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Preisdatenbank abonnierenA GEORGE IV WINE FUNNEL with reeded rims and shell thumbpiece, the bowl with ribbed spout, 13.5cm h, by Rebecca Emes and Edward Barnard, London 1820, 3ozs 10dwts ++Complete and in good condition with light wear only, no damage or repairs, the tip of the spout complete and not worn down. The marks slightly rubbed.
A VICTORIAN PHOTOGRAPH FRAME with heart shaped aperture, the embossed openwork mount decorated with a cherub`s head, grotesques and scrolling foliage, 28cm h, by The Goldsmiths & Silversmiths Co Ltd, London 1899 ++The silver in good condition the odd light dent with polish residue. The blue velvet covered wood support original but in very worn and poor condition with replacement iron hinge
TWO GEORGE III GRAVY SPOONS AND A GEORGE IV GRAVY SPOON Old English and Fiddle patterns, one engraved LION HOTEL in a garter, another with initials L/ M*M, the third with dragon crest, all London, by Joseph Hardy and Thomas Lowndes, 1798, William Eley and William Fearn 1798 and Francis Higgins, 1822, 10ozs ++All in good condition with light wear consistent with age. The bowls not unduly mis-shapen
A RARE VICTORIAN TABLE SERVICE New Gothic pattern, crested, comprising four table spoons, fourteen table forks, twelve dessert spoons, twelve dessert forks, ten tea spoons, a pair of salt spoons and a sugar spoon, by Chawner & Co, London 1854, 64, 69 and 75, 117ozs (55) ++In fine condition with signs of light or moderate wear only, each piece neatly engraved with contemporary small gothic initials EFN[ettlefold]
AN UNUSUAL ART DECO 18CT GOLD KEYLESS LEVER WATCH with blued steel hands, the dial signed for the retailer EDWARD GLASGOW and with arabic chapters and subsidiary seconds dial, in plain case, the back engraved with the initials JC, movement numbered 9244, import marked, Stockwell & Co Ltd, London 1924 ++In apparently going order, externally in good second hand condition with light signs of wear, ie the odd tiny edge knock and light scratches on the back. The back not fitting tightly but staying in position
AN 18CT GOLD HUNTING CASED KEYLESS LEVER WATCH with enamel dial and subsidiary seconds dial, signed POWELL & JONES SHREWSBURY, the movement similarly signed and numbered 4186, in plain case, casemaker JA in an ellipse, London 1891 ++In fine original condition, the dial undamaged, the movement running when wound sold without warranty. The hinges closing tightly, a few light scratches from normal wear. A very well preserved example
AN 18CT GOLD HALF HUNTING CASED KEYLESS LEVER WATCH with enamel dial and subsidiary seconds dial, numbered 56763 on the three quarter plate movement, in plain case numbered as movement, casemaker Philip Woodman & Sons, London 1900 ++In very good condition the dial undamaged, the movement running when wound, sold without warranty, the case closing tightly, the back less so but satisfactorily. Light case wear in good average overall condition
A SILVER PAIR CASED VERGE WATCH with enamel dial and signed on the backplate Wm Simpkins MANSFIELD 641, casemaker IW, Birmingham 1843 ++Movement apparently complete but non running, enamel dial undamaged, hands in good condition but require cleaning, flat topped glass, cases with light wear only but free from any play in either hinge
A VACHERON & CONSTANTIN DIAMOND SET 18CT GOLD COCKTAIL WATCH the dial with diamond chapters and covered by a palm leaf, on twin strand Brazilian mesh bracelet, 153/12B calibre movement, maker`s and Swiss control marks and numbered 335895, back engraved Vacheron & Constantin Geneve ++In excellent second hand condition with signs of only light wear and in running order, sold without warranty. Privately consigned and acquired by the vendor`s family in South America many years ago
ROBERT SAYER, PUBLISHER (1725-1794) PUBLISHER GENERAL GEORGE AUGUSTUS ELIOTT BARON HEATHFIELD OF GIBRALTER mezzotint mounted to or within plate mark, in fresh contemporary colour, unexamined out of the frame, published 14 September 1789, 35.5 x 25cm and a coloured etching of the Rock and town of Gibraltar published by R H Laurie (2) ++Mezzotint with some mushroom coloured stains, in old wormed frame with a few thunder flies beneath the glass, the second print with light overall staining
