A quantity of various makes. 4 Russian made cars – Volga Army Police car in mustard in white. Moskvitch saloon in red, Moskvitch hatchback in white with light blue doors and bonnet plus a Lada in mid blue and white ‘ZOOL’ livery. An ERTL Chevrolet ‘Olympia Toy Fair 1996 Plus a Matchbox Jaguar SS and stand. 2x early Matchbox Yesteryear – Y-1 1911 Model ‘T’ Ford and a Y-6 1913 Cadillac. Avantgarde Collection Matchbox ‘Miele Miele’ 1937 GMC van. 2x Matchbox Dinky – Commer 8CWT van ‘Motor Fair 1991’ and a Cadillac Coupe DeVille. Plus 13 Matchbox MB17 etc double deck buses and a similar Berlin Bus. Liveries include ‘Deutschlands Autopartner Nr.1’, ‘Impel 76’, ‘Laker’, ‘Jacob’s’, ‘Berger’, etc. Solido Paris bus, ‘Point-Of-Sale’ Audi TT in red. Rextoys Cadillac V16 in pink. Plus 2x Solido PUB 205 GT racers, RN57 & 76. Etc. Many boxed, some light wear only. Vehicles VGC-Mint. (approx 40 items)
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1929 Citroën C4 Registration number AZ 9971 VIN Number 512531 Engine Number J08422 With V5 The Citroën C4 range was introduced at the Paris Motor Show in 1928. It was one of the mainstream cars produced by the company at the time when production was rapidly increasing. André Citroën was a very successful motor manufacturer and employed around 31,000 people, producing in the region of 400 cars a day. This C4 is a touring saloon finished in navy blue and black. It is a very rare car, and is in excellent condition. The car has been part of a private collection for a number of years and has seen very little use, so may benefit from some light recommissioning. With receipts and paperwork and numerous photographs showing its restoration.
A 19th Century Gilt Bronze Fifteen-Light Chandelier, of neo-rococo form, the wrythen fluted stem encircled by a fruiting vine, leafy ceiling rose, with six S scroll lower large branches surmounted by nine further smaller branches with leaf hands and campana nozzles enriched with foliage throughout, 86cm high, 71cm wide (max) Originally for candles, would require complete rewiring if desired as an electric fitting. Metalwork with general discolour/oxidisation throughout, but appears generally structurally sound - this is a very complex piece so there may be small losses and other minor issues. The basal terminal has a drill hole in it (?) Some old stress cracks observed. 150615
Good Feraghan Mahal Carpet West Persia The terracotta field with an allover design of angular vines and large polychrome flowerheads enclosed by indigo borders of serrated leaf vines, palmettes and rosettes flanked by barber poles and boteh guard stripes, 359cm by 284cm Selvedges mostly original. One end (fringed) complete, border very well rewoven. One end complete. Pile fair. Some light wear. 110615
An Ormolu Mounted White Marble Striking Lyre Mantel Clock with Garniture, circa 1900, surmounted by a sun burst finial, applied swag floral ormolu mounts, grid iron paste set pendulum with knife edge suspension, 3-inch enamel dial with Arabic numerals, twin barrel movement striking on a bell, 36cm high, with a pair of ormolu and white marble paste set floral three-light candelabra, 30.5cm high 16.06.15, Base with minor chips, dial edge with a chip positioned at 3 o'clock, movement is clean, in going order and striking, garniture with minor chips and the ormolu surfaces are slightly faded.
An Ormolu and Porcelain Mounted Striking Mantel Clock, retailed by Le Roy & Fils, London and Palais Royal Paris, circa 1880, case surmounted by two cherubs holding a bunch of grapes and playing a triangle, flanked by rams' heads, light blue porcelain panels depicting urns with sprays of flowers, cherubs and a circular portrait of a lady, dial with Roman numerals, twin barrel movement striking on a bell, backplate stamped Japy Freres and numbered 12943, stamped with retailer's mark, 35cm high 09.06.15, Case surfaces are faded, bottom front mount is slightly loose, porcelain panels with some rubbing to the gilt decoration, dial is rubbed in parts and the enamel jewels are missing in parts, later pendulum, movement looks complete.
