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Los 7

FERDINAND DU PUIGAUDEAU (1864-1930)Sortie de la Chapelle Notre-Dame-de-Trémalo (Pont-Aven) signed 'F. du Puigaudeau.' (lower left)oil on canvas65.5 x 81cm (25 13/16 x 31 7/8in).Painted in Pont-Aven circa 1895-1898Footnotes:ProvenanceAnon. sale, Maîtres Martin, Versailles, 28 March 1976, lot 82.Private collection, France (acquired by 1983).Wally Findlay Galleries, New York.Leighton Fine Art, UK.Anon. sale, Weschler's, Rockville, 10 March 2023, lot 15. Acquired at the above sale by the previous owner. Acquired from the above by the present owner.LiteratureC-G. Le Paul, L'Impressionisme dans l'École de Pont-Aven, Monet, Renoir, Gauguin et leurs disciples, Paris, 1983, p. 254 (illustrated p. 252).A. Laurentin, Ferdinand du Puigaudeau (1864-1930), Vol. I, Paris, 1989, no. 24 (illustrated p. 260).Ferdinand du Puigaudeau's scenes of Brittany are arguably his most noteworthy works. The artist frequently depicted Breton children – donned with their iconic smocks and headdresses – taking part in religious festivals and rituals. In the present work, painted on the Day of Pardon, the children spill out from the Chapelle Notre-Dame-de-Trémalo in Pont-Aven. Their fervent motion and youthful vitality is matched by the artist's lively Impressionistic brushwork and shimmering spectrum of colour and light. This chapel was also where Paul Gauguin painted his 1889 work Le Christ jaune, considered to be a key work of Symbolism and Cloisonnism, wherein the artist incorporated the design of the chapel's wooden polychrome crucifix. The 16th century chapel and its crucifix remain to this day, together with the large oak tree seen to the left of the present work, which continues to cast its shadow over the churchyard.For further information on this lot please visit Bonhams.com

Los 9

HENRI LEBASQUE (1865-1937)La lecture au jardin signed 'Lebasque.' (lower right)oil on paper laid down on canvas63 x 48cm (24 13/16 x 18 7/8in).Painted circa 1918Footnotes:The authenticity of this work has been confirmed by Maria de la Ville Fromoit and Christine Lenoir.ProvenancePrivate collection, Europe (acquired by the early 1950s). Private collection, Belgium (by descent from the above).Exhibited(Probably) Paris, Musée Galliera, Exposition rétrospective, Henri Lebasque, 1865-1937, 16 June – 9 July 1952, no. 52.Bonhams is honoured to present the following selection of works from a distinguished family collection. This impressive group, carefully assembled over decades, is testament to a deep appreciation for Modern masters. Including works by Henri Lebasque, Bernard Buffet, Kees van Dongen, Armand Guillaumin, Jean Dufy and Jean Lurçat, this ensemble showcases a keen and discerning eye for high quality works of Impressionist & Modern Art.Leading this group are three important works by Henri Lebasque - Les Andelys, La lecture au jardin and La Marne à Pomponne. While depicting different subjects, each is executed in a similarly delicate palette of blues and greens. This chromatic range of cool tones imbues each work with a charming softness, which was quintessential to Lebasque's painterly style. A soft luminosity thereby pervades each canvas, perfectly evoking the poetic gentleness that is to be found in the artist's most sought-after works. In 1905, Lebasque exhibited at the Salon d'Automne, where he first met the Fauvists and was fascinated by their masterful use of pure and vivid colours. Although he learned from their visual language, he remained faithful to his own vision of calm and light, choosing not to follow their flamboyant palettes and intense contrasts. These three scenes - suffused with a gentle light, where harmony reigns - demonstrate Lebasque's artistic pursuit as a lyrical and intimate painter.Also included in this group is an early landscape by Kees van Dongen, an example of which rarely comes to market. Executed in Holland circa 1895, before his move to Paris, Derrière la ferme conveys the artist's focus on evoking the atmosphere of a place, skilfully imbuing the rural quietude of the Holland countryside. Painted with earthy toned-down colours, van Dongen's early work reflects the influence of the Dutch master Rembrandt before he became one of the pioneers of the radical movement of Fauvism.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Los 135

Newcastle.- [Wilson (Thomas)] The Pitman's Pay; or, A Night's Discharge to Care, book-label of J.O. Edwards, some corners little creased or very slightly frayed, light browning and soiling, modern wrappers, Gateshead, for George Watson, [c.1826] § Songs, Duets, Choruses, &c. in Tom & Jerry as Sung at the Newcastle Theatre...With a Glossary of all the Cant and Flash Phrases, later wrappers, lightly soiled, housed in a cloth-backed folder, Newcastle, J. Marshall, [c.1820s]; and others, 19th century, Newcastle imprint, including Roxby's The Lay of the Reedwater Minstrel (1832), 8vo (6) *** The first mentioned written partially in Geordie dialect. It was first published in the Newcastle based "Mitchell's Magazine" in 1826, with two subsequent parts published in 1828 and 1830. Of the second mentioned WorldCat records only six copies, three in the UK.

Los 127

Bloomfield (Robert) Wild Flowers; or, Pastoral and Local Poetry, presentation inscription "To Mr Walter Jackson, from the Author. May. 19. 1819" to verso of title, 8 wood-engraved plates, later ink ownership inscription to front free endpaper, offsetting, scattered spotting, contemporary marbled calf, lacking spine label, spine ends and corners worn, joints split, 1812 § [Butt (George)] A Peep at the Wiltshire Assizes: A Serio-Ludicrous Poem, first edition, half-title, binder's embossed stamp to front free endpaper, attractive navy half morocco by Cedric Chivers of Bath, gilt, extremities lightly rubbed, Salisbury, Brodie and Dowding, [1819] § [Polwhele (Richard)] The Fair Isabel of Cotehele, a Cornish Romance, first edition, later ownership inscriptions to front free endpaper, some light browning, some spotting and soiling, 19th century diced calf, wear to corners, rubbed, lower joint cracked but holding firm, for J. Cawthorn, by Michell and Co. Truro, 1815; and others, 19th century poetry, 8vo (c.25) *** The first mentioned first published in 1806. 

