JAGGER MICK: (1943- ) English Rock Musician, lead vocalist with The Rolling Stones. A large 4to printed menu for a British Airways First Class service flight from London to Barbados and St. Lucia, signed and inscribed by Jagger to the first page in blue ink with a good example of his signature, 'To Janet Love + best wishes Mick Jagger'. Some very light, extremely minor age wear and some small random pinholes to the extreme edges, none of which affect the signature. About VG Provenance: The present menu was signed for Janet Petersen, an employee with British Airways for twenty-five years from 1973-98.
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JOHN ELTON: (1947- ) English Singer & Songwriter, Academy Award winner. A slim 4to folding brochure issued to promote the release of John's 'Greatest Hits' 1970-2002, the text printed in French, signed and inscribed by John in bold black ink to the front cover alongside his image. Some very light, extremely minor age wear, VG
MASSENET JULES: (1842-1912) French Composer. A good vintage signed and inscribed 4 x 7 cabinet card photograph, the sepia image depicting the composer in a half-length profile pose. Photograph by C. Mouth, "Opérateur des Maisons Nadar", in Lille. Signed in bold dark ink to the lower light border, partially over the photographer´s printed logo `… Tribute of respectful admiration, J. Massenet´, also dated in his hand, `Paris, August 1881´ The cabinet photograph bears to the verso the photographer´s logo and address. A slightly dark image, with very small scratch to the left border, not affecting the inscription or signature. Very small, minor repair to the verso to borders, otherwise G
FAURÉ GABRIEL: (1845-1924) French Composer. A.L.S., Gabriel Fauré, two pages, to a 5.5 x 4 card, Paris, 1st January 1912, on the printed stationery card of the National Conservatory of Music, to a friend, in French. Fauré states in part `Be sure that I work as much as I can in this house which is not a sinecure! And if like Penelope I undo what I have done, it is with the thirst of wanting to do better!´ Extremely small remnants of very light affixing to a border, not affecting the text or signature. G to VG
LISZT FRANZ: (1811-1886) Austrian-Hungarian Composer. Autograph envelope, unsigned, addressed by Liszt to Madame Hillebrand in Florence and bearing an Italian postage stamp post marked at Rome, 1880. Neatly mounted to a stiff card page removed from a Victorian album, with a portion of the verso included and featuring a good red wax seal. With a newspaper obituary of Liszt neatly mounted beneath and with two photographs relating to Bisley, near Stroud, and the Keble family laid down to the verso. Some light age wear, G Jessie Taylor Laussot Hillebrand (1826-1905) British pianist and musician who resided in Florence from 1853 and formed the Societa Cherubini. Wife of German author Karl Hillebrand, she was acquainted with Liszt, Richard Wagner and Hans von Bulow.
WAGNER RICHARD: (1813-1883) German Composer. Autograph envelope, unsigned, addressed by Wagner to Herr A[lbert] Niemann in Hanover and bearing four French Empire postage stamps and several post marks including one at Paris dated 22nd April 1860. With a good red wax seal to the verso bearing Wagner's monogram. Some very light, extremely minor age wear, VG Albert Niemann (1831-1917) German Tenor associated with the operas of Richard Wagner. Niemann performed in the role of Siegmund in the first complete production of Der Ring des Nibelungen (1876).
