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Preisdatenbank abonnierenA 1960s teak long sideboard by White & Newton Ltd, having fall-front central compartment flanked by single cupboard door and twin drawers, raised on faceted supports, labelled to inside of top drawer, h.69.5cm, w.198.5cm, d.43.5cmCondition report: Stands well and is structurally sound.Top surface generally good; there is one coffee cup stain and some very light surface wear only.Drawers and doors good.A very good example overall.
An extensive 1960s Ladderax teak and black painted metal wall shelving system, comprising; four corner shelves, four 3ft conventional shelves, seven 2ft conventional shelves, one 14" laddered full height section, two 8" laddered full height sections, rear single corner connecting full height section, twin 8" laddered half height sections, two X-framed rear connecting bars, and numerous 3ft and 2ft adjustable metal shelf supportsCondition report: Corner shelves – one with heavy 9cm long surface scratch to centre.2ftx3ft shelves – light surface wear throughout but nothing significant.Laddered sections – appear good and complete.
Malcolm Walker for Dalescraft - a birch and glass inset three-tier serving stand, having removable tray top over two fixed platform tiers, h.61cm, w.74cm, d.50cmCondition report: Stands well and is structurally sound.Inset glass surface is good, with only very light surface scratches on close inspection.Timber surfaces very slightly faded.Second tier with three visible surface scratches, each approx. 7cm.
After Charles & Ray Eames - a lounge chair and ottoman (670 & 671), circa 1960s, bent plywood shell, black leather buttoned upholstered, the chair raised on five-spoke aluminium base, the ottoman raised on four-spoke aluminium base with integral roller castors, no manufacturers labels, chair w.86cm, ottoman w.66cmCondition report: Tear to front corner left hand armrest.Further small tear to top of ottoman.Some further fatigue to leather, particularly to piping areas.Plywood shell with various losses, dents and fatigue to veneers throughout.Base of chair two feet glides missing.Some light tarnishing and corrosion to metalwork.Overall appears well-used condition throughout.
After Charles & Ray Eames - a polished aluminium framed EA108 swivel desk chair, having black leather slung seat, raised on five spoke base and integral castors, w.57cmCondition report: Slight frame wobble, swivel action good, leather complete but slightly worn, light scuffs/scratches to frame.
After Charles & Ray Eames - a polished aluminium framed EA108 swivel desk chair, having black leather slung seat, raised on five spoke base and integral castors, w.57cmCondition report: Slight frame wobble, swivel action good, leather complete but slightly worn, light scuffs/scratches to frame.
After Charles & Ray Eames - a polished aluminium framed EA108 swivel desk chair, having black leather slung seat, raised on five spoke base and integral castors, w.57cmCondition report: Slight frame wobble, swivel action good, leather complete, light scuffs/scratches to frame, one allen key bolt missing from right arm creating a wobble to the arm.
After Charles & Ray Eames - a polished aluminium framed EA108 swivel desk chair, having black leather slung seat, raised on five spoke base and integral castors, w.57cmCondition report: Slight frame wobble, swivel action good, leather complete, light scuffs/scratches to frame, two white paint stains to seat.
After Charles & Ray Eames - a polished aluminium framed EA108 swivel desk chair, having black leather slung seat, raised on five spoke base and integral castors, w.57cmCondition report: Slight frame wobble, swivel action good, leather complete, light scuffs/scratches to frame, one allen key bolt missing from left arm creating a wobble to the arm.
After Charles & Ray Eames - a polished aluminium framed EA108 swivel desk chair, having black leather slung seat, raised on five spoke base and integral castors, w.57cmCondition report: Slight frame wobble, swivel action good, leather complete, light scuffs/scratches to frame, paint specks and general wear to the seat.
After Charles & Ray Eames - a polished aluminium framed EA108 swivel desk chair, having black leather slung seat, raised on five spoke base and integral castors, w.57cmCondition report: Slight frame wobble, swivel action good, leather complete but with colour blemish, light scuffs/scratches to frame.
After Marcel Breuer - a Wassily chair, tubular chrome framed with black leather slung back, seat and arm rests, w.77cmCondition report: Structurally sound and stands well.Frame a little dull in colour and with some very light surface rust beginning to show in places.Leather good and complete.
