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A 19th century green glass wine bottle, 18.5cm highPlease see additional images uploaded. Small chips and potentially small light cracks to the rim. Some deep scratches to the body. Under a bright light there doesnt appear to be any large further cracks. A potential small loss to the underside (photographed).
Clare, John. The Village Minstrel, and Other Poems, first edition in two volumes, London: Taylor & Hessey, 1821. Vol. I: pp. xxviii, [iii] 4-216, 4pp. advertisements; Vol. II: [viii], [iii] 4-211, 4pp. adverts. The first volume with a stipple-engraved frontispiece portrait of the author, the second volume lacking frontispiece of Clare's Cottage, both volumes complete with half-titles. Contents well-preserved & bright, some light pencil underlining, untrimmed page edges, contemporary blue paper-covered boards worn and lacking spines (though one is loosely-inserted), boards detached, but internally very good, 12mo. Together with a second edition of the same, again in two volumes, this time in pink paper-covered boards and with both engraved frontispieces present, pale spotting (4)
A Chinese Export gilt-decorated black lacquer games box, c.1830, decorated with figures amid pavilions and trees, the cover with a border of dragons, the interior fitted with an arrangement of lidded boxes and trays, on four lion paw feet, 37.5cm wide***CONDITION REPORT***There is some light wear to the gilded decoration on the cover particularly to the border, some evidence of some age cracks to the lacquer on the interior of the cover. All of the trays and boxes to the interior appear to be present, a few age cracks to the corners of the base, original feet, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese soapstone seated group of a luohan and a lion-dog, on a soapstone stand, 18th century, the group of greenish yellow tone, his robes inset with small stone cabochons, the separate creamy soapstone stand carved with gnarled tree roots and a book to one side, 11.5cm wide***CONDITION REPORT***Natural inclusions and veining to the stone, some occasional light scratching to the underside of the figure, otherwise in good condition with no restoration, chips or cracks detected.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A pair of Louis XVI style ormolu and grey marble five light candelabra with scrolling branches and urn shaped stems on architectural plinths 26cm wide, 63cm high***CONDITION REPORT***Slight matting and oxidisation of the ormolu, lacking wax pans, one chip to the top right corner of one base plinth, other minor chips elsewhere.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese soapstone group of a seated luohan and lion-dog, 19th/20th century, the ascetic holding a leaf in his left hand, remnants of polychrome decoration, 12.5cm wide***CONDITION REPORT***There are remnants of polychrome and decoration to the group, some light wear to the surface consistent with age and use, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A set of thirteen Chinese pith paintings of birds perched on branches, Daoguang period (1821-50), each finely painted and with blue silk ribbon borders, images 19.5 x 28.5cm, all later framed and mounted, with original empty brocade album cover inscribed and dated 1846***CONDITION REPORT***11 of the paintings have occasional small spots and holes to the pith paper. One of the paintings of a bird of paradise is discoloured with some small holes and tears to the paper and the 13th image has some light spotting to the blue silk ribbon on the border otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A late 17th century oak coffer, the front panels with egg and dart carving, with triple panel top and stile feet, 132cm wide, 48cm deep, 71cm high***CONDITION REPORT***Of a rich, dark, reddish, oak tone, top left, and right panels have cracks running through them, lock now, missing, vertical splits and marks to the left side panel, light wear around the base with some worm damage to the front right foot.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
An antique oak dresser, based on a 15th century French gothic model and very similar to an example in the Wallace Collection, with canted top and elaborate gothic carving to the main panels and drawer fronts incorporating armorials, with two cupboard doors and two mid section drawers over an understage with linenfold backing panels and plinth foot, 157cm wide, 56cm deep, 150cm high See The Wallace Collection F13https://wallacelive.wallacecollection.org:443/eMP/eMuseumPlus?service=ExternalInterface&module=collection&objectId=63638&viewType=detailView***CONDITION REPORT***Overall of a light to mid brown oak tone, the top showing some ring marks and other small holes and damage together with two rectangular slots at the back presumably where an additional back was once mounted, minor small chipping and losses to the gothic carving, left hand locks works on a key, the right hand lock appears to intend to work from the same key but currently remains shut, a little more fading to the understage than elsewhere.