Los 100

Heraldry.- Lautte (Jean) Le jardin d'armoires, contenant les armes de plusieurs nobles royaumes et maisons de Germanie inferieure, first edition, Sig. B defective (lacking 2ff. and misbound, B2 heavily trimmed and laid down), lacking final blank, front free endpaper with "Duplicate" ink-stamp to foot, title with small loss at inner margin affecting a few letters and laid down, title with various early ink inscriptions, frequent and often extensive annotation in a contemporary hand, some printed side-notes and annotations trimmed, V8 small paper-flaw hole affecting letter of text, light browning, some light and mostly marginal water-staining, some very small worming to head of gutter, contemporary sheep, rebacked, corners worn, front endpapers renewed, 12mo, Gent, Geeraert van Salenson, 1567; sold not subject to return.

Los 124

Gothic poetry.- Lewis (Matthew Gregory) and others. Tales of Wonder; Written and Collected by M.G. Lewis, Esq. M.P., 2 vol., first edition, advertisement leaf at end, bookplate of Viscount Halifax dated 1887, book-label of J.O. Edwards, contemporary ink ownership inscription to head of titles, occasional light spotting or soiling, else very good, contemporary calf, rebacked but covers detached, rubbed and worn in places, [Summers, p.525-27], W. Bulmer & Co. for the author, 1801; and another, a parody of Lewis, large 8vo & 8vo (3) *** Contributors to Tales of Wonder include Robert Southey, Robert Burns, and Sir Walter Scott. Some of Scott's earliest writings appear in the volumes, which by virtue of their high cost of publication, were nicknamed "Tales of Plunder". Also included in the lot is "The Old Hag in a Red Cloak", a contemporary parody of M.G. Lewis' "The Grim White Woman" included in Tales of Wonder. 

Los 85

Mourlot (Fernand) The Original Posters of Braque, Chagall, Dufy, Leger, Matisse, Miro, Picasso, 102 chromolithographed plates, gutta percha perished and contents loose (as often), very occasional light creased, original cloth, a few spots, dust-jacket, light toning to spine, chips and tears to head and foot, 4to, Monte Carlo, 1959. *** The contents often found loose as the plates were designed to be removable.

Los 68

de Teramond (Guy) L'Art et le Beau: La Forme Humaine et sa Beauté Etudes Artistiques, illustrations, light finger-soiling marks to title, original pictorial cloth, rather scratched and scuffed, Paris, [c.1906] § Sze (Mai-Mai) The Tao of Painting, 2 vol., first edition in English, illustrations, original cloth, spines faded, 1957 § Strachan (W.J.) The Artist and the Book in France, first edition, original boards, dust-jacket, tear to spine head, the odd nick and fraying to extremities, New York, 1969; and c.100 others, art reference, v.s. (c.100) 

Los 178

Paston letters.- Fenn (John) Original Letters, Written during the Reigns of Henry VI. Edward IV. and Richard III, 2 vol., second edition, hand-coloured engraved frontispieces, additional vignette titles, 17 engraved plates, one of which hand-coloured, folding pedigree, bookplates, vol. 1 2D4 tear to foot without loss, folding pedigree browned and little frayed at head (no text loss) with short tear to blank lower margin, some offsetting, some foxing and light browning, occasional soiling, vol. 1 Sig 2E with light damp-stain to fore-edge, contemporary polished calf, spines with red and green morocco labels, vol. 2 spine ends and joints repaired, a few light stains, heavier to vol. 1 upper cover, rubbed, for G.G.J. & J. Robinson, 1787; and a defective copy of Paine's Common Sense (1793), 4to & 8vo (3) *** Fenn's series ultimately numbering five volumes, with volumes 3 & 4 first published in 1789 and volume 5 posthumously in 1823. 

Los 174

[Johnson (Samuel)] A Journey to the Western Islands of Scotland, first edition, second issue with 6-line errata, some light spotting, some passages marked in pencil with notes at end, lacking front free endpaper, contemporary calf, red morocco label, rubbed, spine chipped at head, W.Strahan and T.Cadell, 1775; and 7 others, Johnson & Boswell including an attractively-bound 5 vol. Life in green straight-grain morocco, gilt, 8vo et infra (8)  

Los 168

Quakers.- [Finch (Richard)] Second Thoughts concerning War, wherein the Great Subject, is Candidly considered, and set in a New Light ... intitled the Nature and Duty of Self Defence, addressed to the People called Quakers, half-title, occasional marginal pencil finger-posts, scattered spotting, ex-library with occasional ink-stamps, new endpapers, modern half-calf, Nottingham & London, by Samuel Cresswell ... and sold by M. Cooper, 1755 § [Parnel (James)] A Collection of the Several Writings given forth from the Spirit of the Lord, through that Meek, Patient, and Suffering Servant of God, James Parnel ..., previous owner's ink signature to early blank, ex-library with 'withdrawn' stamp to title, several ff. with small marginal loss, affecting occasional sidenote, first and last few ff. with tears and small marginal loss with expert tissue repairs, 3Q2 & 3Q3 heavily trimmed (possibly from another copy of the same), spotting and staining, modern endpapers, modern calf, 1675 § A Collection of Memorials concerning divers Deceased Ministers and others of the People called Quakers in Pennsylvania, New-Jersey ..., previous owner's ink signature to title, scattered spotting, modern endpapers, modern antique-style calf, York, 1824; 8vo (3).

Los 132

Provincial Imprint.- Mudge (R.C.) Poem on Masonry, Masonic Hymns and Songs, 6pp. list of subscribers at end, errata slip loosely inserted, disbound, Weymouth, J. Commins, for the Author, 1819 § Howe (John) Trifles, Light as Air; Dedicated to his Grace the Duke of Devonshire, lacking N2 (divisional title), bookplate of Anne & F.G. Renier, book-label of J.O. Edwards, contemporary ownership inscription to pastedown, occasional correction or annotation in a contemporary hand ?the author's, G2-3 horizonal tear into text without loss, N3 working loose, endpapers stained, abrasion marks to pastedowns, original boards, spine with portions lacking and vertical split, soiled and quite worn, Sheffield, Wm. Todd, 1816, first editions, some spotting and light soiling; and others, 19th century poetry, imprints including Banbury, Ipswich, Sunderland, Hull, Windsor &tc, 8vo & 12mo (c.20) *** Of the first mentioned, WorldCat and Library Hub record only four copies. 

