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Preisdatenbank abonnierenCHRISTIAN HOOK (born 1971); a signed limited edition print on board, 'Embankment', edition 7/95, with certificate of authenticity, 48 x 65cm, framed. (D)Additional Informationminor scuffs to frame, complete with certificate of authenticity, light scuffs to frame image good. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
LAURENCE STEPHEN LOWRY RBA RA (1887-1976); colour print, 'Brothers', signed in pencil lower right and with Fine Art Trade Guild blind stamp lower left, initialled 'DBH', 63 x 31.5cm, framed and glazed. (D)Additional InformationThe print is loose within the frame and there is some light toning around the edge. Frame grubby and with some scuffs.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
A quantity of digital cameras including a boxed Nikon Cool Pix 5900 5.1 mega pixel, Kodak 8.1 mega pixel in case, light purple Samsung 8.2 mega pixel, cased Canon digital IXUS 960 1S 12.1 mega pixel, Sony Cybershot 14.1 mega pixel, boxed Vivitar 8400 8 mega pixel, together with Mobiwire phone, cables and battery chargers etc.
A pair of excellent quality white marble and ormolu triple light Table Lamps, the elegant tapering pillars having complex design bases with Acanthus leaf detail, the three scroll supports terminating in highly detailed paws raised on a tricorn plinth, in turn raised on a lower tricorn shaped plinth with an ormolu frieze, the triple lights to each having fluted sconces and candle-like sleeves and having a central rod carrying handle with a flame designed finial/knob, 34'' high approx. (Have been wired for electrical operation but will require re-wiring for safety reasons).
A quantity of miscellanea including Oxford book of common prayer, classic cigar card collection in leather case, paperweight featuring a bird, iron buckle of Prince Albert light infantry, round cigarette lighter, iron bull tin opener, gent's Sekonda watch, darkwood letter rack, table tennis racquet, etc.
A very presentable 1954 Morris Minor series II 803 cc petrol-engined two-door saloon motor car, registration no. FO 7708, first registered on the 10th September 1954 and finished in grey paint-work with red upholstery and carpets. Currently SORN'd and being an Historic Vehicle is M.O.T. exempt, although it is advised that the car should be checked over by a mechanic prior to use on the public highway. The engine number is recorded as APHM 116074. This nice example of the marque has been owned and pampered over many years by a local motor/mechanical engineer, a regular attendee of our auctions, but now sadly no longer with us. The car has been lovingly used and improved by him and is understood to be to the original specification with the exception of the rear axle final-drive ratio, which we are informed has had the original 5.375:1 crown wheel & pinion changed to a higher ratio of 4.55:1, this being far better suited to the modern road system. The speedometer, which currently shows 2,254, miles (not guaranteed correct) has been replaced, presumably to allow for the higher gearing. What is believed to be the original speedometer is also with the car. The car starts easily has excellent oil pressure and drives as she should, the drum brakes being quite effective and the ride is surprisingly resilient even on mediocre surfaces. The Morris minor was developed with the considerable input of Alec Issigonis (later renowned for his design of the revolutionary Mini) as a more modern replacement of the Morris 8. Lord Nuffield apparently, rather cruelly, suggested that the early designs had the appearance of a "poached egg". The early iterations were also considered of inadequate width and an additional four inches were added to the width at its centre, this being evident as the band along the bonnet's centre line, which continued as a design feature in all of the production cars. Initially, the low-light design cars utilised a modified version of the 918 cc side-valve Morris 8 engine with certain modifications including a crankshaft incorporating counter-weights and later with a water circulation pump rather than the old fashioned thermo-siphon principle, which did not facilitate the operation of a cabin heater. In its own way the Morris Minor was also revolutionary in being of unitary construction with torsion-bar independent front suspension, thus providing a very broad engine compartment without the intrusion of a traditional beam front axle, Issigonis's original intention having been for the car to have a newly developed flat-four water cooled power unit. With the increased width and eventually with the headlights being relocated into the front wings the shape became more appealing and one of the classic designs of the era, which made it so popular for family motoring. The flat-four engine never came to fruition and the old side-valve engine was replaced in the series II by Morris's first mass-produced A-series overhead valve engine of some 803 cc, as in the vehicle we have for sale. In spite of its smaller capacity, the A-series engine with its Westlake designed cylinder head had considerably more power than the old side-valve unit and went on to be utilised in a vast range of vehicles of various capacities including 848, 948,1098 & 1275 cc as well as Cooper & Cooper S versions of 970, 997, 998, 1071 & 1275 cc. The last year of use of the A-series engine in a production car was as recent as 2000. Here is an opportunity to purchase an economical motor car that has great character and which is sure to create great interest wherever she goes, especially with the upcoming season of vintage shows and rallies that are scheduled to be run now that Covid-19 appears to be abating. The V5C is present, as well as a number of old MOT certificates, and there is also an original "Morris Minor (Series II) Operation Manual". ****N.B. The Buyer's Premium on this Lot will be 10% + VAT (Total 12%). If purchased via online bidding an additional surcharge will be added.****
An elegant early 20th c. Mahogany Vitrine/China display Cabinet having light and darkwood stringing, the pair of eight pane glazed doors revealing an olive green fabric lined interior and raised on tapering square legs terminating in spade feet, the base incorporating a pair of drawers, 32 3/8'' wide x 71'' high x 15 1/4'' deep, and having a scroll pediment.
