Shreve, Crump, & Low, United States. Sterling silver Paul Revere reproduction No. 45. Wilkes & Liberty bowl. With makers marks stamped along the underside along with "P. Revere Boston 1768 Sons of Liberty Reproduction."Engraved along the rim with the names Caleb Hopkins, Nathl Barber, John White, Willm Mackay, Danl Malcom, Benjn Goodwin, John Welsh, Fortescue Vernon, Danl Parker, John Marston, Ichbod Jones, John Homer, Willm Bowes, Peter Boyer, and Benja Cobb. Along one side is a circle with scrolls and a foliated frame topped by a Liberty cap flanked by flags engraved "Magna Charta" and "Bill of Rights." Inside the circle with "No. 45 Wilkes & Liberty" with a page reading "Generall Warrants." Along the other side with "To the Memory of the glorious NINETY-TWO: Members of the Honbl House of Representatives of the Massachusetts-Bay who, undaunted by the insolent Menaces of Villains in Power from a Strict Regard to Conscience, and the LIBERTIES of their Constituents, on the 30th of June 1768 Voted NOT TO RESCIND."Provenance: Distinguished Corporate Collection, Minnesota.Height: 5 1/2 in x diameter: 11 1/2 in. Weight: 39.87 Troy oz.Condition:No dents, deep scraches or repairs. Light wear throughout consistent with age and use.
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KPM, Germany. Hand-painted porcelain plaque depicting peasants dancing in a tavern or hall. With a label from Sotheby's affixed to the verso.Provenance: Sotheby's, New York, Sale 5154, Lot 233.Height: 10 in x width: 12 1/4 in.Condition:There are no major chips, cracks, or losses. Evidence of a clear lacquer overtop the painting. Light wear to the verso.
Peruvian colonial silver bowl with repousse decoration. The base depicts the Lima coat of arms of the crowned double headed eagle, pillars and shield, the bowl and rim with floral and foliate motifs and borders of spheres. On three hooved feet. Stamped "900 Pereda 900" along the rim.Height: 2 1/2 in x diameter: 13 in. Gross weight: 497.8 grams.Condition:The rim has come bends and undulation, perhaps a part of the original process. Light scratching throughout, very small dents. There is tarnishing in recessed areas. There are no signs of restoration.
Danny Lyon (American, b. 1942). Gelatin silver print photograph titled "Racer, Schererville, Indiana" depicting a figure splattered with mud holding his bike, 1965-66. Pencil signed along the verso.Provenance: from the Estate of Christopher Cardozo.Sheet; height: 11 in x width: 14 in.Condition:The emulsion is smooth and without breaks. There are no tears, creases or losses. Light wear along the extreme edges. There are no signs of restoration under UV light. Not framed.
Spanish colonial painting on tin or metal depicting the Lady of Mercy surrounding by cherubim above and two supplicated figures below, ca. 1850.Provenance: Daniel Stein Antiques, San Francisco, California, 1991; Private Minnesota CollectionSight; height: 16 in x width: 11 1/2 in. Framed; height: 20 3/4 in x width: 16 in x depth: 1 in.Condition:The colors are bold and bright. There is craquelure and small losses throughout; the surface is not fully stable. No signs of restoration under UV light. Light wear to the frame. The metal is patinated.
Antonio Grediaga Kieff (Canadian/Spanish, b. 1936). Polished bronze sculpture titled "Folklore 85, No. 26" in the form of an abstract form on a slate base. Signed and numbered 1/5 along the base of the bronze.Provenance: Klabal Gallery, Minneapolis; Private Minnesota Collection.Antonio Grediaga Kieff was born in Madrid, and has been an educator and maker around the globe since the mid-20th century. Kieff is renowned worldwide for his biomorphic, organic, and flowing sculptures made from wide arrays of materials. Outside of works like these, Kieff's work shows similar forms to this work in bronze through painting, illustration, and jewelry. Here, like in many of the works in the artist's oeuvre, we see Kieff's legendary abstract swirling form create several modes of optical excitement.(Incl. Stand) Height: 30 in x width: 9 in x depth: 11 in. Weight: 55 lbs 1 oz.Condition:There are no bends, breaks, losses, or restorations Light wear to the base. Some losses and wear to the gallery label.
