Man Ray (born Emmanuel Radnitzky, 1890-1976) was an American modernist artist who made significant contributions to the fields of photography, painting, and sculpture. He was a prominent figure in the Dada and Surrealist movements, known for his innovative and experimental approach to art.Man Ray initially began his artistic career as a painter and sculptor, but he is best known for his avant-garde photography. He explored new techniques and concepts, pushing the boundaries of the medium. Man Ray's photography often incorporated unconventional methods such as solarization, multiple exposures, and photograms (camera-less images created by placing objects directly onto light-sensitive paper). During the 1920s and 1930s, Man Ray lived in Paris, where he became an active participant in the Dada and Surrealist movements. He collaborated with and was influenced by artists such as Marcel Duchamp, Salvador DalÃ, and André Breton. Man Ray's photographs from this period combined elements of realism and abstraction, often incorporating themes of eroticism, dream-like imagery, and visual puns. Some of Man Ray's most famous works include The Enigma of Isidore Ducasse (1920), a metronome with a photograph of an eye attached to it, and Le Violon d'Ingres (1924), an image of a woman with f-holes drawn on her back in reference to the musical instrument. In addition to his photography, Man Ray also experimented with filmmaking and created influential short films, such as Le Retour à la Raison (1923) and Emak-Bakia(1926), which combined abstract visuals with unconventional editing techniques. Man Ray's artistic career spanned several decades, and he continued to work and exhibit internationally until his death in 1976. His innovative approach to photography and his contributions to the Dada and Surrealist movements have had a lasting impact on the art world, making him a significant figure in 20th-century art history. Measures 8 x 10.02 Printed circa 1970sVerso is blank.Mounted to archival quality paper. """
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Berenice Abbott (1898-1991) was an influential American photographer known for her remarkable contributions to documentary photography and her dedication to capturing the changing urban landscape. She is particularly recognized for her project titled """"Changing New York,"""" which documented the transformation of New York City during the 1930s. Abbott began her career as a sculptor in Paris, where she became acquainted with renowned artists and intellectuals of the time, including Man Ray and Marcel Duchamp. However, she soon turned her attention to photography, influenced by the avant-garde movements and the work of Eugène Atget, a French photographer known for his documentation of Paris. Upon returning to the United States in 1929, Abbott embarked on her most significant project, """"Changing New York."""" Commissioned by the Federal Art Project, a branch of the Works Progress Administration (WPA), the project aimed to visually record the city's architectural and social changes. Abbott captured the contrast between old and new structures, neighborhoods, and everyday life in over 300 photographs, providing a comprehensive and valuable documentation of the city's evolution. Abbott's photographic style was characterized by her use of straightforward compositions, sharp focus, and attention to detail. Her images often revealed a deep understanding of light and form, transforming mundane subjects into captivating scenes. She believed in the importance of objectivity in documentary photography, striving to represent the essence of her subjects accurately. Beyond """"Changing New York,"""" Abbott also made significant contributions to scientific photography, particularly in her collaboration with physics professor Harold Edgerton. Together, they developed innovative techniques to capture scientific phenomena and produced groundbreaking images. Berenice Abbott's work has had a lasting impact on the field of photography, inspiring subsequent generations of documentary photographers. Her dedication to preserving and portraying the urban environment continues to be recognized as a valuable historical record and a testament to her artistic vision and technical prowess. Measures 8.27 x 12 Printed circa 1990sVerso is blank.Mounted to archival quality paper.
Herb Ritts was an American fashion and celebrity photographer known for his iconic black-and-white images and his distinctive style that combined elements of art, fashion, and athleticism. He was born on August 13, 1952, in Los Angeles, California, and passed away on December 26, 2002.Ritts initially pursued a career in economics and worked in his family's furniture business. However, his passion for photography led him to explore the medium more seriously. In the late 1970s, he began photographing his friends and acquaintances in the entertainment industry, and his work quickly gained attention. Ritts's photographs often celebrated the beauty of the human form and featured strong contrasts of light and shadow. He became renowned for his images that showcased the sculptural qualities of his subjects, often emphasizing their physicality and capturing moments of grace and elegance.Throughout his career, Ritts worked with numerous celebrities, models, and musicians, including Madonna, Cindy Crawford, Richard Gere, and Michael Jackson, among others. His images graced the covers of major fashion magazines such as Vogue and Vanity Fair, and his work became synonymous with a sleek, glamorous aesthetic.Beyond his fashion and celebrity photography, Ritts also created personal and artistic projects. He photographed various nudes, both male and female, and explored themes of sensuality and human connection in his work. Herb Ritts's photography left an indelible mark on the world of fashion and celebrity photography. His images continue to be celebrated for their elegance, simplicity, and timeless appeal. His legacy as a photographer and artist is recognized for his contributions to popular culture and his ability to capture the essence of his subjects with a unique blend of style and athleticism. Measures 10.52 x 7.77 Printed circa 1990sVerso is blank.Mounted to archival quality paper. """""""""""""""""""""""""""""""
Edward Weston was an influential American photographer known for his pioneering work in modernist photography and his precise and intimate exploration of form, texture, and detail. He was born on March 24, 1886, in Highland Park, Illinois, and passed away on January 1, 1958. Weston's career as a photographer began in the early 1900s, and he became associated with the modernist movement in photography during the 1920s and 1930s. He was part of the Group f/64, a collective of photographers that advocated for sharp focus, precise detail, and capturing the inherent beauty of everyday objects. One of Weston's notable contributions to photography was his exploration of natural forms, such as shells, vegetables, and landscapes. He emphasized the abstract qualities of these subjects, capturing their shapes, textures, and tonal range in exquisite detail. Weston's approach to photography was characterized by his use of large-format cameras and his mastery of lighting and composition. Weston's photographs often featured close-ups and tightly framed compositions, isolating the subject and allowing viewers to appreciate its intricate details. His work showcased a meticulous attention to form and a sensitivity to the play of light and shadow, creating visually striking and evocative images.Throughout his career, Weston produced a vast body of work, including portraits, landscapes, still lifes, and nudes. His photographs are known for their technical precision and their ability to transform ordinary subjects into objects of beauty and contemplation. Edward Weston's contributions to photography have had a lasting impact on the medium. His exploration of form, his commitment to artistic integrity, and his dedication to capturing the essence of his subjects continue to inspire and influence photographers today. Weston's photographs are exhibited in major museums and galleries worldwide, and his legacy as one of the most important figures in the history of photography remains firmly established. Measures 9.49 x 7.75 Printed circa 1950sVerso is blank.Mounted to archival quality paper."""""""""""""""