A 1980s Italian Murano glass and gilt brass hanging ten light electrolier, the tulip flowerhead glass shades housed on shaped rod supports, approx overall drop 90cmCondition report: Glass shades in overall very good and original condition, no signs of damage or losses.Gilt brass areas all good.Noce and decorative overall.
A Moorcroft Waving Corn pattern pottery vase, of slightly bulbous form, salt-glazed, impressed marks and painted signature, further dated 1935 verso, h.26.5cmCondition report: There is some very light white paint splatter to one side. There is also a hairline crack across the heads of some of the corn.
A collection of Royal Doulton cermaics relating to Vice-Admiral Horatio Nelson, to include a large 1905 Lambeth stoneware silver rimmed jug, commemorating the centenary of Nelson's death, 21cm high, a similar pewter rimmed loving cup, silver rimmed spill vase, teapot and milk jug, a large hexagonal lustre vase bearing Nelson's motto: Palmam qui Meruit Ferat (let he who has won it, hear the palm), designed by Reco Capey (1895-1961), 28cm high, an 'Historic England' series plate depicting Nelson and HMS Victory, 15cm diameter and a 'Famous Ships' series plate depicting HMS Victory, 26.5cm diamater (8)Condition report: Smaller silver rimmed vase: Condition is good, no damage.Small jug: Condition is good, no damage.Small square plate: Some light surface scratching but generally good, no damage.Larger circular plate: Condition is good, no damage.Reco Capey vase: Condition is good, no damage.Loving cup: Condition is good, no damage.Teapot: Some large firing cracks to the interior but no damage.Larger silver rimmed jug: Rim has some small dents (see additional image). There is some surface scratching on the handle side. The handle itself has been restored.
Group of two Japanese woodblock prints. Kiyoshi Saito (1907-1997). Woodblock print depicting light pouring out of an open window into a garden at night. Signed and stamped along the lower right. Mutsumi Morita (Japanese, 20th century). Abstract woodblock print. Signed, dated 1969, and editioned 3/60 in pencil along the lower right and left edges.Sight; height: 19 1/2 in x width: 13 1/4 in. Framed; height: 25 in x width: 18 1/4 in.
Georges Maroniez (French, 1865-1933). Oil on board painting depicting a group of women working on the seaside at sunrise. The golden dawn light peeks through the clouds, and is beautifully rendered against the figures and the water. Signed along the lower right. A brass nameplate affixed to the frame gives the artist's name.Sight; height: 6 in x width: 8 1/4 in. Framed; height: 9 3/4 in x width: 12 in.
Paul Cadmus (American, 1904-1999). Ink drawing on tan paper depicting a woman with her legs crossed. Signed along the upper right and titled "Susie" along the upper left. The verso with a light sketch of the same composition.Provenance: Estate of Paul Cadmus (d. 1999) afterwards Jon Anderson (d. 2018).Height: 10 in x width: 8 1/4 in.
Pair of Jugendstil vases attributed to LOETZ. Bohemia, Czech Republic, ca. 1910.Iridescent blown glass.No signature.Vases of similar characteristics and decorations at www.loetz.com/decoraciones.Provenance: Private collection, Spain between 1970-1990.Measurements: 5,5 x 9 x 9 x 9 cm and 5 x 2,5 x 2,5 cm.These two small Jugendstil vases are made of iridescent glass, widely used in Central European modernism, characterised by its chromatism, which changes according to the angle of incidence of the light on its surface, and by its metallic appearance. This material, the result of intensive technical research carried out in the artistic glass workshops of the second half of the 19th century, is obtained by adding various metallic oxides to the basic glass mass.The manufactory was founded in 1840 by Johann Loetz in Klostermuhle, Bohemia. Dedicated to the production of artistic glass, it was a pioneer in the use of new techniques and materials, following the line of experimentation of the glass artists of the second half of the 19th century. The firm took part in the Paris International Exhibition of 1889, where its pieces were unanimously acclaimed by critics. His opalescent blown glass vessels with metallic applications were particularly famous.
