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534297 Los(e)/Seite
Los 8043
Four of Spades. Michael Tarr, watercolour on paper, signed to the front, unframed. Artwork size: 22.3cm x 15.7cm, overall size: 29.7cm x 24cm. Michael Tarr artist profile - Heavily influenced by the various charms of Italy, his work draws on his background as an architectural illustrator, where he worked for 12 years after leaving Somerset College of Art. Mundane or commonplace subjects are viewed in a different or unexpected light. Recently he has been working on a series of ombrellone paintings, depicting Italian beach umbrellas, playing with their shapes, colours and patterns. Chairs, their pattern, design and the shadows that they create present the perfect subject for his fascination with finding abstraction in everyday forms. He has had work selected on numerous occasions (inc. catalogue illustration 2013) at the RA Summer Exhibition and the RWA Autumn Exhibitions (prizewinner 2009) as well as many solo and mixed shows in London, the South West and Yorkshire. He is included in Whos who in Art 2010 34th edition Social Media www.facebook.com/michaeltarrpaintings www.saatchiart.com/michaeltarr Please note that Ewbank's are charging no buyers premium for any lots sold in this auction.
Los 8016
Three of Diamonds. Annie Boisseau. 'In the Light of the Moon'. Oil painting on board, signed verso. 20cm x 20xm. Annie Boisseau - Annie Boisseau studied Fine Art at Goldsmith's College, University of London and Exeter College of Art and Design. She is a member of the Royal Society of British Artists (RBA) and The Small Paintings Group (SPG). Awards include The Winsor and Newton Award for painting , The Artist Magazine Award and The Michael Harding Award for oil painting. Her work has been exhibited widely in national exhibitions, The ING Discerning Eye and the RWS Contemporary Watercolour Competition. International Art Fairs include The Olympia Art Fair and The 20/21 British Art Fair. She shows regularly with many galleries throughout England. Her work is held in The University of Surrey art collection. Art uk.org Private collections include, France, China and Japan www.annieboisseau.com Please note that Ewbank's are charging no buyers premium for any lots sold in this auction.
Los 8038
Queen of Hearts. Aimee Jewitt-Harris. 'Nyx and Hemera', pencil drawing on paper. Signed to the front, unframed, artwork size: 37cm x 26.5cm, overall size: 59cm x 42cm. Aimee Jewitt-Harris, as well as being the CEO of Transplant Links Community, is an artist who trained at Falmouth University where she studied Illustration. Aimee enjoys the spontaneous nature of collage work, often combining her drawing skills with her love for the random outcomes created with artistic play. The Queen of Hearts draws inspiration from the traditional layout of the Queen card and focuses on two queens who are based on the mother and daughter team who run the charity: Aimee herself, and Jennie her mother. "The Queen of Hearts represents a force of unconditional love, and deep enduring bonds, something that I wanted to portray in this image of Jennie and I. Our similarities and differences are reflected in the yin and yang element of night and day, light and shade. The figures draw inspiration from Nyx (the Goddess of Night) and Hemera, Goddess of Day and daughter of Nyx. Symbols of darkness and light from each figure intertwine with the other, as they weave their story together and can never be parted." Please note that Ewbank's are charging no buyers premium for any lots sold in this auction.
Los 8042
Three of Spades. Karen Marks. 'Glimpsing The Light', pen and wash on watercolour paper. Signed to the front, mounted. Artwork size: 29cm x 20.3cm, overall size: 35cm x 26cm. Karen Marks Bio - Artist and ceramicist Karen Marks graduated from the University for the Creative Arts in Farnham in 2014. She teaches at South Hill Park Arts Centre, where she ran the Ceramics Studio for 10 years. Karen takes inspiration from a range of sources, capturing ideas in her sketchbooks on location and then further developing her themes. She is delighted to contribute to the Deck of Cards for this years TLC Auction. Karen says We are all on different journeys, some planned and some unplanned, and sometimes events can seem overwhelming. I was travelling home a while ago, along a dark, shady tree-lined avenue, and then realised that I could always see light through the trees sometimes just a glimpse, sometimes joyous bursts. It made me realise there was always light ahead, however many trees there were. I hope that the artworks that are donated to the TLC auction provide some of the sunlight for the people who are waiting for organ transplants." Please note that Ewbank's are charging no buyers premium for any lots sold in this auction.