Vincent van Gogh (1853-1890) was a Dutch post-impressionist painter known for his highly recognizable and emotionally charged artworks. Here's some information about Vincent van Gogh:1. Artistic Style: Van Gogh's artistic style was characterized by bold and expressive brushwork, vivid colors, and a unique approach to capturing light and texture. His paintings often conveyed a sense of emotional intensity and personal interpretation of the subject matter.2. Life and Background: Van Gogh had a tumultuous life and struggled with mental health issues. He began his artistic career relatively late, in his late twenties, and was largely self-taught. Throughout his life, he moved frequently and lived in various cities, including Paris, Arles, and Saint-Rémy-de-Provence.3. Iconic Artworks: Van Gogh produced a vast body of work, including around 2,100 artworks, consisting of paintings, drawings, and sketches. Some of his most famous and beloved works include "The Starry Night," "Sunflowers," "Irises," "The Potato Eaters," and his self-portraits. These artworks showcase his unique style and exploration of color, texture, and emotion.4. Influence and Recognition: While Van Gogh's art was not widely appreciated during his lifetime, his posthumous recognition grew rapidly after his death. His unique style and personal expression had a profound impact on subsequent generations of artists. Today, he is considered one of the most influential figures in Western art history.5. Letters: Van Gogh was a prolific letter writer, and his letters to his brother Theo provide valuable insights into his artistic process, thoughts, and struggles. These letters offer a deeper understanding of his life and artistic development and have contributed significantly to his posthumous fame.6. Tragic End: Van Gogh's life was marked by mental health challenges and personal struggles. In 1890, at the age of 37, he died by suicide. His tragic death has added a layer of myth and fascination to his life story and has further propelled the interest in his art.Vincent van Gogh's art continues to captivate audiences worldwide with its unique style, emotional depth, and powerful expression. His contributions to the art world have left a lasting impact, and his artworks remain highly sought after and admired for their beauty, intensity, and profound exploration of the human experience.Measures 36 x 48.Frame measures 39 x 51.Sold "after" Van Gogh.
Robert Longo is an American artist known for his large-scale, hyperrealistic drawings, sculptures, and installations. He emerged as a prominent figure in the 1980s during the Neo-Expressionist movement and has continued to create influential and thought-provoking artworks. Here are some key points about Robert Longo:1. Early Life and Education: Robert Longo was born on January 7, 1953, in Brooklyn, New York. He studied at the State University of New York at Buffalo, where he pursued a degree in sculpture. It was during this time that he developed a passion for drawing, which would become his primary medium.2. Hyperrealistic Drawings: Longo's signature style involves creating large-scale, highly detailed drawings that capture everyday scenes, portraits, and powerful imagery. His drawings often feature dramatic contrasts of light and shadow, capturing a sense of tension and emotional intensity.3. Influences and Subjects: Longo draws inspiration from a variety of sources, including film, photography, and pop culture. He often references iconic images and figures from politics, history, and mass media, creating artworks that reflect on the complexities of contemporary society and the human condition.4. "Men in the Cities" Series: One of Longo's most well-known bodies of work is the "Men in the Cities" series, created in the early 1980s. These drawings depict sharply dressed men and women in contorted poses, capturing a sense of dynamic movement and psychological intensity. The series explores themes of alienation, anxiety, and the human struggle.5. Sculpture and Installations: In addition to his drawings, Longo has also ventured into sculpture and installations. His sculptures often incorporate a sense of movement and play with scale, while his installations create immersive environments that engage the viewer in a multisensory experience.6. Music Videos and Film: Longo has also directed music videos for various artists, including New Order and R.E.M. His background in film and music influences his artistic practice, evident in his ability to capture cinematic moments and create visually striking compositions.7. Exhibitions and Recognition: Longo's artworks have been exhibited in major museums and galleries worldwide. He has had solo exhibitions at institutions such as the Museum of Contemporary Art, Los Angeles, and the Whitney Museum of American Art. His contributions to the art world have been recognized with awards and honors, including the National Printmaking Award from the Brooklyn Museum and a Guggenheim Fellowship.Robert Longo's artworks continue to captivate viewers with their meticulous detail, emotive power, and social commentary. Through his hyperrealistic drawings, sculptures, and installations, he explores the complexities of contemporary life and challenges our perception of reality. His influential contributions to the art world have solidified his place as a significant artist of our time.Measures 79 x 44.
"Claude Monet (1840-1926) was a renowned French painter and a leading figure in the Impressionist art movement. Here's some information about Claude Monet: 1. Impressionism: Monet is best known for his contributions to the Impressionist movement, which sought to capture the fleeting effects of light and atmosphere in outdoor scenes. Impressionist painters aimed to depict their subjects with loose brushwork, vibrant colors, and an emphasis on the ever-changing qualities of light. 2. Plein Air Painting: Monet was a proponent of plein air painting, which involved working directly in outdoor settings rather than in a studio. He believed in capturing the immediate visual experience of a scene and would often paint en plein air, observing and recording the effects of light and color directly from nature. 3. Water Lilies and Giverny: One of Monet's most iconic series of works is his paintings of water lilies. He created numerous paintings featuring his water garden in Giverny, a village in Normandy, France, where he lived for many years. The serene and contemplative depictions of the water lilies and the play of light and reflections on the water became synonymous with Monet's style. 4. Series and Seriality: Monet was known for creating series of paintings that explored the same subject matter under different lighting conditions and perspectives. His famous series include Haystacks, Rouen Cathedral, Poplars, and of course, Water Lilies. Through these series, Monet sought to convey the ever-changing qualities of light and atmosphere. 5. Influence and Legacy: Monet's innovative approach to painting and his dedication to capturing the essence of nature had a profound influence on the development of modern art. His use of broken brushstrokes, vibrant colors, and emphasis on capturing the fleeting effects of light paved the way for subsequent art movements, such as Fauvism and Abstract Expressionism. 6. Major Works: Some of Monet's notable works include ""Impression, Sunrise"" (which inspired the name of the Impressionist movement), ""Water Lilies"" series, ""Rouen Cathedral"" series, ""Haystacks"" series, ""Poplars"" series, and ""The Japanese Bridge."" Claude Monet's artistic legacy continues to be celebrated and appreciated worldwide. His vibrant and evocative paintings not only captured the essence of the natural world but also revolutionized the way art was perceived and created in the late 19th and early 20th centuries.Measures 24 x 36..Frame measures 40.75 x 28.75.Sold ""after"" Monet. " Measures 7.75 x 10.01 Verso is blank.Mounted to archival quality paper."
Yayoi Kusama is a renowned Japanese contemporary artist known for her distinctive and avant-garde artworks, particularly her immersive installations, polka-dot motifs, and exploration of themes such as infinity and the self. Here are some key points about Yayoi Kusama:1. Early Life and Influences: Yayoi Kusama was born on March 22, 1929, in Matsumoto, Nagano, Japan. She grew up in a traditional Japanese family and began creating art at a young age. Kusama's artistic development was influenced by her experiences with hallucinations and her lifelong struggles with mental health.2. Move to the United States: In 1957, Kusama moved to the United States, settling in New York City. She became an active participant in the avant-garde art scene of the 1960s, collaborating with artists such as Donald Judd, Claes Oldenburg, and Andy Warhol. During this time, she developed her signature artistic style and began experimenting with immersive installations.3. Polka Dots and Infinity: One of the most recognizable features of Kusama's artwork is her frequent use of polka dots. She incorporates them into various mediums, including paintings, sculptures, installations, and even her own attire. Kusama sees polka dots as a representation of the infinite and uses them as a way to explore ideas of repetition, pattern, and the dissolution of the self.4. Infinity Mirror Rooms: Kusama's Infinity Mirror Rooms are among her most celebrated works. These mirrored installations feature a room filled with various objects covered in polka dots, with mirrored walls creating a sense of infinite space. Viewers are immersed in a visually overwhelming experience that plays with perceptions of space, light, and reflections.5. Performance Art: Kusama's practice also includes performance art, where she often incorporates her body and costumes into her creative expressions. She staged a series of provocative and politically charged happenings and events during the 1960s, using her body as a canvas to address issues such as feminism, consumerism, and the Vietnam War.6. International Recognition: Kusama's artworks have gained significant international recognition and have been exhibited in major museums and galleries around the world. She represented Japan at the Venice Biennale in 1993 and has received numerous awards and honors for her contributions to contemporary art.7. Legacy and Influence: Yayoi Kusama's unique artistic vision and groundbreaking approach to art have had a profound impact on contemporary art practices. Her exploration of themes like infinity, the subconscious mind, and identity continues to inspire and resonate with artists, curators, and art enthusiasts globally.Yayoi Kusama's bold artistic expressions, use of polka dots, and immersive installations have made her a prominent figure in contemporary art. Her willingness to confront personal struggles and use art as a form of therapy has contributed to her distinct voice and has cemented her legacy as an influential artist of our time.40 inches diameter.
