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1923 FA Cup Final match ticket between West Ham United and Bolton Wanderers on 28th April at the Empire Stadium Wembley,the North Stand ticket block G, row 22, seat 7, good conditionBolton Wanderers beat West Ham United 2-0 in the first Cup Final played at the newly-built Wembley Stadium, where vast crowds were in attendance on the day, resulting in an overflow from the terraces onto the pitch area, leading to a delay of 45 minutes as crowds were ushered around the perimeter of the pitch by mounted policemen and particularly one on a light grey horse named "Billy" which lead to the match being referred to as the 'White Horse Final.'
A unusual sporting cap issued in Jellalabad, Afghanistan in 1896,the quartered cap inscribed JELLALABAD XIII, with moitf incorporating a castle turret and hunting horn, the interior with extensive embroidered inscription for CH OAKLEY, DURAND CUP 1896, MURREE CUP 1898 & 1899 & 1900, PUNJAB BENGAL ARMY CUP 1899 & 1900This cap is from the Somerset Light Infantry. Jellalabad was one of their battle honours and XIII was their old regimental number under the numerical system. The sport would have been cricket.
A signed 2002 F.A. Cup final match football between Arsenal FC v Chelsea FC, played at the Millennium Stadium Cardiff on 4th May 2002,the white ball with navy and light blue darts, printed AXA, FIFA, F.A. logos, 18 signatures in black marker penArsenal won 2-0 through goals from Ray Parlour and Freddie Ljungberg.Provenance:The Paul Johnson Collection, Arsenal FC equipment manager. Lots 856 to 1008.
Sylvinho Celta Vigo light blue No.3 jersey, from the UEFA Champions League second round matches v Arsenal FC, played February and March 2004,match issue, short-sleeved, UCL starball badge to right sleeve, the reverse lettered SYLVINHOSylvinho wore the light blue jersey in both matches. In Spain Arsenal won 3-2 and at Highbury 2-0.Provenance:The Paul Johnson Collection, Arsenal FC equipment manager. Lots 856 to 1008.
Four volumes on polo,i) "Polo" by J. Moray Brown, illustrated by Cuthbert Bradley, gilt pictorial brown cloth, Vinton & Co., London, 1895, good except for discolouration patch to back coverii & iii) "Hints To Polo Players in India" by Captain H. De B. DeLisle, papered boards, Gymkhana Press, Bombay, 1897, good; and the 2nd edition, 1901, weak at spineiv) "History of the Polo Club, 2nd Bn The Durham Light Infantry, 1919-1926" by R.F. Ware, Club Secretary, 1926, good
The very rare stevengraph of the 19th century Australian jockey Tom Hales,silk woven portrait published by Thomas Stevens of Coventry, the jockey wearing light blue & white colours, modern replacement mount with hand written inscription "Tom Hale" [sic], matted in modern gilt picture frames under glass, 20 by 15.5cm.It is understood that the stevengraphs of Hales were the result of a private commission of a Mr Edwin Schofield from Sydney.
A 1969 Jensen Interceptor Series I, registration number 42 LOF, chassis number 115-3211, aubergine. First shown to an appreciative general public at the October 1966 Earls Court Motor Show, the Touring of Milan designed Interceptor certainly caused a sensation. Initially built by Vignale of Turin, the Interceptor was quickly taken back and assembled inhouse due to quality control issues. The Series I Interceptor would remain in production until October 1969 when the Series II became available. This example we have the pleasure of offering for auction is somewhat different from the normal Interceptor as it has been upgraded to a unique specification. Thirteen years ago the car was completely stripped and re-built by a South Coast Classic Car Company as a feasibility study into the possibility of producing and marketing a more modern, more economical and reliable Interceptor. Although the car proved very successful, due to other business commitments the project did not go ahead and this is one of a kind. The original 6.3 litre V8 Chrysler engine and three speed automatic transmission have been replaced by a Buick derived 4 litre V8 engine with a five speed manual transmission. This reduced the weight of the car considerably still giving the car more than adequate performance and much improved MPG. The original rear axle was retained, as was the rear suspension with new springs and adjustable shock absorbers. The front end of the car is as per Mk III Interceptor incorporating better suspension with adjustable shock absorbers, vented disc brakes and power assisted steering. The car is also fitted with a stainless steel exhaust system throughout. The bodywork was fully rebuilt at the time and incorporated some alterations including different rear light assembles, similar to the CV8, front side lamps and indicators, front grill, front bumper, front wing air vents, bonnet air scoop and electric sunroof. Stainless steel finishing's to many areas included the body sills, door shuts etc. The car is also fitted with sundym glass to all windows. The interior was trimmed in grey and maroon with changes to the centre switch panel, the fitting of separate oil and water gauges and colour coding throughout. The present condition of the car is said to be excellent in all respects as it was completed some eleven years ago. No remedial work whatsoever has been necessary or done since the restoration, which bears testament to the quality of the re-build. This superb example of an iconic 1960s GT car, with much improved driving and handling, far better MPG and easier maintenance has none of the usual unreliability of the original cars and is unique. This Jensen will be offered with its transferable registration number. V5C, MOT and tax exempt See back cover and other illustrationsAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditions.
