visions in American Art," September 25 - December 30, 1982.Unframed; height: 45 3/4 in x width: 56 1/2 in. Framed; height: 52 in x width: 62 1/2 in x depth: 1 3/4 in.Condition:There are no visible cracks, losses, or restorations. The colors are bold and deep and the surface is stable. There is a small scratch to the surface of the paint along the cetner. Some light soiling to the verso, likely original to the artistic process. Light wear to the frame.
Warren MacKenzie (American, 1924-2018). Group of three ceramic vessels including one vase, one bowl, and one cup. High-fired stoneware with copper green oribe style glaze. The vase and the cup are marked along the underside.Warren MacKenzie was a renowned Minnesota studio potter. A student of Bernard Leach and Shoji Hamada, he is credited with bringing the functional Mingei tradition to the United States, and spreading it through his own art and mentorship of students during his long tenure at the University of Minnesota.Height ranges from 1 3/4 in to 5 in; diameter ranges from 3 in to 5 3/4 in.Condition:There are no chips, cracks, losses, or restorations. Crazing to the glaze throughout. Light wear along the underside consistent with age and use.
Andrew Lazarie (American, 20th/21st c). Mixed media artwork titled "The Mystic," 1992. Signed and dated along the lower right; further signed, titled, and dated along a plate affixed to the verso.Height: 36 1/4 in x width: 25 1/4 in x depth: 1 1/2 in.Condition:There are no major bends, breaks, losses, or restorations. Light wear throughout, mostly along the sides.
Hugh Kepets (American, b. 1946). Large acrylic on canvas painting titled "Madison Square II" depicting a modernist view of architectural elements at Madison Square in New York City, 1979. Signed, titled, and dated along the stretcher along the verso. With a Fischbach Gallery label affixed to the verso.Provenance: Fischbach Gallery, Miami Beach, Florida; Distinguished Corporate Collection, Minnesota.Unframed; height: 72 in x width: 60 in. Framed; height: 73 1/4 in x width: 61 1/4 in x depth: 2 1/4 in.Condition:Colors are bold and deep. Surface is stable. There are no visible losses, tears, or signs of restoration. Light wear to the frame and stretcher.
THE BEATLES - REVOLVER LP (PMC 7009 - MONO FIRST PRESS - WITHDRAWN MIX). A lovely original mono pressing of The Beatles - Revolver (PMC 7009, 606-1/ 605-2, mono OG, withdrawn mix). The record is in strong VG+ condition with a few light hairlines and surface marks. The black and yellow centre label is clean with minor storage wear. The sleeve is in sharp Ex condition. A lovely copy).
THE BEATLES AND RELATED - 7" COLLECTORS PACK. A wonderful selection of 8 7" by The Beatles and related. The Beatles titles include Another Beatles Christmas Record (x2) inc (LYN 757, records have some shadowing, light creases, VG. Sleeves have some staining/ writing/ light edge tears), Strawberry Fields Forever (x3) inc (R5570, record VG+) & (602557385618, x2. Both M/ Sealed), The Beatles (5099968004576, set includes 4x 7" singles. Poster and single 'hub' centre. M/ Sealed), Magical Mystery Tour (5099940490892, Deluxe Collector's Edition. M/ Sealed) & Ringo Starr - Ringo (5099992877078, 3x 7" set with poster and custom plastic adapter 'hub'. M/ Sealed).
THE BEATLES - WHITE ALBUM LP (UK STEREO - LOW NUMBER - 0014878 - COMPLETE - PCS 7067). A lovely low-numbered top-opening UK stereo pressing of The Beatles self-titled 'White Album' (PCS 7067, UK pressing that includes all 4 picture inserts, lyric poster and black paper inner sleeves. Labels all have "An EMI Recording" text. Records are both VG, display numerous hairline/ light surface marks, nothing feelable of note. Top opening gatefold sleeve with low number: 0014878 is in lovely VG+ condition, displaying only minor age-related yellowing. Some minor laminate lifting around The Beatles cover lettering).
A collection of Paul McCartney and Wings-related items of clothing to include: three tote bags, four t-shirts (1x 2XL, 3x XL) one large jacket (driving rain), a cap, and a Good Evening Europe 2009 scarf. Also included is a wings badge set, a light cube, and an unopened Stella McCartney envelope.
THE BEATLES - SGT PEPPERS LONELY HEARTS CLUB BAND LP (PMC 7027 - STOCK MONO ORIGINAL - FOURTH PROOF). A lovely example of a stock original copy of The Beatles - Sgt Peppers Lonely Hearts Club Band (PMC 7027, stock mono original). The record (PMC 7027, -1/-1) is in Ex condition displaying a few light surface marks - the classic black/ yellow labels are crisp and clean. The sleeve ('Fourth Proof' on the inside of the gatefold) is in Ex condition with light creasing to the corners and minor staining (which will likely clean off) to the bottom right of the cover.