LOETZ. Czech Republic, ca. 1910.Art Nouveau vase.Unsigned.Vases of similar characteristics and decorations at www.loetz.com/decoraciones.Provenance: Private collection, Spain between 1970-1990.Measurements: 12,5 cm (height); 8 cm (diameter).Vase with a circular base, with a domed belly and a wavy mouth, designed to resemble the corolla of a flower. The entire surface of the vase is enamelled with fluid, organic forms typical of Art Nouveau glass (Jugendstil in Central Europe). The quality of the materials and the workmanship of the glass is habitual in the Loetz firm, especially in the use of iridescent glass, widely used in Central European modernism, characterised by its chromatism, which changes according to the angle of incidence of the light on its surface, and by its metallic appearance. This material, the result of intensive technical research carried out in the artistic glass workshops of the second half of the 19th century, is obtained by adding various metallic oxides to the base mass of glass.
EDMOND ETLING (France, active 1820-1835)."Saint Therese of Lisieux".Moulded glass, ca. 1930.Signed on the base "Etling France".Provenance: Private collection, Spain between 1970-1990.Size: 21 x 7 x 6,5 cm.Art Deco opalescent moulded glass figure by Etling France, depicting Saint Thérèse of Lisieux. It has a frosted opalescent iridescence with shades of blue and yellow in the light. Saint Therese holds roses and a crucifix.Etling Glass was founded after World War I in Paris by Anonyme Edmund Etling. The company did not survive the Second World War, so all production was limited to the Art Deco period. The pieces made by Etling are similar in style to other French glassmakers such as Lalique and Sabino. Edmon Etling played an important role in the development of the Art Deco style as he worked with notable decorative arts designers during the 1920s and 1930s. On a technical level, Etling was at the forefront from the beginning of the Art Deco period. He also had his own metal foundry, from where he could have certain glass designs combined with metal.
SCHNEIDER-LE VERRE FRANÇAIS. France, ca.1925.Spouting jug "Epinettes".Cameo blown glass with acid-etched decoration.Signed on the base.Similar works in the book "Charles Schneider: Le verre français - Charder Schneider", by Marie-Christine Joulin and Gerold Maier, p. 129.Provenance: Private collection, Spain between 1970-1990.Measurements: 31 cm (height) x 13 cm (diameter).Ovoid pot-bellied jug, with a flat circular foot and a beaked mouth, made using the acid-etched cameo glass technique, with branches and pine cones in tortoiseshell tones, in light relief and with great detail, on a translucent ivory-coloured background. It is a piece made by the glassmaking firm Schneider-Le Verre Français in which the Art Deco aesthetic is very much alive.Ernest (1877-1937) and Charles Schneider (1881-1953) founded a small glassworks in Epinay-sur-Seine, France, in 1911. Charles Schneider, a graduate of the École des Beaux-Arts in Paris and gifted with unusual artistic skills, together with his brother, succeeded in making his production the most important art glassworks in France between 1926 and 1930. His pieces were always hand-blown, which meant that each glass in the same series would never be identical to another. At the same time, the range of hot and cold decoration processes was always applied with virtuoso mastery. Charles Schneider meticulously studied the temperature and chemical compositions to obtain an extremely extensive palette of colours, some of them never seen before and of unprecedented strength in the art of glass. The so-called Tango, for example, an explosive orange, was to become the most innovative. Known as Verreries Schneider, the firm realised two production lines. The first, under the brand name Le Verre Français, includes pieces decorated with the acid-etched cameo technique, with generally two colours of glass superimposed and a stylised floral decoration, shiny on a matt background. The second line, under the emblematic Schneider brand, is made up of pieces in shorter series, sometimes unique, offering smooth and shiny glassware, with more elaborate and personal decorative techniques. In any case, the success of this firm was undoubtedly due to the creative frenzy, enthusiasm, talent and genius of one man, Charles Schneider.