Anders Zorn (Swedish, 1860-1920). Etching on paper titled "Frightened" depicting three nude women walking down a hillside near a body of water, 1912. 2nd state printing. Pencil signed along the lower right. Signed and dated in plate along the lower left. Along the top center of the verso, the title and plate number are written in pencil.Reference:Karl Asplund, "Zorn's Engraved Work, Vol. 2" (Alan Wofsy Fine Arts: San Francisco, 1990), page 386, plate 248.Image; height: 7 3/4 in x width: 5 3/4 in. Sheet; height: 12 3/4 in x width: 10 in.Condition:The sheet is toned. There are two patches of skimming along the upper and lower edges. Light wear to the deckled edges. Pencil numbered 8915 along the lower margin. Pencil inscription along the upper edge of the verso. Piece of white tape affixed to the upper center edge of the verso, which is visible from the extreme edge of the recto. Pencil inscription along the lower right edge of the verso. The work is not framed
Group of two 19th century Grand Tour obelisks. One gilt bronze obelisk, possibly Freres LeBlanc, Paris. One patinated bronze obelisk.(Light) Height: 17 in x width: 5 1/4 in x depth: 5 1/4 in. (Dark) Height: 18 in x width: 5 in x depth: 5 in. Gross weight of lot: 12 lbs 8 oz.Condition:There are no visible cracks. There are minute chips and losses. There are no visible signs of restoration under UV light. Felt tabs affixed to the underside.
William Plummer, London, England. Sterling silver Georgian teapot with a wooden handle, 1821. Sterling lion passant, date mark, maker mark, and city mark stamped along the underside. The interior of the lid with an additional lion passant. The teapot with decorations of wreaths and foliate swags.Provenance: Stanton L. Catlin, former director of the Center for Inter-American Relations; thence by descent.Height: 5 3/4 in x width: 10 in x depth: 3 1/2 in. Weight: 11.08 Troy oz.Condition:Some light scratches and tarnishing in the recessed areas. The finial is slightly loose. There is a small chip to the finial. Some light wear to the mouth of the spout of the teapot.
Marc Chagall (Russian/French, 1887-1985). Printed by Mourlot, Paris. Published by the French government. Signed and dated 1962 lithograph poster depicting his work "La Baie des Anges" printed for tourism purposes for advertising Nice and Cote d’Azur.Literature: Mourlot 350.Lot Essay:Marc Chagall (born Moishe Shagal) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints.Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists". For decades, he "had also been respected as the world's pre-eminent Jewish artist". Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the UN and the Art Institute of Chicago and the Jerusalem Windows in Israel. He also did large-scale paintings, including part of the ceiling of the Paris Opera.Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern Europe and Jewish folk culture. He spent the wartime years in Soviet Belarus, becoming one of the country's most distinguished artists and a member of the modernist avant-garde, founding the Vitebsk Arts College before leaving again for Paris in 1923.He had two basic reputations, writes Lewis: as a pioneer of modernism and as a major Jewish artist. He experienced modernism's "golden age" in Paris, where "he synthesized the art forms of Cubism, Symbolism, and Fauvism, and the influence of Fauvism gave rise to Surrealism". Yet throughout these phases of his style "he remained most emphatically a Jewish artist, whose work was one long dreamy reverie of life in his native village of Vitebsk." "When Matisse dies," Pablo Picasso remarked in the 1950s, "Chagall will be the only painter left who understands what colour really is."Sight; height: 39 in x width: 24 in. Framed; height: 39 3/4 in x width: 24 3/4 in x depth: 1 1/2 in.Condition:There are no visible tears, losses, or restorations. The sheet is lightly toned. Some undulation throughout, especially along the lower edge. There are two dark spots along the upper right and left corners. Some small spots of foxing or soiling throughout. Light wear to the frame; framed under glass. Not inspected out of frame.
Jean-Claude Novaro (French, 1943-2015). Handblown glass vase in deep red and blue with abstracted organic forms along the side. Ovoid in form with an elegantly tapered neck and flared upper rim.Height: 11 1/2 in x width: 7 in x depth: 4 in.Condition:No chips, cracks, or losses. Some light wear along the footrim.