Los 262

Thames.- Ravenstein (E.G.) The Oarsman's and Angler's Map of the River Thames, folding lithographed strip-map with hand-colouring, c.565 x 840mm., dissected and mounted on linen, light soiling, folding into original cloth with printed green label to upper cover (bit worn), James Reynolds, n.d. § Oarsman's and Angler's Map of the River Thames from its Source to London Bridge (The), colour strip-map dissected and mounted on linen, folding concertina-style into original cloth, Edward Stanford, 1905 § Taunt (Henry W.) A New Map of the River Thames..., third edition, double-page maps with mounted photographic illustrations, original cloth, Oxford, [c.1878], all rubbed; and 3 others on the Thames, one with panorama, 8vo et infra (6)*** The first shows the river from the Thames Head through Oxford to London Bridge, along the way describing canals, locks, fishing possibilities, bathing sites, etc.

Los 243

Birmingham.- Hutton (William) An History of Birmingham, to the end of the year 1780, first edition, list of subscribers (with additional f. for the latecomers), folding engraved frontispiece panorama, 2 folding plans (town and canals) and 14 plates, of which 1 folding, piece from upper margin of title, offsetting, occasional spotting or mostly light staining, original boards, rebacked, preserving original chipped backstrip with later ms. title label, corners worn, rubbed, [Goldsmiths' 12120], Birmingham, Printed by and for Pearson and Rollason, 1781; and an early 19th century work on Birmingham silversmiths, 8vo (2) *** Eric Quayle's copy (noted book collector and author; with his bookplate and initialled note to inner front board) of the first edition of the first significant history of Birmingham. Includes workingmen's clubs, theatres, public buildings, the lamp act, and charity schools and poor house statistics. 

Los 212

Conjuring.- Berglas (David) The Mind & Magic of David Berglas, one of 1,000 copies, photographic illustrations, original cloth, some light rubbing, a few marks or small spots to covers but a very good copy generally, 4to, Hahne, 2002.*** A scarce and important work including many of Berglas' most famous stunts.  

Los 80

Chapbooks.- Sixteen Chapbooks, a complete series, together 16 in 1, uniform yellow decorative titles, illustrations, some with contemporary hand-colouring, series list at front and rear, bookplate, gutter cracked at rear with single leaf coming loose, later limp morocco, g.e., Otley, Yorkshire J. S. Publishing, [c.1840].*** The series comprises several well know fairy tales such as Cinderella, Tom Thumb, Robinson Crusoe, Little Red Riding Hood, and other stories and light education such as Capitals of Europe. 

Los 203

Kipling (Rudyard) [The Works], 26 vol. (only, of 31), the "Bombay Edition", vol.1 signed by the author, some hinges slightly cracked but holding firm, original cloth-backed boards, uncut, some light staining to paper title labels, some staining patches, otherwise a very bright and clean run, 1913-1927; and a bibliography of the author, 8vo (27)

Los 113

Goethe (Johann Wolfgang von) Schriften, 8 vol. in 4, ?first collected edition, engraved frontispieces and title vignettes, some light browning, occasional foxing, contemporary half calf, 2 vol. with upper covers detached, worn, Leipzig, Georg Joachim Göschen, 1787; and another by the same, 8vo (5)

Los 284

Einstein (Albert) and Marcel Grossman. Physikalische Grundlagen einer Gravitationstheorie, offprint from Vierteljahrsschrift der Naturforschenden Gesellschaft, LVIII, ink ownership stamp on title, original printed wrappers, some light toning and surface-soiling, Einstein's name underlined on upper cover, 8vo, Zurich, 1913.*** A scarce paper in which Einstein presented his new theory of gravity, an important step on the way to the General Theory. With the ink stamp of the Swiss physicist Henri Veillon. 

Los 73

Regent's Park.- First Report of the Commissioners of His Majesty's Woods, Forests, and Land Revenues, 4 hand-coloured folding engraved plans, title loose, some light offsetting, the first plan torn and 2 & 3 with small tears at inner edge, contemporary half calf, worn, lacking upper cover, 1812; and a defective copy of the 18th Report of 1841 but with 2 folding hand-coloured plans of Regent's Park & Victoria Park, folio (2)*** Contains designs for the development of Marybone Park Farm (Regent's Park), including one by John Nash, and for Regent St. and the Regent's Canal.

Los 294

Schaub (Dr. J.) Physikalisch-mineralogisch-bergmännische Beschreibung des Meissners, second edition, title vignette, 2 folding tables, 2 engraved folding plates, title a little short and mounted on stub, light foxing and some occasional damp-staining, modern calf, Kassel, Luckhardt, 1822; and c.40 others, German science and medicine, v.s. (c.40)

Los 61

Maffei (Giovanni Pietro) Historiarum Indicarum libri XVI..., first edition, printer's device to title and final leaf verso, woodcut initials, large book-label, title with small closed tear paper repair at foot, and along with following leaf reinforced at gutter, scattered marginal worming (no text lost), occasional faint marginal damp-stains, eighteenth century mottled calf, spine gilt, a few light scuffs, [Edit16 CNCE 28797], folio, Florence, Filippo Giunta, 1588.*** First edition of this important work on the "Indies", both West and East; a collection of accounts of the Portuguese discoveries and missionary work in China and Japan, the East Indies, Brazil and the Americas. This copy complete with the life of St. Ignatius of Loyola, sometimes lacking.

Los 275

India.- Francis (Charles Richards) Sketches of Native Life in India with Views in Rajpootana, Simlah, etc., etc., first edition, 22 tinted lithographed plates by J.C. Anderson after C.H. Fairland, list of subscribers and errata slip at rear, plate 3 with loss to corner affecting image, 1 text leaf chipped and torn without loss to text, scattered foxing, light browning to text, contemporary half roan, rubbed and worn, folio, Meldola, Cahn, & Co., 1848.*** Scarce series of Indian views. 