An Ormolu and Marble Striking Mantel Clock with Garniture, retailed by Roussel, Paris, circa 1880, surmounted by a seated cupid, octagonal shaped base with a wreath border, 3-inch dial with applied Roman numerals, twin barrel movement striking on a bell, backplate with maker's mark Vincenti and the retailer's signature, 44cm high, with ormolu and marble cherub three-light candelabra garniture, 38cm high 10.06.15, Marble with small chips in parts, ormolu surfaces are slightly faded in parts, dial with retailers signature slightly rubbed, movement is clean, garniture with minor chips to the marble, ormolu surfaces are slightly faded.
A Blue and White Porcelain and Gilt Metal Mounted Striking Mantel Clock with Garniture, circa 1880, vase shaped porcelain case with foliage and dragon decoration, surmounted with winged cherubs, applied side masks, pierced base with scroll feet, 3-1/2-inch cast dial with twelve enamel cartouches, twin barrel movement with outside countwheel striking on a bell, backplate stamped Marti and numbered 595, 65cm high, with blue and white vase shaped porcelain five-light candelabra, 71cm high 10.06.15, Two fine hairline cracks are visible inside the porcelain case below the clock movement, these cracks are not visible from the front of the case, mounts are slightly faded in parts, minor chips to the enamel cartouches around the winding holes, movement is clean, porcelain garniture look complete, metal surfaces are faded.
A Good Ormolu Striking Mantel Clock with Garniture, circa 1880, the elaborate case surmounted by cherubs, a goat and floral and scroll mounts, 5-inch enamel dial with Roman and Arabic numerals, twin barrel movement with outside countwheel striking on a bell, backplate stamped Vincenti, 47cm by 68cm, with a pair of ormolu seven-light candelabra, 69cm high 12.06.15, Ormolu surfaces slightly faded in parts, central front mount is broken and is now loose, two other loose mounts need re-locating with screws, screws are missing, front door with glass missing, dial is chipped at 12 and other small scratches, movement is dirty, garniture ormolu surfaces are rubbed in parts.
An Ormolu Striking Mantel Clock with Garniture, circa 1890, the elaborate case surmounted by an urn and with pierced and scroll decorated mounts, 4-1/2-inch enamel dial with Arabic numerals, twin barrel movement with outside countwheel striking on a bell, backplate stamped Marti and numbered 234, 62cm high, with a pair of ormolu six-light candelabra, 75cm high 16.06.15, Ormolu surfaces are clean, minor fading in parts, dial with minor hairline cracks around the winding holes, movement is dirty, in going order and striking, garniture are clean.
A Two Day Marine Chronometer, signed Dobbie McInnes Ltd, Glasgow, no.10031, circa 1890, three tier case with side concealed handles, front engraved plaque signed, 4-inch silvered dial with Roman numerals, two dials for seconds and up/down power reserve, single fusee movement with ''Harrisons'' maintaining power and ''Earnshaws'' type spring detent escapement, free sprung helical hairspring, compensation balance with weights and timing screws, movement numbered 15139, contained in a gimbal numbered 15139, 19cm high 08.06.15, Case surfaces are discoloured due to light damage, later top lid with small scratches, inside the bezel with an engraved inscription, dial with small scratches, movement need cleaning, balance looks poised, movement not working.