ROSSINI GIOACHINO: (1792-1868) Italian Composer. Rare A.M.Q.S., Gioachino Rossini, one page, oblong folio manuscript paper, Florence, 3rd June 1853. In bold dark fountain pen ink, Rossini has neatly penned a quotation for piano forte comprising ten bars of music across two staves, with small annotations, which he identifies as A[ndanti]no. Signed and dated by the composer immediately beneath the quotation. The document bears a watermark. Some light creasing and minor overall age wear, VG
PUCCINI GIACOMO: (1858-1924) Italian Composer. A.L.S., Giacomo, one page, 8vo, Villa Motta, Viareggio, n.d. (28th July 1914), to his sister Otilia Del Carlo, in Italian. Puccini thanks his sister for the greetings that she had sent him and remarks that she is welcome to visit, although warns her that he is having difficulties sleeping. Puccini further states that she could sleep in any of his homes but insists that they should dine together. In concluding he sends a kiss, along with the regards of his wife, Elvira. With autograph address panel to the verso. Some light staining and minor age wear, only very slightly affecting the text and signature, G
KABALEVSKY DMITRY: (1904-1987) Russian Composer. T.L.S., D Kabalevsky, two pages, 4to, Moscow, 17th July 1968, to Rostislav Modestovich, in Cyrillic. Kabalevsky states that he is sending his correspondent a record of the Second Cello Concerto and proceeds to list all of the compositions and their opus numbers, including 'op. 72 - Requiem for mezzo-soprano, baritone, children's chorus, mixed choir and symphonic orchestra, texts by Robert Rozhdestvensky (“In memory of those who died fighting fascism”) 1962-63, op. 73 - Three songs of Revolutionary Cuba, for voice and piano, 1963…….op.75 - Rhapsody on a theme of the song Schoolyears, for piano and orchestra (dedicated to young pianists of Povolzhye), 1963'. The composer also informs his correspondent that he has found copies of the letters of Romain Rolland, 'but his handwriting is not very clear, so I had to ask a good linguist to transcribe the letter you were interested in', further writing 'It is much more complicated in the case of Rimsky-Korsakov as it would take a long time to make a copy, and I could not yet find either the edition of Soviet Music in which my work was published, or the academic edition of the volume dedicated to Rimsky-Korsakov'. Some light overall creasing, about VG Rostislav Modestovich Hoffman (1915-1975) Russian Musicologist.
ELGAR EDWARD: (1857-1934) English Composer. Fountain pen ink signature ('Edward Elgar') and a few additional words in his hand on a slightly irregularly clipped piece laid down to a page removed from an autograph album. The page also bears a blue fountain pen ink signature by Ramon Novarro (1899-1968) Mexican Actor and, to the verso, a black fountain pen ink signature by Harry Lauder (1870-1950) Scottish Entertainer. Some light age wear and a very minor stain only slightly affecting Novarro's signature, G
RICHTER SVIATOSLAV: (1915-1997) Russian Pianist. A.L.S., Slava, four pages, 8vo, n.p., 19th October n.y., to Lydia [Fournier], in Cyrillic. Richter writes a largely social letter to his friend, explaining that he has been meaning to write to her for some time, but concerts and moving have prevented him from doing so before now, mentioning an excellent Chopin concert, enquiring as to the health of his correspondent and hoping that she is feeling much better than when they last met, referring to mutual friends, and adding that he will be back home in England in the autumn. Some very light, extremely minor creasing, otherwise VG
ROSTROPOVICH MSTISLAV: (1927-2007) Russian Cellist & Conductor. An interesting A.L.S., `Your Slava´, two pages, 4to, Paris, n.d., on the Hotel Edouard VII of Paris printed stationery, to Pierre, in Cyrillic. Rostropovich tries to explain the reasons of his late reply stating in part `Dear Pierre, I have received your letter, and although you write that I do not deserve your pardon, I still have something to say about this. 1) The letter with the T.V requests was received in Metz on the 14th December and same with the second letter written angry; the first letter was returned to me together with one from Madrid, which I forward to you. 2) I had reasons related to my private life… very important to me. This is my future, my life. Because all of this I could not phone you. I admit it is my fault, but even so I think that I do not deserve such a violent reaction of you…´ further and before concluding saying `I thought that for you, dear Pierre, the great virtuoso… had no importance, but I was wrong..! I love you very much, and not only in presence of others, and you don´t need any additional advertising.. Your Slava.´ One line annotation in another hand to the left border stating in French “Letter of Mr. R furious because of television in Paris and Pierre”. Very light creasing, otherwise G
FELLINI FEDERICO: (1920-1993) Italian Film Director, Academy Award winner. A good original blue pen and ink drawing signed by Fellini, one page, folio, n.p., n.d. Fellini has drawn a caricature of a male tennis player, with an exaggerated mouth, standing in a full length pose and holding a large tennis racket in one hand. Signed by Fellini with a truncated example of his first name only to the base. Some extremely minor, light wrinkling and very light uniform age toning, most likely the result of previous framing. About VG
RUFFO TITTA: (1877-1953) Italian Opera Singer. Vintage signed postcard photograph of Ruffo in a head and shoulders pose. Signed in dark fountain pen ink with his name alone to the image. Together with a vintage signed colour postcard depicting the Teatro Colon in Buenos Aires, signed by Ruffo in dark fountain pen ink with his name alone to a light area at the head of the image. The latter neatly cornermounted to a card. G to VG, 2 Provenance: From the Collection of an English Gentleman.
