FOLLOWER OF JOHN FREDERICK HERRING PORTRAIT OF A HORSE IN A STABLE bears signature, oil on canvas, 30.5 x 29cm ++The medium a little thin and uneven in places, light craquelure, the varnish very dirty, the support not holed or torn and on the original stretchers, loose in the 19th c gold painted frame
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A VICTORIAN MAHOGANY AND LINE INLAID CHEST OF DRAWERS bow fronted and fitted with six drawers with turned knobs, 111cm h; 57 x 116cm ++Satisfactory condition but not substantial damage or loss, some light cosmetic restoration such as the odd replacement turned knob, the drawers all retaining the lock
A FRENCH TURNED AND CARVED IVORY SNUFF BOX AND COVER, 19TH C with detached silver rim, the lid inset with an ivory relief of fruit and flowers, the interior of the box with the scene of a young bather and Cupid, 7cm diam ++Some faults and much encrusted with old dirt, the underside of the box with light scratches and age yellowing
A GEORGE III POLYCHROME DECORATED PAPIER MÂCHÉ TEA CADDY ATTRIBUTED TO HENRY CLAY, C1780 inset with two Wedgwood jasper ware cameos, one of Aesculapius, the well preserved painted decoration in the manner of Robert Adam, giltmetal mount, the interior with the original laminated papier mâché cover, 12cm h Henry Clay of Birmingham, Japanner in Ordinary to His Majesty and His Royal Highness the Prince of Wales was the pre-eminent manufacturer of papier mâché goods in the late 18th century. The present caddy conforms to his 'New Improved Paperware' Patent of 1772, being of laminated construction, as distinct from the traditional papier mâché method. The Wedgwood cameos are original and an example of that of Aesculapius is illustrated Reilly (R) Wedgwood, 1989, vol II, fig 1227. Wedgwood's biographer, Eliza Meteyard (1816-1879) described Henry Clay as "a most ingenious cabinet-maker of Birmingham, [who] was at this time doing much for Wedgwood's fame, by inserting the cameos in tea caddies, writing desks, dressing cases and similar articles.... These signs of Clay's exceeding taste and ingenuity induced [Matthew] Boulton to suggest a partnership, but Clay for some reason declined." It is not known whether the present caddy is marked as the slightly recessed foot is still covered to a large extent with what could be the original coarse green baize. Other examples are illustrated Gilbert (C), Marked London Furniture 1700-1840, Leeds 1996, figs 201 and 202. An example set with jasper ware cameos but decorated with a dusted ground is illustrated Jones (Y), Japanned Papier Mâché and Tin Ware, Woodbridge 2012, fig 116. Another example, almost identical to the present lot, was sold Bonhams, London, 6 March 2013, lot 103. ++In good entirely unrestored condition with light wear and old build up of dirt, lacking the ring from the finial on the lid, the hinge complete and in good condition, the jasper medallion on the reverse slightly scratched and lacking the glass. The papier mâché straight undamaged, not delaminating and entirely unrestored. Rare in this fine original condition
JOHN JONES ( C1745-1897) AFTER SIR HENRY RAEBURN, RA, RSA (1756-1880) JAMES BALFOUR ESQR SECRETARY AND TREASURER OF THE EDINBURGH COMPANY OF GOLFERS 1796 mezzotint mounted to platemark, 82 x 41cm, Richard Banks Harraden after Edward Orme, Dundee from the West, aquatint, 1803, mounted to image, 33 x 44cm, verre eglomise mount and by and after William Daniell RA, Broughty Ferry Forfarshire; Dundee Forfarshire, a pair, aquatints from A Voyage Round the Coast of Great Britain 1822, 24 x 35cm and c, maple frames (4) ++Portrait of Balfour heavily stained and with closed tears. Dundee from the West stained and faded. One of the two Daniel prints somewhat faded and discoloured, the other in fine condition with only light fading