William Callow RWS (1812-1908) Riva degli Schiavoni, Venice Signed and dated 1863, watercolour, 23.5cm by 32cm Provenance: P & D Colnaghi Ltd, London Light discolouration to the mount with small sized sporadic foxing. Small watermark to lower edge. Light time staining to paper overall causing some subtle muting to the colour depth together with some possible slight bleaching to the paint, however the blue of the sky and flashes of red remain in good vibrancy and depth generally. Tiny sized discoloured specks and very minor superficial scuffs in the sky around the turrets. Light cockelling to the paper Not examined out of the frame. Provenance : P & D Colnaghi Ltd Private collection, UK Stencil mark : 173E
French School (mid 19th century) An allegory of Summer An allegory of Autumn One signed Maria A and dated 1855, pastel, 77.5cm by 62cm (Oval) Allegory of Summer : Cleaned. Retains good surface. Small circular shaped area of thin material no more than 0.5cm within the girls hair. 3 small rubbed/ thin areas lower left. Light cockell left hand side. Not examined out of the frame. Overall good state of preservation.. Allegory of Autumn: Cleaned retains good surface and detail. Overall excellent state of preservation. Each framed ( images can be supplied) which are in generally good, sound, complete order.
Sir William Russell Flint RA, PRWS, RSW, ROI, RE, NS (1880-1969) Scottish Reclining figure on a chaise longue Signed, red conte crayon, 18cm by 27cm *ARR/(Droit de Suite) applies to this lot Very light surface dirt. Odd graphite mark /scuff. Generally in a good state of preservation. Mounted and framed. Not examined out of the frame.
Frank Brangwyn RA, RWS, RBA (1867-1956) ''Festive Night'' Mixed media, 21cm by 30cm Provenance: The Fine Art Society, Ltd, 1952 Sold together with a copy of the original bill of sale *ARR/(Droit de Suite) applies to this lot In an overall good state of preservation. Laid down onto cardboard ( see images) Some light surface dirt. Mixed media work including ink, coloured crayon, gouache etc. For a copy of the receipt see images
William Heaton Cooper RI (1903-1995) Helm Crag, Grasmere (Lion and the Lamb) Signed, pencil and watercolour, 26.5cm by 53.5cm *ARR/(Droit de Suite) applies to this lot In an overall very good state of preservation. Possible very light time staining but generally clean and fresh in appearance. Not examined out of the frame.
Herbert F Royle (1870-1958) Figures carting and building a haystack in an breezy summer landscape Signed, oil on canvas, 49.5cm by 59.5cm *ARR/(Droit de Suite) applies to this lot In an overall excellent state of preservation. Cleaned and re-varnished. Original canvas. Retains thick impasto. Not examined with a UV light.
Herbert F Royle (1870-1958) ''Camus Terach, Ross-Shire'' Signed, signed and inscribed in pencil verso, oil on board, 29cm by 38.5cm *ARR/(Droit de Suite) applies to this lot In an overall excellent state of preservation. Cleaned and re-varnished. Retains thick impasto. Not examined with a UV light.
Eugene Verboekhoven (1798-1881) Belgian Study of a sheep and lambs at rest in a landscape Signed and dated 1849, oil on panel, 14.5cm by 19cm In an overall good state of preservation. Cleaned and re-varnished. Light dirt and discoloured varnish to surface. Cradle to the reverse. No evidence of repair/ splits to panel. Delicate, sporadic re-touching to small areas, essentially within the left hand side and upper left hand corner. Frame in sound complete order.
James Valentine Jelley RBSA (fl.1878-1942) ''A Riverside Cottage'' Signed, bears artist's inscribed label verso, oil on canvas laid onto panel, 16cm by 22.5cm Provenance: Hampshire Gallery, 1992 Sold together with a bill of sale as above In an overall good, stable state of preservation. Cleaned and re-varnished. Not examined with a UV light.
Ernest Walbourn (1872-1927) ''Near Symonds Yat, Hereford'' Signed, oil on canvas, 53.5cm by 74cm In overall good, original , untouched condition. Canvas slightly loose on the stretcher. Widely spaced cracquelure forming in the sky which may benefit/ require some attention in the nearer future. A few very small losses upper centre. Light surface dirt. Not examined with a UV light.