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A George III mahogany serpentine dressing chest fitted four graduated long drawers, the top drawer with leather lined slide and divided interior on bracket feet, 95cm wide, 56cm deep, 82cm high***CONDITION REPORT***Overall in a fair state of polish and a mid to light brown tone, lighter on the top than elsewhere, looks to have been restored some years ago but now fading is making the faults show up a little more particularly a number of varying small splits and repairs done to the top, the leather lining to the slide is later, locks look original but no key present, handles look original, minor scuffing to the feet, overall fair to good order.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
An early Victorian pollard oak davenport with writing drawer, two slides and four side drawers, 56cm wide, 57cm deep, 88cm high***CONDITION REPORT***A little faded, was probably once a mid to dark honey tone and is more light golden with some variation throughout, leather skiver is a later replacement but in fair order, interior lined in walnut and mahogany, has a working lock and key, drawers fitted with original locks, but no key. A split running down the length of the front panel, minor chips, scuffs and wear throughout.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
An early 20th century Arts & Crafts inlaid mahogany music cabinet, made by George Montague Ellwood and retailed by J.S. Henry of London, with shelved superstructure over a fall front enclosing sheet music shelves with ornate brass strap work hinges, on squared legs, stamped J.S. Henry on the back, 67cm wide, 40cm deep, 172cm high***CONDITION REPORT***Overall of a mid to reddish mahogany, brown colour with a slightly dull finish, a little more faded to the front upright. Rather dusty with very light wear to the extremities of the bookshelves, a horizontal split running through the main door, lock and key look original and are working, some slight scratching to the internal shelves which have been cut further away to allow for the hinges. Light scuffing around the legs and feet.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Liberty & Co. Arts & Crafts planished copper wall mirror decorated with stylised Tudor roses to the corners, interspaced with turquoise coloured Ruskin type plaques, 69cm wide, 79cm high***CONDITION REPORT***Overall in good honest condition, bevelled plate looks to be original albeit with some oxidisation across the base, main frame oxidised and slightly mottled in colour with some light scuffing and dirt marks but essentially all good. Original backing applied with a small Liberty & Co Ltd London plaque.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Raja Jivan Ram (Indian, fl.1815-1840) Portrait of Major Bellingham-Smith, 11th Regiment of Light Dragoons (b.1790, d.1866)oil on canvassigned and dated 182635 x 30cm Major Bellingham Smith. Father John and mother Elizabeth, Born Sept. 4, 1790 in Middlesex England. Served in India and was a member of the 11th Light Dragoons. Married to Priscilla Graham, died July 8, 1866.***CONDITION REPORT***Oil on original canvas, a little saggy with a torn cross near the top of his head, paint rather dirty, signed and dated lower left, in the original giltwood frame which is now a little rubbed and has extensive worm holes on the back, hand inscribed label verso giving details of the sitter, together with a collector label for Colonel W.D. Tompson.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
F. Baumann (German, 19th C.) after Sir Antony Van Dyck (1599-1641) Portrait of Charles Ioil on canvas73 x 52cm***CONDITION REPORT***Oil on canvas looks to have been relined many years ago, canvas remains tight, paint looks rather dirty and would benefit from a clean, stretcher marks showing around the edges along with some fine but stable craquelure through the paint, one small scratch running just below his lace collar down towards the star, further finer hairline scratches just below this. Old possibly even original ebonised frame with light scuffing, label verso for Kunst & Antiquitaten from an auction sale in December 2022.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Mid 17th Century English School Christ before Pilate and Jewish leaders, including Joseph of Arimathea, with many of the figures holding scrolls on which are writings inscribed in both Hebrew and English.oil on canvas76 x 158cm***CONDITION REPORT***Provenance; purchased from a deceased estate of a Norfolk manor house some years ago. It was believed to have been done as a comment on the trial of Charles 1st prior to his execution.Oil on canvas relined many years ago with a large patch near 12 o’clock showing on the work as an L shaped retouch above the central figures head. Otherwise some light scuffing elsewhere, housed in an old reeded ebonised frame no labels or inscriptions versoPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