MAUREL VICTOR: (1848-1923) French Baritone, created the role of Iago in Otello (1887) and the title role of Falstaff (1893) at La Scala, Milan, the final two operatic masterpieces by Giuseppe Verdi. D.S., Vor. Maurel, one page, oblong 8vo, Covent Garden, London, 2nd July 1874, in French. The partially printed document, completed in an unidentified hand, is a receipt issued by the Royal Italian Opera in which Maurel acknowledges receipt of a payment of £200 from Frederick Gye. Signed by Maurel at the foot across a one penny inland revenue stamp. Some very light, extremely minor creasing, VG Provenance: From the Collection of an English Gentleman.
DE RESZKE EDOUARD: (1853-1917) Polish Bass. A good vintage signed and inscribed sepia cabinet photograph (5 x 8.5), the image depicting De Reszke standing in a full length pose in costume as Marke, King of Cornwall, from Richard Wagner's opera Tristan und Isolde. Photograph by Benque & Co. of Paris and bearing their imprint to the lower mount and verso. Signed by De Reszke in fountain pen ink to the lower mount and dated London, 17th July 1888 in his hand. Together with Jean de Reszke (1850-1925) Polish Tenor. Dark fountain pen ink signature on an attractive printed card from The Royal Palace Hotel in Kensington, London, dated 1900 in his hand. Some very minor, light age wear to the extreme edges of the photograph, otherwise VG, 2 Provenance: From the Collection of an English Gentleman.
MELBA NELLIE: (1861-1931) Australian Soprano. Vintage signed postcard photograph of Melba seated in a three-quarter length profile pose. Signed in fountain pen ink with her name alone to a light area at the base of the image. Some very light, extremely minor age wear, about VG Provenance: From the Collection of an English Gentleman.
1961 Daimler MajesticRegistration number 365 HFJChassis number 99732Engine number 92445V5CMOT expires September 2021Black over grey with a leather interiorWalnut dash and door cappingsWith some old MOT's and a few billsOwners handbookLow ownership with father and son from about 1965From the owner:My Daimler Majestic 3.8 SaloonModel DF318 3794cc. First registered 01/09/1961 Black and grey.Straight six cylinder. Dunlop disc brakes and Borg-Warner automatic transmission. Possibly also power assisted steering as it?s very light. Original registration number 781 CXU Changed to 365 HFJ in about 1964. Vehicle identification number: 99732. Engine number: 92445 Historic Vehicle The car?s historyMy father bought it second hand in 1964 or 1965 (and, rather eccentrically, swapped the original registration number with that of his Morris 1000 Traveller). The car, first delivered on 1st September 1961, had originally been supplied by Hughes of Beaconsfield to a London businessman living in the town, who had bought it at his wife?s request. But she had then died so he sold the car with only 6,000 miles on the clock. Shortly after my father bought it he had to put in a new speedometer so the present reading of 60,558 miles is about 6,000 miles too low. I remember him driving me back to boarding school along the old A4 when I was about 17, and the car running more and more slowly until it finally stopped near Silbury Hill. Father had forgotten to top up the oil, but no important damage appeared to have been done. When I learned to drive in the late 1960s, he would very occasionally let me use it and I remember trying to impress various girlfriends with varying degrees of success. I went to my wedding in it, Labrador in the back, and it was in attendance at my parents? funerals and our children?s christenings. Between November 1980 and April 1981 I left the car with Fred Seaward of Buckland Newton Garage, Buckland Newton, Dorset. Fred thoroughly checked and repaired or renewed a number of mechanical and electrical parts, repaired or rebuilt some bodywork and doors, and welded front splash panels, sill plates, etc. He re-sprayed the car with four litres of black and five litres of silver paint. In July 1995, on the 50th anniversary of Labour?s 1945 election victory, Downing Street gave me permission to drive to Chequers, the prime minister?s country residence, and have an evening picnic in the grounds. Our party consisted of my wife?s mother ? Clement Attlee?s daughter ? my wife (Clem?s granddaughter) our two young sons and me. We drove in the Daimler. I was asked to send our and the car?s details ahead, but for Granny the trip was a surprise. When we arrived at security at the Chequers entrance gates, one