A 1949 Bentley MkVI standard steel sports saloon, registration number LLG 186, chassis number B259DZ, black. This charming and original MkVI has had two custodians prior to our vendor. The car is finished in black with a patinated light tan leather interior, with dark brown piping and matching carpets, is fitted with a steel sunroof and started readily on our inspection. B259DZ will be offered for auction with a large history file and is only for sale due to our vendor loosing his storage facility. V5C, MOT and tax exempt See illustrationsAll lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditions.
A BOOKEND BY ERNEST LOUIS ADNIN (FRENCH 1881-1957) Polar Bear on Hind legs, bronze with light brown patina atop granite base height including base: 17.2 cm (6 3/4 in.) signed on base PROVENANCEEtude Tajan, Paris, February 18, 2000, lot 24, erroneously attributed to Adams. (Copy of invoice available upon request)Acquired at the above by a prominent Armenian-American Family
HARRY JACKSON (AMERICAN 1924-2011) Marie (Study for Sacagawea), 1980 bronze with light brown patina atop granite base overall height: 30 cm (11 3/4 in.) signed, dated, inscribed SUH 19 and impressed with WFS Italia foundry mark on verso PROVENANCEEstate of the artist LITERATURELarry Pointer, Donald Goddard, Harry Jackson (New York: Harry N. Abrams, Inc., 1981), p. 278, nos. 358-361 (illustrated)LOT NOTESIn his unparalleled creative trajectory from realism to abstraction to realism again, Harry Jackson - as perhaps no other American artist of the period - embodies the spirit of relentless inquiry that came to define the art of the 20th century. One of the most prolific and significant Western artists of his generation, Jackson also produced an immensely diverse body of work, represented in lots 133-135, including two important canvases from his Abstract Expressionist period. Prior to settling in Wyoming to make his best-known work, Chicago-born Jackson had served in World War II as a combat Marine artist, awarded a Purple Heart, and, in 1944, stationed in Los Angeles. Soon after, he saw Jackson Pollock's The Moon-Woman Cuts the Circle and The She-Wolf, which impressed him profoundly. Determined to meet Pollock, Jackson moved to New York, where he became a close friend of the artist and gained notoriety for his own Abstract Expressionist works, capturing the attention of Clement Greenberg and Meyer Shapiro (who featured him in their Talent 1950 show at the Kootz Gallery) and later exhibiting at Tibor de Nagy Gallery.Eventually, Jackson's childhood fascination with cowboys (he, aged 14, had run away from home to a Wyoming farm), his academic training at the Art Institute of Chicago, and a 1954 tour through Italy reinvigorated Jackson's interest in Realism. Perspective and modeling, infused with the ethos of abstraction, made their way into his works. During a second trip to Italy in 1956, Jackson began studying sculpture at the Vignali-Tommasi Foundry, producing the first of his Western bronzes in the tradition of Frederic Remington and Charles M. Russell. He made trips to both the American West and Europe throughout the 1950s and 60s, setting up his own foundry and finally relocating his studio to Wyoming in 1970.The following bronze, modeled after Marie Varilek, is one of several studies for a monumental sculpture of Sacagawea, on which Jackson began working on in the summer of 1976 and completed in 1980.
Beaten copper circular three light centre light fitting, D46cm (re-wired), heavy cast metal Dutch wall sconce with vellum shade, 19th century pierced brass warming pan on turned handle, coal shovel, three stoneware jars, one labelled 'Yorkshire' Marmalade and large two handled copper hot water pan Condition Report Click here for further images, condition, auction times & delivery costs
An Extensive Royal Albert Old Country Roses dinner service comprising eighteen dinner plates, medium sized plates and coffee pot, tea pot, sandwich plate, twelve soup coups and saucers, thirteen cups, fourteen saucers, sixteen side plates, twelve pudding bowls, milk jug, sugar bowl, three small dishes, sauceboat and stand, cake plate, two oval platters and tea towels Condition Report: An Extensive Royal Albert Old Country Roses dinner service. eighteen dinner plates - all ok. medium sized plates - all ok. coffee pot - ok. tea pot - ok. Sandwich plate - ok. twelve soup coups and saucers - ok. thirteen cups - one cup (def). fourteen saucers - one saucer cracked. sixteen side plates - all ok. twelve pudding bowls - all ok. milk jug - ok. sugar bowl - ok. three small dishes - ok. sauceboat and stand - ok. cake plate - ok. two oval platters - ok. tea towels. In the main these are seconds and have light utensil scratches.
A Thomas porcelain dinner service with gilt rim Condition Report: two tureens, one chipped. 9 dinner plates. sache torte plate. 9 bowls one chipped. 8 medium plates. two sauce boats on stand, one chipped. two oval dishes and two oval platters. 10 side plates. 8 soup coupe saucers. 9 soup coupes, two with broken handles. nine coffee cups and saucers. milk jug. sugar bowl and lid. All items have been used and have light to medium utensil marks with exception of the dinner plates which have medium to heavy marks. Light rubbing to the gilt rims.

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