Los 207

Bibliography.- Wroth (Lawrence C.) A History of the Printed Book, illustrations, original cloth, light marking and fraying to spine ends, New York, Limited Editions Club, 1938 § Winterich (John T.) Books and the Man, original cloth, dust-jacket, chips to upper edge and spine, spine faded, slip-case, New York, 1929; and c.60 others, including a complete 3 vol. Sotheby & Co. catalogue for the sale of Mortimer L. Schiff, 1938, v.s. (c.65)

Los 282

Chasles (M.) Aperçu historique sur l'origine et le développement des méthodes en géométrie, second edition, occasional strengthening or repair to margins, modern half cloth, original wrappers (strengthened and repaired) bound in, Paris, 1875 § Thompson (Sylvanus P.) Traité Théorique et Pratique des Machines Dynamo-Électriques, diagrams and illustrations, light spotting, modern cloth-backed boards, Paris, 1894; and c.60 others, French science, mathematics and medicine, v.s. (c.60)

Los 109

Heraldry & Genealogy.- Imhof (Jacob Wilhelm) Regum Pariumque Magnae Britanniae Historia Genealogica, half-title, engraved frontispiece, 4 engraved plates or full-page illustrations of coats-of-arms, woodcut initials & head-pieces, 6ff. Appendix with separate title dated 1691, armorial bookplate of Henry Anthony Littledale, bookplate of the Institute of Heraldic and Genealogical Studies and 'duplicate' ink-stamp to front free endpaper, half-title very slightly chipped at inner margin and working loose at head, a few very small [rust-]holes, mostly marginal but F3 & 2U3 affecting a letter of text, 3D1 paper reinforcement to inner margin, some light foxing, some light browning and dust-soiling, final 3ff. with very small repaired worming to inner margin, affecting a few letters to final f., near contemporary vellum, yapp edges, manuscript title to spine, toned, some light scratches, Nuremberg, heirs of Johann Andreas Endter, 1690; and others, heraldry and similar, including a defective copy of Guillim's Display of Heraldry (1679) bound with Analogia Honorum (1677), v.s. (13)

Los 125

Women Poets.- Dodsworth (Mrs. [Anna]) Fugitive Pieces, first edition, bookplate of George Bache Pappas, lightly browned, some light foxing and faint damp-staining, mainly marginal, contemporary calf marbled in a lattice pattern, gilt, lacking spine label, spine head chipped, spine and extremities rubbed, upper joint split but holding, Canterbury, Printed [for private distribution] by Simmons and Kirkby, 1802 § Mitford (Mary Russell) Christina, the Maid of the South Seas; a Poem, errata f. at end, lacking half-title, contemporary ink gift inscription "Elizabeth Jennings the gift of Miss Wellbeloved" to front free endpaper, title margins browned, spotting, particularly near start, hinges repaired, contemporary mottled calf, rebacked preserving original backstrip, new morocco spine label, old backstrip little chipped, rubbed, A.J. Valpy, 1811; and others, 19th century poetry by women, including Ethelinda Potts' Moonshine, 8vo & 12mo (12) *** The first mentioned rare, we can trace only one copy at auction (1980). 

Los 130

Scottish poetry.- [Beattie (George)] John o'Arnha'. A Tale, second edition, hand-coloured etched frontispiece and 6 plates, plates trimmed at fore-edge, most causing loss to headline and a few just within image, a few ff. with short tears neatly repaired or marginal repairs, p.23 causing loss to couple words, light browning and offsetting, plates soiled and little rubbed, some soiling elsewhere, modern half calf, spine gilt, Montrose, 1818 § Mitchie (John) The Vices of the Tavern Dissected: or, Drunkenness Laid Open: A Poem, ninth edition, a few minor chips to upper margin, light browning and some light spotting, title and verso of final f. little soiled, later morocco backed-cloth, little rubbed, Edinburgh, for the Author, 1819, book-label of J.O. Edwards; and others, 19th century Scottish poetry, including a copy of "The Craniad: or, Spurzheim Illustrated" (1817), 8vo (10) *** The first mentioned rare, with WorldCat and Library Hub recording only six copies of this edition. 

Los 185

Smith (Adam) An Inquiry into the Nature and Causes of the Wealth of Nations, 3 vol., tenth edition, half-titles, light scattered spotting, vol. 2 with water-staining (mostly marginal) and a couple of short tears to last few leaves, previous owner's ink name-stamp to early blanks, half-titles & titles, hinges strengthened, contemporary speckled calf, rubbed, sympathetically rebacked, spines gilt in compartments, morocco spine labels, 8vo, 1802.

Los 204

Lawrence (D.H.) The Lost Girl, first edition, first issue, light toning to endpapers and half-title, bookshop stamp on title, hinge cracked towards end, original cloth, one or two marks, extremities bumped, preserved in custom-made slip-case and chemise, 1920 § A Bibliography of the Writings of D. H. Lawrence, one of 100 large paper copies signed by McDonald and Lawrence, bookplate or book-label on front and rear pastedowns, original cloth-backed boards, light rubbing to edges, otherwise fine, Philadelphia, 1925, 8vo (2)

Los 192

Eliot (George) Scenes of Clerical Life, 1858 bound with [Craik (Dinah)] The Ogilvies, 1860 and [Craik (Dinah)] John Halifax, Gentleman, 1856 and Oliphant (Margaret) The Athelings; or, the Three Gifts, burn hole to first 2pp., 1857, together 4 works in 1, first American editions, light foxing, contemporary half morocco, rubbed § [Cooper (James Fenimore)] The Red Rover, 3 vol., second English edition, some toning and occasional browning, original boards, spine label to vol.2 chipped, 1828 § Eastlake (C.L.) Hints on Household Taste, ink ownership inscription to half-title, original cloth, spine faded, ends frayed, 1878; and c.20 others, 19th century English literature, v.s. (c.25)

Los 187

Pope (Alexander) [Works], 18 vol. bound in 9, comprising The Poetical Works; The Odyssey of Homer; and The Iliad of Homer, new edition, engraved frontispieces and plates by E.F. Burney, some foxing and light offsetting, contemporary navy straight-grain morocco, triple gilt fillet and roll-tooled borders, spines gilt in compartments with floral motifs, inner gilt dentelles, g.e., extremities slightly rubbed, spines lightly sunned, Du Roveray, 8vo, 1804-06.