ÉMILE GALLÉ (Nancy, France, 1846 - 1904).Lampholder, ca. 1920.Acid-etched cameo glass.Signed on one side.Provenance: Private collection, Spain between 1970-1990.Measurements: 30 cm (height); 12 cm (diameter).Lamp-stand, acid-etched cameo glass, with a stylised conical body with a circular base and a narrow mouth ending in a plane. It is decorated with water lilies and leaves that are freely arranged on the surface, as is typical of Gallé cameo glass. It is composed of two layers of glass, yellow, white and maroon in colour, cut at different levels to create tonal variations and details that add three-dimensionality to the flowers.Gallé presented his acid-etched cameo technique at the Paris Exhibition of 1889, with the aim of bringing Art Nouveau glass to the public. It was a quicker and cheaper form of decoration, resulting in more affordable, mass-produced but handmade pieces, as no stencils were used and the motif was hand-drawn on each piece.Émile Gallé began his career working for his father, who owned a glass and ceramics factory, producing designs with floral and heraldic motifs. Very interested in botany, he studied it in depth during his youth, alternating with drawing classes. Between 1862 and 1864, at his father's request, he travelled around Italy, England and Germany, taking an interest in the applied arts but also in subjects that he would later reflect in his works, such as music, philosophy and nature. On his return he settled in Meisenthal, where his family's glass furnaces were located, in order to fully learn the craft of glassmaking. He also travelled to London and Paris to see the collections of their museums. In 1874 he took over his father's factory and soon achieved great international success, winning prizes at International Exhibitions and selling works to important collections and museums. Today, works by Emile Gallé can be seen in the Hermitage Museum in St Petersburg, the Metropolitan Museum in New York, the Orsay Museum in Paris, the Brohan Museum in Berlin and the Victoria & Albert Museum in London, among many others.Nature is one of the main sources of inspiration for Gallé, whose style is characterised by the naturalistic rendering of the elements, as if observed through a macro, at a large size, or in the form of landscapes. This piece is worked with hydrofluoric acid, which was Gallé's main industrial production technique. It is a cameo glass, which consists of making a piece with two or more layers of glass of different colours so that, after immersion in the acid, the decorative motif is in relief on a plain background of a different colour. The decoration in this case has three levels, with variations in relief, the dark motif on the light background and, finally, a twilight sky in ochre tones. Gallé presented his acid-etched cameo technique at the Paris Exhibition of 1889, with the aim of bringing Art Nouveau glass to the public. This was a quicker and cheaper form of decoration, resulting in more affordable pieces, which were mass-produced but handmade, as no stencils were used and the motif was drawn by hand on each piece.
Jugendstil vase. Austria, ca. 1915.Iridescent blown glass.Provenance: Private collection, Spain between 1970-1990.Measurements: 24.5 cm (height); 10 cm (diameter).In this vase we see one of the main characteristics of Art Nouveau glass (Jugendstil in Central Europe): the integration into the design of the metal mount, in this case a caryatid, which is not a simple ornament but an essential part of the structure. The body of the vase is made of iridescent glass, widely used in Central European modernism, characterised by its chromatism, which changes according to the angle of incidence of light on its surface, and by its metallic appearance. This material, the result of intensive technical research carried out in the artistic glass workshops of the second half of the 19th century, is obtained by adding various metallic oxides to the base mass of glass. It has a design in the form of curved curtains that fall to create flowing, graceful forms.
A pair of vari-gem earrings, each designed as a square shape ruby, emerald and sapphire line with vari cut diamond accents, stamped 585, length 1.8cm, gross weight 4.6g.Condition report: Overall condition good to fairWith clip on fittings for non pierced earsLight abrasion to gemstones visible under magnification only and in keeping with occasional wear
A stainless steel Frederique Constant watch, ref. FC292X4T5/6, the signed tonneau shapre dial with roman numeral markers, subsidiary dials to 3, 6 and 9, date aperture to 4 and outer minutes track, quartz movement within a stainless steel case numbered 1433794, to the makers black leather strap, case width 35mm. With maker's box, certificate of authenticiry and guarantee.Condition report: Overall condition goodWatch not working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offered. Quartz movement, likely needs a new batteryWatch with very light scratches in keeping with very occasional wear - cellophane still on bucklePersonal inscription to case back