Los 144
Matte finish over water ripple design, pink and yellow raised lily with light green background. Small dual handles accent vase. Roseville USA raised mark. 138. Issued: c. 1946Dimensions: 10"H x 5.5" dia. Manufacturer: RosevilleCountry of Origin: United StatesCondition: Age related wear. As is, as found small chip on base rim.
Los 169
Set of serene light celadon green creamer and sugar bowl. Rookwood stamp, LIII, and 547 at the bottom for each piece. Creamer with handle: 3.5"L x 2.5"W x 3.5"H. Sugar bowl: 3.25"W x 2"H. Issued: 20th centuryDimensions: See DescriptionManufacturer: RookwoodCountry of Origin: United StatesCondition: Age related wear.
Los 116
A round pottery jewelry accessory holder in a light blue matte finish. Beautifully decorated with white laurel wreath on the edge, and four classical scenes on the center. Wedgwood Made In England impressed stamp. Dimensions: 3"W x 2"HManufacturer: WedgwoodCountry of Origin: EnglandCondition: Age related wear.
Los 234
Seven English and Dutch Chelsea football programmes, 1936-1978. Comprising Het Stadion Nieuws, Blauw-Wit v Chelsea, 9th May 1936 (Dutch); Sports Gazette Key Card Middlesbrough v Chelsea, 4th September 1936; Chelsea v Udvalgt Hold, 18th May 1938 (Dutch); Chelsea v Aston Villa, 19th September 1953; Chelsea v Everton, 18th April 1964; Chelsea v Manchester CIty, 16th September 1978. Condition Report: Generally appear fair condition for their age. Chelsea v. Udvalgt Hold - 15 pgs, stained, creased has been folded in half, staples rusted on the outside. Chelsea v. Everton - hand written in pen on cover, folded in half, holes along the spine, crossed out name in pen on page 11. Chelsea v. Aston Villa (x2) - creased, all pages are torn third of the way up; the other - better condition, some light staining. Het Stadion Nieuws - all pages torn up from bottom edge about 8cm, creases. Sports Gazette - folded in half, edge and spine damage to cover, staple has rusted. dog eared. Chelsea v. Man. City - very good.
Los 232
Four 1930s Preston North End and Birmingham v Chelsea programmes. Comprising Preston North End v Chelsea, 14th December 1935; two copies of Preston North End v Chelsea football programmes, 29th April 1939; Birmingham v CHelsea, 26th April 1939. Condition Report: No. 18 - torn and creased, staples rusted - staining and holes. No. 42 - folded in half, torn along top edge, staples rusted, staining to the right hand edge. Duplicate No. 42 - folded inhalf, light staining to cover, staple rusted, staining bottom left corner back page and previous page. The Blues News - stained front cover, folded in half, spine is torn bottom edge, staples rusted, back cover stained.
Los 228
Six Chelsea football away games programmes from 1935-1938. Blackburn Rovers v Chelsea, 16th September 1935; Sunderland v Chelsea, 1st February 1936; Leeds United v Chelsea, 29th August 1936; Manchester City v Chelsea, 26th September 1936; Manchester United v Chelsea, 24th October 1936; Leeds United v Chelsea, 26th December 1938. Condition Report: Leeds 36 - 37 no. 1 - folded, creased, staple rusted, dog eared. Man. City Vol. 31 No. 7 - light staining, staples rusted. Blackburn Rovers 1935 no. 4 - torn, folded, stained, dog eared, spine damage, cover just attached, edge damage to first four pages, staple rusted, corrections hand written in pencil team sheet. Sunderland no. 27 - folded, foxing, edge ware, staple rusted and pages torn at the bottom of the staple. Leeds no. 20 - folded, stained, cover spine torn from bottom half way up, dog eared. Man. United 1936/37 no. 6 - dog eared, stained, staples rusted, centre page detached lower staple
Los 7
A Francis single barrel 410 hammer action shotgun. S/no 250, circa 1920 having 26.5" steel barrels with 2.5" chambers and full choke, nitro proofed at .400 currently .403, light scroll decoration, 14.5" length of pull on a half pistol grip, weight 4lbs 4.5ozs. A SECTION 2 CERTIFICATE IS REQUIRED TO PURCHASE.