of the police officers asked, ?Can you tell me why in 1964 your father changed this car?s registration number?? I couldn?t, but Chequers? security background- checking was impressive. As we were finishing our picnic, a minion appeared and asked if, we?d like to go up to the house for a drink with Mrs Major (John Major?s wife Norma). We did .She was charming, and delighted to show our two boys, among other things, the secret door in the library and Cromwell?s death mask. In July 2004 I had a (gentle) collision with a Land Rover in a lane near where we live. The damage required the removal and replacement (with second-hand parts) of the radiator grill surround and flutes, front bumper, o/s front over-rider and o/s headlamp and bowl and rim and fixings. The necessary work was completed and second-hand parts supplied by John Nash of the Daimler Enthusiasts Club, Christchurch, Dorset. (T: 01202 481251). All lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditions
1970 Morris 1000 Pick-Up Registration HJK 414J Chassis number 73512734240297 Engine number 10V189EL63240 9,267 recorded milesOlder restoration Invoices totalling £4,684 MOTs from 2006 Serviced December 2020 with a new battery, oil pump, brake, cylinders, points, plugs etc. and unused since Excellent condition Runs wellRare light commercial
1971 Midget Mark 3Registration number XOP 987JBritish Racing green5 speed gearbox conversion9" Front disc brakes conversionAdjustable rear telescopic shock absorbersUprated front shock absorbers1/4" Aluminium sump guardOil coolerFire extinguisherSafety Devices roll cageSoft top hood and coverInertia seat beltsMinilita style alloy wheels (5)Spot lightsWired for fog lightsLighting relaysLucas rear mounted fog light (reversing)Battery master cut out switch (under dash)Reversing cameraKent Fast Road camElectronic ignition3 Branch ExhaustStainless exhaust and silencerBrantz trip meter and clockRolling road tunedMOT to June 2022Large history file
1968 MG C GT Registration number UYN 543F Red with black leather piped in red MOT expires January 2022 Engineer owned with many subtle upgrades including power steering A rare MG with just 4,457 C GT's produced Started easily and drove very well when inspected Only for sale so the owner can buy a Caterham 7 Originally supplied to University Motors, 11 April Fully equipped and set up for classic touring Fully re-built 2013 Fully working overdrive Lumenition Electronic Ignition Inertia Seat belts Retrosound radio with USB and electrical aerial 12 V Accessory socket Battery condition gauge Fire Extinguisher Batter master cut out switch Oil cooler with stainless hoses Electric windscreen washer Hazard flashers Spot and Fog lamps wired via relays Rear fog light Maniflow twin pipe exhaust and manifold Green stuff front brake pads Electronic W/S wiper delay 2 x 12 Volt batteries, recent replaced RH Front wheel arch shields Spax adjustable elescopic shock absorbers front and rear Parabolic rear springs Leather front seats Engine rebuild and balanced by Sigma Engineering , Gillingham. April 2017 at 85368 Miles Uprated alternator Electric power steering (Easysteer) Uprated 3/4" Front Anti Roll bar, Owners Club Handling Kit Recent replaced front hubs Wired and speedo cable sensor fitted for Brantz Trip Meter, Brantz not inlcluded Heritage Certificate Full history file Mileage at May 2021: 92365 MOT to January 2022
Huxley (Aldous) Brave New World, first edition, light spotting at beginning and end, original blue cloth, dust-jacket, rubbed with slight spotting or browning, a little creased and frayed at edges with chip to top corner of rear panel, some old sticky tape repairs to verso of spine ends, 8vo, 1932.
Osteology.- Albinus (Bernhard Siegfried) Icones ossium foetus humani. Accedit osteogeniæ brevis historia, first edition, 32 engraved plates by Jan Wandelaar, title in red & black, Leiden, Verbeek, 1737; Index supellectillis anatomicae, Leiden, Mullhovium & Schuyl, 1725, together 2 works in 1, very light occasional spotting or browning, contemporary Dutch vellum, manuscript lettering to spine, light marking or spotting to covers, 4to.⁂ First edition of this classic work on osteology. Bernhard Siegfried Albinus (1697-1770) was a German-born Dutch anatomist, particularly known for his descriptions of the bones, illustrated in the work with great detail. Bound together with Albinus' Index, a list of the anatomical instruments which the very learned Johannes Jacobus Rau bequeathed to the Batavian Academy at Leiden.