A DERBY ARMORIAL PLATE, C1795 painted with shield of arms and crest borne on a light blue medallion, 23.5cm diam, puce painted mark and a Derby crested plate, c1820 with gilt initial S (2) ++Armorial plate with small old repair to the rim at 7 o'clock, the crested plate with slight crazing of the glaze
A GEORGE III SILVER BALUSTER COFFEE POT 30cm h, maker WB, a pellet between, perhaps Walter Brind, London 1781, 25ozs gross ++Light wear and polish scratches, little play in hinge. Marked on rim of lid with lion passant and illegible maker's mark, the marks underneath practically as struck, no engraving or evidence of erasure. The pearwood handle in good condition and secure
A SILVER CONDIMENT SET BY GERALD BENNEY, 1960 the mustard pot and salt cellar with cinnamon glass liner, crested, pepper mill 14cm h, maker's mark, London hallmark, 13ozs 10dwts weighable ++In good second hand condition with a few light scratches from normal use but not noticeably worn, no play in mustard pot, no subsequent engraving or erasure
SOCCER. BIRMINGHAM DISTRICT AND COUNTY FOOTBALL ASSOCIATION 9CT GOLD AND ENAMEL MEDAL, 1894-5 the reverse engraved WINNERS 1894-5 T THORPE, 3.4cm h excluding ring, by Vaughton & Sons, Birmingham 1874, cased, 19.2g Tom Thorpe, Walsall Unity goalkeeper. ++Light wear and minor scratches really only noticeable under 10x magnification
WILLIAM JACOB BAER (1860-1941) PORTRAIT OF PRISCILLA, MRS WILLIAM OSBORN half length, oil on canvas, 75 x 62cm, sold with several autograph letters from W J Baer to his client and a photograph of the present portrait on the artist's easel Provenance: Commissioned in 1927 from the artist by Dorothea, Mrs Harold Bowman Gilroy, nee Osborn, of Fingask Castle, Perthshire. The sitter, Priscilla A Osborn, nee Jenks, was born on 28th June 1789 and died on 6th September 1853. The present portrait is a copy of the original (whereabouts unknown) of the early 19th century. ++In good unrestored condition, the varnish requiring a light clean. The support not lined and in the original early 19th c gilt cavetto frame. The cavetto lacking one of the corner shells
A RUSSIAN SILVER CYLINDRICAL TEA CANISTER AND COVER 7cm h, marked on base and cover, maker BK, 1788, the canister further engraved on the underside with a contemporary monogram, 11ozs 5dwts ++Well made and of heavy gauge in good condition with a few light scratches and marks, no engraving or repairs. The wire ring pull on the cover original and secured by a bent staple on the underside. The interior retaining all of the original gilding
HENRY GEORGE TODD (1846-1898) STILL LIFE WITH A SLICED ORANGE; STILL LIFE WITH A PEAR AND WHITE CURRANTS a pair, both signed and dated 1884, oil on canvas, 19 x 24.5cm (2) Provenance: Mandells Gallery, Norwich. ++In the same fine condition as when purchased by the vendor's family from the Norwich dealer in probably the 1970s. Both in need of a light clean only. In 18th c style gilt frames
AN 18CT GOLD KEYLESS LEVER WATCH No 97371, with blued steel hands and enamel dial, three quarter plate movement, in plain case, case maker Rotherham & Sons, Birmingham 1895, 4.8cm diam ++In apparently good working order, running when wound, the dial not cracked, no rust on hands or movement, case with typical light scratches from wear, not engraved and no erasure
A COLLECTION OF PRINTED STEREO CARDS, LATE 19TH C those in colour of children or cats and other animals and a part set of boxed' Stereoscopic Charts for Squinters' published by Dr Emil Hegg, Berne, 1911, with a contemporary wood hand held viewer (100 approx) ++Most of the cards rather dog eared or with light soiling
TWO GEORGE II SILVER CANDLESTICKS crested and a pair of later nozzles crested to match, 17.5cm h, marked under the foot with scratch weights 13=15 and 15=0, by David Willaume II, London 1735 and 1739, nozzles unmarked, 29ozs 15dwts (4) ++One candlestick with small discreet repair to one corner of the foot, light wear consistent with the age