ELIZABETH MANSEL (LATE 18TH/EARLY 19TH CENTURY) SPENCER PERCEVAL (1762-1812) signed and inscribed verso, pencil, 7 x 5.5cm, papier mâché frame with acorn hanger This intriguing miniature, thought to be of the only British Prime Minister to have been assassinated, is of added interest since the amateur artist is likely to have long been acquainted with him. Her father, Bishop William Lort Mansel (1753-1820) was perhaps Perceval`s longest standing and closest friend, who on hearing of the latter`s murder became "deaf through shock for a year". Such few portraits of Perceval which are known are almost all based on the death mask taken by the sculptor Joseph Nollekens or, in turn, the posthumous portraits by George Francis Joseph (see R Walker, Regency Portraits, NPG, 1985, vol I pp 386 & 387). ++Even light brown time staining
ROBERT WEIR ALLAN, RSW, RWS (1852-1942) CRAIL HARBOUR signed, signed again and inscribed with the title and artist`s address, 62 Buckingham Gate, London SW1 on a label on the backboard, watercolour with white heightening and scratching out, 34 x 75cm ++Light time staining and some sporadic foxing but the colours still reasonably fresh and well preserved undisturbed in the original frame
ROBERT JAMES WINCHESTER FRASER (1872-1930) THE FIRST DAY OF SPRING signed, faintly inscribed on the artist`s label preserved on the backboard, watercolour and bodycolour, 34 x 52cm ++Light sporadic foxing but in otherwise good original condition, the frame contemporary but with loss as a result of storage in damp condition
ANSDELL SMYTHE (FL LATE 19TH CENTURY) SHIPPING ON THE RIVER THAMES AT GREENWICH BY MOONLIGHT signed (Ansdel Smyth) canvas laid on board, 29.5 x 60cm ++A depression in an area of the sky resulting in a crack; other light craqueleur, the varnish yellowed and with some surface dirt. In inappropriate later carved giltwood and composition frame
THOMAS HILLIER MEW (FL 1850-1868) PORTRAIT OF A SADDLED GREY HUNTER IN A LOOSE BOX; PORTRAIT OF A DARK BAY HORSE two, one signed and dated 1858, 29 x 39cm (2) ++The first in good original condition with light craqueleur and surface dirt, the dull varnish in need of cleaning, support unlined and undamaged, on the original stretchers, in later ebonised frame with gilt slip. The second with paint loss and restoration including an overpainted hole of approx 2cm x 1cm on the horses flank, unevenly revarnished. The support laid on panel by a contemporary but different hand to the other work in the lot
HERBERT ST JOHN JONES (1872-1939) PORTRAIT OF THE DARK BAY HUNTER "RETREAT" signed, dated 1915 and inscribed, signed again and inscribed Studies From Life verso, artist`s board, 16 x 27cm ++Paint surface slightly abraded extreme left and right where it has been contact with a frame, minor surface dirt, requires a light clean. In modern gilt frame
R FILLANS, 1856 PORTRAIT OF A CHILD WITH A KING CHARLES SPANIEL half length before drapery in a feigned oval, signed and dated, 49.5 x 39cm ++The varnish clean, some paint shrinkage and retouching, light overall craqueleur, the support not lined and on he original stretchers, the joints perished and hanging out of true, on the reverse evidence of a small repaired hole extreme upper right, in Victorian style frame, possibly purchased by the late owner at a sale at Sotheby`s Chester in the 1980s
A very large collection (many 1000s) in two large boxes, of post-1981 GB & Channel Island stamps, in 4 categories: (i) 2 albums of used gutter-pairs, incl. traffic-light; (ii) 2 albums of Islands (Guernsey, Jersey, IOM); (iii) a vast ex-dealer stock of used commemoratives and definitives in bags; (iv) hundreds of unsorted commems, on & off paper
A BRASS DIALLED LONG CASE CLOCK WITH DAY APERTURE, 9" DIAL, ROMAN NUMERALS, FOUR SEGMENTS BETWEEN EACH, CENTRE DIAL ENGRAVED WITH CIRCLES AND SWIRLS, FILIGREE WORK TO THE CORNERS, THE LIGHT OAK CASE WITH SHERATON STYLE INLAY TO DOOR AND BASE PANEL, REEDED COLUMNS TO SIDES, SPINDLE COLUMNS TO DOME, THE SCROLL DOME HAVING BRASS FINIALS WITH BRASS FIGURE OF A BOAR TO CENTRE, THE CLOCK BEING ON BRACKET FEET APPROX. 200 X 46 X 24cm