James Gillray (English, 1756-1815) ‘’Matins at D-wn-ng College Cambridge’’, dated 1810, 341 x 244mm. BM Satires 11591;‘’a Petty-Professor of Modern-History, brought to Light’’, dated 1810, the image within an oval border, 350 x 260mm. BM Satires 11590;‘’Progress of the Toilet’’ - ‘’The Stays’’, ‘’The Wig’’ [and] ‘’Dress Completed’’, a set of three, [The trio satirizing the fashions of the period, which dictated how the shapes of women should be accentuated to imitate artistic depictions of femininity], dated 1810, each approximately 275 x 215mm. BM Satires 11608 11609 11610; and‘’Grace, Fashion, and Manners. From the Life’’, dated [c.1810], published by George Humphrey, 260 x 200mm. BM 1851.0901.1271,hand-coloured etched caricatures, published by Hannah Humphrey (6)***CONDITION REPORT***The caricatures tipped-in, two to one side, four to the other, of an early 19th century blue paper folio album leafPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Attributed to John Wilson Carmichael (British, 1799-1868) 'Off Dover'oil on panel50 x 62cm***CONDITION REPORT***Oil on panel in slightly neglected condition, panel curves inwards across the bottom, some fine but stable craquelure throughout along with light surface dust, apparently unsigned, housed in a 19th century gilt gesso frame with some losses, handwritten label applied verso giving the title and attributionPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Sir Edwin Henry Landseer R.A. (1802-1873) 'A retriever, with pheasant in his mouth - unfinished'watercolourmonogrammed and dated 182719.5 x 25cm, Ex. Collection The Duke of Bedford***CONDITION REPORT***Watercolour on light buff coloured paper which is perhaps evenly discoloured, a little darker, scattered small dirt specks and acid stains showing around the mounts, colours remain fair to strong, old washline mount and original glazed framed, numerous inscriptions and labels verso, Foord & Dickenson framers label, details of a Christie, Manson & Woods sale at Spencer House, St James Place, 1951, with catalogue excerpt below, further details given of the sale of the works belonging to the Duke of Bedford. Christie's stencil numbers on the back along with a more recent Spink label number APB5495PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Achille Solari (Italian, 1835-1884)The Gulf of Pozzuolioil on canvassigned45 x 81.5cm***CONDITION REPORT***Oil on canvas in good condition, possibly in need of a light clean, indistinct signature in the lower right corner, old handwritten label on the stretcher giving the title 'Gulfo di Pozzuoli, Southern Italy Bay of Naples' (bought 1892 by Mr E J Victel from Italian Ambassador and given to CB at Warley, in addition 1956 Stacy Marks label giving the artist as Jolail and 1965 Stacy Marks label after cleaning.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Edmond Jean-Baptiste Tschaggeny (Belgian, 1818-1873) Cattle drover and cows beside a streamoil on wooden panelmonogrammed28 x 21cm***CONDITION REPORT***Oil on panel in good condition but might benefit from a light clean, signs of an old split having run down from top left down to just left of 6 o'clock with some retouching, monogrammed lower right, probably original gilt gesso frame with Christie's number verso and old typed details of the artist.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Theude Grönland (German, 1817-1876) Still life of sweet peas, fruit and two white miceoil on wooden panelsigned and dated 184329 x 39cm***CONDITION REPORT***Oil on original panel in honest untouched condition, would benefit from a light clean but no other faults noted, housed in the original ornate gilt scroll frame with artist title plaque, old hand inscribed label verso giving details of the artist along with a framers label for Clifford & Co of Haymarket.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Daniel Sherrin (British, 1868-1940) 'Among the heather'oil on canvassigned76 x 50cm***CONDITION REPORT***Oil on original canvas in good untouched condition, under glass but may still need a light clean, original plain moulded frame with some rubbing around the edges, title inscribed on the back of the canvas.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Hubert Thornley (fl.1859-1898) Moonlit Dutch harbour sceneoil on canvassigned34 x 29cm***CONDITION REPORT***Oil on original canvas which remains tight, paint looks to be in good condition, might benefit from a light clean, later scroll frame, a title inscribed in pencil on the back of the stretcher.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
