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534297 Los(e)/Seite
Los 1061
A White Marble Portico Striking Mantel Clock with Garniture, 20th century, gilt metal mounts, enamel dial with floral swag decoration, twin barrel movement striking on a bell, 40cm high, three-light gilt metal and white marble clock garniture, sunburst pendulum, 26cm high 29.12.17, Marble with small chips to edges, dial with small scratches, movement is complete, one of the clock garnitures with one crack to its central column, gilt metal surfaces are discoloured, with pendulum.
Los 2175
Durst M70 Photographic 35m & medium format enlarger with Modular 70 Micro Memory with probe, 50mm & 80mm lenses, Variable colour Dark Room light, other accessories including 2 packs of Ilford 30.5x40.6cm Multigrade MF paper, Baeuerle BS 785 automatic timer, Kodak Portra 400 film Patterson micro-focus filter, Photax tray warmer, RRB 16x12 easel, print drying rack, Hammer developing tank for 35mm & medium format film, various developing trays & measuring cylinders, etc Condition Report Click here for further images, condition, auction times & delivery costs
Los 2067
ALIDA WITHOOS (1660-1715) ROSES AND WILD STRAWBERRIES IN A BOWL Inscribed indistinctly lower right, with No69 lower centre, gouache on blue paper, on washline support sheet Sheet 27 x 21cm.; sight 36 x 29cm. Provenance: The collection of the late Ruth, Lady Fermoy ++Slight water stain on left edge; needs a light clean
Los 2092
JOHN FREDERICK LEWIS, RA (1804-1876)SPANISH BUILDINGS: STUDYWatercolour and pencil16 x 24.5cm.Provenance: London, Christies, Sale of the artist's studio, May 4th 1877, possibly Lot 55.This work is related to a study of `Houses at Granada` in the British Museum, executed in graphite and brown wash heightened with white, 27 x 36cm.We are grateful to Briony Llewellyn for this information. and for confirming that this was not lot 55 in the artist's studio sale in 1877.++ Light stained
Los 2132
RICHARD SIMKIN (1840-1926) THREE OFFICERS OF THE COLDSTREAM GUARDS Signed and dated 85, watercolour and pencil vignette, heightened with white 30.5 x 25cm.; with another by Reginald Wymer, depicting nine officers, with monogram, badly stained, 26 x 22cm. (2) ++ The former needs a light clean, some white retouching in background; the latter severely discoloured
Los 2157
WILLIAM HOARE OF BATH, RA (c.1707-1792) PORTRAIT OF THOMAS PELHAM-HOLLES, 1st DUKE OF NEWCASTLE UNDER LYNE (1693-1768) Seated, three quarter length, wearing Garter robes, oil on canvas 120.5 x 95cm. *The sitter was the eldest son of Thomas Pelham, 1st Baron Pelham, and Lady Grace Holles. He studied at Westminster and at Cambridge before inheriting vast estates upon the death of his uncle. The newly ennobled young man adopted the name Holles and became a Whig politician with forthright and strident views. He was appointed Lord Chamberlain at the age of just 23 and rose to Prime Minister in 1754, succeeding his younger brother, Henry (d.1754), to the position. He served two terms (1754-1756, 1757-1762) and then served in Opposition for a time but became frail after a stroke in 1767. He died in 1768 and, as he and his wife Lady Harriet (nee Godolphin) had no issue, the title passed to his nephew, the 9th Earl of Lincoln from whom Newcastle became latterly estranged. Horace Walpole was brisk in his assessment of Newcastle: "A borrowed importance and real insignificance gave him the perpetual air of a solicitor... He had no pride, though infinite self-love. He loved business immoderately; yet was only always doing it, never did it. When left to himself, he always plunged into difficulties, and then shuddered for the consequences." Another version of this portrait is in the Government Art Collection, Westminster. The subject was engraved in mezzotint by James MacArdell. ++ Lined; some retouching over some minor, old and scattered damages. Slightly flat. Needs a light clean.
