Tuten (Frederic) Lichtenstein at Gemini, with 6 Cathedral plates and 6 (of 7) Haystack plates only (lacking Haystack 7), colour plates, loose with text in original paper folder, spine rubbed, oblong 8vo, Los Angeles, 1969 § Hartung (Hans) Grands Formats 1961-1971, exhibition catalogue, 4 original colour lithographs, original pictorial wrappers, light spotting to upper cover, small 4to, Saint Paul de Vence, Fondation Maeght, 1971 § Hockney (David) Six Fairy Tales from the Brothers Grimm, illustrations, note in ink on final leaf, original blue rexine, 113 x 77mm., Petersburg Press, 1970 (3)⁂ The first depicts Lichtenstein's versions of Monet's famous series of Rouen Cathedral and Haystacks, using Lichtenstein's typical dots in yellow, red, blue and black.
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Gernsheim (Helmut) Incunabula of British Photographic Literature: A Bibliography...1839-75..., London & Berkeley, 1984 § Harker (Margaret) The Linked Ring: The Secession Movement in Photography in Britain, 1892-1910, 1979 § Ovenden (G.) & Robert Melville. Victorian Children, occasional light spotting, London & New York, 1972, first editions, illustrations, original cloth or boards with dust-jackets, the last price-clipped and slightly rubbed; and 8 others on early photography, 4to (11)
Fleming (Ian) The Spy Who Loved Me, abrasion mark to endpaper, slight shelf-lean, spine ends bumped, 1962; Jamaica, plates, ink inscription, dust-jacket, corners a little chipped, light rubbing and creasing to head and foot, 1965; The Man With the Golden Gun, spine ends and corners a little bumped, 1965, first editions, original boards; and 3 others, Fleming and Bond, 8vo (6)
Greene (Graham) The Third Man and the Fallen Idol, minor bumping to spine ends and corners, jacket lower joint with tissue repair to verso, spine ends and corners chipped, extremities rubbed, 1950; The Heart of the Matter, fore-edge spotted, jacket with tissue repairs to verso, light toning to lower panel, creased at head and foot, 1948; The End of the Affair, browning to front and rear endpapers, jacket spine browned, spine chipped at head affecting first letter of title, minor chipping to foot of spine and corners, light surface soiling, 1951, first editions, original cloth, dust-jackets, very god copies overall, 8vo (3)
Huxley (Aldous) Brave New World, first edition, spotting, spine creased and faded, spine ends and corners a little bumped, 1932; Island, jacket spine faded, spine ends a little creased and chipped, 1962; The Doors of Perception, light browning to endpapers, jacket with closed tear to head, chip to head, 1954; and 11 others by the same, 8vo (14)
Lowell (Robert) Poems 1938-1949, light browning to endpapers, jacket spine faded, ink ownership inscription to head of upper panel, minor chipping to spine ends and corners, 1950; Life Studies, light browning to endpapers, jacket spine faded, spine ends chipped, 1959 § Carson (Ciaran) Letters from the Alphabet, one of 500 copies signed by the author, 1995, first or first English editions, original boards, dust-jackets; and 3 others, poetry, 8vo & 4to (6)
Marsh (Ngaio) Singing in the Shrouds, first edition, original boards, dust-jacket with light surface soiling, minor chipping and creasing to head and foot, 1958; False Scent, first edition, light browning to endpapers, original boards, dust- jacket spine ends and corners a little chipped, 1960; Black as he's Painted, uncorrected proof copy, original printed wrappers, 1974; and 6 others by the same, 8vo (9)
Rendell (Ruth) A New Lease of Death, small abrasion mark to front free endpaper, jacket price-clipped, with small abrasion to upper panel, light rubbing, otherwise excellent, 1967 § Dexter (Colin) The Riddle of the Third Mile, light toning to text margins, jacket unpriced, 1983; The Secret of Annexe 3, light toning to text margins, jacket unpriced, very light toning to spine, 1986, first editions, original boards, dust-jackets, generally excellent or near-fine copies, 8vo (3)
Rodker (John) Poems, first edition, number 40 of 50 copies numbered by the author on front free endpaper, signed presentation copy from the author to Edith M.Bushell inscribed at head of title, very light spotting at beginning and end, ex-library copy with small ink stamp on pastedowns and pencil accession number on verso of title but otherwise unstamped, original pictorial boards by David Bomberg, rubbed, spine worn, lower cover stained, privately printed, 1914 § Eluard (Paul) Poésie et Vérité 1942; Poetry and Truth 1942, translated by Roland Penrose and E.L.T.Mesens, number 483 of 500 copies signed by the translators, this copy also inscribed by E.L.T.Mesens with quotation on half-title, portrait of Eluard by Man Ray, original printed yellow wrappers, uncut, dust-jacket, a little browned, slight wear to spine and corners, London Gallery Editions, 1944, 8vo (2)⁂ The first item is the first book by the modernist poet and publisher John Rodker, one of the "Whitechapel Boys" along with David Bomberg, Mark Gertler and Isaac Rosenberg.