Shell cameo habille brooch set with single cut diamond, in 14k white gold filigree frame. With hidden bale and locking safety clasp closure. Marked 14k along the clasp.Height: 50.00 mm x width: 41.21 mm x depth: 14.99 mm. Gross weight: 17.9 grams.Condition:Cameo is slightly loose in setting. Light wear to cameo and frame.
Antique rustic two-drawer desk with slightly tapered legs.Height: 31 in x width: 47 1/4 in x depth: 22 1/2 in.Condition:The desk is structurally sound and stable. There is wear throughout consistent with age and use including some small chips, staining, and light scratches and scuffs. Some slight warping to the table top.
19th century Continental oil on canvas portrait painting depicting a seated officer.Sight; height: 35 1/2 in x width: 27 1/4 in. Framed; height: 36 1/2 in x width: 28 1/4 in x depth: 1 1/2 in.Condition:The surface is stable. The colors are somewhat darkened. There is craquelure throughout. There are signs of inpainting throughout, in particular along the top edge and the right side of the face. Due to a thick and uneven varnish it is difficult to discern the extent of the restorations. The painting has been relined. Light wear to the frame.
Yang Yang (Chinese, b. 1953). Acrylic and mixed media on canvas painting depicting a man lounging on a horse's back. Signed along the lower left.Unframed; height: 30 in x width: 30 in. Framed; height: 32 3/4 in x width: 32 3/4 in x depth: 1 1/2 in.Condition:The colors are bold and bright and the surface is stable. There are no tears, losses, or restorations when viewed under UV light. Clean verso. Light wear to the frame.
18k yellow gold ring with a bezel set pear diamond. The bezel with fine milgrain detail and set with a 2.02 ct pear cut diamond of H color and SI3 clarity. With pierced gallery. Marked 18k along the interior shank. With GGA appraisal and EGL USA 10 Star Diamond Report.Ring size: 5.5 US. Gross weight: 3.9 grams.Condition:Very light wear.
Alexandre-Ferdinand Kreutzer (French, 1860-1917). Oil on panel painting titled "Low Tide" depicting a large ship in a Dutch landscape, ca. 1880. Signed along the lower right.Unframed; height: 9 3/4 in x width: 7 in. Framed; height: 12 in x width: 10 in x depth: 1 1/2 in.Condition:There are no major losses, splits to the wood, or restorations under UV light. Some light discoloration to the varnish. Light wear to the frame.
18th century old master oil on canvas painting depicting a mythical scene. Depicting a nude male figure draped in a pale cloth. A second figure rests on his elbow in the background. Housed in a carved and gilt wooden frame.Sight; height: 25 1/2 in x width: 19 1/2 in. Framed; height: 29 in x width: 22 3/4 in x depth: 1 1/4 in.Condition:The colors are bold and dark. The surface is stable. There is a small repair to the canvas in the lower left quadrant. There is craquelure throughout. There are stretcher bar marks along the perimeter of the artwork. Under UV light there are small areas of inpainting throughout - due to a thick varnish it is difficult to discern the exact extent of restoration. The painting has been relined. There is light wear to the frame.
Fritz Eichenberg (German, 1901- 1990). Pair of woodcuts including:One depicting St. Christopher with a child on his back, 1948. Pencil signed and dated along the lower right; inscribed "to Tod Catlin" along the lower left.One depicting a scene from the book "Jane Eyre". Pencil signed along the lower right.(Christopher) Sheet; height: 10 1/2 in x width: 7 3/4 in. (Jane Eyre) Sheet; height: 12 in x width: 9 in.Condition:(Jane Eyre) The colors are bold and deep. There are no major losses or restorations. The sheet is toned. There are creases throughout. There are a few small tears in one of the edges. A few areas of soiling. The work is not framed. (St. Christopher) There are no major tears, losses, or restorations. The sheet is toned. There are a few light creases. Light foxing throughout. There are nine spots of navy blue ink in the margins.
Group of three sapphires. One 0.50 carat round sapphire, two 0.75 carat (each) pear cut sapphires. The pear cuts with wider proportions than standard.(Round) Diameter: 4.37 mm x depth: 3.47 mm. (Pear) Length: 5.11 mm x width: 5.34 mm x depth: 3.10 mm. (Pear) Length: 4.88 mm x width: 5.30 mm x depth: 3.37 mm.Gross weight: 1.95 ct.Condition:Very light surface wear.