Two Garrard 'Automatic 25' wristwatches, each designed with a circular signed dial, baton hour markers, and within a gold plated or stainless steel case, case widths 34 and 36mm (2).Condition report: Overall condition good to fairGold plated watch - Working at time of cataloguing, scratches to glass and case, personal inscription to case back, later leather strapSteel watch - Working at time of cataloguing, light scratches to case and glass, later leather strap
A stainless steel Graham Swordfish Chronograph wristwatch, ref. 2SWAS, the circular black signed dial with luminous markers to 12 and 6, co-axial subsidiary dials to 3 and 9, 34 jewel movement no. 1710, within a stainless steel case bearing the British Masters crest and numbered 2626, case diameter 46mm, to the maker's black rubber signed strap and buckle. With maker's box, certificate of origin and purchase dated 2009.Condition report: Overall condition goodWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offered Light scratches to case and glass in keeping with occasional wearSome light wear to box, scuffs to outer box corners in keeping with age
Two Helvetia wristwatches, refs 3358 and 3152P, the first with starburst white signed dial, and the second with subsidiary seconds dial to 6, with gold plated and stainless steel cases, case diameters 32 and 33mm.Condition report: Overall condition fair to goodWatches working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredStarburst dial - good condition, light scratches and discolourationSecondary seconds dial - wear to gold plating, foxing and discolouration to dial
A stainless steel IWC automatic wristwatch, cal. 8545, the white signed dial with roman numeral markers and outer minutes track, automatic movement signed and numbered 2221701 within a stainless steel case and unassociated leather strap, case diameter 34mm.Condition report: Overall condition good to fairWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredLight scratches to case and glass in keeping with occasional wear
A 1960s 18ct gold IWC automatic wristwatch, cal. 854, ref 809A, the signed circular dial with baton hour markers and outer minutes track, movement signed and numbered 1757555, within an 18ct gold case bearing Swiss assay marks, numbered 1758223, case diameter 33mm, with later leather strap.Condition report: Overall condition good to fairWatch not working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offered. We would recommend a service on this piece.Light scratches and tarnishing in keeping with age and wear
A ladies Jaeger-LeCoultre Reverso wristwatch, ref. 261.8.86, the signed black and brown dial with arabic markers and inset minutes track, cal. 846 automatic movement, within a stainless steel case numbered 1769351, case width 19mm, to the fancy link polished and matte bracelet with folding clasp. With maker's box, booklet and certificate of origin dated 1995.Condition report: Overall condition good to fairWatch working at the time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredLight scratches in keeping with occasional wearBracelet slightly stretchedClasp in working order
A Jaeger-LeCoultre Reverso Duoface Wristwatch, ref. 270.8.54, the signed silver-tone dial with arabic markers and subsidiary dial to 6, and 'Night and Day' grey textured dial with baton and arabic markerss, and subsidiary dial to 6, cal. 854 21 jewel movement within a stainless steel case numbered 1800545, case width 26mm, to the maker's ostrich leather strap and folding clasp. With maker's box, booklet, and guarantee dated 1995. Condition report: Overall condition good to fairWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredLight scratches to case and glass in keeping with occasional wear, one more pronounced scratch to 2 on Night/Day sideSome light wear to strap
A set of emerald and diamond jewellery, to include a bar brooch set with rectangular shape emeralds and cushion cut diamonds, together with a pair of emerald, diamond and cultured pearl drop earrings, estimated total diamond weight 1.70cts, estimated colour I-J, estimated clarity SI, length of brooch 4.1cm, length of earrings 3.6cm, gross weight 10.7g.Condition report: Overall condition good to fairScratches and abrasion in keeping with age and wearEmeralds a medium slight bluish green with good saturation and clarityDiamonds with light scattered inclusions difficult to see with magnificationBrooch - pin in working order, one emerald chipped to corner visible with close inspectionEarrings - fixed post fittings for pierced ears, butterflies stamped 18ct, cultured pearl diameter 7.35 and 7.45mm
A 1950s 9ct gold Omega wristwatch, cal. 420, the signed cream dial with arabic and baton hour marker and outer minutes track, 17 jewel movement signed and numbered 14075444, within a 9ct gold case bearing hallmarks for Birmingham, 1955, numbered 12302, 670559, case diameter 33mm, with later leather strap and 9ct gold maker's buckle bearing hallmarks for Birmingham, 1956.Condition report: Overall condition good to fairWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredScratches and wear in keeping with age, scratches to glass, strap slightly worn, scratches to side of caseSome very light foxing to dial, visible on close inspection