![Cunard (Nancy) Parallax, first edition, [one of c.420 copies], very light spotting to endpapers, original pictorial cream boa](https://cdn.globalauctionplatform.com/36d6827e-2878-4904-9015-a87100bf908c/eab69ce0-8256-464a-dbfb-41c3f4df36be/468x382.jpg)
Yeats (William Butler) Beltaine. The Organ of the Irish Literary Theatre, first annual volume, comprising nos. 1-3 (all published), advertisements, original boards with printed paper label, spine browned, spine ends and corners bumped, some light marking to upper cover, [Wade 226], 4to, 1899-1900.
Johnston (Priscilla) The Mill Book, illlustrations by David Pepler and Ronald Seal, light damp-staining to rear endpapers, original pictorial boards, uncut, slightly rubbed, Hammersmith and Ditchling, Douglas Pepler, 1916 § Cotton (Charles) Poems..., special edition on hand-made paper, illustrations by Claud Lovat Fraser, prospectus loosely inserted, original cream buckram, gilt, uncut, dust-jacket (frayed at spine and corners), Poetry Bookshop, [1922] § Beckford (William) Vathek, limited edition, colour plates, original vellum-backed boards, gilt, Nonesuch Press, 1929 § Gill (Evan R.) Bibliography of Eric Gill, illustrations, original cloth, dust-jacket, 1953; and 2 others, 8vo & 4to (6)
Smith (Aaron) The Atrocities of the Pirates..., number 81 of 500 copies, wood-engravings by Eric Ravilious, light browning to title and frontispiece, original buckram-backed boards, t.e.g., Waltham St.Lawrence, Golden Cockerel Press, 1929 § David (Villiers) A Winter Firework, number 45 of 150 copies, illustrations by Osbert Lancaster, original buckram-backed patterned cloth, browned, Golden Cockerel Press, 1937 § Melville (Herman) Benito Cereno, limited edition, hand-coloured pochoir illustrations by E.McKnight Kauffer, original buckram, spine faded and slightly frayed at head, Nonesuch Press, 1926 § Beckford (William) Vathek, limited edition, colour illustrations by Marion V.Dorn, original vellum-backed boards, gilt, spine browned, Nonesuch Press, 1929, plates and illustrations, all uncut, a little rubbed; and 3 others from the same presses, v.s. (7)
Stanbrook Abbey Press.- Augustine (Saint) "Question the Beauty of the Earth...", from a Sermon, illuminated with initial in blue and three dragon flies at foot in gold, blue and green by Margaret Adams, [1957]; another copy, initial in gold and bird with flowers at foot by C.H. and Margaret Adams, [?1957] § Shakespeare (W.) "Some Say that Ever..." from Hamlet, initial in gold with star and cockerel in green, n.d. § Henry VI, King of England. Prayer, [2 copies], one with initial in gold and decoration in colours by Margaret Adams, the other by C.H. & M.Adams, n.d. § Ullathorne (W.B.) On Freedom "A Man is Corporally Free..", printed in green and black with initial in gold, n.d., all single illuminated sheets, on handmade or Japanese paper, loose in original printed wrappers, some wrappers a little soiled, the first with light staining causing very faint small patch to leaf within, Worcester, Stanbrook Abbey Press; and a small bundle of pamphlets and ephemera from the press including an A.L.s. from Dame Hildelith Cumming, v.s. (a bundle)
Erotica.- Bayros (Franz von) Götterliebschaften, number 2 of 50 special signed copies, from an edition limited to 550, pictorial title and 10 plates by Bayros, each signed by the artist in pencil and mounted with slip of text on thick paper with tissue guard (one guard slightly torn), some light marginal staining and soiling, loose as issued in original roan-backed pictorial board portfolio, rubbed, repair to upper board, spine faded, 4to, Vienna, Artur Wolf, 1914.