Yayoi Kusama is a renowned Japanese contemporary artist known for her distinctive and avant-garde artworks, particularly her immersive installations, polka-dot motifs, and exploration of themes such as infinity and the self. Here are some key points about Yayoi Kusama:1. Early Life and Influences: Yayoi Kusama was born on March 22, 1929, in Matsumoto, Nagano, Japan. She grew up in a traditional Japanese family and began creating art at a young age. Kusama's artistic development was influenced by her experiences with hallucinations and her lifelong struggles with mental health.2. Move to the United States: In 1957, Kusama moved to the United States, settling in New York City. She became an active participant in the avant-garde art scene of the 1960s, collaborating with artists such as Donald Judd, Claes Oldenburg, and Andy Warhol. During this time, she developed her signature artistic style and began experimenting with immersive installations.3. Polka Dots and Infinity: One of the most recognizable features of Kusama's artwork is her frequent use of polka dots. She incorporates them into various mediums, including paintings, sculptures, installations, and even her own attire. Kusama sees polka dots as a representation of the infinite and uses them as a way to explore ideas of repetition, pattern, and the dissolution of the self.4. Infinity Mirror Rooms: Kusama's Infinity Mirror Rooms are among her most celebrated works. These mirrored installations feature a room filled with various objects covered in polka dots, with mirrored walls creating a sense of infinite space. Viewers are immersed in a visually overwhelming experience that plays with perceptions of space, light, and reflections.5. Performance Art: Kusama's practice also includes performance art, where she often incorporates her body and costumes into her creative expressions. She staged a series of provocative and politically charged happenings and events during the 1960s, using her body as a canvas to address issues such as feminism, consumerism, and the Vietnam War.6. International Recognition: Kusama's artworks have gained significant international recognition and have been exhibited in major museums and galleries around the world. She represented Japan at the Venice Biennale in 1993 and has received numerous awards and honors for her contributions to contemporary art.7. Legacy and Influence: Yayoi Kusama's unique artistic vision and groundbreaking approach to art have had a profound impact on contemporary art practices. Her exploration of themes like infinity, the subconscious mind, and identity continues to inspire and resonate with artists, curators, and art enthusiasts globally.Yayoi Kusama's bold artistic expressions, use of polka dots, and immersive installations have made her a prominent figure in contemporary art. Her willingness to confront personal struggles and use art as a form of therapy has contributed to her distinct voice and has cemented her legacy as an influential artist of our time.4 x 3 x 3.25.
Jacob Lawrence was an influential African American artist known for his powerful depictions of African American history and everyday life. Here are some key points about Jacob Lawrence:1. Narrative Storytelling: Lawrence's artwork often tells stories and narratives through a series of sequential images. He is best known for his series of paintings called "The Migration Series," which depicts the Great Migration of African Americans from the rural South to the urban North in the early 20th century. These works are characterized by their vibrant colors, bold shapes, and dynamic compositions.2. Social Realism: Lawrence was associated with the Social Realist movement, which aimed to represent the struggles and triumphs of working-class people and marginalized communities. His artwork addressed issues such as racism, inequality, and social injustice, shedding light on the African American experience.3. Bold Colors and Flat Shapes: Lawrence's use of bold, saturated colors and simplified, geometric shapes is a distinctive aspect of his style. His paintings often feature flattened forms and abstracted figures, allowing the visual elements to convey the emotional intensity of the subject matter.4. Historical and Cultural Themes: Lawrence's body of work encompasses a wide range of themes, including historical events, cultural celebrations, and everyday life. He drew inspiration from African American history, literature, and music, creating artworks that celebrate the resilience and strength of the African American community.5. Influence and Legacy: Lawrence's contributions to American art and his commitment to depicting the African American experience have had a lasting impact. His work inspired and influenced subsequent generations of artists, particularly those exploring themes of social justice and identity.6. Institutional Recognition: Lawrence's artwork has been exhibited in major museums and galleries, including the Museum of Modern Art (MoMA) in New York and the Phillips Collection in Washington, D.C. In 2020, the Seattle Art Museum organized a comprehensive retrospective of his work, titled "Jacob Lawrence: The American Struggle."7. Teaching and Mentorship: In addition to his own artistic practice, Lawrence was a dedicated teacher and mentor. He taught at various institutions, including the Pratt Institute in Brooklyn and the University of Washington in Seattle, where he played a crucial role in shaping the next generation of artists.Jacob Lawrence's artistic contributions, with their powerful storytelling and visual impact, continue to resonate today. His ability to capture the essence of historical and social narratives through his art has made him a highly regarded figure in American art history.Measures 21.75 x 30.
Robert Longo is an American artist known for his large-scale, hyperrealistic drawings, sculptures, and installations. He emerged as a prominent figure in the 1980s during the Neo-Expressionist movement and has continued to create influential and thought-provoking artworks. Here are some key points about Robert Longo:1. Early Life and Education: Robert Longo was born on January 7, 1953, in Brooklyn, New York. He studied at the State University of New York at Buffalo, where he pursued a degree in sculpture. It was during this time that he developed a passion for drawing, which would become his primary medium.2. Hyperrealistic Drawings: Longo's signature style involves creating large-scale, highly detailed drawings that capture everyday scenes, portraits, and powerful imagery. His drawings often feature dramatic contrasts of light and shadow, capturing a sense of tension and emotional intensity.3. Influences and Subjects: Longo draws inspiration from a variety of sources, including film, photography, and pop culture. He often references iconic images and figures from politics, history, and mass media, creating artworks that reflect on the complexities of contemporary society and the human condition.4. "Men in the Cities" Series: One of Longo's most well-known bodies of work is the "Men in the Cities" series, created in the early 1980s. These drawings depict sharply dressed men and women in contorted poses, capturing a sense of dynamic movement and psychological intensity. The series explores themes of alienation, anxiety, and the human struggle.5. Sculpture and Installations: In addition to his drawings, Longo has also ventured into sculpture and installations. His sculptures often incorporate a sense of movement and play with scale, while his installations create immersive environments that engage the viewer in a multisensory experience.6. Music Videos and Film: Longo has also directed music videos for various artists, including New Order and R.E.M. His background in film and music influences his artistic practice, evident in his ability to capture cinematic moments and create visually striking compositions.7. Exhibitions and Recognition: Longo's artworks have been exhibited in major museums and galleries worldwide. He has had solo exhibitions at institutions such as the Museum of Contemporary Art, Los Angeles, and the Whitney Museum of American Art. His contributions to the art world have been recognized with awards and honors, including the National Printmaking Award from the Brooklyn Museum and a Guggenheim Fellowship.Robert Longo's artworks continue to captivate viewers with their meticulous detail, emotive power, and social commentary. Through his hyperrealistic drawings, sculptures, and installations, he explores the complexities of contemporary life and challenges our perception of reality. His influential contributions to the art world have solidified his place as a significant artist of our time.Measures 79 x 44.