William Adolphus Knell (British, 1801-1875) Billowy Skiesoil on boardsigned19.5 x 14cm***CONDITION REPORT***Good untouched condition, would benefit from a light clean but no real faults noted, housed in a later, gilt wood frame, label for the Lower Nupend Gallery of MalvernPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Edwin Ellis (English, 1841-1895) Near Whitbyoil on boardartists label verso dated 187022 x 29.5cm***CONDITION REPORT***Oil on board in good condition, might possibly benefit from a light clean, a little light, but stable, craquelure in the darker areas and a slight outward bulge to the board. Looks to be the original gilt gesso frame with title plaque. Artist label verso giving the title ‘Under the cliffs near Whitby, E.Ellis 1870’. Said to be signed and dated lower right but hard to spot.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Follower of Walter Crane RWS (1845-1915) frontispiece for The Well of Loneliness by Radclyffe Hallink and watercolour on grey paperinscribed verso22 x 16.5cm***CONDITION REPORT***Ink and watercolour on grey paper, very light creasing showing towards the lower left corner and a few small dirt marks, application of the green watercolour paint over the flowing robes and also used to a lesser extent over the last two letters of well, under glass in a gilt scroll frame, pencil inscription retained along with a further ink inscription on the back with attribution to Crane however he died in 1915 and The Well of Loneliness was published in 1928.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Robert Polhill Bevan (British, 1865-1925) Study for The Bayhorse, Tattersall’s, 1921 (Paul Mellon Bequest - Yale Centre for British Art)pencil and watercolourinscribed verso29 x 23.5cm The subject matter of cab-yards, mews and horse sales in London was suggested to Bevan by Walter Sickert .For a related work see Christie's sale Lot 100, 28 Nov 2000.***CONDITION REPORT***Pencil and waterclour on light cream paper which is now discoloured, presumably left for many years with a mount lying over it at a slight angle and therefore the paper is discoloured differently at the top and then has less discolouration as one runs down the image, a few small scattered dirt and fox marks, pin holes showing across the bottom margin, old card mount and slim glazed gilt frame and inscribed label verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Charles Ginner NEA ROI ARWS (English, 1878-1952) Landscape with trees, lake and house beyondink and watercolourinscribed verso stating from the artist presenting it to Ethelbert White26 x 36cm***CONDITION REPORT***Drawn on paper which has now discoloured to a light buff tone, the blue of the sky has faded but can be seen across the top where the work has slipped in the mount, some scattered fox marks, otherwise other than the loss of the blue, the colours look fair, apparently unsigned but maybe hidden below the mount, old washline mount with damp and insect dirt damage, tatty gilt frame, inscribed verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Sir William Orpen RA RHA RWS (British, 1878-1931) 'A Break for a Smoke'pencil, pen, red ink and watercolourNew Grafton Gallery 1977 Exhibition label verso25 x 33cm***CONDITION REPORT***Painted on to cream paper which has evenly discoloured to a light buff tone, a hint of creasing down the right side, colours remain fair, hint of acid staining around the mount, plain card mount and slim glazed frame with Grafton Gallery and JC Farley labels verso. Comes for sale from the estate of Barry EvansPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Noel Georges Bouvard (French, 1912-1975) Venetian canal scenesoil on canvas, a pairsigned27 x 35cm***CONDITION REPORT***Oils on original canvas in good untouched condition, possibly in need of a light clean but no real faults noted, housed in the original gilt scroll frames with one or two tiny chips, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Albert de Belleroche (English, 1864-1944) 'Femme nue dans la Campagne'oil on canvassigned79 x 62cm***CONDITION REPORT***Oil on original canvas in good condition, may need a light clean, signed lower left, housed in an ornate gilt gesso scroll frame which is a little dull with some cracking, typed label verso stating 'awaiting exhibition' and dated 1967, remnant of a hand written label in addition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Albert Williams (English, 1922-2010) Summer flowers in a vase upon a ledgeoil on canvassigned75 x 60cm***CONDITION REPORT***Oil on original canvas in slightly dirty condition with a little light white mould spore marks scattered throughout so will benefit from cleaning, otherwise looks good, housed in a gilt scroll frame which is in fair order, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Cecil Rochfort D'Oyly-John (1906–1993) 'Night fishermen off coast at La Napoule near Cannes S of France'oil on canvassigned25 x 35cm***CONDITION REPORT***Oil on original canvas in honest untouched condition, a few light dirt marks but no real faults, signed lower left, housed in the original part gilt stepped frame, artist's label with title inscribed verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Cecil Rochfort D'Oyly John (English, 1906–1993) French Mediterranean town square with flower selleroil on canvassigned42 x 52cm***CONDITION REPORT***Oil on original canvas in honest untouched condition, possibly needs a light clean, signed lower right, housed in an odd pink white painted scroll framePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Walter John Beauvais (1942-1998) Beach sceneoil on canvassigned49 x 75cm***CONDITION REPORT***In honest original condition, possibly needing a light clean but no real faults noted, housed in a gilt gesso frame which has a number of losses particularly at the corners, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Sherree Valentine Daines (1959-) Portrait of a young ladyoil on canvassigned and dated '8540.5 x 30cm, unframed***CONDITION REPORT***Oil on original canvas in good untouched condition, possibly needs a light clean, old printed extract verso giving details of the artist, lacks framing.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