Arne Jacobsen (Danish, 1902-1971) for Fritz Hansen, Denmark. Leather "Egg" chair, manufactured in February, 1964. With a matching oxblood leather ottoman. The iconic design was first introduced in 1958. Label affixed to the base of the chair.(Chair) Height: 42 in x width: 32 in x depth: 26 in. (Foot Stool) Height: 16 1/2 in x width: 21 1/2 in x depth: 15 in.Condition:The chair and the ottoman are both structurally sound and stable. The chair swivels well. Overall, the leather is in good condition with some light scuffs and stress marks. There are no evident tears or losses to the leather. There are areas of discoloration, scratches, and corrosion throughout the metal bases.
Georges Roualt (French, 1871-1958). Group of four wood engravings from Andre Suares' "Passion," published 1939. Depicting scenes from the Biblical Passion of Christ. Including:One depicting Christ alone in a landscape. Pencil signed along the lower right margin; signed in plate along the lower left of the image. Pencil numbered "15-800-4 L" along the lower left margin.One depicting a seated Christ with a kneeling figure. Initialed in plate along the lower right of the image. Pencil inscribed "15-800-51 I" along the lower right margin. Pencil numbered 139/270 along the lower left margin.One titled "Choeur" depicting Christ standing before a figure. Initialed in plate along the lower left. With a label from Ferdinand Roten Galleries affixed to the verso.One depicting Christ kneeling with two other figures. Initialed in plate along the lower right. Pencil numbered 139/270 and inscribed "15-800-54 CN" along the lower left margin.(Three larger prints, each) Sight; height: 12 3/4 in x width: 8 3/4 in. Framed; height: 20 3/4 in x width: 15 3/4 in x depth: 1 in. (Smaller) Sight; height: 6 1/4 in x width: 9 in. Framed; height: 12 3/4 in x width: 16 3/4 in x depth: 1 in.Condition:The colors are bold and deep. There are no visible tears, creases, losses, or restorations. The sheets are undulated and toned. There is light debris trapped between the glass and mat throughout. Each are housed under acidic mats. Each are framed under glass. Wear to the frames. None have been inspected out of frame.
Andreas Johann Jacob Muller (German, 1811-1890). Oil on board painting depicting a portrait of the Madonna 1866. Signed, dated, and inscribed Ddorf (Dusseldorf) along the lower left. The Virgin Mary wears a sumptuous gown of red with embroidered gold and pearls. A rich blue mantle drapes her shoulders, inset with precious gems. On her head rests a gold crown with emeralds, rubies, and pearls and she is encircled by a stamped halo of rich, shining gold.Sight; height: 12 in x width: 10 in. Framed; height: 17 in x width: 15 in x depth: 1 1/4 in.Condition:The colors are bold and bright. There is craquelure throughout. There are areas of restoration visible along the lower third including to her red gown and a few spots along the blue mantle and her neck. Verso not inspected; not inspected out of frame. Light wear and small losses to the frame.
Jay Strongwater, United States. Swarovski crystal rectangular frame with polychrome enamel. With an applied dragonfly and naturalistic branch border with blue enamel. With the original box.(Frame) height: 5 1/2 in x width: 6 1/2 in. (Box) height: 2 1/2 in x width: 9 in x depth: 7 3/4 in.Condition:Some slight discoloration to the metal. There are two minute possible losses to the wings of the dragonfly; however, these may be intentional gaps created during the manufacturing process. Light wear consistent with age and display. Light wear to the box.
Henry Schnakenberg (American, 1892-1970). Oil on canvas painting titled "Farm Buildings" depicting a sunny landscape with various farm buildings including a shed, silo, and a farmhouse. Signed along the lower right. With a Kraushaar Galleries tag affixed to the verso.Provenance: Kraushaar Galleries, New York, 1977; Collection of Frank J. Indihar, M.D.; Private Minnesota Collection.Unframed; height: 16 in x width: 20 in. Framed; height: 21 in x width: 25 1/2 in x depth: 3 in.Condition:The colors are bold and bright and the surface is stable. There are no visible losses or restorations when viewed under UV light. Verso not inspected. Light wear to the frame.