The 1911 pistol, also known as the Colt Government or simply the 1911, is a semi-automatic handgun that was designed by John Browning and initially produced by Colt's Manufacturing Company. It has a rich history and remains a popular choice among firearm enthusiasts, law enforcement agencies, and military organizations around the world.The 1911 pistol was first adopted by the United States Army in, as the name suggests, 1911. It served as the standard-issue sidearm for the U.S. military for many years, including during both World Wars. The pistol's design was highly regarded for its reliability, accuracy, and stopping power.The 1911 pistol is chambered for the .45 ACP (Automatic Colt Pistol) cartridge, which is known for its larger bullet diameter and stopping power. It features a single-stack magazine with a capacity of typically 7 or 8 rounds, though extended magazines with higher capacities are available.The pistol operates using a short recoil system, in which the slide and barrel recoil together for a short distance before separating. This design helps to mitigate recoil and allows for more accurate follow-up shots. The slide also locks back after the last round is fired, indicating that the magazine is empty.The 1911 pistol has a single-action trigger, meaning that the trigger performs only one function: releasing the hammer to fire the weapon. The trigger pull is typically crisp and light, contributing to its reputation for accuracy.Over the years, the 1911 design has been produced by various manufacturers and has undergone some modifications and improvements. These include changes in grip materials, sights, finishes, and the addition of accessory rails for attachments like lights or lasers. However, the basic design principles and overall look of the 1911 have remained relatively consistent.The popularity of the 1911 extends beyond military and law enforcement use. Many civilian shooters appreciate its ergonomics, trigger characteristics, and classic design. It has also become a popular platform for customization and aftermarket modifications, allowing individuals to tailor the pistol to their preferences.In summary, the 1911 pistol is a classic and iconic firearm that has stood the test of time. Its design, reliability, and stopping power have made it a favorite among professionals and enthusiasts alike.Measures 9 (width) x 6 (height) x 3 (depth).
Wayne Thiebaud is an American painter widely known for his vibrant and realistic still life paintings, particularly of food items and desserts. Here are some key points about Wayne Thiebaud and his artistic style:1. Pop Art Influence: Thiebaud emerged as an artist during the Pop Art movement in the 1960s, which celebrated everyday objects and consumer culture. While his work shares some similarities with Pop Art, Thiebaud's focus on the tactile quality and rich colors of his subjects sets him apart.2. Still Life Paintings: Thiebaud is best known for his still life paintings, which often depict cakes, pies, ice cream cones, and other sweets. His meticulous attention to detail, use of thick paint, and bold color palette bring a sense of texture and depth to his works.3. Light and Shadow: Thiebaud's skillful use of light and shadow gives his paintings a three-dimensional quality, enhancing the illusion of depth and realism. The play of light on glossy surfaces and the cast shadows contribute to the visual impact of his compositions.4. California Influence: Thiebaud was born in Mesa, Arizona, but spent most of his life in California. The landscapes and culture of California have heavily influenced his work, with images of palm trees, beaches, and urban scenes also appearing in his paintings.5. Other Subjects: While Thiebaud is most famous for his still life paintings, he has also explored other subjects, including landscapes, cityscapes, figures, and portraits. His unique style, characterized by thick brushstrokes and vibrant colors, is present throughout his body of work.6. Artistic Technique: Thiebaud often builds up his paintings in layers, applying multiple thin coats of paint to achieve the desired texture and luminosity. He frequently works with oil paints and uses a palette knife or brush to create rich impasto effects.7. Recognition and Legacy: Wayne Thiebaud's work has received widespread acclaim, and he is regarded as one of the most important American painters of the 20th century. His influence can be seen in the works of subsequent generations of artists, and his paintings continue to be exhibited in major art museums and galleries worldwide.Wayne Thiebaud's paintings are celebrated for their visual appeal, technical mastery, and ability to evoke a sense of nostalgia and delight. His unique perspective on everyday objects and his distinctive painting style have made him a highly influential figure in the art world.Measures 30 x 22.75.
Steve McCurry is an American photographer known for his captivating and iconic images that capture the human condition and the beauty of diverse cultures. Here are some key points about Steve McCurry:1. Afghan Girl: One of McCurry's most famous photographs is "Afghan Girl," taken in 1984. The image, featuring a young Afghan refugee with piercing green eyes, became a symbol of the human impact of conflict and displacement.2. Photojournalism and Documentaries: McCurry began his career as a photojournalist and has covered numerous conflicts and social issues around the world. His work focuses on capturing the stories of people and their lives, highlighting the realities and struggles they face.3. Travel Photography: McCurry's extensive travels have taken him to remote corners of the world, resulting in a vast collection of photographs that document different cultures, landscapes, and traditions. His images often evoke a sense of wonder and curiosity, transporting viewers to distant places.4. Vivid Colors and Composition: McCurry's photographs are characterized by their vibrant colors, rich textures, and powerful compositions. He has a keen eye for capturing candid and authentic moments, whether it's the expressions of individuals or the interactions within a scene.5. Magnum Photos: McCurry became a member of Magnum Photos, a prestigious photographic cooperative, in 1986. This association has allowed him to pursue his passion for storytelling through photography and collaborate with other renowned photographers.6. Books and Exhibitions: McCurry has published several books showcasing his photography, including "The Unguarded Moment" and "Portraits." His work has been exhibited in galleries and museums worldwide, earning him international acclaim.7. Humanitarian Efforts: McCurry's photography often sheds light on humanitarian issues and the lives of marginalized communities. He uses his images to raise awareness and inspire empathy, aiming to make a positive impact through visual storytelling.Steve McCurry's photography has had a profound impact on the world, touching hearts and prompting dialogue about the shared human experience. His ability to capture the essence of people and their stories has made him one of the most respected and influential photographers of our time.Measures 24 x 36.
Douglas Kirkland is a renowned American photographer known for his iconic images of celebrities and cultural figures. He was born on August 16, 1934, in Toronto, Canada, and has had a prolific career spanning over six decades.Kirkland began his photography career at the age of 24 when he joined Look magazine. His first major assignment was photographing Marilyn Monroe during the production of the film "Some Like It Hot" in 1961. The resulting intimate and candid photographs of Monroe became some of the most iconic images of the actress, establishing Kirkland's reputation as a talented photographer.Throughout his career, Kirkland has photographed numerous celebrities, actors, musicians, and artists. His subjects include Audrey Hepburn, Elizabeth Taylor, Brigitte Bardot, Michael Jackson, Coco Chanel, and Andy Warhol, among many others. His ability to capture the essence and personality of his subjects in a unique and intimate way has made his photographs highly sought after.Kirkland's work has been featured in major publications such as Vanity Fair, Life, and Harper's Bazaar. He has also published several books showcasing his photographs, including "Light Years" and "Freeze Frame: 5 Decades in Photographs." His photographs have been exhibited in galleries and museums worldwide, solidifying his status as a celebrated and influential photographer.Beyond his celebrity portraits, Kirkland has also ventured into other genres of photography, including fashion, travel, and documentary photography. His versatile approach and artistic vision have allowed him to excel in capturing a wide range of subjects and scenes.Douglas Kirkland's contributions to the field of photography have been widely recognized. He has received numerous awards and honors for his work, including the Lucie Award for Outstanding Achievement in Entertainment Photography. His photographs continue to inspire and captivate audiences, offering glimpses into the lives and personalities of some of the most iconic figures in popular culture.Measures 16 x 20.