Los 36

Stained Glass.- Warrington (William) The History of Stained Glass, chromolithographed additional title heightened with gold, lithographed dedication, 25 chromolithographed plates printed by Hanhart, 4 double-page and/or folding, light foxing, original roan-backed cloth, g.e., rubbed and a little stained, rebacked preserving original gilt ornamental spine, corners repaired, 1848 § Westlake (N.H.J.) A History of Design in Painted Glass, 4 vol. in 2, illustrations, later half morocco, g.e., rubbed at edges, 1881, folio & 4to (3)

Los 14

Constable (John).- Lucas (David) English Landscape Scenery, 40 mezzotints by Lucas after Constable, some light marginal foxing, contemporary half morocco, t.e.g., a little rubbed, folio, 1855 § Reynolds (Graham) The Early [& Later] Paintings and Drawings of John Constable, together 4 vol., original cloth with dust-jackets, New Haven & London, 1996-84; John Constable's sketch-books of 1813 and 1814, together 3 vol. comprising introduction and 2 facsimile reprints, original cloth, together in slip-case, 1973, plates or illustrations; and c.30 others on Constable, some pamphlets/catalogues, v.s. (c.35)

Los 138

Irish poetry.- O'Kelly (Patrick) The Hippocrene: A Collection of Poems, etched portrait frontispiece, list of subscribers at end, ex-library with red ink-stamp to title and few other ff., frontispiece with bookseller's ink-stamp to verso, frontispiece with some abrasion marks at gutter and tiny chip to lower outer corner, some soiling, particularly to title and first few ff., some light browning and spotting, modern calf-backed boards, g.e., Dublin, T. and S. Courtney, 1831 § Lysaght (Edward) Poems, by the Late Edward Lysaght, Esq., half-title, portrait frontispiece, 20pp. list of subscribers, frontispiece fore-edge trimmed just shaving a letter of description, occasional light soiling or spotting, later half calf over marbled boards by Henderson & Bisset, little rubbed, chip to lower joint, upper joint starting at head, Dublin, Gilbert and Hodges, 1811, first editions, book-label of J.O. Edwards; and others, 19th century poetry of Irish interest or imprint, 8vo (6)  *** The second mentioned with the poem at pp.100-103 printed in the Irish language and phonetically transcribed into Roman characters.

Los 112

Scatology.- Pasquini (Giovanni Claudio) La culeide, London [but Florence], no printer, 1786 bound with 3 others, similar, titles with woodcut ornament and within woodcut decorative border, each title with armorial ink stamp of 'Conte Piercarlo Borgogelli' at foot, some spotting or light foxing, lightly browned, loose in later marbled wrappers, ink stamps as above to upper and lower wrappers, spine worn, [Bibliotheca scatologica 70], 8vo sold not subject to return.  *** Possibly issued with a general title 'Raccolta di Poesie Toscane'. The other parts are Il Canto sopra le Correggie; Le Lodi sopra il Cacatojo;  and La Girandola dei Cervelli. 

Los 191

Hazlitt (William) Liber Amoris; or, The New Pygmalion, first edition, contemporary purple morocco, upper cover detached, lower spine hinge broken, light fading, printed for John Hunt, 1823; The Spirit of the Age, or Contemporary Portraits, first edition, original boards, uncut, covers detached, spine chipped with title in manuscript, printed for Henry Colburn, 1825; and 5 others, Hazlitt, including the Nonesuch bibliography, v.s. (7)

Los 148

Sarpi (Paolo) The History of the Council of Trent, lacking initial imprimatur leaf, engraved portrait frontispiece by G. Vertue from another edition tipped in, title browned and a little frayed at fore-edge with small repair, [a]4 & I3 very small rust-hole within text, a few short tears or marginal chips but no text loss, occasional later marginal annotations in pencil, occasional spotting, some very small and minor worming to foot of gutter and lower margin (generally single small wormhole), final f. repaired at inner margin, upper hinge cracked, contemporary panelled calf, old reback, spine label little chipped, later endpapers, [Wing S696], J. Macock, for Samuel Mearne &tc, 1676 § Platina (Bartholomaeus Sacchi) The Lives of the Popes..., first edition in English, translated by Paul Rycaut, engraved portrait frontispiece, title little soiled with 19th century ownership inscription to head, frontispiece fore-margin creased with small chip repaired with tape, title and A2 gutter strengthened, 3E2 small hole affecting few letters, final third with a few very small marginal wormholes, expanding into small traces towards end but no text loss, one or two small marginal repairs to Index, the odd spot or minor soiling but overall good, modern morocco, [Wing P2403], for Christopher Wilkinson, 1685, titles in red and black, some light browning, occasional faint marginal water-staining, rubbed, folio (2) 

Los 292

Planck (Max) Kausalgesetz und Willensfreiheit, bookplate to front pastedown, later cloth, Berlin, Springer, 1923; Das Weltbild der Neuen Physik, original roan-backed wrappers, Leipzig, Barth, 1930; Physikalische Rundblicke, light browning to text, original boards, light browning to spine, Leipzig, Hirzel, 1922; and a large quantity of others, German, largely physics and medicine, v.s. (6 boxes)

Los 83

McGrandle (Leith, editor) Europe: The Quest for Unity, number 458 of 475 copies with an original etching by Pietro Annigoni signed and numbered by the artist, half green morocco,  t.e.g., others uncut, cloth slipcase, Verona, Officina Bodoni for Ranelagh Editions, 1975 § Selig (Richard) The Unicorn, number 41 of 55 copies, illustrations & decorations by Margaret Adams, initial in gilt by Jenny Hancox, original morocco-backed pictorial Japanese veneer boards, gilt, by George Percival of Leicester, t.e.g., others uncut, board slip-case, printed at the Stanbrook Abbey Press, Worcester, 1983 § Stillwell (M.B.) The Influence of William Morris and the Kelmscott Press, very light spotting, morocco-backed patterned-paper boards, uncut, spine very slightly faded, Providence, R.I., 1912; and a small quantity of others, mostly private press, many pamphlets, v.s. (c.50) *** The first is a collection of texts by leading figures advocating a unified Europe, including Queen Elizabeth II, John F. Kennedy, De Gaulle, Churchill, Willy Brandt, Adenauer, Pompidou, and others. One of the last book designs of Giovanni Mardersteig.