An Omega wristwatch, cal 600, the circular black signed dial with baton hour markers, 17 jewel signed movement, numbered 17970011, within a gold plated and stainless steel case numbered 136.070, with later leather strap and Omega buckle, case diameter 34mm.Condition report: Overall condition good to fairWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredSome localised scratching to glass between 11 and 12, and 3Some light pitting to enamel dial, minor losses around 7-11 border visible with very close inspection
A 1970s Omega De Ville wristwatch, cal. 620, the cushion shape signed dial with Roman numeral quarter markers and baton hour markers, signed 17 jewel movement numbered 31365381, within a stainless steel and gold plated case numbered 111.100, to the later leather strap with Omega buckle, case width 33mm.Condition report: Overall condition fair to goodWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredSome discolouration and foxing to dial, particularly above 12, one small area of loss between 11 and 12Roman numeral markers to 12 deficientLight scratches to glass and case
A stainless steel Omega De Ville quartz wristwatch, cal. 1342, the signed cushion shape dial with baton hour markers and date aperture to 3, 7 jewel quartz movement signed and numbered 43 544647 within a stainless steel case numbered 192.0035, 392.0006, to the fancy link bracelet and maker's folding clasp, case width 34mm.Condition report: Overall condition fairWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredLight scratches and discolouration in keeping with age and occasional wear
An Omega De Ville quartz wristwatch, cal. 1532, the circular signed dial with roman numeral hour markers and date aperture to 3, signed quartz movement within a stainless steel case, inside numbered 196.1150, and numbered 90172826 to case back, with unassociated black leather strap, case diameter 34mm.Condition report: Overall condition good to fairLight scratches in keeping with occasional wearWatch not working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offered
A stainless steel Omega Speedmaster ‘Broad Arrow’ Automatic Chronometer wristwatch, cal. 3303, the signed white dial with baton hour markers, subsidiary dials to 3, 6 and 9, date aperture to 6 and tachymetre bezel, signed 23 jewel movement, numbered 78007439, within a stainless steel case numbered 178.0022, with fancy bracelet and folding clasp, case diameter 41mm. With maker’s box and spare links.Condition report: Overall condition good to fairWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredLight scratches in keeping with occasional wear, would benefit from a cleanBox in fair to poor order, discolouration to interior
A stainless steel Panerai Luminor Marina wristwatch, ref. OP 6760, the signed white dial with arabic and luminescent dot markers, subsidiary seconds dial to 9, date aperture to 3 and outer minutes track, automatic cal. OP 3 movement, within a stainless steel case numbered BB 1283520 and K030/600, case diameter 40mm, to the maker's bracelet and deployment clasp. With maker's box, pins, model booklet, guarantee booklet, and international guarantee certificate dated 2009Condition report: Overall condition good to fairWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredWatch would benefit from a clean, signs of general wearLight scratching to case and glass, bracelet in good condition, clasp in working orderBox with original cellaphane to Panerai logo, some light scuffs to outer box
An 18ct gold Patek Philippe Calatrava wristwatch, ref 4906, circa 2001, cal. E19 C, the circular signed white dial with roman numeral markers, date aperture to 3 and outer minutes track, quartz movement signed and numbered 3.156.240, within an 18ct gold case bearing Swiss assay marks, numbered 4.133.256, to the maker's tan crocodile strap with 18ct gold clasp, case diameter 27mm. With maker's pouch, box, extract from the archives certificate and booklet.Condition report: Overall condition goodWatch not working at time of cataloguing, vendor has removed battery to maintain movement condition. Signs of light wear, light scratches to case, glass and wear to strap
An 18ct gold Patek Philippe Golden Ellipse wristwatch, ref. 3546, the signed blue dial with baton hour markers, cal. 23-300, 18 jewel signed movement numbered 1218851, within an 18ct gold case bearing Swiss assay marks and import marks for London, 1972, numbered 2724889 3546, to the maker's black alligator strap and 18ct gold buckle, case width 32mm. With guarantee of origin.Condition report: Overall condition goodWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredLight scratches to case and glassStrap in good condition, very minor discolouration to underside visible on close inspectionLast serviced in June 2020