Fashion.- Beaton (Cecil) Cecil Beaton's Scrapbook, light spotting, original half cloth over floral-patterned boards, rubbed, 1937 § Martin (Richard) Fashion and Surrealism, 1988 § Weill (Alain) Parisian Fashion...La Gazette du Bon Ton 1912-1925, text in English, French & German, Paris, 2000 § O'Hagan(H.) & others. Bill Blass: An American Designer, New York, 2002 § Moffitt (P.) & others. The Rudi Gernreich Book, Cologne, 1999, illustrations, all but the first original cloth or boards with dust-jackets; and c.35 others on fashion, some catalogues/pamphlets, v.s. (c.40)
Movie Props - Robocop - a screen used prop, Omnicorp ID, Dr Norton, Played by Gary Oldman; a screen used prop, Omnicorp Dept. of Defence ID, Dr Norton, Played by Gary Oldman; a screen used prop, watch and wedding ring set, used by Dr Norton, played by Gary Oldman; Movie Props - Robocop - a screen used prop, pen light and Pierre Cardin pen, used by Dr Norton, played by Gary Oldman, with combined certificate; a screen used prop, Tablet, used by Gary Oldman as Dr Norton
A George III mahogany circular Lazy Susan, moulded oversailing dished top centred by a shell patera within alternating boxwood bands, pedestal socle, turned circular base, 16cm high, 53cm diam, c. 1820 Condition Report: The shell patera probably a later 19th century embellishment. Some very light wear.
Chinese School (19th century)Seated Official and His Young Attendant, the background with a table of precious objectswatercolour and gouache on pith paper, 31cm x 18cm Condition Report: The paper with two minor creases, light grime and minor discolouration, the pigments generally in good order. Wear to frame.
A Chinese Republican turquoise monochrome model, of a temple lion, he sits with one paw on an 'embroidered' reticulated ball, his mouth agape presenting ferocious teeth and tongue, incised throughout with anatomical detailing and scrolls, pierced and lobed square base, 26cm high, impressed twice with three-character marks Condition Report: Anticipated stable, light crazing in parts. Some minor nibbled losses to glaze, including one to one of the back angles of the base - but light, stable and displaying and standing well.
A 19th century French brown patinated bronze so-to-bed, the tapering reservoir boldly cast in alternating tones of high and relief with friezes of frolicking putti, surmounted by female caryatids, domed hinged cover with reserves of beetles and insects, bud finial, spreading circular base cast with fruiting vine, stamped A.D. in the maquette, 12.5cm high, c. 1870 Condition Report: Generally good condition. Some light rubbing to detail, minor surface wear and scratches. Signs of solder to rim. The whole mildly askew, so should be reassembled and tightened.
A pair of Chinese hardwood carvings, of boys astride water buffaloes, the beasts with inset glass eyes, ebonised hardwood pierced stands, 11cm high, 24cm wide, early 20th century Condition Report: Generally good condition with signs of light wear, including light scratches; one stand with a stable split.
A pair of late 19th century Chinese hardwood carvings, of a boy astride a water buffalo, the boy carrying a haystack on his own back, the beast with glass eyes and two rows of horn teeth, carved and pierced shaped stands, 21cm high, 31.5cm wide, c. 1890 Condition Report: Some scratches and light wear to carvings. Stable splits to verso of stands - but light and standing, displaying well overall.