John Piper CH (1903-1992) ''Foliate Head'' Signed in pencil and numbered 15/90, lithograph, 53cm by 36cm Provenance: Christie's South Kensington, anonymous sale *ARR/(Droit de Suite) applies to this lot Light time staining to the paper. Small cluster of tiny sized discoloured specks in upper right hand side and upper left hand side. Colour depth generally good. No evidence of cockelling. Not examined out of the frame. Overall good. Framed in a thin aluminium frame.
John Piper CH (1903-1992) ''Clytha Castle'' Signed in pencil and numbered 90/90, lithograph, 37.5cm by 55cm Provenance: Christie's South Kensington, anonymous sale *ARR/(Droit de Suite) applies to this lot Light time staining to the paper. Colour depth generally good. No evidence of cockelling. Not examined out of frame . Framed in a thin aluminium frame
Victor Pasmore CH, CBE (1908-1998) ''Linear Development 5'' from ''Points of Contact - Linear Developments Portfolio'' Initialled and dated (19)70, numbered 51/60, screenprint on paper, 40.5cm by 40.5cm *ARR/(Droit de Suite) applies to this lot Relatively light time staining to paper, especially towards the outer edges. Initials and date down in strength / clarity of colour. Colour depth generally sound. Not examined out of the frame. Set within a perspex frame with thin aluminium outer frame. The backing board is visible along upper edge. No evidence of cockelling. Not examined out of the frame, Scuffs and scratches to perspex front.
David Hockney (b. 1937) A Picture of Ourselves, from: The Blue Guitar (S.A.C. 210; Tokyo 189) Signed in pencil and numbered 44/200, etching with aquatint in colours, 1976-7, 34cm by 42cm *ARR/(Droit de Suite) applies to this lot Light time staining to the paper. With some tiny sized sporadic foxing spots throughout. The print has been glued at the edges and there are discoloured finger prints which may well be the transference of the glue from the securing process. Cockelling around the centre. Small number of thunderflies trapped under the glass. Scuffs and scratches to the glass. Thin aluminium frame. Not examined out of the frame.
Laurence Stephen Lowry RA (1887-1976) ''Ghosts'' Signed and dated 1920?, pencil, 18cm by 21.5cm Provenance: Reputedly from the collection of Monty Bloom Anonymous Sale Lot 131 18-11-77 with stencil mark S53XU Possibly lot 33, Sotheby's London, June 10 1998, Modern British and Irish Pictures Property of Lady Lewthwaite *ARR/(Droit de Suite) applies to this lot Glued and sandwiched between mount and backing board. Light discolouration to exposed paper. Relatively minor scuffing to centre area and to left of the spectre's.
John Northcote Nash CBE RA (1893-1977) ''Farm near the River Loire'' Signed in pencil, inscribed verso, pencil and watercolour, 37cm by 55cm *ARR/(Droit de Suite) applies to this lot Discoloured, dirty and consistently foxed mount and glass. Small tear to mount lower left hand corner. Relatively light discolouration to the paper which is mostly free from the foxing within the mount. Overall muted/ subtle palette by design. Light surface dirt. Overall condition fair- good.
Elwin Hawthorne (1905-1954) ''North London'' Signed, signed and inscribed on stretcher verso, oil on canvas, 43.5cm by 59cm Provenance: Alex Reid and Lefevre Ltd, London *ARR/(Droit de Suite) applies to this lot In overall good, original condition. Covered in a layer of dirt and discoloured varnish. The paint has been thinly applied in places and is exposed/ visible in places. Push mark to canvas on right hand side centre above the roofs. Frame is in a relatively tired and distressed condition. Not examined with a UV light.
Attributed to John Banting (1902-1972) A still life of fig leaves Inscribed and dated verso 1956, with typed label to the reverse, oil on panel, unframed, 25cm by 30cm For comparable of subject matter see Bonhams Knightsbridge, May 14 1998, Lot 70 *ARR/(Droit de Suite) applies to this lot Light surface dirt and superficial scuffs/scratches. Some abrasions, knocks and losses to edges especially lower edge and lower right hand corner. Not examined with a UV light.
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534325 Los(e)/Seite