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534297 Los(e)/Seite
Los 350
? William Stone 1918 ? 1945 Royal Navy signed Forgotten Voices paperback book by Max Arthur. Some damage to bottom left corner and front page autograph is good. William Frederick ""Bill"" Stone (23 September 1900 ? 10 January 2009) was one of the last five First World War veterans who served in the United Kingdom`s armed forces and one of the last two seamen worldwide, along with Claude Choules. They were also the last two to also serve in the Second World War, although Stone saw action only in the Second World War as he was still in training when the First World War ended. Stone was born in Ledstone, Kingsbridge, Devon and enlisted in the Royal Navy on his 18th birthday. He served onboard HMS Tiger shortly after the end of the First World War, before serving on a number of ships including HMS Hood. At the beginning of the Second World War Stone was serving on the minesweeper HMS Salamander before moving onto the light cruiser HMS Newfoundland in 1941. After the war, he ran his own barber`s shop. In his later years Stone was present at many memorial services including the 90th anniversary commemorations at the Cenotaph in London. He died on 10 January 2009.
Los 1
WILLIAM GILPIN "An Essay upon Prints...", 2nd edition, published London 1768, marbled boards with later tooled leather spine and corners. CONDITION REPORTS Generally appears in reasonable condition. The marbled paper covered cover though is in poor but restored condition with later leather work. Large crack across the right hand corner of the front board. Similarly across the back board. The interior first page marbling faded and browned particularly towards the edging. Next blank pages have ownership name "G H Pettinger ?" and further scribbles (see images). Frontispiece and remaining pages with light-ish brown discolouration particularly browned towards the edges (see images). Rear blank pages with same ownership signature and foxed and with browning particularly to the top edge. Rear marbled pages appear faded. Rear cover in much the same condition as the front cover (see images for further info).
Los 102
18TH CENTURY ENGLISH SCHOOL "Lady in lace-trimmed dress, a spray of roses at her breast", portrait study, head and shoulders, oil on canvas, initialled "JW" and dated "1763" above her shoulder, 54 cm x 43 cm. CONDITION REPORTS Overall the painting is dirty and requires cleaning and sympathetic restoration. The main body of the painting particularly to the shawl and face has distinctive craquelure. There is a large patch of paint missing above her right shoulder and a hole beneath. The paint and canvas are indented where the stretchers meet the canvas - visible all round. There is slight paint loss above her head and to the right of her head. Under UV light there appears to be restoration to the flowers at her breast suggesting either this is a later addition or repainted and also to the bottom right hand corner there is a large black patch suggesting restoration.
Los 107
AFTER JACOB HUYSMANS (1633-1696) "Izaak Walton", portrait study, half length, oil on canvas, unsigned, 76 cm x 63 cm. CONDITION REPORTS Frame has knocks and bumps to edges and corners throughout, there is flaking towards base of slip. Painting itself shows some areas of cracking to the oil particularly to the top section and bottom right corner, oilwork to face and main centre of the picture seems secure, overall dirty, has clearly been re-stretchered in the past and has some old restoration work. Under UV light shows restoration particularly towards the top half of the painting in the background, to the lips, hairline and forehead, and along the bottom edge, under the hands and up the arm (probably previous heat damage).
Los 126
A Hadleys Worcester "faience" vase in the Gothic Revival taste with floral spray decoration, raised on a quatrefoil base, 19 cm high. CONDITION REPORTS Overall appears in good condition, one floral spray to the top section appears to have some blemishing in the form of light bubbling to the glaze (see image), gilding to the extremities around the rim with slight wear (see image for example), feet all with small chips to the very ends with the exception of one with a larger finger nail size chip (see images).
Los 157
R. LALIQUE "Clytie, Source de la Fontaine", Model 838, frosted glass, circa 1924, designed for use in a fountain welcoming visitors to The Paris Exposition of 1925, 71 cm high, together with an associated modern adzed oak display case. CONDITION REPORTS Slightly dirty with one or two small pin head sized spots of white paint down one side, has some light scratches to the front, and centrally on the plain inner section there is a scratch running from one side to the other (see photo), chip to right-hand side of base of foot (see photo) approx. 2 x 2 cm and some surface scratches, bottom support has been crudely cut away (see photos), back of the piece shows scratching and areas of whitening (where it has probably been laid down on a hard surface), there is a chip to the back on one edge approx. 1.5 x 0.1 cm, also a section of white paint to one edge (see photo), hands show some slight faults from the original casting (see photo) but slightly uneven bubbles, and small pin head sized chip to the outer edge along the front of the gown (see photo).