Yayoi Kusama is a renowned Japanese contemporary artist known for her distinctive and avant-garde artworks, particularly her immersive installations, polka-dot motifs, and exploration of themes such as infinity and the self. Here are some key points about Yayoi Kusama:1. Early Life and Influences: Yayoi Kusama was born on March 22, 1929, in Matsumoto, Nagano, Japan. She grew up in a traditional Japanese family and began creating art at a young age. Kusama's artistic development was influenced by her experiences with hallucinations and her lifelong struggles with mental health.2. Move to the United States: In 1957, Kusama moved to the United States, settling in New York City. She became an active participant in the avant-garde art scene of the 1960s, collaborating with artists such as Donald Judd, Claes Oldenburg, and Andy Warhol. During this time, she developed her signature artistic style and began experimenting with immersive installations.3. Polka Dots and Infinity: One of the most recognizable features of Kusama's artwork is her frequent use of polka dots. She incorporates them into various mediums, including paintings, sculptures, installations, and even her own attire. Kusama sees polka dots as a representation of the infinite and uses them as a way to explore ideas of repetition, pattern, and the dissolution of the self.4. Infinity Mirror Rooms: Kusama's Infinity Mirror Rooms are among her most celebrated works. These mirrored installations feature a room filled with various objects covered in polka dots, with mirrored walls creating a sense of infinite space. Viewers are immersed in a visually overwhelming experience that plays with perceptions of space, light, and reflections.5. Performance Art: Kusama's practice also includes performance art, where she often incorporates her body and costumes into her creative expressions. She staged a series of provocative and politically charged happenings and events during the 1960s, using her body as a canvas to address issues such as feminism, consumerism, and the Vietnam War.6. International Recognition: Kusama's artworks have gained significant international recognition and have been exhibited in major museums and galleries around the world. She represented Japan at the Venice Biennale in 1993 and has received numerous awards and honors for her contributions to contemporary art.7. Legacy and Influence: Yayoi Kusama's unique artistic vision and groundbreaking approach to art have had a profound impact on contemporary art practices. Her exploration of themes like infinity, the subconscious mind, and identity continues to inspire and resonate with artists, curators, and art enthusiasts globally.Yayoi Kusama's bold artistic expressions, use of polka dots, and immersive installations have made her a prominent figure in contemporary art. Her willingness to confront personal struggles and use art as a form of therapy has contributed to her distinct voice and has cemented her legacy as an influential artist of our time.Measures 12 x 18.Mounted to archival quality paper.Verso is blank.
Große, schwere Goldsavonette Taschenuhr mit Minutenrepetition und Erotikautomat. Roségold 14K, inkl. Staubdeckel, Staubdeckel signiert "Repetition á Minutes, Automate", Sprungdeckel mit großem applizierten Monogramm "IHD". Vergoldetes Handaufzug-Werk mit Bimetall-Unruh, gebläuter Breguet-Spirale und Minutenrepetition, unter Staubdeckel sichtbarer Erotikautomat, der zeitgleich mit der Repetition läuft, voll funktionsfähig. 2-teiliges weißes Emaille-Zifferblatt mit arabischen Ziffern, mit Haarrissen, gebläute Stahlzeiger. Guter Zustand, leichte Delle im Gehäuserand bei 10:30 Uhr. Durchmesser ca. 56,5mm ohne Krone.| Large heavy gold hunter pocket watch with minute repeater and erotic automaton. Rose gold 14K, incl. dust lid, dust lid signed "Repetition á Minutes, Automate", sprung lid with large applied monogram "IHD". Gilt manual wound movement with bimetallic balance, blue Breguet hairspring and minute repeater, erotic automaton visible behind dust lid, running at the same time as the repeater. Two piece white enamel dial with arabic numerals, hairline cracks, blue steel hands. Good condition, light dent on the case rim at 10:30. Diameter approx. 56.5mm without crown.
DU BOIS & FILS antike, große komplizierte Taschenuhr mit Viertelrepetition und Musikspielwerk. Roségold 18K, Staubdeckel Metall vergoldet, Gehäuserand kanneliert, Rückdeckel guillochiert. Vergoldetes Werk mit Schlüsselaufzug, Zylinderhemmung und separatem Federhaus für das Spielwerk, rückseitig liegender Mechanismus für die Repetition, graviertes Federhaus und Unruhkloben, funktionsfähig, Revision trotzdem empfohlen. Die Viertelrepetition wird über Druck auf das Pendant ausgelöst, das Spielwerk kann manuell über einen seilichen Schieber bei 2 Uhr ausgelöst werden oder startet selbsttätig zur vollen Stunde für ca. 30 Sekunden (Start bei ca. 4 Minuten vor der vollen Stunde). Weißes Emaille-Zifferblatt mit arabischen Ziffern, gebläute Stahlzeiger. Guter Zustand, leichte Gebrauchsspuren an Gehäuse und Glas. Schlüssel anbei. Durchmesser ca. 58mm ohne Krone.| DU BOIS & FILS antique, large complicated pocket watch with quarter repeater and musical mechanism. Rose gold 18K, dust lid gold-plated, case rim fluted, caseback engine-turned. Gilt key set and wound movement, cylinder escapement and separate barrel for the musical mechanism, repetition on the rear plate of the movement, engraved barrel and balance cock, working, service recommended. The quarter repeater is activated by pushing the pendant, the musical mechanism can be activated manually by a slide at two o'clock or runs automatically on the full hour, lasting about 30 seconds (starts around 4 minutes before the full hour). White enamel dial with arabic numerals, blued steel hands. Good condition, light signs of wear on case and crystal. Key enclosed. Diameter approx. 58mm without crown.
Komplizierte Goldsavonette Taschenuhr mit Jaquemart, Minutenrepetition und Erotik-Automat. Gelbgold 14K, inkl. Staubdeckel, Gehäuserand kanneliert, Deckel guillochiert, Sprungdeckel mit Wappen. Handaufzug-Werk mit Jaquemart, Minutenrepetition und Erotik-Automat auf der Werkrückseite, voll funktionsfähig, Figuren auf dem Zifferblatt schlagen die Glocke zusammen mit der Repetition, zeitgleich läuft der Automat. Weißes Emaille-Zifferblatt mit römischen Stundenziffern und arabischer Minuterie, gebläute Stahlzeiger. Guter Zustand, Gehäuse mit leichten Dellen. Durchmesser ca. 56mm ohne Krone.| Complicated gold hunter case pocket watch with Jaquemart, minute repeater and erotic automaton. Yellow gold 14K, incl. dust cover, case rim fluted, lids engine-turned, sprung lid with coat of arms. Manual wound movement with Jaquemart, minute repeater and erotic automaton on the backside of the movement, fully working, Jaquemart on the dial side striking the bells at the same time of the repeater, the automaton is also working during that period. Good condition, case with light dents. Diameter approx. 56mm without crown.
L.A. LEUBA GENÈVE 20 Dollars Coin Watch "1904". Münze Gelbgold 918, Uhrgehäuse Gelbgold 750. Sehr flaches Handaufzugwerk Kal. Frederic Piguet 21, funktionsfähig. Silbernes Zifferblatt, gebläute Stahlzeiger. Sehr guter Zustand, leichte Gebrauchsspuren am Gehäuse. Durchmesser ca. 34mm.| L.A. LEUBA GENÈVE 20 Dollars Coin Watch "1904". Coin yellow gold 918, watch case yellow gold 750. Ultra thin manual wound movement ca. Frederic Piguet 21, working. Silver dial, blued steel hands. Very good condition, light signs of wear on the case. Diameter approx. 34mm.