DANTE GABRIEL ROSSETTI (1828-1882) CASSANDRA mounted photograph albumen print, shaded in pencil by Rosetti inscribed lower right by the artist's brother William Michael Rossetti (1829-1915) To Mary Allport and dated 1898, further signed inscription verso By Dante G. Rossetti - Cassandra. The subject is Cassandra prophesying the death of Hector as he goes off for his fatal encounter with Achilles - Deiphobus is remonstrating with her - Helen is equipping Paris for the Fight and looks up angered at some words of Cassandra reflecting up her - Andromache Astyanax, Priam and Hecuba are present. Hector calling across Cassandra and her prophecy of doom is giving the work of command to the Trojan captain in the background, sword in hand. The pen and ink drawing was executed in 1860-61 and DGR wrote 2 sonnets for it. Its owner is Col Gillum, New Barnet. This photographic print used to belong DGR himself and came to me after his death. The pencil-tinting traceable on some parts of it, must I suppose be his own doing, with a spirit to experimenting as to some difference in the chairoscuro (signed) W.M.R., laid down on the original mount, 20 x 28cm Colonel William Gillum owned D G Rossetti's drawing of Cassandra, which he bequeathed to the British Museum in 1910. G Rossetti never developed the drawing into a painting. ++A most interesting association item provenanced directly to the artist's brother and in fine condition with some typical light time staining/browning to the card mount. No loss or restoration
A GEORGE III SILVER TEAPOT AND A MATCHING VICTORIAN CREAM JUG AND SUGAR BOWL teapot 14.5cm h, by Solomon Hougham, London 1813, the jug and sugar bowl by Hamilton & Inches, 1895, 37ozs 5dwts ++Teapot with light wear consistent with age, the marks rubbed and just about legible, old solder repair to one side of the handle at the top. No engraving or erasure, no thinness in the sides. Cream jug and sugar bowl in good condition
A CAUGHLEY MOULDED BLUE AND WHITE PINE CONE PATTERN SALAD BOWL, C1770-90 25.5cm diam, incised S, printed C One of the most handsome Caughley moulded shapes, with their crisp scallop shells examples found in the Pine Cone pattern are often decorated with bold secondary subjects featuring vegetables, butterflies and even a snail. For another example see Caughley Blue and White Patterns, The Caughley Society, 2012, pp128-9. ++In fine condition with light glaze scratches to the well when held at an oblique angle to the light
TWO SIMILAR 40 BORE FLINTLOCK POCKET PISTOLS, ALEXR THOMSON, EDINBURGH OR NOCK [LONDON], C1790 with turn off barrel, signed and trophy engraved lock, a star to the trigger guard, walnut butt, 16cm l, 1 5/8ths inch and 1 3/4 inch barrel ++One lacking the holster hook, both with light old rust pitting and dirt, the locks in apparently working order and undamaged, minor old knocks and scratches to the butts but not chipped or split
[JAMES RICALTON] THE UNDERWOOD TRAVEL LIBRARY STEREOSCOPIC VIEWS OF INDIA, C1903 36 stereo photographs on light grey card in book box, forty two others, various subjects, c1900 and a hand held viewer (79) ++The views of India and the viewer in good condition, the forty two others slightly grubby but dog eared
A PAIR CASED SILVER VERGE WATCH, S ROBERTS LONDON No A831 with gold hands, enamel dial and flat centred glass, case maker William Linsley, London 1817, 5.5cm diam ++In well preserved condition, the movement running well when wound, no play or repair to hinges, cases with only light wear, a good example of a typical early 19th c English verge watch
OLIVER CLARE (1853-1927) FRUIT ON A MOSSY BANK; A BIRD'S NEST AND BLOSSOM a pair, both signed, oil on canvas, 14 x 19cm (2) ++Both in good original condition, unlined, the supports not damaged or repaired, the varnish requiring a light clean, undisturbed in the original ornate Victorian gilt cavetto frames that have been gold painted

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