A 1970s 9ct gold Rolex Geneve wristwatch, cal. 1600, the circular signed dial with baton hour markers, signed 19 jewel movement, within a 9ct gold case bearing hallmarks for London, 1971, numbered 90729, with original textured bracelet and folding clasp, case diameter 31mm, gross weight 53.7g.Condition report: Overall condition good to fairWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredLight scratches to glass and caseClasp in working orderLength of bracelet 19.8cmBracelet with sponsor's mark DS&SSome slight foxing to edge of dial, concealed by case for the most part
A stainless steel Rolex Oyster Perpetual Explorer watch, circa 2004, the black signed dial with luminous baton and Arabic hour markers, within a stainless steel case and oyster link bracelet with folding clasp, model no. 114270, F138495, case diameter 36mm. With maker's box and papers.Condition report: Overall condition goodWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredLight scratches in keeping with very occasional wearWith paper guarantee, 2004/5 calendar, leather sleeve, Explorer booklet and Oyster bookletWith bezel cover and plastic tag, cellophane and sticker to case back
A stainless steel Rolex Oyster Perpetual Cosmograph Daytona wristwatch, circa 2004, the circular signed white dial with baton dot hour markers, subsidiary dials to 3, 6 and 9, with stainless steel case, tachymetre bezel and oyster bracelet, model no. 116520, F061983, case diameter 40mm, with box and papers.Condition report: Overall condition goodVery light scratches in keeping with occasional wearWith original cellophane and stickers to clasp and case backBox in good conditionWith tachymetre guard, and plastic retail tagWith paper guarantee, 2003-4 calendar, leather slip, Daytona booklet, Rolex oyster booklet and Rolex Cosmograph Daytona Oysterlock bracelet booklet
A stainless steel Rolex Oyster Perpetual Datejust wristwatch, circa 2011-19, the circular signed white dial with roman numeral hour markers and date aperture to 3, with polished bezel and oyster bracelet, model no. 126200, 944V7334, case diameter 36mm. With maker's box and papers.Condition report: Overall condition good Watch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredLight scratches in keeping with very occasional wearPurchased in 2019
A ladies stainless steel Tag Heuer watch, ref. WH 1315-K1, the navy blue signed dial with luminescent baton hour markers, date aperture to 3 and outer minutes track, 7 jewel signed quartz movement within a stainless steel case, to the fancy link bracelet and folding clasp, case diameter 28mm.Condition report: Overall condition good to fairWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredLight scratches in keeping with wear
A Tag Heuer automatic 200 meters wristwatch, no. WF2221-K, the signed circular dial with baton hour markers and date aperture to 3, within a stainless steel tachymeter case and leather strap with maker's buckle, case diameter 34mm.Condition report: Overall condition goodWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredLight scratches in keeping with occasional wearSome slight discolouration to luminous markers, visible on close inspection
A Tag Heuer automatic wristwatch, no. 669.706KA, the circular signed dial with baton hour markers and date aperture to 3, within a stainless steel tachymeter case numbered Z26993, to the black leather strap with maker's buckle, case diameter 37mm.Condition report: Overall condition good to fairWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredLight scratches to caseSome losses to enamel on tachymeter, chip to green enamel
A 1960s 18ct gold Vacheron & Constantin wristwatch, cal k1002, the signed circular dial with baton hour markers, signed 18 jewel movement numbered 574114, within an 18ct gold case bearing Swiss assay marks and import marks for London, 1966, numbered 405618 6847, case diameter 33mm, with later leather strap.Condition report: Overall condition good to fairWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredSome slight foxing around edge of dial, concealed when case is onLight scratches and discolouration in keeping with age and occasional wear
An 18ct gold Zenith watch, cal. 2541, the white signed dial with roman numeral markers and subsidiary seconds dial to 6, exhibition case back with 17 jewel signed movement, 18ct gold case bearing Swiss assay marks and numbered 30.0540.113, case diameter 33mm, with maker's black leather strap and buckle.Condition report: Overall condition good to fairWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offeredLight scratches to dial and glass in keeping with age and occasional wearSome wear to strap
An 18ct gold half hunter pocket watch by Hunt & Roskell, the signed circular dial with roman numeral markers and outer minutes track, keyless movement signed and numbered 13505, within an 18ct gold case bearing hallmarks for London, 1898, numbered 398, with lugs to be worn as a wristwatch, case diameter 37mm, gross weight 51.8g.Condition report: Overall condition good to fairLugs misshapenScratches and light dents in keeping with age and wearWatch working at time of cataloguing, Wilson 55 does not guarantee the working accuracy of any timepiece offered
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