Expressionismus - - Neue Jugend. Monatsschrift. Jg. 1, Heft 7-12 in 1 Bd. Mit Illustrationen von George Grosz und zahlr. teils montierten Abb. Herausgeber Heinz Barger, Schriftleiter Wieland Herzfelde. Berlin u. Leipzig, Malik, 1916-17. S. 123-247. 8°. Pp. d. Zt. mit goldgepr. DTitel und Buntpapierbezug (etwas lichtrandig, Rücken verfärbt). Selten. - Dietzel/Hügel 2153. Hermann 277. - Mit Exlibris des deutschen Zoologen Johannes Meisenheimer (1973-1933). - "Um während des Krieges bei den Zensurbehörden nicht eine neue Publikationslizenz beantragen zu müssen, übernahm W. Herzfelde den Namen einer gleichnamigen Zeitschrift, die 1914 von Heinz Barger in 6 Heften herausgegeben wurde, und setzte sie in Heft- und Seitenzählung scheinbar fort. Daher beginnt die Zählung mit Heft 7. Die "Neue Jugend" (1916/17) ist aber inhaltlich und redaktionell ein neues Blatt. Die Zeitschrift wurde nach Heft 11/12 des ersten Jahrgangs verboten, die zwei Hefte des Jahrgangs 2, 1917 erschienen illegal." (Dietzel/Hügel). - Die Tafeln mit Abbildungen von Werken von James Ensor, Georges Seurat, Heinrich Maria Davringhausen, Marc Chagall, Carlo Mense. - Papierbedingt zart gebräunt. Wohl erhalten. Expressionism - Issues 7-12 in 1 vol. With illustrations by George Grosz and numerous partly mounted illustrations. Cont. paperback with gilt title and coloured paper cover (somewhat light-margined, spine discoloured). - Rare. - With bookplate of the German zoologist Johannes Meisenheimer (1973-1933). - The plates with illustrations of works by James Ensor, Georges Seurat, Heinrich Maria Davringhausen, Marc Chagall, Carlo Mense. - Paper a little bit brownish. Well preserved.
Wolf Vostell u.a. Set aus 4 Bildhauer-Graphikkalendern. Mit den Jahren 1986, 87, 88 und 89. Mit Radierung, Aquatinta, Kaltnadel u. Holzschnitt, je auf schwerem Römerturm/ Zerkall. Blattmaße von 52 x 38 cm bis 75 x 54 cm. Je signiert, viele datiert und betitelt, einige nummeriert. Je vollständige Kalenderblätter, je m. Spiralbindung und Prägedruck m. Kalenderangaben. - Wenige Bll. mit leichten Braunflecken, mehrheitlich im weißen Rand. Deckeltitel teils etwas gebrauchsspurig. Insgesamt wohlerhalten. Mit Arbeiten von - Wolf Vostell - Willibrord Haas - Manfred Fischer - Waldemar Otto - Günther Ohlwein u. A.. Set of 4 graphic calendars. With complete calendar pages, each with spiral binding and relief printing with calendar details. With etching, aquatint, drypoint a. woodcut, each on heavy Zerkall. Each signed, many dated and titled, some numbered. - Few sheets with light brown spots, predominantly in the white rim. Cover title partly a little bit worn. Altogether in good condition. - With works from artists among others as listed above.