§ § Eileen Cooper O.B.E., R.A. (British, b.1953) Crouching figureoil on formica128 x 94.5cm***CONDITION REPORT***Painted on to board, a few small specks where paint has flaked away and some light surface scuffing, a fine crack running near the top right corner down into the purple square beneath it, which looks like it may well have occured before the work was painted rather than after, slim black metal frame, no labels or inscriptions verso.One of a set of four that artist painted which a monoprint was taken from each one.These paintings were supposed to be destroyed but this one survived.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A set of six porcelain plates made by Wedgwood for the National Art Collection Fund, 1992, comprising:'Garden Plate' by Patrick Heron,'Passed the Tangerine Test' by Bruce McLean,'Fabula' by Eduardo Paolozzi,'The Green Man' by John Piper,'Demonstrations' by Peter Blake,'Ipanema' by Patrick Caulfield,printed marks, limited edition of 500, in a series of six designs commissioned by the National Art Collections Fund and Wedgwood, with certificates and each boxed, each 31cm diameter (6)***CONDITION REPORT***'Passed the Tangerine Test' by Bruce McLean - slight scuffing to the blue and black glazes'Fabula' with some light surface scuffing'Garden Plate' with small scuffs to the dark red glazePLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Dame Lucie Rie D.B.E. (1902-1995), a stoneware conical bowl, of slightly elliptical form, off white glazed with manganese rim, impressed seal mark, 20.1cm wide, 12cm high***CONDITION REPORT***Typical minor glaze imperfections, in good condition with no restoration, chips or cracks detected, examined under a UV light.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A matched pair of late 19th/early 20th century silver two branch, three light candelabrum, with scroll arms, on beaded square bases, Hawksworth, Eyre & Co, one Sheffield, 1881, the other Sheffield, 1901, height 49cm, weighted, arms only 61.6oz (a.f.).***CONDITION REPORT***Base of stem of later stick repaired. Repair around the side of the foot also.Other stick has a split at the top of the stem and the angles are worn. Splits and a repairs to the angles on the base.Numerous small dings to both columns. Minor scratches and dings elsewhere in general. Hallmarks mainly, clear but with some rubbing.Overall condition is generally quite poor.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A pair of George VI silver two branch three light candelabra by George Howson, with reeded branches and tapering stems, on foliate scroll decorated bases, Sheffield, 1949, height 45.8cm, weight, arms weight gross 61.8oz.***CONDITION REPORT***Probable old professional repair to one stem. One stick leans slightly. A few small dents to one stem. A few minor dings within the decoration on the base. Green baize missing from underside of base of one stick. Hallmarks clear.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A George V Omar Ramsden planished silver shallow bowl, with wavy banded girdle engraved inscription relating to 'The Gas, Light and Coke Company at Barking Road', on four scroll feet, London, 1929, overall diameter 19.5cm, 17.6oz.***CONDITION REPORT***Overall condition is good, commensurate with age and mild use. Hallmarks clear.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A rare neo-classical enamel on copper vase, probably Vienna 18th/19th century, painted to each side with figure scenes in the style of Angelica Kauffman within tooled gilt cartouches, on a Sevres style dark blue and gilt caillouté pattern ground, 31.5cm high, slight damage and enamelling imperfections***CONDITION REPORT***Neckrim with a series of unsightly losses to gilding; footrim similarly worn but less-so; one painted panel with bruise around and above green-clothed seated gent., as shown; light surface scratches.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
An Arts and Crafts silver ewer,by Johnson, Walker & Tolburst, Sheffield 1923, of circular form, with hinged cover and scroll work thumb piece, the body planished and engraved 'Royal London Yacht Club Aug. 6th 1923 Won BY Gadfly', 14cm high 9.5oztCondition ReportLight oxidisation throughout. Marks struck clear.Foot is very slightly bent preventing the ewer from quite sitting flush.