Los 233
Seven 1934-1938 season Arsenal Football Club edition programmes. Comprising England v Italy, 14th November 1934; Arsenal v Chelsea, 27th April 1936 (two copies); Arsenal v Chelsea, 19th December 1936; Arsenal v Chelsea, 18th February 1939 (two copies); Chelsea v Sheffield Wednesday, 20th February 1939. Condition Report: '34-'35 England v. Italy - fair, loss to the corners of the cover, staples rusted. 27th Apr. '36 v. Chelsea - poor, folded over along right edge, red has bleed on the page inside, staples rusted leaving hole, loss to page 7 along edge, damage to the back cover. Duplicate No. 44 - good, folded in half, staples rusted leaving hole bottom staple. No. 22 - cover has bleed on th pages. staples rusted still attached. No. 34 - Rectangular stain on cover and through onto pages inside, one staple present rusted. No. 34 - folded in half light staining, pages misalined with cover. No. 35 - oily stain right hand edge front to back, creased, staples rusted.
Los 237
Wales v Ireland St Patrick's Day 1937 football programme and three others. Comprising a Football Association of Wales international match held on 17th March 1937 on Wrexham Racecourse; Wales v Ireland at Windsor Park 4th November 1933; England v Ireland at Windsor Park, 19th October 1935; Ireland v Scotland at the Oval, Irish Schools' Football Association, 3rd June 1939. Condition Report: 1933 Wales v. Ireland - a single sheet folded in to three, stained front and back, creases and folds thoughout, several pin holes and 2cm tears top and bottom first fold. 1935 England v. Ireland - single sheet folded into three, creased, dog eared, tears and pin holes.1939 Ireland v. Scotland - 20 numbered pages, stains and foxing to cover, dog eared and wear to edges, staples is rusted. 1937 Wales v. Ireland - complete 18 pages plus cover, stains and tears to the cover, spine is torn at the bottom. light foxing thoughout
Los 231
Five football programmes, 1934-1938. Comprising Fulham v Blackpool, 22nd September 1934; Fulham v FC Austria, 3rd December 1934; Brentford Season 1937-38 programme, 16th September 1937; Stoke City v Chelsea, 4th February 1939; Everton Season 1938-39 programme. Condition Report: Brentford - folded in half, staple rusted with small hole, dog eared. Fulham v. FC Austria stained cover, folde in half, staples rusted, dog eared. Fulham v. Blackpool - stamped 'Complimentary' creased, folded in half, staples rusted, dog eared. Stoke City v. Chelsea - light staining, edge ware, dog eared. Everton No. 18 - stained, staple little rusted,
Los 224
Jost Amman (1539-1591)Plate H III, from Wenzel Jamnitzer's 'Perspectiva Corporum Regularium'Etching, 1568, a good impression on thin laid paper, sheet 179 x 253 mm (7 x 10 in), trimmed within the platemark to image, old central split in the lower section to printers crease, repaired with expert care, minor surface dirt and light browning (unframed)
Los 65
Richard Prince Untitled (Hippie)Lithograph, 2006, signed and dated in pencil, numbered from the edition of 50, as included in the portfolio In The Darkest Hour There May Be Light, co-published by the Serpentine Gallery and Other Criteria, London, on wove paper, with full margins, sheet 420 x 295mm., (16 ½ x 11 5/8 in)
Los 223
Attributed to Giovanni Battista Franco (c. 1510-1561) Four sheets with studies of men's heads, after Leonardo Da Vinci (1452-1519) Engravings, circa 1530-1560, good impressions on laid paper without watermarks, each sheet approx. 120 x 150 mm (4 3/8 x 5 7/8 in), trimmed to or just within the platemarks, tipped at corners onto support, surface dirt and browning, and would benefit well from a light clean, the lower right sheet with tear (unframed) *** Scarce at auction. Examples in the Rijksmuseum, but seemingly none in the British Museum.