Los 295

Schroedinger (Erwin) What is Life?, first edition, small chip to foot of half-title, neat ink ownership inscription dated 1945 to endpaper, original cloth, light rubbing to spine tips and corners, dust-jacket, upper joint broken, significant loss to spine ends (not affecting text), chipping to remainder of spine, light creasing to head and foot, light surface soiling to panels and spine, extremities rubbed, 8vo, Cambridge, 1944.*** A cornerstone title in the study of quantum physics, scarce in the dust-jacket.

Los 128

[Brown (Thomas)] The Paradise of Coquettes, a Poem, half-title, bookplate of Anne & F.G. Renier, ink ownership name and inscription of Herbert G. Norman, half-title with contemporary ownership inscription of J.R. Macky to verso, a few leaves near start roughly opened, a few short tears to p.xlv affecting text but without loss, some foxing and light browning, final few leaves with light damp-staining to head, later boards, rubbed and stained, uncut, for John Murray, 1814 § Cox (James) The Wanderings of Woe, or Conjugal Affection. A Tribute to the Memory of a Beloved Wife, half-title, fine stipple-engraved portrait of the author's wife, lightly browned, some spotting, uncut in original boards, remains of printed spine label, spine ends chipped, corners worn, lower joint split at foot, Mawman, Cadell and Davies, 1813, first editions, book-label of J.O. Edwards; and others, 19th century poetry, 8vo (c.25)

Los 49

Evans (C.S.) The Sleeping Beauty, illustrated by Arthur Rackham, original cloth-backed pictorial boards, dust-jacket, a little frayed at edges, 1920 § Farjeon (Eleanor) The Town Child's Alphabet, illustrated by David Jones, 1924; The Country Child's Alphabet, illustrated by Michael Rothenstein, 1924, together 2 vol., first editions, light browning at beginning and end, original pictorial boards, slightly soiled, spines worn and frayed, Poetry Bookshop § Shakespeare (William) As You Like It, illustrated by Hugh Thomson, original pictorial cloth, gilt, a few marks to upper cover, spine faded, [c.1909] § Crane (Walter) Queen Summer or The Tourney of the Lily & the Rose, first edition, hinges weak, original cloth-backed pictorial boards, soiled, spine worn at head, 1891 § Hill (Oliver) & Hans Tisdall. Balbus: A Picture Book of Building, first edition, original cloth-backed pictorial boards, 1944, plates and illustrations, many colour, a few tipped in, all rubbed; and c.35 others, children's and a bundle of Girl comics, 4to & 8vo (c.40)

Los 200

Rinehart (Mary Roberts) The Circular Staircase, first edition, endpapers browned, original pictorial cloth, lightly rubbed, 1908 § Wilson (Harry Leon) The Boss of Little Arcady, first edition, original pictorial cloth, light bumping to spine ends, otherwise crisp, Boston, 1905 § Hearn (Lafcadio) Kokoro, original cloth, spine sunned, Boston, 1896; and c.50 others, late 19th century or early 20th century American literature, v.s. (c.55)  

Los 189

Byron (George Gordon Noel, Lord) Lara, A Tale; Jacqueline, A Tale, first edition, advertisement leaf at front, light spotting to endpapers, contemporary half calf, rubbed, for J. Murray, 1814; English Bards and Scottish Reviewers, A Satire, third edition, contemporary calf, rubbed, for James Cawthorn, 1810; Werner, a Tragedy, first edition, first issue without 'The End' or imprint on p.188, half-title, lacking 7pp. advertisements at end, endpapers browned, later boards, 1823; and 4 others, Byroniana, including another copy of the first without covers, 8vo & 4to (7)

Los 115

Typography.- [Reale Accademia dei Lincei] Caratteri Orientali Esistenti nella Tipografia della R. Accad. dei Lincei, title, 2 text leaves and 12 leaves of typefaces samples in different languages, endpapers lightly browned, upper hinge splitting at head but holding firm, original printed wrappers bound in, later marbled boards, red calf label lettered in gilt, extremities slightly rubbed, paper repair to spine head, Rome, Tipografia della Reale Accademia dei Lincei, 1889 § Guedes de Carvalho (José de Vasconcellos) Leis de Manú, primeiro legislador da India... vertidas en Portuguez do original... de Mr. G. Pauthier, first Portuguese edition, light browning, a few ff. corners restored, new endpapers, later morocco-backed boards, spine lettered in gilt, Nova-Goa, Imprensa Nacional, 1859, 8vo (2) *** The first  an exceptionally rare type sample book from the Reale Accademia dei Lincei, with only one copy recorded on Worldcat. The Reale Accademia was first founded in 1603 with Galileo as its intellectual centre and, after a revival in the late 19th century, printing became a course of study with Tipografia Salviucci directing publications from 1881 and introducing Oriental type fonts into its works. This book includes Sanskrit, Armenian, Syriac, Samaritan, Arabic, Persian, Aramaic, Hieroglyphic, Coptic, Chinese, Greek and Russian fonts. 