Los 2169
LAM QUA (1801-1860) PORTRAIT OF A GENTLEMAN Seated half length, wearing a dark coat and a green bow tie, oil on canvas 24 x 20.5cm. * Possibly a portrait of Thomas Chay Beale (c.1810-1857) or Daniel Beale the younger (1798-1827) Provenance: with Martyn Gregory, London, Reflections of the East, 2011-2012, no.35 (initially as by George Chinnery, attribution revised to Lam Qua) ++ Unlined; light cosmetic retouching
Los 2183
ISAAC WALTER JENNER (c.1826-c.1883)HMS VICTORY AT PORTSMOUTH; SAILING VESSELS IN COASTAL WATERS AT SUNSET A pair, the latter signed and monogrammed, oil on thin board Each 20 x 40cm. (2) ++ The latter with faint scratch in the sky; the former with slight craquelure in the sky; each needs a light clean; slip frames
Los 2201
FREDERICK WILLIAM HULME (1816-1884) A SUNNY AFTERNOON; MEETING ON A PATH A pair, the former signed, the former also signed and inscribed with title verso, oil on canvas Each 35 x 28.5cm. (2) ++ Each in good condition; the latter with old lining; one with slight stretcher bruises; each needs a very light clean
Los 2202
HENRY H. PARKER (1858-1930) SLEEPING WATERS ON THE BANKS OF THE THAMES, NR. STREATLEY, BERKS; WOOLHAMPTON, BERKS A pair, both signed, each inscribed with title on the stretcher, oil on canvas Each 32.5 x 42.5cm. (2) ++ Lined; a little associated retouching; impasto slightly crushed; each needs a light clean
Los 2225
EVERTON SAINSBURY (1849-1885) `THE LADY GERALDINE HAD STRAY'D, WHERE FITFUL LIGHT WITH SHADOWS PLAY'D..` Signed and dated 1882, oil on canvas 126 x 100cm. Provenance: probably purchased from the Royal Academy by the vendor's ancestor, Sidney Hill, of Langford House, Bristol; thence by direct descent Exhibited: London, The Royal Academy, 1882, no.1509 ++ Lined; some scattered retouching
Los 2331
•ALEXANDER CARRUTHERS GOULD (1870-1948) IN MINEHEAD HARBOUR- COLLIERS AT LOW TIDE Signed, also signed and inscribed with title on a label verso, oil on thin panel 24 x 34cm.; with a watercolour by the same hand, showing a harbour (Minehead? Porlock Weir?) at low tide, signed, 25 x 35cm. (2) ++ The oil needs a light clean; the watercolour in good condition
Los 2333
•FIELD MARSHAL HAROLD ALEXANDER, 1st EARL ALEXANDER OF TUNIS, OM, MC, DSO (1891-1969) TOSSA, COSTA BRAVA, SPAIN, 1956 Signed and dated 1956, inscribed with title and dated verso,oil on board 29 x 39cm.; with another oil on board by the same hand, `The Red Lodge (Beech Missing)`, 1953, titled and dated verso, 49.5 x 60cm.; and `The Paintings of Field Marshal Earl Alexander of Tunis` (London, 1973) with introduction by Edward Seago. (3) Provenance: The two oils were formerly in the collection of Edward Seago ++ Principal item needs a light clean; `Lodge` has grazes and a few small damages; dust jacket torn on book
Los 2347
•LIONEL EDWARDS (1878-1966) PORTRAIT OF `WINGS`, A BAY HUNTER IN A PADDOCK Signed and dated 1949, oil on canvas 49.5 x 75cm. Provenance: A gift from the artist to the horse's owner, Enid Fisher (nee Chambers), upon her wedding in January 1950; thence by descent to her daughter. A photocopy of a note from the artist to Miss Chambers accompanies this lot. ++ Good condition; needs a very light clean
Los 2381
ALEX PORTNER (1920-1982) COUPLE EMBRACING UPON A BED Lithograph, on grey paper, signed and numbered 1/75 36.5 x 48cm.; with six further lithograph prints on light-hearted themes, each signed and numbered from editions of 50 or 75, titles to include `La Belle Helene`, `Les Belles et le Beau`, `St. James London`, `The Guardian` etc, various sizes (7) * Portner was born in Berlin in 1920, to a Russian mother and a Polish Jewish father. He studied under Max Klaus in Berlin, under Hans Thiemann in Leipzig and also in Paris and Amsterdam before fleeing to England in 1939 to serve in the British army throughout the war. Portner exhibited widely in London in the 1960's and at galleries in South Africa and America. ++ Principal item good, the others with some staining, creases etc (each only fair)
Los 2385
•ALEX PORTNER (1920-1982) BOY - FISHING Signed with initials (incised), stamped with name and initials verso, oil on panel 42.5 x 33.25cm. * An artist's label verso is stamped `Originator of Organic Wood Painting`, a technique devised by the artist for painting with translucent glazes upon planed timber panels ++ Needs a light clean
Los 310
NIKON EM CAMERAwith Tamron 1:2.8 f=28mm lens, Pentax Asahi camera and various lenses including Optomax Auto Zoom 1:3.8 f=85 205mm, Prinzflex Auto Reflex 1:2.8 f=135mm and Helios Auto Tele Converter 3x, flash units, light meters, filters, a pair of Soviet Russian 8x30 binoculars with case, and a vintage Scharf 8mm Movie Projector
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534297 Los(e)/Seite