Prussian Garde (Guard) Uhlan Helmet, superb condition all leather body Guard Uhlan enlisted ranks helmet, complete with its metal non-removable mortarboard top, original chinstrap, all fittings in chemically treated field grey, complete with its black and white cloth covering over wood cockade with its standard red, white and black state cockade. To the interior the light tan leather liner is all complete with its original drawstring, stamped size ‘53½’ to the interior with maker’s stamp and date ‘1916’. The front Guard plate has its Guard Star missing, many helmets were issued without this Guard Star at this stage of the conflict, no extra holes. Featured on page 184 of Feldzug 15.
WW1 German Medical Pattern Water Bottle, excellent condition large capacity bottle used by medical personnel, covered in field grey material, light tan leather cradle which is all complete and strong. Complete with its long canvas and leather shoulder strap. To the reverse side of the leather an old U.S. surplus dealer ‘Quartermaster Depot Military Surplus, Louisville, Kentucky’ stamping. Featured on page 71 Feldzug 17.
WW1 German Gew98 Ammunition Pouches, a very close matching pair of light tan near mint condition ammunition pouches for the Gew 98 rifle ammunition. Identical stitching and rivets, one maker marked ‘MUHLENFELD & KO 1915’ other marked ‘ZRN1915’. Tip of one leather closing tab broken. One upper inner lid marked with army group marking which is faint. Featured on page 42 of Feldzug 15.
Gas Mask in Belt Carrying Canvas Container, this very unusual gas mask container with its gas mask to the interior with printed instructions to the upper inner lid ‘Mask of canvas type with filter contained in the rare canvas bag with a further container with spare filter. Interior bag marked ‘Carl Oswald, Berlin’. Some light staining overall and original owner’s name applied within indelible pencil to the outside of the bag. Featured on page 167 of Feldzug 17.
1908 Pattern Bavarian Greatcoat, the all grey 1908 pattern, good nap to cloth, some light staining at the front, Bavarian army group marked ‘B.A.II’ with end of date indistinct, maker’s stamping and size stampings, only very minor moth nips having simplified shoulder straps to Bavarian Infantry Regiment 23. Featured on page 44 of Feldzug 15.
Imperial German M.15 Baden Infantry Regiment NCO’s Greatcoat, good private purchase greatcoat, some light moth to the area around the buttons and lower front flap. Some staining to the front left hand panel. All white metal buttons. Fitted with shoulder boards. Label to interior with regimental number ‘111’. Featured on page 36 of Feldzug 16.
Bavarian Model 1916 Universal Greatcoat, excellent example, complete with Bavarian and NCO lace to collar, some light peppering of moth, deep standard configuration. Good nap of cloth overall. Unidentified marking ‘Z.EBR.’ to interior plus size markings. Loops fitted for shoulder straps. All plain domed field grey buttons. An example of as shown on page 191 of German Army of the First World War by Jurgen Kraus.
Imperial German Stag Handled Fighting Knife, overall length 25cms. The blade is generally good very light etched with 42cm shell with lettering ‘Deutscher Brummer DRGM’ with its undamaged stag handled grip in its original fitted scabbard, which has only faint traces of its original black paint finish remaining. The belt loop and hilt retaining strap and buckle good with unusual blade retaining strap for the scabbard.
Selection of Fabric Taken from the Aircraft of the Famous German Flying Ace Baron Manfred von Richthofen “The Red Baron”, a 9.5 x 5.5 section of fabric from the crashed Fokker tri-plane of the famous ace Baron von Richtofen. His Fokker Dr-1 was originally painted in a light blue before being overpainted in the famous red. This section of fabric has at least 50% of the red still affixed and the blue base colour remains in areas also. The fabric piece is contained in a small envelope, which printed to the top reads “From Bishop Wordsworth School, Sailsbury” and in period script “Piece of Baron von Richthofen’s machine”. Fragments of the blue paint can be found within this envelope. Accompanying the fragment is a Technical Notes for the Royal Flying Corps publication, 1918 dated wireless report from a Lieutenant Baker RAF, a General Staff Intelligence summary of information sheet and a large brown envelope with postmark 1956 addressed to a Mr Happold in Salisbury, Wiltshire. We can only assume that a member of the Royal Flying Corps and later Royal Air Force, Lieutenant Baker acquired this fragment after the plundering of the Red Baron’s machine and gave it to his old school Bishop Wordsworth School, Salisbury.
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