Los 19
1966 Vanden Plas Princess 4 litre RBest bid to be submittedRegistration number CHC 474DGrey with a new light cream leather interiorAutomatic, burr walnut dashboard, door cappings and pic-nic tablesNew headlining and new rear leaf springsMuch work carried out by the current ownerStarted and ran well on inspectionVarious MOT certificates, a small group of tax discs and a Driver's Handbook1 of 6,555 Vanden Plas Princess 4 litre R's produced ***Driven to Haynes from Bridgwater, moved this morning, brakes no longer working, there is no bluid in the brake master cylinder*** All lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditions With V5C, with keys View video This lot must be collected by 12.30pm on Friday 25th October. If the buyer has not collected by this time it will automatically be removed and placed into storage, incurring a removal charge of £100 + VAT, to include the first week of storage, unless otherwise noted. Storage will then be charged at £10 + VAT per day or part thereof. If collecting from storage, please provide 24 hours notice
Los 61
WWI medals named to M2-101795 Pte S.E Turner A.S.C including British War medal 1914-18, Victory medal, a 1924 Liberty dollar coin and a Wilhelmina Queen of the Netherlands 1929 2 1/2 G silver coin; 17090 Pte F. Liddington North N. Regiment Victory medal;138 Sjt J. Berry R.W Kent Regiment Victory Medal and 40647 Pte.J.T Pitham Somerset Light Infantry including British War medal 1914-19 and Victory medal. Please note there has been an amendment to this lot, Gnr W.J Davis medal has been removed from this lot and now features together with his other medals in Lot 60.
Los 235
Eight Porcelain candle extinguishers, 19th century, including Royal Worcester blush-ware young woman and cook, Royal Worcester poly-chrome cook, unmarked Mrs Caudle, unmarked Granny Snow, Derby monk with book, Derby Elizabeth Fry with base and a Chinese sage.Condition ReportRoyal Worcester blush ware cook is in good overall condition, a little colour loss to the hem of her skirt; Royal Worcester young woman wearing a bonnet is in good overall condition some light rubbing to gilding; chip to the rim of the old woman wearing a bonnet; Granny Snow has a tiny chip to the edge of her bonnet; Royal Worcester cook has a hairline down the back of her dress; lady with the cape has some discoloration to her cape and shoulder from use; the monk has some discoloration to the back of his cape from use; Chinese scholar is in good overall condition with tiny chip to the base edge.
Los 238
Collection of antique porcelain candle extinguishers, 19th century, including Chinese scholar, praying figure, nun in black robe, nun in brown robe, monk in brown robe, angel with gilded wings, praying figure, nun and monk in white, polychrome figure of a young woman, praying figure, sleepy head and two praying nun. Condition ReportAngel figure is in good overall condition, some rubbing to the gilding on the wings; nun in brown habit is overall good condition with a small area of colour touching up to the hem of her skirt; beige parson has light fritting to the rime of his gown otherwise good; Staffordshire girl with black hair has crazing evident throughout with a vertical hairline to the back of the skirt; brown monk has a small chip to the rim with a vertical hairline travelling; white nun gilded has residue and hair in the glaze, with rubbing to the back of her head; parson with black hair has a small chip to the back of his gown with residue to the glazing; white glazed parson is in good condition given his age; black fronted nun has crazing evident to the white glazed areas but otherwise in good condition; the orange friar is overall in good condition however there is some rubbing to the gown; Chinese sage has areas where the glaze has not travelled particularly to the head and elbow.