Los 139

[Keble (John)] Ode for the Encænia at Oxford, June 11, 1834, in Honour of his Grace, Arthur, Duke of Wellington, Chancellor of the University, single sheet, folded into 4 (8pp.), small ink inscription "Renier" to head of title verso, some splits at folds, creasing to lower corners, some toning and soiling, heavier to title and verso of final f., final f. with some staining and a few small ink marks to head, unbound, Oxford, 1834 § Siege of Oxford (The). Fragments from the Second Book of the "Nova Aeneis", original printed wrappers, a few marks, small chip to fore-edge of lower cover, spine rubbed and little chipped, joints split at head and foot, Oxford, Francis Macpherson, 1852 § Rickards (George K.) The African Desert: A Prize Poem, Recited in the Theatre, Oxford, June 23, 1830, spotting and light soiling to title and final f., modern wrappers, Oxford, J. Vincent, [1830], first editions, all but first with book-label of J.O. Edwards; and others similar, Oxford imprint or interest, 8vo (9)

Los 250

Britain.- Sandby (Paul) The Virtuosi's Museum; containing Select Views in England, Scotland, and Ireland, engraved title and 79 plates only (of 108, lacking plate 4 and all after 80), most after Sandby, also lacking all text, with a duplicate of plate 67 and an additional engraving of Addescombe Place by W.Angus (dated 1810), foxing, contemporary roan-backed boards, rubbed and spotted, joints repaired, G.Kearsly, 1778 [but later] § Angus (William) The Seats of the Nobility and Gentry in Great Britain and Wales..., engraved title, half-title, 52 engraved views only (of 63, lacking 28, 38, 46, 50, 55 & 58-63) by Angus after Sandby, Nattes & others, each with explanatory leaf of text (including those to plates 28, 38 & 46), plates with light marginal foxing and a little offset onto facing text, bookplate of Charles J.B.Trappes, contemporary half morocco, spine gilt, g.e., rubbed, [Millard, Britain 7], W.Angus, [1787-1804], oblong 4to (2) *** Some of the views in the first were previously published in Kearsly's Copper Plate Magazine of 1778. The second item, Angus's Seats, was intended as a continuation of Watts's Seats... and was originally published in parts containing a total of 48 plates from 1787-97, at which point the half-title was issued. A second volume was planned but only 15 plates were completed by 1815. The work is important for depicting mainly lesser-known houses. It also includes a view of Oxenford Castle after Robert Adam (plate 14), and Bradwell Lodge by Malton with figures by Rowlandson (plate 35). 

Los 126

Scottish poetry.- [Macneill (Hector)] Bygane Times, and Late Come Changes..., final advertisement f., contemporary ownership inscriptions to front free endpaper and foot of title, occasional light spotting or soiling, endpapers lightly browned, upper hinge weak, wear to spine, lightly rubbed and soiled, joints split, 1811; Town Fashions, or Modern Manners Delineated, a Satirical Dialogue..., bookplate of Percival F. Hinton, small spot/stain to half-title and title, some very light browning, occasional light soiling, printed spine label, soiled and worn, 1810, first editions, half-titles, book-label of J.O. Edwards, uncut in original boards, Edinburgh, for William Blackwood; and others, 19th century Scottish poetry, including the first collected edition of James Hogg's Poetical Works, 8vo (c.20) *** The first mentioned written in Scottish dialect. 

Los 153

Bindings.- The Book of Common Prayer, ruled throughout in red, some worming, occasional spotting or light staining, lightly browned, contemporary blind-stamped black morocco, tooled in gilt with cottage roof design, spine in compartments, upper joint split and with rudimentary tape repairs, leather missing from uppermost spine compartment, corners worn, rubbed and scuffed, g.e., Charles Bill, 1692; and 2 others, Bindings, v.s. (3) sold not subject to return. 

Los 159

Russia.- Perry (Capt. John) The State of Russia, Under the Present Czar, first edition, engraved folding map by Herman Moll, bookplate, ink inscription and Christ Church library stamp to front free endpaper, some light browning and spotting, contemporary panelled calf, decorated in blind with floral motifs, expertly rebacked with original backstrip laid down, spine gilt in compartments, red morocco spine label, extremities very slightly rubbed, spine sunned, Benjamin Tooke, 1716 § Voyages in the Arctic Seas from 1821 to 1825, for the Discovery of a North West Passage to the Pacific Ocean, 4 wood-engraved plates, sticker to front pastedown, contemporary ink ownership inscription to head of title, the odd spot, contemporary calf, rebacked, a little rubbed, Dublin, R. Napper, 1830; Arctic Travels; Or, an Account of the Several Land Expeditions to Determine the Geography of the Northern Part of the American Continent, 6 wood-engraved plates, light foxing, later calf-backed boards, spine sunned, Dublin, Thomas White, 1830, 8vo & 12mo (3)

Los 11

Ceramics.- Rackham (Bernard) Early Netherlands Maiolica, light foxing, 1926; Victoria & Albert Museum: Catalogue of Italian Maiolica, 2 vol., later cloth, 1940 § Piccolpasso (Cipriano) I Tre Libri dell'Arte del Vasaio, 2 vol., facsimile reprint, original cloth-backed boards, slip-case, 1980 § Caiger-Smith (Alan) Tin-Glaze Pottery in Europe and the Islamic World; The Tradition of 1000 Years in Maiolica, Faience & Delftware, 1973 § Crellin (J.K.) Medical Ceramics: A Catalogue of the English and Dutch Collections in the Museum of the Wellcome Institute of the History of Medicine, 1969 § Scholten (Frits T.) The Edwin van Drecht Collection: Dutch Majolica & Delftware, The Hague, 1993 § Brulon (D.G.) Histoire de la Faience Française, vol.1-4 (Lyon & Nevers; Moustiers & Marseille; Bordeaux & La Rochelle; Paris & Rouen), Paris, 1997-98, plates and illustrations, many colour, all but the second & third original cloth, the first two rubbed, the last four with dust-jackets; and a quantity of others on Delftware, maiolica and faience including a photograph album of items in the van Drecht collection, many pamphlets, 4to & 8vo (Qty) 

Los 96

Machiavelli (Niccolò) [Tutte le Opere], parts 3-5 only (of 5 (Discorsi; Arte della Guerra; Asino d'Oro)) in 1, without general title, the first two parts with woodcut portrait of the author to title, part 4 with double-page woodcut illustration of encampment, old ink stamp to first title 'Noortheü', occasional spotting or light staining, lightly browned, later calf-backed speckled boards, gilt spine in compartments and with red morocco label, corners worn, rubbed and scuffed, [cf. Adams M7], small 4to, no printer, 1550 [but Geneva, first half of 17th century]. 