George Bellows (American, 1882-1925). Lithograph on paper titled "Emma, Elsie, and Gene" depicting a group of three seated figures, 1921. From an edition of 36. Signed along the lower right; inscribed illegibly along the lower left. With tags from H.V. Allison & Co. and the Minnesota Museum of Art affixed to the verso. With documents related to the Minnesota Museum of Art's 1982 George Bellows exhibition.Provenance: H.V. Allison & Co., New York, 1977; Collection of Frank J. Indihar, M.D.; Private Minnesota Collection.Exhibition: Minnesota Museum of Art, "George Bellows: Lithographs," November 7 - December 26, 1982. No. 32 in the catalog.Reference: M. 107.Sight; height: 12 in x width: 12 in. Framed; height: 20 in x width: 19 3/4 in x depth: 1 in.Condition:The colors are bold and deep. There is a light undulation to the sheet throughout. No visible tears, creases, losses, or restorations. Edges and verso not inspected. Framed under glass and a non-acidic mat. Light wear to the frame. Not inspected out of frame.
Don Pollack (American, b. 1958). Oil on canvas painting titled "High Five, Fire Line" depicting a smoky or misty landscape, 1990. Signed along the lower center? Further titled and signed along the verso. With a gallery label from Deson Saunders Gallery affixed to the verso.Provenance: Deson Saunders Gallery, Chicago; Distinguished Corporate Collection, Minnesota.Unframed; height: 46 in x width: 60 in. Framed; height: 46 1/2 in x width: 60 1/2 in x depth: 2 in.Condition:The colors are bold and deep and the surface is stable. No major tears, losses, or restorations. The varnish is yellowed, especially through the central field of the painting, visible in the lot listing. Light wear to the frame.
Russian silver gilt and enamel case. Decorated throughout with graceful scrolling enamels in shades of blue, white, and red. Stamped along the interior with maker's mark GK, silver standard kokoshnik mark 84, the year 1894, and assayer mark for Lev Fedorovich Oleks, Moscow.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.Height: 3/4 in x width: 2 in x depth: 3 1/2 in. Weight: 114.2 grams.Condition:The case is in good condition with no visible dents, cracks, or losses. When inspected under UV light, there is no sign of restoration. There are some minor losses to the enamel in three of the blue circles along the border. On the interior, there are some areas of discoloration possibly due to oxidation, which one can easily expect given its age and use. The interior has loops for elastic, bit no elastic remains. Light wear throughout. The case opens and closes smoothly. Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Pair of French empire style demilune or half-round wooden side tables with gilt metal accents and brass top frames. Each with three central drawers.(Each) Height: 29 in x width: 20 in x depth: 10 1/2 in.Condition:The tables are structurally sound and stable. All pieces are attached. There are no major splits, losses, or restorations. Light wear throughout including tarnishing to the metal components.
Terence Accola (b. 1966). Large oil on canvas affixed to a panel painting depicting an abstracted field of white with splashes of red, blue, and yellow.Height: 57 in x width: 53 in x depth: 1 in.Condition:The colors are bright and deep. The surface is stable. There are no creases, losses, or cracks. There are no signs of restoration under UV light. Light wear along the exposed edges. The work is not framed.
Chinese sterling silver tray or dish, early to mid-twentieth century. Inverted scalloped rim with pierced decoration in the form of bamboo and characters. With four ball feet attached along the underside. Stamped "N.C.J.M." and "sterling" along the underside.Height: 2 1/2 in x diameter: 12 3/4 in. Weight: 18.8 Troy oz.Condition:Light wear and scratches throughout. Tarnishing throughout. No visible bend or breaks. No signs of restoration under UV light.
Ron Meyers (American, b. 1934). Studio ceramic pottery bowl. Stoneware with a hand-painted depiction of a rabbit.Height: 2 1/2 in x diameter: 11 in.Condition:There are no chips, losses, or cracks. There are sporadic areas of crazing throughout. There is wear to the footrim, consistent with age and use. No signs of restoration under UV light.
Cozzolino, Italian, Uruguayan. 14k yellow and white gold domed ring ornately carved with a dragon fly design, ca. 1930s. The body in white gold set with six rose cut diamonds graduating in size. The head a cabochon sapphire. The shoulders ornately carved. Marked Cozzolino along the underside of the dome. Gold content unmarked, tested 14k.Ring size: 8.5 US. Gross weight: 4.4 grams.Condition:Light wear commensurate with age, including some light scratches to the setting.