Los 236
Collection of porcelain candle extinguishers, 19th century, including polychrome bishop, Red Riding Hood, two Crown Staffordshire ladies, young woman with black hair, Turk in robes, young scholar in blue robe, girl in blue. Condition Report Black haired girl is in good overall condition, some signs of crazing but no chips, cracks or signs of restoration; pale blue girl with basket is in good overall condition with no apparent issues; Turkish figure has some rubbing to the enamel on his head as we as a vertical crack to the back of his robe (see image); Red Riding Hood has some enamel loss to the top of her cloak and in other areas over the cloak but otherwise in good condition; Parson in blue has some crazing to the white areas including face, book and calf with some enamel loss to the hair but otherwise in good condition; white nun is overall in good condition however there is a fine stress crack to the front of her gown (see image); Praying Friar is in good overall condition given it's age; Praying Nun (bisque) is in good overall condition given it's age (some minor nibbling under the fingers to the veil edge); Sleepy Head has a repair to his head (very fine); Crown Staffordshire figure has some light crazing to the base of her skirt and the back of her cap; Crown Staffordshire figure has some light crazing throughout; Bishop has some loss to the top of Mitre.
Los 86
Royal Mint Great Britain George VI (1937-1952) official gold Coronation medallion, by Percy Metcalfe, obverse - crowned bust of King George VI facing left, reverse - crowned bust of Queen Elizabeth I looking left, 57mm diameter, weight 121 gms, 274 issued, unboxed. Condition ReportLight abrasions to both sides.
Los 35
§ Charles Vyse (1882-1971), The Falconer, a white glazed earthenware model of a youth on horseback and falcon on his shoulder, mounted to ebonised plinth base, incised signature and 1927 date to rear34.5 x 23 x 12cm exclusive of baseNot removed from plinth. In seemingly good condition, noting some all over fine crazing, heavier in places. No apparent damages or repairs, examined under UV light. Would benefit from a good clean. The spot on the rider's knee cleans off.
Los 490
§ John Bratby RA (1928-1992) Windows of Suffolk Wharf Housesigned 'John Bratby' (lower left)oil on canvas122 x 91cmProvenance: Collection of the late Samuel Alper, OBE (1924-2002)Canvas is in plane and with good tension. White areas of the canvas suggest some light discolouration, likewise, the palest passages of paint demonstrate some yellowing. Impasto appears in good overall condition. With a light layer of dirt across the surface, some minor scattered accretions and one or two fine drying cracks. May benefit from a light clean, but in overall presentable condition
Los 213
A silver chalice by John Leslie Miller Auld, London 1939, the spot-hammered bowl above a central knopped sphere, formerly mounted with cabochon stones above a spreading octagonal foot, 330g (10.6ozt)20.5cm highAside from the obvious fact that the cabochon stones are missing (reason and date unkonwn), it is in generally good order noting some light surface wear and scratching.
Los 702
§ Frances Walker CBE, RSA, RSW (1930-) Raised Beachsigned 'F.Walker' (lower right); inscribed 'B.A.T'screenprint with hand-colouring54.5 x 62.5cmPossibly slightly faded and with a light layer of surface dirt along the top edge. There is one deep crease located at the top right edge of the work (photographed), this crease has resulted in a small loss of media. This is a hand-coloured work so it is difficult to assess whether the work has faded or whether the artist has opted for a more muted palette.
Los 417
§ Arthur Spooner (1873-1962) Nottingham from Clifton Hillsigned 'Arthur Spooner' (lower left)oil on canvas106 x 121cmProvenance: Sale; Mellors & Kirk, Nottingham, 23 November, 2016, lot 594Sale; Mellors & Kirk, Nottingham,16 September, 2020, lot 409Exhibited:The Royal Society of British ArtistsThis work sold for £1200 (hammer) at each previous sale. Canvas is largely in plane with one very small area of undulation above the signature, tension is good. Varnish appears glossy and even throughout. The canvas with a light layer of surface dirt which should clean off. The lower left quadrant with a stretcher bar mark visible under raking light. Image of work on the wall shows the best colour representation.
Los 636
§ Vlastimil Beneš (1919-1981) Tovarna na predmesti (A factory in the suburbs)signed 'Benes' (lower right)oil on board37 x 59cmProvenance:With Richard Bradley Atelier, NorfolkInscription to the reverse suggests a date of 1972. Board is in nice overall order. Painted surface with minor scattered accretions, possibly fly specks, and overall surface dirt and one or two small white flecks of paint. Along the edge of the tall building there is a light surface abrasion; there is possible abrasion to the black structure, though this may be intentional and intrinsic to the work. Would benefit from a clean, but otherwise in good, honest condition.