Joan Miró. (1893 Montroig - 1983 Mallorca). Les essències de la terra per Miró. 1968. Mit 14 blatt- und doppelblattgroßen, teils (Farb-) Lithographien. Je auf chamoisfarbenem GVA Pro Bütten. Blattmaße von 49 x 37,3 cm bis 49 x 74,5 cm. Im Druckvermerk von Miro signiert. Lose Doppelblätter in illustriertem Originalumschlag und -leinenkassette. - Kassette ausgeblichen und mit Lagerspuren. Die Graphiken vereinzelt mit kleinen, leichten Braunflecken und teils minimalen Anschmutzungen. Insgesamt in gutem Zustand. Die Abzüge kontrastreich und satt. Cramer, 120. - Die prächtigen Illustrationen im Stil der Abstraction Lyrique entstanden nach Zeichnungen Mirós zu acht alten katalanischen Texten. Die Mappe enthält sowohl diese Texte als auch die Ode auf Miró von Juan Perucho. Les essències de la terra per Miró. With 14 sheet- and double-sheet-sized, partly (colour) lithographs. Each on buff GVA Pro laid paper. Signed by Miro in the printing note. Loose double sheets in illustrated original envelope and linen case. - Cassette faded and with traces of storage. The prints sporadically with small, light brown spots and partly with minimal soiling. Overall in good condition. The prints rich in contrast and luscious. - The magnificent illustrations in the style of Abstraction Lyrique were created from drawings by Miró to eight old Catalan texts. The portfolio contains these texts as well as the Ode to Miró by Juan Perucho.
Wiener Werkstätte - - Maria Likarz-Strauss. Original Postkarte der Wiener Werkstätte No. 769. Um 1920. Lithographie auf Papier. 14 x 9 cm. Karte gelaufen. Leichte Gbrsp, Kanten minimal bestoßen. - 1911-15 an der Wiener Kunstgewerbeschule ausgebildet, anschließend Studium bei Josef Hoffmann u. Anton Kenner. Ab 1912-14 Gebrauchsgraphikerin bei der "Wiener Werkstätte". Original postcard of the Wiener Werkstätte No. 769. c. 1920. Lithograph on paper. - Card used. Light wear, edges minimally bumped. - Trained at the Wiener Kunstgewerbeschule 1911-15, afterwards studied under Josef Hoffmann a. Anton Kenner. From 1912-14 graphic artist at the "Wiener Werkstätte".
ZERO - - Otto Piene u.a. Faksimiledruck der 3 vergriffenen Kataloge "ZERO" aus den Jahren 1958 bis 1961. Mit 1 Original-Serigraphie auf Spiegelkarton v. Heinz Mack u. 1 Original-Farblithographie auf Bütten v. Otto Piene, jeweils signiert u. nummeriert. Düsseldorf, Richter/Fey Verlag, 2012. Blattmaße der Graphiken je 21 x 21 cm. In bedrucktem Orig.-Pappschuber. Eins von 100 num. Exemplaren der Sonderausgabe mit den 2 Original-Graphiken von Mack und Piene. Die Serigraphie auf schwarzem Karton mit Silberfolie u. Prägedruck innenliegend in einem Umschlag mit Spiegelfolie, die Farblithographie auf leichtem Karton ebenfalls innenliegend in einem Umschlag mit unikatärem Charakter durch die individuelle Ausbrennung im Blatt. Blattmaße je 21 x 21 cm. Die Graphiken jeweils signiert, ein Blatt zus. datiert. - Bd. 3 mit montiertem Sonnenblumenkern von Jean Tinguely und dem montierten Streichholz von Daniel Spoerri. In der Kunst von ZERO sollten Licht, Feuer, Luft und Bewegung eine hellere Welt darstellen, in der Technik und Natur miteinander versöhnt sind. One of 100 numbered copies of the special edition with 2 original prints by Mack and Piene, each signed and numbered. 1 serigraph by Heinz Mack on black cardboard with silver foil and relief printing in an envelope with mirror foil, as well as 1 colour lithograph by Otto Piene on light cardboard also inside in an envelope with unique character due to the individual burn-out. - Vol. 3 with mounted sunflower seed by Jean Tinguely and the mounted match by Daniel Spoerri. - In the art of ZERO, light, fire, air and movement were to represent a brighter world in which technology and nature are reconciled.