THE BEATLES - LET IT BE BOX (JAPANESE - AP-9009). A scarce Japanese boxed pressing of Let It Be by The Beatles (AP-9009, 1970 Limited Edition Japanese pressing on Apple. Record is sharp Ex condition. 5S/ 4S matrix. Labels are bright and clean. Sleeve with red apple on rear is in strong VG+ condition, has some light edge storage wear. Includes insert. The booklet is in wonderful Ex condition. Inner trays and outser slipcase are VG, have some tearing/ creasing).
THE BEATLES - PLEASE PLEASE ME LP (UK MONO 3RD PRESS - PMC 1202). A nice UK 3rd mono LP pressing of The Beatles debut studio album Please Please Me (PMC 1202, UK 3rd pressing on Parlophone. Black/ yellow labels with 33 1/3 logo are bright and clean. 1N/ 1N matrix. The record is in glossy VG+ condition, displays some light paper marks, nothing feelable of note. Sleeve is a first printing with Angus McBean photo credit to the far right corner of the bottom right of the cover. Sleeve is G condition, has heavy shelf wear, light edge splits and some tearing to the rear tabs).
THE BEATLES - WHITE ALBUM LP (UK STEREO - LOW NUMBER - 0010422 - COMPLETE - PCS 7067). A sought-after low-numbered top-opening UK stereo pressing of The Beatles self-titled 'White Album' (PCS 7067, UK pressing that includes all 4 picture inserts and the lyric poster. Labels all have "An EMI Recording" text. Record 1 is VG, displays numerous hairline/ light paper marks. Record 2 is VG+. Top opening gatefold sleeve with low number: 0010422 is in lovely VG+ condition, displaying only minor age-related yellowing).
An approx 26.5 X 18 cm fully signed Beatles photograph. The photograph is signed by George Harrison, John Lennon, Ringo Starr and Paul McCartney. McCartney's signature is faded and appears above his head in the picture and the signature imprint is visible in a certain light. The photo is backed to a thick card. A letter of COA from the photographer Peter Saunders who witnessed them signing the photograph in 1963 is also included.Signatures authenticated by Roger Epperson prior to this sale.
THE BEATLES - REVOLVER LP (PMC 7009 - MONO FIRST PRESS - WITHDRAWN MIX). A lovely original mono pressing of The Beatles - Revolver (PMC 7009, 606-1/ 605-2, mono original pressing with the withdrawn mix). The record is in glossy VG condition with a few hairline/ light surface marks, but nothing feelable of note. The sleeve is in VG+ condition, bright clean covers with a light crease to the cover laminate on the right side.
THE BEATLES - WHITE ALBUM LP (ORIGINAL UK MONO COPY - NUMBER 0040023). A splendid original UK mono copy of The Beatles' self-titled album, also known as The White Album. (PMC 7068, -1/-1/-1/-1, no EMI text to labels). The records are in VG+ condition displaying some light shadowing and hairlines/ scuffs. The top-loading sleeve is in VG+ condition with creasing to the bottom right corner as well as edgewear. Complete with 4 photographs, original black inserts and poster.
THE BEATLES - WHITE ALBUM LP (UK NO. 0021405 W/ PICS & POSTER - PMC 7067). An early top-opening sleeve copy of The Beatles self-titled 'White Album' No. 0011688 (PMC 7067, UK press. Includes 4 picture inserts, poster/ lyric sheet and plain spacer sheet for pictures plus original black paper inner sleeves. All labels emit the 'An EMI Recording' text. All bright and clean. The record sides are a mixtue of VG and VG+, display some hairline/ light marks. Some sides display more than others. Nothing feelable of note. The top-opening sleeve is in clean Ex condition, with only minor age-related yellowing. A great copy).
THE BEATLES - LET IT BE BOX LP w/ BOOKLET (PXS 1). An excellent copy of the Let It Be (PXS 1) boxed LP set with booklet and lesser-seen advertising/ poster sheet. LP (PCS 7096, 3U/ 2U matrix. Labels are bright and clean. Record is glossy VG+, it displays a small number of hairline/ wispy paper marks/ sleeve with green apple on the rear is in strong VG condition, displaying a couple of light creases to the front and rear laminate. The box that includes of the inner trays, not both is in nice VG+ condition. Slipcase are all in solid VG+ condition. The booklet is in clean Ex condition. Includes a promo advertising/ poster sheet).
THE BEATLES - THE COLLECTION (ORIGINAL MASTER RECORDINGS COMPLETE MFSL BOX SET - 'BC-1'). A key addition to any Beatles collection with this complete 14 x MFSL Original Master Recording LP box set. A US-only release in 1982, this is hand-numbered 13722. The records are in Ex+/ Archive condition and appear to have been played sparingly. With Geo-Disc. Complete with book which contains the certificate of limited warranty and additional insert. The outer box is in clean Ex condition showing a couple of very light and minor scuffs. The latch is in full working order.