Platinum, diamond and sapphire ring. Center stone is a GIA certified natural, unheated Ceylon sapphire of 1.87 carats. The surrounding diamonds comprised of two baguette cut, six tapered baguette cut and eight round brilliant diamonds, for a total of 0.54 carat total weight of diamonds, color F-G, VS1-S12. All set in platinum cathedral setting with ornate gallery. Marked Pt900 187 054. With SGL appraisal and GIA Sapphire Origin Report.Ring size: 7.5 US. Gross weight: 6.89 grams.Condition:Very light wear.
Watercolor and ink painting depicting the fictional Scheherazade, the character and storyteller from "One Thousand and One Nights." Styled after the William H. Bradley Art Nouveau advertisement poster "The Modern Poster" depicting a peacock for Charles Scribner and Sons Publishing.Sight; height: 12 in x width: 12 1/4 in. Framed; height: 18 1/4 in x width: 18 1/4 in x depth: 3/4 in.Condition:The colors are bold and bright and the surface is stable. No visible losses or restorations. Framed under glass. Light wear to the frame. Not inspected out of frame.
Sidney G. Rafilson (American, 1927-1992). Acrylic on board painting depicting a figure peeking out of a caged window. Signed along the lower right.Sight; height: 23 1/2 in x width: 31 1/2 in. Framed; height: 26 1/2 in x width: 34 1/2 in x depth: 1 in.Condition:The colors are bold and bright and the surface is stable. There are no losses or restorations when viewed under UV light. There is a surface accretion along the upper right corner. Light wear to the frame. Verso not inspected.
Philippe Halsman (Latvian/American, 1906-1979). Group of four gelatin silver print photographs depicting vintage Hollywood film stars and sets. Each stamped along the verso, annotated, and dated. Three are pencil signed along the verso including: a portrait of the Duke and Duchess of Windsor, ca. 1947; a portrait of Martha Graham splayed out on the floor, ca. 1946; one unidentified set photo from a film with Marta Toren, ca. 1949; and one portrait of Daniele Delorme, ca. 1957.Provenance: from the Estate of Christopher Cardozo.stamped by Dumont Galleries and copyrighted by Philippe HalsmanHeight ranges from 12 in to 14 in; width ranges from 10 in to 11 in.Condition:There are no tears, majors creases, losses, or restorations. All sheets with a slight undulation to them. Three of the photos with some small creases along the corners. Some light handling marks throughout. None are framed.
14k white gold diamond hoop earrings. Each set with 11 round brilliant cut diamonds, seven on the front of the hoop and 4 on the interior back, G-H color, SI1-I1, 5.49 carat total weight. Diamonds set in shared two prong setting. With hinged back and locking clasps. Marked 14k on the underside of the clasp. With GGA appraisal.Diameter: 24.29 mm. Gross weight: 10.1 gramsCondition:Very light wear.
Corita Kent (American, 1918-1974). Serigraph titled "thoreau" on paper depicting an abstract arrangement of bold colors, 1971. Overlaid by a Henry David Thoreau quote reading "it is not enough to be busy...the question is: what are we busy about?" Pencil signed along the lower right.Sight; height: 14 3/4 in x width: 11 in. Framed; height: 20 1/4 in x width: 16 1/4 in x depth: 1 in.Condition:The are bold and bright. There are no visible signs of tears, creases, or restoration. The work is housed under a linen mat. Framed under glass; light wear to the frame. The work has not been inspected out of frame.
18k yellow gold Italian enamel Spanish galleon brooch. The ship rendered in blue enamel with gold accents, the sails in ombre green and white enamel with two blue crosses, a single cut diamond at the center of each cross and a single cut diamond at the center of the top sale. The rigging, masts, crow's nest, rails and more all rendered in detailed gold. With trombone clasp of unmarked 14k white gold at the back. The ship marked Italy 18kt.Length: 50.24 mm x width: 46.37 mm.Gross weight: 22.0 grams.Condition:Very light wear. Enamel in good condition. One square missing either diamond or lost enamel, see image.