A. LANGE & SÖHNE große, schwere Goldsavonette Taschenuhr mit Außenscharnier. Gold 18K, inkl. Staubdeckel, Gehäusenummer 41568, Goldgewicht ca. 55g. Vergoldetes Handaufzug-Werk mit 3/4 Platine, Goldanker und -ankerrad, bimetallischer Kompensationsunruh, Breguet-Spirale, Schwanenhals-Feinregulierung, gebläute Schrauben, Aufzugsräder mit doppeltem Sonnenschliff, gravierter Unruhkloben, Werknummer 41568, funktionsfähig. 2-teiliges weißes Emaille-Zifferblatt mit arabischen ziffern, sign. "A. Lange & Söhne, Glashütte b/Dresden", Gold-Zeiger Louis XV. Sehr guter Zustand, leichte Gebrauchsspuren am Gehäuse. Durchmesser ca. 55mm ohne Krone.ERGÄNZUNG 28.08.2023: Bilder zur Uhr wurden neu zugeordnet. | A. LANGE & SÖHNE large, heavy gold hunter case pocket watch with outer hinge. Gold 18K, incl. dust lid, case number 41568, gold weight approx. 55g. Gold-plated manual-wound movement with 3/4 plate, gold lever and escapement wheel, bimetallic compensation balance, Breguet-hairspring, swan-neck fine-adjustment, blued screws, double-sunray finish on winding wheels, engraved balance-cock, movement number 41568, working. Two-piece white enamel dial with arabic numerals, sign. "A. Lange & Söhne, Glashütte b/Dresden", gold-hands Louis XV. Very good condition, light signs of wear on the case. Diameter approx. 55mm without crown.SUPPLEMENT 08/28/2023: Pictures to the watch were reassigned.
1930 Austin 12/6 Sports Special Registration no. SV 8805 Chassis no. C11970 Engine no. 1F12230Charming and Dependable 12/6 SpecialExtensive History FileSubject to significant expenditureOffered with VSCC Eligibility Papers Dated 2016Small-capacity sixes were much in vogue in the early 1930s, Austin's offering - the Light 12/6 - appearing in 1930. The Light Six used what was essentially the same chassis as the contemporary 12/4 and was made in two engine sizes: 1,496cc (13.9hp) and 1,711cc (15.9hp) both of which placed it well outside its target 12hp taxation class. The Harley saloon on the Light Six chassis is notable as the first Austin with an all-steel body, while alternative styles included two- and four-seat tourers, a fabric-bodied saloon and the Ascot saloon with projecting boot. The Light Six was restyled along with the rest of the range for 1935, gaining smoother, more modern lines and a painted radiator shell. Production ceased in 1937.A plaque on the firewall of this charming Austin Special states that it was rebuilt in the year 2000 by Bernie Jacobson of East Doncaster, Victoria, Australia. This car was rallied by its previous owner in Switzerland up until 2016. Extensive work was done on the car by Old Timer Motors in Zurich and the original invoices for this, amounting around CHF 30,000, are available with the car. When it was brought back into the UK in 2016, VSCC papers were issued later that same year alongside an original FIA watermarked document. Rugged and dependable, these 1930s Austins are among the easiest of contemporary cars to own and maintain and are supported by an enthusiastic owner's club.For further information on this lot please visit Bonhams.com
1903 De Dion Bouton 6hp Two-seater Registration no. AN 4307 Chassis no. 1903•Single family ownership since the 1980s•Largely original condition•Regularly maintained•Regular London to Brighton Veteran Car Run entrant since 2001•Ready for the next London-to-Brighton RunThe names of De Dion and Bouton are inextricably linked with the pioneer years of the motor car, initially in company with Trépardoux in the building of light steam carriages, the first of which appeared in 1883. In the early 1890s De Dion and Bouton turned their attention to the internal combustion engine, much to the annoyance of Trépardoux who quit in 1894, leaving his erstwhile partners to develop what was, in effect, the first high-speed internal combustion engine. Engineer Georges Bouton's power units developed significantly greater output than their contemporaries from Daimler and Benz, yet matched them for reliability. Small wonder then that De Dion Bouton engines were adopted by many other manufacturers of tricycles, quadricycles, and light cars, both in Europe and the United States, influenced no doubt by the success of the flying tricycles in such events as the Paris-Bordeaux and other endurance races. Early 137cc engines ran at speeds of up to 1,500rpm, while the 250cc engine of 1896 developed approximately 1¾ horsepower and made the contemporary Benz engines seem positively antiquated. Early De Dions were rear-engined and of the vis-à-vis type – where the passengers sat facing the driver – but from 1902 onwards the firm began to adopt what would become accepted as the conventional layout for a motor car. By this time, De Dion's fast-revving, single-cylinder engines were offered in 4½hp, 6hp, and 8hp variants. All featured mechanical inlet and atmospheric exhaust valves, and were noted for their reliability, which is borne out by the number surviving today.This single-cylinder 6hp De Dion Bouton two-seater has been in the same family ownership since the late 1980s. It has swept doors, which are a rare sight on a De Dion. Aesthetically, the car has been intentionally left in very much original condition. Mechanically we are told, it has been regularly maintained, is in working order and ready for the London to Brighton Veteran Car Run on which it has been a regular entrant since 2001. Works carried out over the years include: a gearbox overhaul; new rear brakes; new trembler coil and ignition system overhaul; petrol tank and fuel system reconditioned; new tyres; and new front wings.For further information on this lot please visit Bonhams.com
1985 Austin Maestro 700 City Van Registration no. B959 DOF Chassis no. SAXXCHGD1AM281900 Engine no. 12HB12AA0101029Replacing the outgoing Ambassador model, the Maestro debuted as Austin Rover Group's new medium sized hatchback in 1983, but unlike its predecessor used steel springs rather than the Hydragas suspension system and mounted its gearbox at the end of the crankshaft instead of beneath it. Engine options ranged from the venerable 1.3-litre A-Series to more modern 1.6- and 2.0-litre overhead-camshaft units, while the VW Golf gearbox was an example of cross-manufacturer technology sharing. Offered here is an example of the Maestro-based light van. First registered to Patrick Motors Ltd as '280 PMG', this vehicle was used to deliver parts to Austin dealerships and was liveried to match the Patrick Motors branding at that time. It has been driven once or twice in recent years and will require recommissioning before returning to the road. Offered with old/current V5C documents and an expired MoT (2018). Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
1970 Ford F-100 Stepside Short Bed Pickup Truck Registration no. LWT 960H Chassis no. F10AKH97105 Engine no. F2TE6015First introduced in 1948, Ford's F-Series has been America's best-selling light/medium truck for the last 40-plus years, generating billions of dollars annual income for its maker. Models available include full-size pickup trucks, chassis cab trucks, and all manner of commercial vehicles. The stepside pickup offered here is an example of the fifth generation F-Series, introduced in 1967. The fifth series retained its immediate predecessor's separate chassis while offering increased dimensions and a greater glass area. Additionally there were more engine options and plusher trim levels, while for 1969 there was a new grille and the option of a new more powerful 302ci (5.0-litre) Windsor V8 engine. This F-100 was imported from New Mexico, USA in 2021 and purchased by the current vendor in July 2022. This vehicle has the 3.9-litre inline six-cylinder engine and three-speed manual gearbox, and retains its original body. Recent maintenance has included new shock absorbers, carburettor, window and door seals, leaf spring bushes, brake drums, shoes and hoses, while the bench seat and wooden bed have been refurbished, the latter using Oak Beam Grade timber. Accompanying documentation includes receipts for the aforementioned parts, the shipping inspection and receipt report, a V5C Registration Certificate, and a 1970 Ford Truck workshop manual. A few spare parts are included in the sale. Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