Fuchs, Ernst - - Jean Paul (d.i. J.P.F. Richter). Die Rede des toten Christus vom Weltgebaude herab, dass kein Gott sei. Mit 18 ORadierungen, davon 6 farbig, und 16 Federzeichnungen von Ernst Fuchs. Berlin, Propyläen, 1972. 8 Doppelblatt inkl. Titel und Impressum.. Imp.-Folio (60 x 40 cm). Hellblaue OLwd.-Kassette mit montierter ORadierung (fleckig und berieben). Sehr selten. - Erste Ausgabe. - Eines von 100 nummerierten Exemplaren Serie A3 (GA 180), die neben den sechs Original-Radierungen je eine Suite von sechs einfarbigen und sechs farbigen Radierungen enthält. Die Blätter der beiden Extra-Suiten je unter Passepartout gerahmt sowie signiert und nummeriert. Vom Künstler im Druckvermerk eigenhändig signiert. - Enthält die Radierungen: Schmerzensmann, Beinerne Flamme, Totenglocke, Schwelend Abendlicht, Scala Mortis sowie Der Rosenkönig. - Druck der Graphiken bei W. Fischer, Wien, Gesamtausstattung K. Weidemann, Stuttgart. Titel in Blau und Rot gedruckt, Druckvermerk in Blau und Schwarz. - Etwas stockfleckig, die Graphiken gut erhalten. Schöner breitrandiger Pressendruck auf kräftigem, unbeschnittenen Arches. With 18 orig. etchings, 6 of them coloured, and 16 pen-and-ink drawings by Ernst Fuchs. Light blue cloth cassette with mounted orig. etching (stained and rubbed). - Very rare. - First edition. - One of 100 numbered copies of series A3 (total ed. 180), which contains, besides the six original etchings, a suite of six monochrome and six coloured etchings each. The sheets of the two extra suites each framed under passe-partout and signed and numbered. Signed by the artist in the printing note. - Slight foxing, the prints in good condition. Nice impression with wide margins on strong, untrimmed paper.
Ernst-Ludwig-Presse - - Das Buch Esther. Übersetzt von Dr. Martin Luther. Mit illustriertem Doppeltitel und 10 Initialen in Gold und Schwarz von Friedrich Wilhelm Kleukens. Leipzig, Insel, 1908. 5 Bll., XXIX, 2 Bll. 4°. Grüner OKalbldr. mit goldgepr. DTitel, Kopfgoldschnitt, Vorsätze aus Wildseide (berieben und lichtrandig, Rücken verfärbt, HDeckel etwas wurmspurig). Sarkowski 238. Rodenberg 74, 1. Schauer II, 63. - Eines von 275 Exemplaren (GA 300) auf Van Gelder Bütten. - Erstes Buch der Ernst Ludwig Presse. Prachtvoller breitrandiger Handpressen-Druck. - Innen gutes Exemplar. With illustrated double title and 10 initials in gold and black by Friedrich Wilhelm Kleukens. Green orig. calf with gilt title, upper gilt edge, endpapers of wild silk (rubbed and with light margins, spine discoloured, back cover somewhat worm-holed). - One of 275 copies (total ed. 300) on Van Gelder laid paper. - First book of the Ernst Ludwig Presse. Splendid hand press print with wide margins. - Inside a good copy.
ZERO - - Günther Uecker. (1930 Wendorf - lebt in Düsseldorf). Zum Schweigen der Schrift oder die Sprachlosigkeit. Mappenwerk mit 18 Offsetlithographien nach Photographien von Wolleh, davon 15 mit Siebdruck überarbeitet. Text von Eugen Gomringer. Erker-Verlag, St. Gallen u. Edition Haberbeck, Lage/Lippe 1979. Folio. Lose Lagen in Original-Holz-Kassette (Schieber der Kassette fehlt). Im Impressum von Uecker handsigniert. Lose Lagen in Original-Holz-Kassette. - Die Titelseite mit leichteren Schmutzflecken, sonst ist das Portfolio wohlerhalten. With 18 offset lithographs after photographs by L. Wolleh of which 15 have been hand-embellished with white paint by screenprint. Original plywood slip-case with a wooden drawer. The title page with light dirt stains, otherwise the portfolio is in good condition. In the imprint handsigned by Uecker.
Richard Earlom. (1742/43 - 1822 London). Sammlung von vier Mezzotinten nach Claude Lorrain. London, Boydell, 1774-1776. Je auf Velin. Plattenmaße je 21 x 26 cm. Punktuell unter Passepartout montiert. Aus: Liber Veritatis, or a collection of prints after the original designs of Claude Lorrain, in the collection of his Grace the Duke of Devonshire, executed by Richard Earlom, in the manner and taste of the drawings. - Enthält die Blätter 13, 99, 138 und 141. - Earlom fertigte 300 Schabkunst-Blätter nach Lorrains Handzeichnungen seines selbst erstellten Liber Veritas an. Die Folge gilt als umfangreichste Schöpfung Earloms und ist von höchster technischer Perfektion gekennzeichnet. - Im weißen Blattrand teils mit Braunflecken. Etwas lichtrandig durch Rahmung. 2 Bll. mit späterer hs. Betitelung in Graphit. Motive in sauberem Zustand. Kontrastreiche Abzüge. Collection of four mezzotints after Claude Lorrain. Mounted in spots under passepartout. - Partly with brown spots in the white margin. Some light margins due to framing. 2 fol. with later autograph titling in graphite. Motifs in a clean condition. High contrast prints.