Los 90

Thielcke (Henry Daniel) & William Combe.. Six Engravings after the Designs of Her Royal Highness the Princess Elizabeth..., first edition with verses by Combe, engraved dedication and 6 plates, light water-stain to upper margin, original boards, printed label to upper cover, uncut, rubbed, wormtrack to rear cover, rebacked, William Bulmer & Co. for R.Ackermann, 1813 § Shakespeare (W.) Ein Sommernachtstraum, silhouette illustrations by Paul Konewka on india paper and mounted, text foxed, contemporary cloth-backed boards, Heidelberg, 1868 § Wilkinson (George Hutton) The Old Inmates of Harperley Park, presentation copy from the author to Nassau W.Senior inscribed on half-title, chromolithographed or tinted lithographed plates, mounted photograph, original cloth, gilt, rebacked in morocco, Cambridge, 1859 § Bescherelle (L.N.) & L.J.Larcher. La Donna..., first Italian edition, numerous hand-coloured lithographed plates, some heightened with gum arabic, text foxed and occasionally plates, later half calf, spine gilt, Turin, 1850, all rubbed; and another, illustrated, 4to & 8vo (5)

Los 291

Neurology & Psychiatry.- Willis (Thomas) De anima brutorum quæ hominis vitalis ac sensitiva est, exercitationes duæ, first octavo edition, initial imprimatur f., 6 (of 8) engraved plates, most folding, 3 plates torn without loss, occasional spotting or light staining, lightly browned, upper hinge split, later blind-stamped calf, gilt spine in compartments and with black morocco label, head of spine and corners worn, little stained, rubbed, [G&M 1544; Hunter & MacAlpine pp 187-92; Wing W2826], 8vo, Richard Davis, 1672. sold not subject to return.  *** Published shortly after the quarto first edition of the same year. There are two imprint variants, London (as here) and Oxford. 

Los 134

Sporting.- [Boaz (Herman)] The Angler's Progress: A Poem, second edition, half-title, charming wood-engraved vignettes, 2 advertisement ff. of Angling books at end, book-label of J.O. Edwards, light browning to half-title and verso of final f. (wrappers lightly offset), modern calf-backed marbled boards, original printed wrappers bound in, [W&S p.35], for J.H. Burn, 1820 § Spiritual Quixote (The), Geoffry Wildgoose, in Cheltenham: or, a Dis-Course on a Race-Course, fourth edition, some light spotting and toning, dust-soiling to verso of final f., modern wrappers retaining original printed upper wrapper, this little chipped at extremities, Cheltenham, for G.A. Williams, [c.1830]; and others sporting related, including a volume containing The Fisher's Garland for 1821-32 among other Newcastle publications, 8vo (7)

Los 133

Bewick (Thomas).- Sportsman's Progress (The): a Poem, descriptive of the Pleasures derived from Field Sports, 12pp., half-title, wood-engraved title-vignette and 12 other vignettes by ?Thomas Bewick, the Schwerdt copy with his circular engraved bookplate, bookplate of Prince Henry, Duke of Gloucester to front free endpaper, some very light offsetting, some spotting, handsomely bound in red morocco by Rivière & Son, gilt, spine ends and corners slightly rubbed, original pictorial wrappers bound in (small sticker to verso of upper wrapper, upper corners a touch frayed, soiled and little stained), [Schwerdt II p. 223], for Sherwood, Neely, and Jones, 1820; and an attractively bound copy of "The First of September, or Cockney Sportsmen" with Schwerdt & Duke of Gloucester bookplates, 8vo (2) *** Rare; first published in the second edition of Scott's British Field Sports and probably one of a small number of copies issued separately. 

Los 136

Scottish poetry.- Hetrick (Robert) Poems & Songs, 14pp. list of subscribers at end, half-title with two small chips to head, title little chipped at head and with tear into text (no text loss), foxing, some soiling, modern half calf over marbled boards, gilt, Ayr, for the Author, 1826 § Ranken (William) Poems, on Different Subjects, half-title, wood-engraved tail-pieces, bookplate of Percival F. Hinton, spotting, quite heavy at points, original boards, old reback, rubbed and soiled, Leith, Archibald Allardice, for the Author, 1812 § M'Laren (William) Isabella; or, The Robbers..., some toning and light spotting, contemporary red half morocco, spine darkened and with small chip to head, wear to corners, spine and extremities rubbed, Paisley, J. Neilson, 1827, first editions, book-label of J.O. Edwards; and others similar, Scottish regional imprints including Dundee, Montrose, Jedburgh, Irvine, Kilmarnock &tc, 8vo & 12mo (11)

Los 193

Hawthorne (Nathaniel) Our Old Home, first issue with spelling "myterious" on p.145 and 1f. adverts at end, ownership inscription on front free endpaper, cloth spine faded, covers rubbed, spine ends bumped, 1863; The Marble Faun, 2 vol., first edition, second printing, 1860, first editions, original cloth, light rubbing, Boston, Ticknor and Fields, [BAL 7626 & 7621]; and 17 others, Hawthorne, including a work by Julian Hawthorne with an ALs from the author, v.s. (20)

Los 53

Bickham (George) Deliciae Britannicae; or, the Curiosities of Kensington, Hampton Court, and Windsor Castle, Delineated, second edition, 10 engraved plates (portraits of Van Dyck, Raphael & Rubens, views of the 3 palaces and 4 key plates of paintings at Kensington Palace), some light browning/offsetting, contemporary calf, joints split, spine ends worn, E.Owen...and George Bickham, [1755] § Evelyn (John) Memoirs..., edited by William Bray, 2 vol., second edition, engraved portrait and plates, some foxing, vol.2 lacking title and with ink signatures to verso of first plate showing through, contemporary calf, rebacked, 1819 § Londina Illustrata..., 2 vol., engraved titles and plates, contemporary half morocco, 1819-25 § Elmes (James) Metropolitan Improvements; or London in the Nineteenth Century, 2 engraved vignette titles and plates after T.H.Shepherd, contemporary half morocco, g.e., 1828, all rubbed or worn; and c.50 others, miscellaneous, some pamphlets, v.s. (c.55)

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