1912 Delahaye Type 43 Landaulette Coachwork by Chabrol Jeune, Toulouse Registration no. XZ 48 Chassis no. 7041•1912 Delahaye Type 43 Landaulette•Coachwork by Chabrol Jeune, Toulouse•Registration no. XZ 48•Chassis no. 7041Imported from France in 1991Restored in 1992Dry stored since acquisition in 2000Requires recommissioningBased initially at Tours and from 1906 in Paris, Delahaye built its first automobile in 1895 and later branched out into commercial vehicle manufacture. Emile Delahaye himself designed the early cars and remained with the company he had founded after its sale in 1897. He retired in 1901 due to ill health, leaving Delahaye in the capable hands of production manager Charles Weiffenbach and chief engineer Amédée Varlet. The firm built single- and twin-cylinder models initially, and introduced its first four-cylinder car – the Type 11 – in 1903. In 1909, H M Hobson began importing Delahaye vehicles into the UK, while in 1911 Varlet invented and pioneered the V6 engine in the Type 44. By the outbreak of The Great War, Delahaye had established a reputation for quality and reliability and was ranked in the top ten of French carmakers. During WWI, Delahaye manufactured military trucks, FN rifles and parts for Hispano-Suiza aero engines. Powered by a 3.0-litre four-cylinder overhead-valve engine driving via a four-speed gearbox, this Delahaye Type 43 was imported from France in 1991 by the previous owner and underwent a full restoration the following year. The current owner purchased the car in 2000 and it has been kept in dry storage ever since. We are advised by the vendor that both the engine and transmission will require light recommissioning before the car returns to the road. Otherwise, the Delahaye is described as in excellent condition, with good electrics. Accompanying documentation consists of photographs of the 1992 restoration, an old-style logbook and a V5C Registration Certificate. For further information on this lot please visit Bonhams.com
1985 Bedford Astra Van Registration no. B85 EOG Chassis no. SKF000037FE107807 Engine no. 1314369General Motors imported Chevrolet commercial vehicles into the UK during the 1920s before setting up domestic manufacture at Vauxhall's Luton plant under the 'Bedford' brand name in 1931. Chevrolet cabs were used initially but otherwise the first Bedfords were entirely new and successful to such an extent that the company coined the advertising slogan 'You See Them Everywhere'. Bedford's light commercial vans were, as one might expect, based on Vauxhall chassis and this 1.3-litre Astra Van is derived from its popular Vauxhall saloon car namesake. It is one of GM's last light commercials to be badged as a Bedford - later ones were Vauxhall.This Bedford Astra was originally registered to Reeve & Stedeford of Solihull (Patrick Motors' Jaguar/Daimler dealership) and used as a parts delivery van. Registered to Patrick Motors Ltd in 1993, it has not been driven for many years and will require recommissioning before further use. Offered with an old-style V5C document.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
1933 MG Magna L-Type Supercharged Two-Seater Special Registration no. ABB 118 Chassis no. L0428•Built by the current vendor for VSCC & MGCC events•Phoenix Crankshaft & Con-Rods•Derek Chinn supercharger•Freshly restored and requires running inBroadly similar to MG's D-Type Midget of 1931, and introduced at the same time, was the six-cylinder F-Type Magna which, like its equally new four-cylinder stablemate, used a development of the under-slung chassis first seen on the racing C-Type Midget but of longer wheelbase. Wolseley, also owned by Morris, had been responsible for the Minor engine, and it was this unit in 12hp, 1,271cc, six-cylinder form that powered the Magna. The latter looked every inch a proper MG but possessed greater refinement than the fours thanks to its smoother, torquier and relatively vibration-free six-cylinder engine. Introduced in 1932, the F2 version boasted 12' brakes (replacing the original 8' drums) and Midget two-seater coachwork, while the mechanically similar F3 was a four-seater tourer. What would turn out to be the last of the Magna line – the L-Type – arrived in March 1933 boasting an engine downsized to 1,087cc but producing greater power (41bhp) thanks to a 12-port, cross-flow cylinder head. 12' brakes were retained for the L-Type chassis, which was broadly similar to that of the contemporary K-Series Magnette apart from a narrower track. Top speed was in the region of 75mph. A total of 576 L1/L2 Magnas had been produced by the time production ceased in 1934. This Magna was delivered new as a four-seater on 16th August 1933 (copy records on file). Its early history is unknown. Restoration started in 2011 with the previous keeper, from whose estate our vendor was lucky enough to secure the car. The chassis was stripped, restored and rebuilt and a new engine incorporating a Phoenix crankshaft installed, the white-metalling being carried out by renowned specialists Formhalls Vintage & Racing Ltd. Assembled by Oliver Richardson, the engine is fitted with a Derek Chinn supercharger, newly rebuilt carburettors and an oil catch-tank. The transmission consists of a rebuilt L-Type gearbox; new propshaft; rebuilt 4.9:1 differential; and hardened half-shafts. The front and rear axles have been crack-tested and fitted with all new hubs, and there are hydraulic brakes all round. The body has been hand crafted and riveted, and is finished in blue, while the interior has been retrimmed in tan. Other notable features include rewired electrics, a 6' rev counter, racing battery, and a rain light.This freshly restored supercharged MG special was built by our vendor to compete in VSCC and MGCC events. Now in his 80s, he has decided to hang up his racing gloves and thus the car is offered for sale. Running in and shake-down testing will be required before active use. Most importantly this L-type is road registered and offered with a UK V5C.For further information on this lot please visit Bonhams.com
1914 Rover 12hp Tourer Registration no. SP 363 Chassis no. 3719 Engine no. 3719•Landmark early Rover•Present ownership for the last 20 years•Actively campaigned in VCC eventsWhat would eventually become the Rover company began by manufacturing one of the landmark designs in the history of human transportation: the 'Safety Bicycle'. Brainchild of John Kemp Starley, the Rover cycle featured two identical-size wheels and chain drive to the rear, thus rendering the precarious front-drive 'Ordinary' - better known as the 'Penny Farthing' - obsolete at a stroke. The firm's first venture into powered transportation came in 1888 with an electric tricycle, but it would be another 16 years, by which time its founder J K Starley had died, before the Rover Cycle Company began experimenting with the internal combustion engine. Designer Edmund Lewis was recruited from Daimler and drew up Rover's first series-production automobile, an 8hp single-cylinder with aluminium backbone frame, an adventurous design that despite its shortcomings remained in production until 1912.Lewis followed up with a more conventional 6hp model, which earned itself the distinction of being Rover's first entered in any competition, in this case the Bexhill Speed Trials of 1902. Before his departure for Siddeley-Deasy, Lewis bequeathed another significant design, the 16/20hp, winner of the 1907 Isle of Man Tourist Trophy race for Rover. After an undistinguished flirtation with the Knight sleeve-valve engine, Rover hired Wolseley engineer Owen Clegg, who reorganised production and put the company back on track with a conventional poppet-valve engined car, the 12hp. Powered by a 2.3-litre four featuring pumped lubrication (for the first time on a Rover) the 'Clegg Twelve' was the sole model in the range by 1912 and would remain in production into the 1920s.This Rover 12 has been regularly used in VCC events during its 20-year ownership by a prominent member of the Midland Section whose advancing years have brought the car to the market. A highly attractive example, displaying a wonderful patina, the Rover has been maintained throughout this time by Cooke's of Leicester. The previous owner was a Mr L Weaver of Hailsham, East Sussex, during whose ownership sympathetic restoration work was carried out by NP Veteran Engineering (invoices on file). In addition, numerous minor works were carried out to keep the vehicle in top condition: rewound mag, new spring gaiters, wheel refurbishment, various items nickel plated, etc. The car is offered with a good history file containing, among other paperwork, a VCC dating certificate, a V5C document and an original instruction book. A wonderful opportunity to purchase a delightfully original and useable Edwardian motor car, subject to very light recommissioning. For further information on this lot please visit Bonhams.com