Palace sized Persian Sarouk Feraghan hand-woven wool rug. The hand-woven carpet with a central field in a light green with a central medallion and border in avocado green. With accents of cream and red throughout. Heavily decorated with floral and foliate motifs.(Not incl fringe) Height: 15 ft 1 in x width: 11 ft 9 in.Condition:Overall, the rug is in good condition. The pile is even and there are no major tears, losses, or restorations. There is light dust and debris accumulated throughout as expected with age. Some fading to the colors. Wear and some losses to the fringe.
Very large palace size Persian Kerman rug. The hand-woven carpet with bands of pale green, pink, and light blue floral bordering a central field of cream. The central medallion surrounded by floral swags.(Not incl fringe) Height: 23 ft 9 in x width: 11 ft 9 in.Condition:There are no major tears, losses, or restorations. The pile is even. Several stained areas throughout, visible in the lot listing. Some dust/debris gathered throughout.
Shell cameo habille brooch set with a single cut diamond, in a 14k white gold filigree frame. With hidden bale and locking safety clasp closure. Marked 14k along the clasp.Height: 45.41 mm x width: 32.31 mm x depth: 14.46 mm. Gross weight: 11.7 grams.Condition:Very light wear to the setting.
Neil Welliver (American, 1929-2005). Watercolor on graphite painting on paper titled "Study of the Yale Marching Band" depicting a group portrait. Pencil signed along the lower right. With ephemera between Welliver and the Catlin family.Provenance: Stanton L. Catlin, former director of the Center for Inter-American Relations; thence by descent.Sheet; height: 34 1/4 in x width: 39 1/2 in. Matted; height: 36 in x width: 41 in.Condition:There are creases and possible tears throughout, in particular along the extreme edges. There are losses along the extreme corners of the sheet. The sheet is toned in particular along the edges. There is light soiling throughout. The sheet has been affixed to a board, the verso cannot be inspected. The work is not framed.
Attributed John J. Lomasney (Irish, 1899-1989). Gouache on artboard. Original painted movie advertisement poster for the 1963 film "Love with Proper Strangers" starring Natalie Wood and Steve McQueen. The movie was released via Paramount Pictures in 1963 and was directed by Robert Mulligan, written by Arnold Schulman, and additionally stars Edie Adams and Herschel Bernardi. The movie was nominated for five Academy Awards at the 1964 Oscars.Provenance: The collection of John McEnroe; private Minnesota collection.This painting was originally displayed in the Royan Hawaiian Theater in Honolulu. Over the course of his career, Lomasney painted over 56 years of film spanning from 1925 to 1981. These films included 387 Oscar nominated and 83 Oscar winning films. For each film, he only painted four of each poster, meaning that over the years, only one or two may of survived. Tennis player John McEnroe purchased the collection and featured them in his SoHo gallery.Lomasney was born in Ireland but immigrated to the United States in the early 20th century. He began as a set painter for Warner Brothers and Paramount. In 1936, he moved with his mother to Hawaii where he worked as the staff artist for the Royal Hawaiian Theater. At the time of his employment, theaters relied on "One Sheets" to entice movie-goers into the theater. He eliminated credits on the studio issued posters, creating more eye-catching, graphic, and colorful posters that highlighted the actors or action in the movies.He was described as a focused man, whose only interest in conversation surrounded movies. He was quick to quiet those whose voices rose above a whisper, he dressed smartly, and was fastidious in his creations. Like most studio painters of the time, he was trained to be anonymous, and only two works with his signature are known to exist. When he left the Royal Hawaiian, he took only one paint brush and left all of his works. When he died, he was buried beside his mother in Diamond Head Memorial Park.Sight; height: 43 1/2 in x width: 27 1/2 in. Framed; height: 46 in x width: 30 in x depth: 1 in.Condition:The colors are bold and bright. There are no major losses or creases. There are minute losses throughout. There are several tears across the extreme edges, primarily along the center margin of the right and left side. There is another tear along the lower right quadrant measuring approximately 4 inches. There is a tear along the side of the lower right edge measuring 5 inches. There is a crease across the lower UV light. Framed under plexiglass. Wear to the frame. Not examined out of frame.