A full set of four prints from the first run of Richard Avedon portraits of The Beatles (each approx 19 x 27"), offered by the Daily Express in 1967. Also the accompanying group shot (14.5 x 40" approx). All in F condition, good colours, rolled, clean backs, some light edgewear, storage wear most pronounced to John Lennon image.
LES BEATLES - LES BEATLES (10" - 45 900 - ORANGE LABELS). An exciting 10" LP here by Les Beatles (10", Polydor 45 900, France, 1964, orange labels). Side 1 is in strong VG condition with some surface scuffs/ hairlines, Side 2 is in G+ condition with some heavier hairline marks - some of which are feelable. Centre labels are bright and clean. The sleeve is in VG+ condition with wear to the corners and light creasing - no rips or tears.
THE BEATLES - YESTERDAY AND TODAY LP (US STEREO THIRD STATE BUTCHER SLEEVE - CAPITOL - ST-2553). A scarce, third state US stereo LP 'Butcher' sleeve copy of The Beatles album Yesterday And Today (ST-2553, 1966 US stereo pressing on Capitol Records. Rainbow rim labels without subsidiary rim text are bright and clean. The record is in glossy VG+ condition, displays some light/ hairline paper marks. Third state peeled 'Butcher' sleeve has the regular tearing to the cover, No: 5 to the left of the RIAA logo on the rear. Sleeve is VG condition).
THE BEATLES - LP COLLECTORS PACK. Another wonderful selection of 7 LPs by The Beatles. Titles include Yellow Submarine (PCSJ 7070, South African misprint LP. Track B6 incorrectly listed as "Pperland" instead of "Pepperland". Record is VG+. Has some light paper marks and would benefit from a professional clean. Comes in a UK mono og (PMMC 7070) sleeve with 2 red lines on the back cover, VG+ condition), White Album (PCS 7067, side opening sleeve No: 237799. Includes 4 picture inserts and poster. Records Ex/ sides 1 & 4 have a blue sticker on the label. Sleeve Ex, red sticker on the top right corner of the cover), Abbey Road (x2) inc (PCS 7088, misaligned apple sleeve. -2/ -1 matrix. Record VG/ sleeve VG+) & (PCS 7088, UK '78 green vinyl. VG record/ misaligned apple sleeve has been tripped down the opening edge, G+), A Hard Days Night (PMC 1230, 3N/ 3N. VG+/ Ex), Please Please Me (PMC 1202, UK 7th press. VG+/ Ex) & With The Beatles (PMC 1206, 5N/ 5N matrix. Dominion credit. VG+/ VG).
THE BEATLES - ABBEY ROAD LP (ORIGINAL UK EXPORT COPY - PARLOPHONE PPCS 7088). Extremely hard to find original Parlophone (black and yellow label design) export copy of Abbey Road. Side 1 of the record (PPCS 7088) is in VG condition with some hairlines, one of which is feelable. Side 2 is in G+ condition with a few light surface marks/ hairlines. The eye-catching black/yellow deep-grooved labels are in neat order. Matrix (machine stamped): YEX 749 A-3U & YEX 750-1. The original sleeve (with original Parlophone export sticker to the reverse possibly covering the apple) is in VG+ condition with creasing to the edges/corners and minor lifting to the laminate.
THE BEATLES - WHITE ALBUM LP (UK EXPORT COPY - PARLOPHONE - P-PCS 7067). A scarce UK export pressing of The White album by The Beatles (P-PCS 7067, 1968 stereo export pressing on Parlophone. Includes black inner sleeves, poster and 4 picture inserts. Labels are bright and clean. Matrix/ stampers: YEX 709-1 GDD 2/ 710-1 LG 4/ 711-1 PM 4/ 712-2 GOP 1. Record 1 side 1 is in G+ condition with some hairline marks, some feelable and Side 2 is in VG condition with a light feelable hairline as well as other light scuffs. Record 2 side 1 is in G+ condition with a feelable mark and side 2 is in VG condition with lighter hairlines/ scuffs. Top opening sleeve No: 0083183 is in lovely VG+ condition, covers are all bright and clean, has some minor wear to the edges).
THE BEATLES - CD BOX SETS. Another super selection of 4 x limited edition CD box sets. Titles are The Beatles In Mono (5099969945120, Worldwide edition. 13x CD set. Appears to be in Ex/ Like New condition) and The Beatles ('The Original Studio Recordings') (5099969944901, 16x CD set appearing to be the original European high quality pressing - all in Ex/ Like New condition. Slip case is VG+, has some light storage wear/ bumping).

-
534325 Los(e)/Seite