LOUIS VUITTON Koffer, Monogram Canvas, Modell Satellite 60, Tragegriff, großes Innenfach mit Kleiderspanner, Vorhängeschloss mit Schlüssel, Innenfach, ca. 60 x 44 x 14 cm, hellbraune Lederelemente leicht fleckig, l. Gebr.-Sp.LOUIS VUITTON suitcase, Monogram Canvas , model Satellite 60, handle, main compartment with clamping fixture, padlock with key, innercompartment, approx. 60 x 44 x 14 cm, light brown Lederelemente slightly stained, l. signsof usage
MCM Clutch, Modell 'Millier Star Eyed Bunnie', hellbraunes Leder, Beschläge Metall vergoldet, teilw. berieben, ca. 18.5 x 5 x 12 cm, mit Dustbag und PapierenMCM Clutch, model 'Millier Star Eyed Bunnie' , light brown leather, fixtures metal gold plated, partly slightly rubbed, approx. 18.5 x5 x 12 cm, with dustbag and papers
18 kt Gold Ring mit Brillanten, GG 750/000, 7 Brillanten zus. ca. 0.57 ct light yellow/p, total ca. 6.0 g, RW 55 Schätzpreis: 1500, - EUR18 kt gold ring with brilliants , YG 750/000, 7 brilliants total approx. 0.57 ct light yellow/p, total approx. 6.0 g, ringsize 55 Valuation Price: 1500, - EUR
A Copeland Spode porcelain set of eight coffee cups & saucers, rose garland and butterfly decoration, gilded rims, factory marks to base and a retail stamp 'Harrods, London', all arranged within a fabric lined caseCondition Report: The box is scuffed and scratched on outside, the lining has some staining, Saucers – slight wear to painted pattern, gilding good, one doesn’t ‘ring’ when tapped as crisply as the others but cannot see a crack under strong light. Cups – One cup has a little gilding on it’s base where there shouldn’t be any.
Two 19th century Lithophanes, the intaglio graduated translucent porcelain panel, reveals an image en grisaille, when presented to a light source, one image depicts a girl with her cat, the other a village family, 18.5cm x 15.5cmCondition Report: Both in good condition, a little dirty, KPM 491 on the family, KPM 458 on the girl.
An Art Deco Walther & Sohne 'Rotterdam' table lamp, a German blue moulded satin glass base, depicts a Sea-siren on a rocky outcrop, holding aloft the light (this has an opaque white flame shade) c.1935, 40cm high overallCondition Report: A few small chips to base rim, the shade support is a bit dented, the flame shade has chip to tip and some chips to base rim, hidden when inside the metal housing.
BOXWOOD STRUNG CIGAR BOX WITH REGINALD AUGUSTUS WYMER (1839-1945) PAINTED LID, top inset with watercolour entitled '1st Guards 1790' and signed R.Wymer, 21 x 14.5 x 9cmThere is some water damage to the painting in the bottom corners.The box itself has two dents on the inside lip (see photos)Very light surface wear to the wood, no damage.The hinges look good, opens and closes well.The lid sits well, nice and flat.
FRENCH EBONISED & GILT METAL MOUNTED CIRCULAR BIJOUTERIE TABLE, silk lined interior, etched glazed top, turned column and tripod base, 36cm diam.The veneer around the glass top is cracked and bubbling in places. There is also some restoration. There are small chips and light scratches.The etched glass looks good, no damage. The hinge works well.The silk interior is very worn.Missing key.The top does feel a little wobbly on the stand.The base stands straight. I could not see any missing gilt metal.General wear to the stand, light scratches, chips.There are some cracks to the legs
VICTORIAN-STYLE GREEN LEATHER CHESTERFIELD SOFA & STOOL, sofa 210cm w. (2)Comments: leather creased and wornThere are no rips or tears, just creasing and light wear.The springs feels good.All buttons present.Very dirty and dusty.One caster is slightly sticking otherwise all good.Cushions are a little flat could do with re-stuffing but again not rips or tear, zippers look good.
JOINED ELM CORNER SETTLE, c.1800, panelled backs above box and open seat sections, 214 x 123 x 139cms hThe seat depth is 40cm’sThe overall depth is 43cm’sThere is some general wear. There are light scratches, scuffs and water stains to the seat.One hinge is broken to the seat cupboard.There are some panels that are cracked, one on the front and a few on the back, the main cracks are on the corner panels.Feels nice and solid when sat on, no worm.
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