A 19TH CENTURY CONTINENTAL GILT BRASS AND COPPER CLOCK GARNITURE, the clock with an eight day movement, striking on a gong, the enamelled dial with Arabic numerals and pierced gilt metal roundel to the centre, above a small aneroid barometer with circular dial, the architecturally inspired case having a domed top with lute and floral cresting, cast and pierced overall with foliate scrolls, the sides with mask panels, on a bracket foot, the associated three light candelabra on leafy scroll supports, on square bases with bracket foot, the clock 50cm high, the candelabra 29cm high. See illustration
An Empire ormolu and marble mounted twin light candelabrum, early 19th century, the engine milled urn sockets with laurel cast undersides, on scrolling foliate cast branches rising either side of a thyrsus, on a wrythen rod held aloft by a standing amorino, on a cylindrical white marble plinth with engine milled circlets, on a square marble base, 41cm high
A pair of Continental, probably French gilt metal twin light candelbra, late 19th century and later adapted, each with foliate cast sockets and drip pans on leafy, serpentine arms, rising from densely foliate cast finials, rising from foliate sockets cast in the Baroque taste, on inverted baluster foliate and strapwork cast shafts, on triform bases cast with shells, each on three leaf cast feet, 38cm high excluding electrical fitments, 31cm wide
A Regency bronze three light candelabrum, circa 1815, with twin foliate cast sockets and drip pans on scrolling foliate branches issuing from the baluster stem with acanthus cast lower section, a conforming sconce above, the square section base with further foliate cast decoration and raised on four paw feet, 41cm high, 37cm wide
A pair of French gilt metal and onyx mounted twin light figural candelabra, early 20th century, the foliate cast urn sockets and drip pans on cornucopia forms with arms with seated figures of Cupid and Psyche respectively between them, with foliate and florally cast branches rising behind and crossing above, the fluted and foliate cast cylindrical plinths each with an onyx top and base, on three paw feet, 36cm high exluding electrical fitments
A French gilt brass nine light candelabrum, circa 1875, with a raised central socket with petalled drip pan above four tiers of conforming pairs of sockets, all on serpentine branches rising from a leafy stem amongst flower heads, ears of wheat and bunches of grapes, rising from a foliate cast urn socle on a triform openwork base, 88cm high
A set of four gilt metal twin light wall appliques in the Louis XVI style, 20th century, all with foliate cast urn sockets on beaded drip pans, the serpentine arms rising from tapering torchere style backplates with flambeau urn finials and berried terminals, 38cm high, 24cm wide, 13cm protrudence
A gilt metal seventeen light chandelier in 18th century style, second half 20th century, foliate cast sconces and drip pans on naturalistic foliate cast branches, issuing from a foliate cast boss and spiral stem entwined with a leafy branch, formerly with eighteen branches, 69cm high, 85cm wide
A black painted wrought iron fifteen light electrolier, mid 20th century, with ten fitments suspended from a circlet with applied pressed metal flower heads, the openwork scrolling frame rising to further pressed metal foliage suspending five further electrical fitments, the fitments all with reeded glass shades, a hanging hook above, 151cm high, 112cm wide
Ladies` Art Deco diamond set wristwatch, jewelled movement, "working" order, slim rectangular dial with black Arabic numerals, platinum stamped & tested case with ornate extended lugs & ornate links all set with small old cut & baguette cut diamonds, total weight approx. 1.30 carats, some stones with slight imperfections, fitted with light brown cocktail strap with white gold snap fastener, stamped 9ct
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