Los 179
An Elkhart Series II alto saxophone, 70 cm. CONDITION REPORTS Case shows general signs of wear with some rubbing and scratching to the mounts from general use. The case appears in sound but used condition. The saxophone itself has some general wear throughout and some minor scratches from general use. The cork has a small split at the end (please see image) but generally appears to be in good sound but used condition with some light wear throughout. Length of main body section (excluding mouthpiece section), is approx 58cm long. Keys appear to depress and return to original position, however, we can make no guarantees as to whether or not saxophone is in working order.
Los 259
A late Victorian silver four piece tea and coffee set of bellied form with shaped rims and bodies decorated with C scroll and floral work, with vacant shaped cartouches, raised on four hoof feet, comprises teapot, coffee pot, twin-handled sucrier and milk jug (by Walter and John Barnard, London, 1894 and 1895), 52 oz including handles. CONDITION REPORTS Some general wear throughout conducive with age, some light surface scratching, dirty, sugar bowl has a couple of slightly deeper scratches to the underside of the base, teapot handle shows some signs of wear conducive with age and there is a small crack to the base of handle - possibly just from general heat - and the same with the water jug, finial on water jug has a scratch to the wood, teapot has slight dent inwards to one side on the plain side of the pattern (see images).
Los 285
A cased set of six George V silver coffee spoons by Keswick School of Industrial Art, the entwined terminals raised on twisted stems to circular bowls (by Keswick School of Industrial Art, Chester, 1918), 2 oz total. CONDITION REPORTS Spoons have light wear conducive with age and use, all bear the same hallmark, unknown if the box is original but the spoons seem to fit it, box itself is faded and stained to top, interior of box OK. Length of spoons is just under 10 cm.
Los 291
A pair of Georg Jensen "Blossom" pattern No. 84 salt spoons, bear Georg Jensen mark for post 1945 and stamped "Sterling Denmark". CONDITION REPORTS Both with light general wear and scuffs but overall appear in good condition. They are stamped "84 Georg Jensen Sterling Denmark", the 84 is slightly rubbed / fainter to one of the spoons.
Los 311
A Victorian silver novelty match striker/ash tray in the form of a tortoise, the hinged back opening to reveal a tray beneath and match strikers on belly of tortoise, stamped with registration mark number 15204 (probably by William Graeme, London 1884), 12 cm long, 3.4 oz. CONDITION REPORTS Has general signs of wear with some light rubbing from general use and one or two minor scratches. Slightly dirty. Marks slightly rubbed but generally in sound condition. Has general signs of wear with some light rubbing from general use and one or two minor scratches. Slightly dirty. Please note that this is not by William Comyns & Son - hallmark is rubbed / indistinct but is probably by William Graeme.
Los 317
A 9 carat gold sovereign case with engraved scrolling foliate decoration and cartouche initialled "JH". CONDITION REPORTS Dented to the engraved letter side right across the lettering (please see image) where it has been pushed in but it is not split only mis-shapen. Otherwise has some light scratching and general wear. Marks are slightly rubbed (please see image). Opens easily. Hinge is secure.
Los 501
A circa 1980 Danish teak sideboard in the manner of Niels O. Moller, the plain top above four central drawers flanked by two pairs of cupboard doors on tapering supports, 213 cm wide. CONDITION REPORTS Appears in good, sound condition with some general light wear from use, and a few very minor scratches to the top, one end appears possibly to have got slightly damp and there is some slight evidence of mildew, legs have one or two knocks from general use, but overall is a good solid piece.