Paracelsus (Theophrastus Bombastus) Opera Omnia Medico-Chemico-Chirurgica, tribus voluminibus comprehensa. Editio novissima et emendatissima ad Germanica & Latina exemplaria accuratissime collata, 3 vol. in 2, first Tournes edition, half-title, engraved portrait frontispiece and title vignette to vol.1, some light foxing, titles in red & black, woodcut initials, head- & tail-pieces, and illustrations, contemporary Dutch vellum, blind-stamped centre-pieces, rubbed with some dark spots to boards, joint to vol.1 split but holding firm, [Caillet 8283; Heirs of Hippocrates 215; Wellcome IV, 293], folio, Geneva, for Joan. Antonii, & Samuel De Tournes, 1658.⁂ First Tournes published edition, 'the best and most complete edition of Paracelsus' collected works' (Neville), complete with the often-lacking portrait after Tintoretto. Philippus Aureolus Theophrastus Bombastus von Hohenheim (c.1493-1541), who wrote under the pen name Paracelsus, was a Renaissance pioneer of medicine, an astronomer and alchemist. As native of Switzerland, he was educated in Basel, Vienna, and Ferrara, and travelled extensively throughout Europe during his life as an itinerant physician. He is credited with establishing the role of chemistry in medicine, and is often referred to as the "father of toxicology." His most known legacy is his record of the first clinical descriptions of syphilis and epilepsy, and his advocation of the humane treatment of the mentally ill in an era when they were believed to be possessed by demons.
Pasteur (Louis) Examen du rôle attribué au gaz oxygène atmosphérique dans la destruction des matières et végétales aprés la mort, offprint from Comptes rendus des séances de l'Académie des Sciences, tome LVI, séance du 20 avril 1863 (journal pagination 734-40), light toning, original green printed wrappers, housed in custom-made box with red morocco spine label, gilt, (box lightly marked), 4to, Paris, Mallet-Bachelier, 1863.⁂ Extremely rare separately-paginated offprint of the magnum opus of Pasteur's work on spontaneous generation, and his proof that putrefaction was, like fermentation, caused by living organisms; this paper directly influenced Joseph Lister's research on antisepsis. Many scientists of the vitalist school, including Liebig, believed that putrefaction was due to a spontaneous breakdown of animal tissues once the chemical forces of affinity were no longer held in check by a vital force. It was also widely believed - and seemingly supported by observation - that infusoria and other organisms associated with decay were spontaneously generated in dead tissues. In this way, Pasteur was drawn into the acrimonious debate about the spontaneous generation of life and regarded the experiments described in this work as the most decisive. OCLC lists just one copy of this offprint (University of Colorado).
Photometry.- Bouguer (Pierre) Essai d'optique sur la gradation de la lumiere, first edition, 3 folding engraved plates, bookplate to pastedown, ex-libris sticker to p.77, contemporary mottled calf, spine gilt in compartments, g.e., extremities very lightly rubbed but overall an excellent copy, 8vo, Paris, Claude Jombert, 1729.⁂ First edition of the founding work on photometry. Bouguer's interest in the measurement of light dates from c.1721, when J. J. d'Ortous de Mairan proposed a problem that necessitated a knowledge of the relative amount of light from the sun at two altitudes. Bouguer succeeded in making such a measurement of the light from the full moon on 23 November 1725, by comparing it with that of a candle. His achievement was to see that the eye could be used, not as a meter but as a null indicator, i.e., to establish the equality of brightness of two adjacent surfaces.
NO RESERVE Salmon (William) Synopsis Medicinae. A Compendium of Physick, Chirurgery, and Anatomy. In IV. Books, second edition, fine engraved portrait by Burnford and additional pictorial title, 18 engraved plates only (of 23, lacking plates XI-XV at end of second book), printed in double column, some light browning, old contemporary ink inscription "Liber Gulielmi. Peche" and red seal to front pastedown, contemporary calf, rubbed, rebacked with gilt spine and red label, crack to upper joint, [Wing S455], 8vo, for Th.Dawks...sold by L. Curtiss, 1681.⁂ First published in 1671 this was Salmon's first medical work, compiled while he was in practice in London near the Smithfield gate of St.Barthlomew's Hospital. A good copy of a work often lacking some plates.