Two 'Starbay' shoe shine boxes, 20th century, each with rise and fall folding foot rest, brass mounts and bone inset logo, complete with brush, 20cm wide35cm deep22cm high (2)Condition ReportVery light surface wear commensurate with age and use. Hinges and drawers functioning well. Minor tarnish to brass.
A George III mahogany longcase clockc.1775, by John Holmes of London, the hood with a sphere finial above a break-arch moulding, with a glazed door flanked by canted front edges and glazed side panels, the flame-veneered arched door above a panelled base and stepped plinth, the 12-inch silvered dial set with Roman numerals and centrally inscribed 'Holmes, London', with a strike/ silent function, a subsidiary seconds dial and a calendar aperture, the twin-train movement with five knopped pillars, maintaining power, anchor escapement and offset pivoted crutch, the wooden rod 'Ludlam' pendulum suspended from a substantial bridge on the backplate, with a massive gilt-painted lead disc-shaped bob, above a calibrated brass sphere for rating, 50cm wide26cm deep226cm highJohn Holmes is recorded as having worked from 156 Strand in London between 1761 and 1802. Holmes was regarded as one of the finest clockmakers of his time and F J Britten comments 'he seems to have been one among the leading mechanicians and when the turret clock at Greenwich Hospital was destroyed by fire in 1779, he was given the order for a new one. The Wetherfield Collection contains two long mahogany case clocks of his manufacture, one a particularly choice example of Chippendale dating from about 1770'.For an almost identical example, see Christie's, 'Important Clocks and Marine Chronometers', 20 February 2008, lot 99. Another similar example with an enamel and brass dial sold in these rooms 23 March 2022, lot 598.Literature: T Robinson, 'The Longcase Clock', 1981, p.168; T Mercer, 'Chronometer Makers of the World', 1991, p.165; T Reid, 'Treatise on Clock and Watch Making', 1832, p.404, pp.432-453.Condition ReportA few small knocks, tiny splits and areas of light cosmetic wear to the case commensurate with age and use. Some light wear, tiny scratches and marks to the dial. The clock was purchased at auction in 2016 and was subsequently worked on by Brian Baskerville, and we are told has since been running well in the vendor's home prior to consignment. Ticks and strikes when wound, however we feel that the clock may benefit from a light service by the successful purchaser. Please see additional photos.
A near pair Victorian silver swing handled sugar baskets,by Joseph & Albert Savory, London 1848, each of circular form, with wavy-edge borders, pierced scroll decoration, rope handles, and original blue glass liners,the larger 10cm high,9.6ozt (2)Condition ReportOne glass liner has crack running through it and seems it has been repaired (the smaller).Minor dents and lifting to pierced decoration in places.Light oxidisation.Marks rubbed.
A set of eight late Victorian oak dining chairs by Gillows,comprising two armchairs and six single examples, each with moulded detail to the frame, the rail set with grotesque mask finials, raised on acanthus-carved square supports united by a wavy 'X' stretcher, terminating in brass castors, stamped to each back leg, upholstered in leatherette,armchairs 65cm wide65cm deep112cm high (8)Condition ReportMost joints generally tight and sturdy. General surface wear, marks and fading throughout. Some knocks, scratches, chips and losses. Some light wear to upholstery. Seat height of armchairs 50cm.

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