Los 502
A 1970's rosewood veneered sideboard by Merrow Associates, the plain top above two sliding doors and chrome frieze flanked by plank end supports, 183 cm wide x 72.5 cm high. CONDITION REPORTS Shows signs of general wear throughout conducive to age and use, front right corner and back left corner have some wear to veneer on corners (see images) , one end of the sideboard has some small piece of veneer missing at the base approx in four small place under 1cm each (see image), top right end of the sideboard as you look at it there is some slight lifting to varnish possibly from heated dishes, small scratches to top, overall the top has good colour but would benefit from a little sympathetic restoration, veneer along the front edges of legs has some small nicks out on both sides, and some scratches towards edges of feet conducive with age and use, overall the piece shows strong colour and is in reasonably condition but would benefit from some light restoration.
Los 503
An early 1980's rosewood veneered desk, the plain top over a plain frieze and kneehole flanked by two banks of three drawers with brushed steel handles raised on square supports, 140 cm wide x 67 cm deep. CONDITION REPORTS Is in used condition with general wear throughout, some scratching to the top of the desk conducive with general use and would benefit from some light restoration, otherwise in sound condition with minor knocks and bumps conducive with general use, one or two deeper scratches to the back on the legs. Height of kneehole from floor to underside of desk approx. 66.5 cm.
Los 507
A set of ten mid to late 20th Century Scandinavian chrome framed reception chairs with suede upholstered back panel and seat on rectangular section supports united by stretchers . CONDITION REPORTS All chairs are in used condition with general knocks, bumps and scratches to the chrome framework conducive with general use, upholstery is faded with staining throughout (particularly visible because of the light colour of the upholstery) and in quite used condition, all chairs appear to be in sold sound condition with no obvious signs of rusting, would all benefit greatly from being cleaned and re-upholstered, a couple of the chairs show signs of mildew damage where the material is deteriorating badly in places, may possibly have previously been stored in an outbuilding.
Los 56
CAROLINE RAGONEAU AFTER PANINI "Figures amongst Classical ruins", oil on canvas, signed and dated 1886, 87 cm x 126 cm. CONDITION REPORTS Under UV light shows areas of restoration in numerous small sections throughout the painting, particularly towards the edges and bottom corners, has clearly been professionally restored, and re-lined and re-framed and now appears in good and sound condition, quite clean, small pin head knock to the paintwork between two of the columns on the right-hand side approx. 0l.5 x 0.5 cm, one or two areas of cracking to the paint. New modern frame appears to be in good, sound condition.
Los 57
EARLY 19TH CENTURY ENGLISH SCHOOL "Gentleman in black coat and white stock", a portrait study, half length, oil on canvas, unsigned, 76.5 cm x 63.5 cm. CONDITION REPORTS Under UV light shows small spots of restoration throughout, from general restoration to secure the piece, appears to have been professionally restored, in particular there is a patch approx. 10 x 4 cm to the background on the right-hand side of the face (but not on the face itself), and there are numerous other small areas of restoration throughout - some to the face area but generally quite even throughout, generally the picture is very dirty with some flaking to the oil lower left side towards edge of frame in at least half a dozen places (see photo) - largest area approx. 1 x 1 cm, some cracking to the oil particularly lower left corner (probably from heat damage) there are at least three or four spots of white paint dropped on the picture towards background, picture appears to have been re-lined but some considerably time ago as is very browned and dirty. Frame has cracking throughout conducive with age, is extremely dirty, giltwork is quite rubbed throughout, various pin head size chips to the giltwork on close inspection, however the general overall impression is that it looks reasonably complete, there is an area on front left-hand side approx. 4 x 5 cm in the background which is discoloured and looks whiter than the rest of the frame.
Los 76
THOMAS LUNY (1759-1837) "Fisherfolk pulling nets to the beach with various sailing vessels along the coastline in the background", oil on panel, signed and dated 1829 bottom left, 30 cm x 40.5 cm. CONDITION REPORTS In a reasonably modern frame which appears to be in good condition with just a few minor knocks, Large central split across the picture running right through the board (see images) measures 11.5 cm long, some cracking to the oil throughout but paintwork appears to be secure, has clearly had some professional restoration, on the right-hand side approx two thirds of the way down from the top right by the mount there has clearly been some flaking to the paintwork which appears to have been professionally secured (see images), under ultra-violet light the only obvious sign of restoration is the small patch already mentioned on the right-hand side, and a little bit of touching up along the bottom edge of the frame where it has clearly rubbed, other than that we would suggest that the painting has had some professional cleaning in the past and general care to secure the oil to prevent flaking where it has cracked, overall however it appears that the paintwork is solid. The painting is on a wood panel, and the wood has warped. Some small flakes/losses along the crack.