NO RESERVE Sendivogius (Michael) A New Light of Alchymie...to which is added a Treatise of Sulphur, translated by John French, 3 parts in 1, first edition in English, lacking title to final part, woodcut initials, old ink inscription to verso of title and some ink or pencil underlinings or marginalia, title soiled and slightly frayed at fore-edge, second part with tear to Hh1 and Ii1 & 2 misbound after Ii3 & 4, rather browned and stained, ex-library copy with old ink stamp to verso of title, later half calf, spine gilt, rubbed and stained, upper joint split at head, [Duveen 544; Ferguson I, 257; Wing S2506], small 4to, by Richard Cotes, for Thomas Williams, 1650.⁂ Important collection of alchemical tracts by Sendivogius, Paracelsus and Gerhard Dorn. Newton owned copies of both the Latin edition of Sendivogius and this translation which were influential in his own alchemical studies.
Curtis (William) Flora Londinensis, 2 vol., first edition, vol.1 title with engraved vignette, 435 hand-coloured engraved plates on 432 leaves, final text leaf of vol.1 defective at inner margin with slight loss of text, index page numberings corrected in ms in both vol., some light foxing and toning but overall an excellent, clean copy, modern red half morocco, spine gilt, lower covers partially sunned, [Nissen BBI 440; Henrey 595; Hunt 650], folio, Printed for and sold by the author, 1777-[98].⁂ A very good copy of the first colour plate national flora of England. Inscription on verso of title of vol.1 reads "This work coloured by Mrs Ann Yonge of Park Street, Finished in the year one Thousand Eight hundred and Two, Aged Seventy Three." The word "coloured" has been largely erased but is still just legible.
Duppa (Richard) The Classes and Orders of the Linnaean System of Botany, 3 vol., first edition, 240 engraved plates, all but 3 hand-coloured, occasional light foxing and offsetting, contemporary blue straight-grain morocco, gilt, g.e., [Nissen BBI 566], 8vo, 1816.⁂ A lovely set of this popular introduction to the Linnaean classification system issued in coloured and uncoloured states, here handsomely bound and in its more desirable coloured issue.
Gerard (John) The Herball or Generall Historie of Plantes, second edition, engraved title by John Payne trimmed and laid down with small marginal defect, numerous woodcut illustrations, 6Z6 defective and laid down, a few other leaves at end with marginal repairs, a few leaves in middle with light water-stain, generally a very good copy, 19th century russia, single gilt rule, blind-stamped arms of Lord Bagot to covers, joints cracking and repaired, [STC 11751; Garrison-Morton 1820; Henrey I, pp.48-54; Hunt 223], folio, Printed by Adam Islip, Joice Norton and Richard Whitakers, 1633.⁂ A very good copy of the preferred edition of the greatest English herbal, expanded and improved by Thomas Johnson from the 1597 first edition.
Lindley (John) Rosarum Monographia; or, a Botanical History of Roses, first edition, half-title, 19 engraved plates, all but one hand-coloured, occasional spotting and some light offsetting, contemporary watercolour on paper of a rose tipped in to front pastedown, contemporary calf, gilt, [Nissen BBI 1204], 8vo, 1820.⁂ A handsome copy of this scarce monograph.
Martyn (Thomas) Thirty-Eight Plates, with Explanations: intended to illustrate Linnaeus's System of Vegetables, first edition, 38 hand-coloured engraved plates, light crease to lower corner throughout, occasional light foxing and toning, contemporary calf, gilt, upper joint cracking, [Henrey 1030], 8vo, 1788.
Morris (Richard) Flora Conspicua; A Selection of the most ornamental flowering, hardy, exotic and indigenous Trees, Shrubs and Herbaceous Plants, first edition, 60 hand-coloured engraved plates by William Clark, 1 double-page, tissue guards, occasional light foxing to text, contemporary half calf, gilt, rebacked preserving original spine, [Nissen BBI 1414; Great Flower Books p.69], 8vo, 1826.⁂ Initially published in 15 monthly parts, each with 4 plates, from July 1825-September 1826.
Doves Press.- [Cobden-Sanderson (T.J.)] The Ideal Book or Book Beautiful: A Tract on Calligraphy, Printing and Illustration & on the Book Beautiful as a whole, one of 300 copies, original limp vellum by the Doves Bindery, spine titled in gilt, uncut, light fading to spine and lower cover, 4to, Doves Press, 1900.
Rennie (James, editor) The Magazine of Botany and Gardening, British and Foreign, 5 vol. in 2, first edition, 5 engraved titles, 164 engraved plates, all but 3 hand-coloured, some light foxing and toning, occasional off-setting, one with caption trimmed, contemporary green half calf, a little rubbed, 4to, 1833-37.⁂ Rarely found complete with the 3 volumes of the New Series, edited by James Burnett.

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