1963 Trojan 200 Micro Car Project Registration no. 4393 PF Chassis no. SRG9337 Engine no. 1523716Perhaps the biggest mystery concerning Ernest Heinkel's 'Kabine Cruiser' is how its creator got away with a design outwardly so similar to BMW's Isetta. Launched in 1956, the Heinkel used a 175cc four-stroke single-cylinder engine originally developed for a motor scooter. Production was discontinued in Germany in 1958 but continued in other countries, Ireland included, before the rights transferred to Trojan in the UK in 1961. Trojan had manufactured unconventional light cars in the 1920s/1930s and the acquisition of the Heinkel - marketed as the Trojan 200 - marked the company's return to motor manufacture after a break of 25 years. Around 7,000 right-hand drive Trojan 200s were built before the firm quit car production again in 1965. Dry stored from 2008, this Trojan was purchased in August 2020 in need of restoration. According to the vendor, the restoration is 75% complete: the car has been repainted and a refurbished engine was supplied and tested by the Heinkel Trojan Club (original engine included). Items renewed include tyres and tubes, floor mats, exhaust system, door rubbers, wheel cylinders and bearings, sunroof, bumpers, battery, camshaft, gaskets, hoses and more, supplied by the Heinkel Trojan Club. Some repair panels have been used and the brake shoes relined, while the carburettor is said to need attention. Over £3,000 has been spent, including the re-spray (receipts on file). Offered for completion and sold strictly as viewed, the car comes with a SORN document, workshop manual and various editions of the Heinkel Trojan newsletter.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
1979 Peugeot 304 Van Registration no. TNP 540V Chassis no. 4198544 Engine no. 4198544Most motor manufacturers base their light van designs on models from their passenger car range, and this Peugeot commercial is derived from the French firm's 304 saloon. Styled by Pininfarina, the latter was launched at the Paris Motor Show in 1969 and would enjoy a lengthy production run, the last (estate) models leaving the factory in 1980, by which time nearly 1.2 million had been produced. Of advanced specification, the 304 featured front-wheel drive, independent suspension and disc brakes, and was powered by an all-alloy single-overhead-camshaft inline four that would be offered in various capacities up to 1.3 litres (petrol) and 1.5 litres (diesel). The body's generously proportioned centre section was inherited from the smaller 204, the 304's extra length providing a much bigger boot. The van version (fourgonette in France) was introduced in September 1977.This 304 van was originally registered to Patrick Motors Ltd and used at their Peugeot/Talbot dealership in Evesham for delivering parts. The vehicle has not been driven for many years and will require recommissioning before further use. Offered with an old-style V5C document.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
1936 Riley 12/4 1½-Litre Merlin Saloon Registration no. CLY 459 Chassis no. 26M4111 Engine no. M4111•Long-term single family ownership 1959 to date•Partially restored 1995-1998•Last run in October 2020•Requires recommissioningClothed in stylish bodywork by Stanley Riley, the Coventry marque's pre-war offerings were among the world's finest small-capacity sporting cars. Percy Riley's 9hp, 1,087cc, twin-camshaft four was an outstanding engine design by any standards, various versions powering Rileys from 1926 to 1957. Looking to all intents and purposes like a twin-overhead-camshaft design, the Nine's cross-flow cylinder head featured hemispherical combustion chambers and valves inclined at an included angle of 90 degrees. The twin gear-driven camshafts were mounted high in the block, operating the valves via short pushrods. This successful high-camshaft layout was retained for the new Hugh Rose-designed 1½-litre four introduced in 1935. The Falcon saloon debuted on this new 12hp chassis, which was also available with the familiar streamlined Kestrel saloon and Lynx tourer coachwork, while the following year the range was augmented by the Sprite two-seater sports and three saloons: the Adelphi and six-light Kestrel on the 112.5' long-wheelbase chassis and the all-steel Merlin on the short-wheelbase (106') frame. Other noteworthy features of the 1½-Litre included Girling rod brakes, Armstrong-Siddeley pre-selector transmission and Bijur automatic chassis lubrication. The well-liked 1½-Litre model in its various guises remained a fixture of the Riley range until the firm's take-over by Morris in 1938.This 12/4 Merlin was acquired by a member of the vendor's family (Barry Jackson) in 1959. Ownership passed to his brother Colin Jackson in 1967 and the Riley was inherited by Rollo Jackson on Colin's death 10 years ago (the car was not registered in his name as he was too young at the time). 'CLY 459' was partially restored over the period 1995 to 1998, and according to the lady vendor, was running well in October 2020. She describes the car's condition as generally good apart from an oil leak, while the bodywork and paint are reported as 'fair'. The car is offered with an old-style logbook; a V5C document; and various spares, tools and books relating to the Riley 12/4. Recommissioning will be required before the car returns to the road and thus it is sold strictly as viewed. Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Three 'Standard Cars' signs,one light box with moulded lettering 93 x 32 x 20cm, wired for illumination: a display card dated 1935, 76 x 51cm; and a reflector sign, in black with reflector buttons (many detached), mounted, framed and glazed. (3)Lot to be sold without reserve.This lot is subject to the following lot symbols: † ◊† VAT at the prevailing rate on Hammer Price and Buyer's Premium.◊ £30 + VAT uplift and storage at £6 + VAT per lot per day.For further information on this lot please visit Bonhams.com
A Kuhn Agricultural Machines printed alloy thermometer, French,in a red and white, 97cm high: together a printed tin sign for Stihl chainsaws in French text, single-sided, 50 x 100cm, both with some light wear. (2)Lot to be sold without reserve.This lot is subject to the following lot symbols: ◊◊ £30 + VAT uplift and storage at £6 + VAT per lot per day.For further information on this lot please visit Bonhams.com
Ring mit zartgelbem Saphir ca. 6,5 ct und 2 Diamant-Trillanten zus. ca. 0,65 ct, ca. WEISS (H)/P2, Saphir im rechteckig-antiken Scherenschliff, Rondiste mehrfach leicht bestoßen, WG 18K, 8,5 g, RW: 58, 2. H. 20. Jh., leichte Tragespuren, aufwändige Handarbeit aus Weißgolddraht. | Ring with light-yellow sapphire ca. 6.5 ct, antique radiant-cut, girdle with several slight chips, flanked by 2 trilliant-cut diamonds totalling ca. 0.65 ct, ca. WHITE (H)/P2, 18K white gold, 8.5 g, ring size 58, 2nd half of 20th century, minor signs of wear, elaborately handcrafted.
Moko Hay-Rake comprising original rake in orange with blue tines and wheels. Lever mechanism lifts tines up or down. Original salmon pink driver also included. Toy is complete and generally excellent with very little sign of wear. Some light crazing to wheels. Figure has a few chips. Contained in very good to excellent box, some general age related grub marks and very minor wear. Extremely hard and fragile toy to find in this condition.
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