Los 80
A FOLLOWER OF JOHN CONSTABLE "View on the River Stour Suffolk 1821", a river landscape with figures in foreground, oil on panel, unsigned, bears label verso inscribed "This sketch is by John Constable RA View on the River Stour Suffolk 1821 like most of the said.... works at an early period of painting is rather highly finished but has still the masterly effort which is found on most of his works who executed in light and shade and cloudy effect softness in colour and transparency as is found in this sketch. Sketch was supposed to be for the jumping horse. Yours sincerely Charles Leslie 1857 - 107H Collection", 29.75 cm x 43 cm. CONDITION REPORTS Oil is very cracked throughout, three horizontal splits running from the right corner each approx. 8 cm long (although they are to the surface of the oil), there is a deeper split which has been touched up in red on the right corner approx. 1.5 x 0.3 cm, painting is quite dirty, paint thinning in areas, corners have knocks, bumps and nibbles out at edges, back has splits and knocks to edges throughout , has clearly been uncared for over the years and out of a frame for some time, has old ink written label attached verso (see photo) and some deep scratches throughout. Under UV light the right-hand side of the painting by the tree appears to have had some extensive restoration, but otherwise does not show any further signs of restoration. No particular Provenance known, though from a local private source. Appears to have been relatively recently varnished.
Los 1
WILLIAM GILPIN "An Essay upon Prints...", 2nd edition, published London 1768, marbled boards with later tooled leather spine and corners. CONDITION REPORTS Generally appears in reasonable condition. The marbled paper covered cover though is in poor but restored condition with later leather work. Large crack across the right hand corner of the front board. Similarly across the back board. The interior first page marbling faded and browned particularly towards the edging. Next blank pages have ownership name "G H Pettinger ?" and further scribbles (see images). Frontispiece and remaining pages with light-ish brown discolouration particularly browned towards the edges (see images). Rear blank pages with same ownership signature and foxed and with browning particularly to the top edge. Rear marbled pages appear faded. Rear cover in much the same condition as the front cover (see images for further info).
Los 56
CAROLINE RAGONEAU AFTER PANINI "Figures amongst Classical ruins", oil on canvas, signed and dated 1886, 87 cm x 126 cm. CONDITION REPORTS Under UV light shows areas of restoration in numerous small sections throughout the painting, particularly towards the edges and bottom corners, has clearly been professionally restored, and re-lined and re-framed and now appears in good and sound condition, quite clean, small pin head knock to the paintwork between two of the columns on the right-hand side approx. 0l.5 x 0.5 cm, one or two areas of cracking to the paint. New modern frame appears to be in good, sound condition.
Los 57
EARLY 19TH CENTURY ENGLISH SCHOOL "Gentleman in black coat and white stock", a portrait study, half length, oil on canvas, unsigned, 76.5 cm x 63.5 cm. CONDITION REPORTS Under UV light shows small spots of restoration throughout, from general restoration to secure the piece, appears to have been professionally restored, in particular there is a patch approx. 10 x 4 cm to the background on the right-hand side of the face (but not on the face itself), and there are numerous other small areas of restoration throughout - some to the face area but generally quite even throughout, generally the picture is very dirty with some flaking to the oil lower left side towards edge of frame in at least half a dozen places (see photo) - largest area approx. 1 x 1 cm, some cracking to the oil particularly lower left corner (probably from heat damage) there are at least three or four spots of white paint dropped on the picture towards background, picture appears to have been re-lined but some considerably time ago as is very browned and dirty. Frame has cracking throughout conducive with age, is extremely dirty, giltwork is quite rubbed throughout, various pin head size chips to the giltwork on close inspection, however the general overall impression is that it looks reasonably complete, there is an area on front left-hand side approx. 4 x 5 cm in the background which is discoloured and looks whiter than the rest of the frame.