Group of three objects including:One sterling silver articulated fish with green cabochon eyes. Stamped 925 and with a maker's mark along the tail.One tortoiseshell case with a slight curve. With a name plate engraved with "P. Bank."One tortoiseshell case painted with a scene of Washington, D.C.Provenance: Property from the distinguished collection of Mr. James Lee Soffer, Pittsburgh, Pennsylvania.(Fish) Height: 3 1/2 in x width: 2 in x depth: 9 1/4 in. Weight: 2.0 Troy oz. (Painted Case) Height: 1/2 in x width: 2 3/4 in x depth: 3 3/4 in. (Engraved Case) Height: 1/2 in x width: 1 3/4 in x depth: 2 3/4 in.Condition:Paint losses to the painting of Washington, D.C., visible in the lot listing. Some wear to both cases including light scratches. Some deeper cracks to the painted case. Tarnishing and some light wear to the articulated sterling fish.
Louis XV style carved walnut wall clock with painted enamel numerals, ca. 1890. Elegantly carved with foliate scrollwork and blooming flowers.Height: 34 1/2 in x width: 15 in x depth: 5 in. Weight: 9.4 lbs.Condition:There is one major repair along a lower group of leaves - the repair is visible along the back of the clock and is noted in the listing photographs. Light wear throughout. Some dust gathered in the recessed areas of the clock. Light wear along the verso. The clock has not been tested for functionality or time.
Group of seventeen vintage photographs depicting male nudes. Including one photograph by Dave Martin of Zaro Rossi.Height ranges from 3 1/2 in to 11 in; width ranges from 2 1/2 in to 8 1/2 in.Condition:There are no tears, major creases, losses, or restorations. There is light wear including some areas of discoloration and undulation. None are framed.
Edouard Baldus (French, 1813-1889). Architectural albumen photograph depicting L'Arc de Triomphe du Carrousel in Paris, France, ca. 1860.Provenance: Lowinsky Gallery, New York; from the Estate of Christopher Cardozo.Sheet; height: 12 1/2 in x width: 17 1/4 in. Matted; height: 16 in x width: 20 in.Condition:The photograph is mounted to paper board; verso is unable to be inspected. There are no tears, creases or losses. The sheet has discoloration and foxing throughout. There are no signs of restoration under UV light. Not framed.
Oscar Friedman 18k yellow gold baguette cut diamond bracelet. Set with 30 step cut diamonds, 27 step cut diamonds set in four prong settings in 14k yellow gold with alternating gold spacers. Diamonds F-G color, VS1-VS2 clarity, 2.84 carat total weight. With tension lock clasp set with three diamonds and folding safety clasp. Marked Oscar Friedman 18k D 2.84 ct. With GGA appraisal.Length: 7.25 in. Gross weight: 9.0 gramsCondition:Very light wear.
Group of four sterling silver items, all marked along the stem, including:Tiffany & Co., New York. Group of three sterling objects including one bamboo-form stir stick, one bamboo-form ice pick, and one key.One sterling silver pick with a squirrel finial.Height ranges from 2 1/2 in to 7 1/4 in; width ranges from 1/2 in to 1 in. Gross weight: 3.87 Troy oz.Condition:There are no major bends, dents, or losses. Light tarnishing in the recessed areas.
14k yellow gold cocktail ring set with large pear cut kunzite and three brilliant cut diamonds on either side of the central stone. Marked 14k along the interior shank.Ring size: 6.25 US. Gross weight: 15.7 grams.Condition:Light wear to the central stone, particularly to the top point of the pear and the pavilion. Light wear to the setting.
Group of four Roland R. Correia studio art glass vessels including two wine glasses with tall stems and two cups. Cobalt blue glass with an iridescent pulled feather design. All signed along the bases. The wine glasses with an etched signature along the top of the foot and along the underside with #13, one with 1002.75 along the underside, and one with 1003.75 along the underside. The cups with an etched signature, #13, one with 1004.75, and one with 1005.75, along the underside.These cups were an early studio art glass collaboration between Steven Correia and Roger Roland when they worked together in Correia's Santa Monica studio.(Wine glasses) Height: 10 1/4 in x diameter: 3 1/4 in. (Cups) Height: 3 1/2 in x diameter: 2 3/4 in.Condition:There are no chips, cracks, losses, or repairs to any glasses. Very light wear to the underside consistent with light use and display.
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534297 Los(e)/Seite