Los 360
Attributed to Cesare Lacca (born 1929), a glass topped occasional table, the glass top on chevron cut brass supports raised on tapering legs with brass caps50 x 58 x 67cmA small chip to glass top and some light surface wear and scratching. Stands true on all legs, but a little wobbly, rubber caps are slightly perished.
Los 477
§ John Aldridge RA (1905-1983) Lilac signed and dated 'John Aldridge / 13 May 49' (lower left); further titled dated reverse oil on board45 x 60cmProvenance:With The Fry Art Gallery, Saffron Walden, where purchased in October 1988With a light layer of surface dirt as is to be expected, some very minor scattered accretions including two dark fly spots to the roof on the right-hand side of the image. Otherwise in nice, presentable condition. See additional images.
Los 683
§ HM King Charles III (1948-) Balmoral Castlesigned with initial and dated 91 (lower right); numbered p/plithograph printed in colours, printed by Curwen Studio, Chilford, published by Anna Hunter, Elstree, on Somerset wove paper24.5 x 59cmProvenance: Collection of the late Samuel Alper, OBE (1924-2002)Overall in good condition. In the right light, you can see a fait surface crease of about two inches which is in the white edge to the bottom left of the image
Los 404
§ Campbell Archibald Mellon (1878-1955) Gorleston Beach, Norfolkoil on board22cm x 29.5cmProvenance: With Branstock Fine Art, NorfolkBoard support and paint layers appear stable and in good overall order. The surface with a light layer of dust throughout. Under UV there are some apparent areas of inpainting, see additional images.
Los 292
An Art Deco pale oak bachelor's chest, with a geometrically inlaid fall-front opening to reveal a pigeon holes and a writing surface and with three graduated drawers below97 x 60 x 48cmsuper condition with the original finishone scratch to the top towards the back and minor scuffing but otherwise appears to have had light use
Los 580
§ Harold Workman RBA, ROI, RCA, SMA (1897-1975) Canal scenesigned 'HAROLD / WORKMAN' (lower left)oil on canvas47.5 x 48cmNot examined out of the frame. Has a slightly grubby appearance commensurate with age and use, though presentable the work may benefit from a light clean. Some very minor losses, one located to the roof of a building on the right hand side of the image and some further minor minor losses to the lower right hand edge. The frame with losses and rubbing to the gilt. See additional images.
Los 673
§ Gertrude Hermes OBE, RA (1901-1983) Stonehenge - 2nd Editsigned and dated 'Gertrude Hermes 1959' (lower right); further inscribed, titled and dated 'Stonehenge, 2nd Edit, 29/30 1967' (lower centre)linocut62 x 92.5cmNot examined out of the frame, the outermost margins being obscured by the mount and, therefore, not available for inspection. There appears to be light overall toning and fading to the page, this is largely even and uniform in appearance but darkening as the margins hit the mount board. The paper support demonstrates some undulation and there appears to be some debris trapped beneath glass. In overall presentable condition.
Los 402
Dame Ethel Walker DBE, RA (1861-1951) Donkeyssigned 'Ethel Walker' (lower right)oil on board27 x 34.5cmExhibited:London, The Leicester Galleries, Exhibition of Works by Ethel Walker, November, 1946Overall the work appears to have a thin layer of ingrained dirt across the surface, commensurate with age and use, though still presentable the work would benefit from a light clean. There is a loss of to the board support approximately half way up the right hand side edge, this loss is rectangular in shape and is around 0.5x2cm. On the same side of the board, towards the bottom there is a fine crack of the board support, though this has not resulted in any loss of medium. There is some fluorescence under UV, though this appears to be due to the nature of the pigments used rather than the result of any overpainting, other areas of fluorescence show some drip marks that are not visible to the naked eye. Please see additional images.
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534297 Los(e)/Seite