Los 101
A group of prints and maps including Vineyard print After Thorn Winters End Malham, photograph of light aircraft, machine tapestry After Landseer with text, gilt wall mirror, cockerel mosaic, a pair of hand tinted engravings of Kirkstall Abbey and Leeds from Holbeck, a reproduction map, a framed text for the Lancia tapestry and a map of Pudsey
Los 347
An assortment of six gem-set rings. To include three diamond cluster rings, a diamond single-stone ring, a sapphire cluster ring and a band ring. Estimated total diamond weight 0.60ct. Five with hallmarks for 9 and 14ct gold. Total weight 17gms. Overall condition good, light scratches, minor discolouration and dents in keeping with general wear. Diamonds bright and well matched. Individual diamonds too small to accurately assess colour/clarity grades, some with significant inclusions that significantly effect the passage of light through the stones. Ring sizes O - K. Some bands slightly off round.
Los 354
A diamond pendant. The brilliant-cut diamond scrolling line, with similarly-cut diamond floral cluster terminals, interwoven with polished line accent and suspended from a textured chain. Estimated total diamond weight 0.25ct. Italian assay marks. Length of pendant 2.8cms. Length of chain 40cms. Weight 4.2gms. The lot is in good overall condition with light scratches in keeping with minimal wear. Stamped 750. The diamonds appear bright and well matched. Individual diamonds too small to accurately assess colour/clarity grades.
Los 355
A 9ct gold Masonic enamel swivel ring. The oval-shape blue enamel and Masonic symbol rotating panel, to the plain band. Hallmarks for Birmingham, 1961. Weight 4.9gms. The lot is in good overall condition with light scratches in keeping with general wear. Enamel with significant surface abrasion. Ring size R. Unmonogrammed panel reverse appears a different hue to the mount.
Los 359
A turquoise and diamond ring. Designed as a pear-shape turquoise cabochon and old-cut diamond marquise-shape panel, to the openwork gallery and scrolling sides. Estimated total diamond weight 0.20ct. Weight 5.3gms. Overall condition good. Minor surface scratches and scuffs in keeping with general wear. The turquoise are a well matched bright blue, with some very small dark inclusions. The diamonds are bright, lively and well matched. Small light inclusions can be seen under magnification. Individual size and setting prevents accurate colour and clarity assessment. Approximate ring size Q. Please see the Important Notices for Purchasers in our catalogue or on our website for coloured gemstones.
Los 361
A diamond novelty charm. Designed as a high heeled shoe with brilliant-cut diamond straps. Estimated total diamond weight 0.10ct. Length 1.6cms. Weight 2.2gms. Overall condition good, light scratches, minor discolouration and dents in keeping with general wear. Diamonds bright and well matched. Individual setting and size prevents accurate colour/clarity grade assessment. Stamped 18k 750.
Los 362
An early 20th century 18ct gold signet ring. The monogrammed shield-shape panel, to the undulating sides andplain band. Hallmarks for Birmingham, 1919. Weight 5.5gms. The lot is in good overall condition with light scratches in keeping with general wear. The band has been split to the back. Engraved monogram EMJ. Length of ring head 1.1cms. Approximate ring size Q.
Los 367
A diamond pendant. Of bi-colour design, the vari-texture scrolling panel, with brilliant-cut diamond accent inset, suspended from a snake-link chain. Maltase assay marks. Length of pendant 2.8cms. Length of chain 45cms. Weight 8.3gms. The lot is in good overall condition with light scratches in keeping with minimal wear. Stamped 750. The diamonds appear bright and well matched, estimated total diamond weight 0.03ct. Individual diamonds too small to accurately assess colour/clarity grades.
Los 372
A diamond bracelet. Designed as a series of brilliant-cut diamonds, with curved bar spacers. Estimated total diamond weight 5cts. Length 17.5cms. Weight 10gms. Overall condition good, light scratches, minor discolouration and dents in keeping with general wear. Diamond with significant inclusions, appear translucent and milky. Stamped 10k.
Los 378
A group of gem-set jewellery. To include a multi-gem cluster heart-shape pendant and similarly-designed ear studs, together with a 9ct gold multi-gem line ring with diamond accent asymmetric sides. Two with hallmarks for 9ct gold. Length of pendant 1.5cms. Total weight 6.7gms. The lot is in good overall condition with light scratches in keeping with general wear. Length of necklace 41cms. Clasp stamped 375. Length of ear studs 1cm. Ear studs with fixed post fittings for pierced ears. Ring of similar but different design to pendant and ear studs. The diamonds appear relatively bright and well matched, estimated total diamond weight 0.02ct. Individual diamonds too small to accurately assess colour/clarity grades. Please see important notices for purchasers in the catalogue and on our website for Coloured Gemstones. Gems include amethyst, blue topaz, citrine, peridot, garnet and further gems. Gems well matched where appropriate. Minor abrasion. Ring size J.
Los 379
Two 9ct gold sapphire and diamond rings. To include an oval-shape sapphire and single-cut diamond cluster ring, together with a circular-shape sapphire three-stone ring with diamond point detail. Estimated total diamond weight 0.15ct. Hallmarks for Birmingham, 1989 and London, 1994. Weight 5.8gms. Overall condition good. Surface scratches in keeping with general age and wear. Diamonds individual size and setting prevents accurate colour and clarity assessment. The diamonds are bright, lively and well matched. Fine feathers and fractures can be seen under magnification. The sapphires are a very dark blue hue with significant typical inclusions. Light surface scratches to the sapphires. Ring sizes P and R. Please see the Important Notices for Purchasers in our catalogue and online for coloured gemstones.
Los 383
Two gem-set rings. To include an 18ct gold circular-shape ruby and vari-colour sapphire seven-stone ring, together with a circular-shape sapphire four-stone ring with diamond highlights. The first with hallmarks for Birmingham. Total weight 7.1gms. Overall condition good, light scratches, minor discolouration and dents in keeping with general wear. Please see important notices for purchasers in the catalogue and on our website for Coloured Gemstones. All gemstones with some surface abrasion. Ring sizes N 1/2 and L 1/2.
Los 395
PREZIOSISMI - an Italian diamond dress ring. Of concertina design, with brilliant-cut diamond line and openwork sides. Signed Preziosismi. Italian assay marks. Weight 13.5gms. The lot is in good overall condition with light scratches in keeping with general wear. Stamped 750. Heavier scratches to inside of band and nick and scratches to side of ring, revealing gold-coloured metal under white metal plating. The diamonds appear bright and well matched, estimated total diamond weight 0.12ct. Individual diamonds too small to accurately assess colour/clarity grades. Ring size O.
Los 400
A 9ct gold diamond bracelet. The brilliant-cut diamonds, with curved bar spacers. Estimated total diamond weight 3.80cts. Hallmarks for Birmingham. Length 17.5cms. Weight 9gms. Overall condition good, light scratches, minor discolouration and dents in keeping with general wear. Diamonds tinted brownish colour, significant inclusions visible to the naked eye.
Los 401
A 1970s 18ct gold diamond and emerald ring. Designed as a scattered series of circular-shape emerald, single-cut diamond and openwork panels, to the textured surround and shoulders. Hallmarks for London, 1972. Weight 9gms. The lot is in good overall condition with light scratches in keeping with general wear. The band is very slightly out of round. Please see important notices for purchasers in the catalogue and on our website for Coloured Gemstones. The diamonds appear bright and well matched, estimated total diamond weight 0.12ct. Individual diamonds too small to accurately assess colour/clarity grades. Please see important notices for purchasers in the catalogue and on our website for Coloured Gemstones. The emeralds are a well matched medium slightly bluish green hue. Typical inclusions. Length of ring head 1.7cms. Ring size L.
Los 404
A turquoise dress ring. Designed as a series of three graduated turquoise crescents, to the tapered band. Weight 5gms. Overall condition good to fair, light scratches, minor discolouration and dents in keeping with general wear. Some chips to turquoise. Indications of repair to band (thicker to the bottom). Ring size O 1/2.
Los 405
A hardstone cameo ring. The oval-shape sardonyx panel, carved to depict a warrior, with geometric surround and bead detail. Weight 10.9gms. Overall condition good to fair. Surface scratches and discolouration in keeping with general wear. Localised dark discolouration to the inside of the band. Hardstone with light abrasion. Ring size Q1/2.
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534297 Los(e)/Seite