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Lizzie BLACK'Porthcurno winter walk'Oil on canvas board SignedFurther signed, inscribed and dated '21 to verso 34 x 39cm, including frame I live in Mousehole, just a stone's throw away from the sea and happily, my main subject is the boats and harbour. Porthcurno has become a magnet for beachgoers and the view across to the Logan Rock is iconic. Revisiting this beach I can explore viewpoints and become familiar with the light and tides. I particularly enjoy painting the solitary figures enjoying the empty beaches that the locals have enjoyed over the lockdowns of this last year.
Tim PIKE (Two works)'Three Ships'Oil on canvas 51 x 40.5cm&'Night Studio II' Oil on canvas 40.5 x 51cmEach signed, inscribed and dated 2016 to verso'Three Ships' was inspired by the memory of cargo ships at anchor in Falmouth Bay. The ships are playing a waiting game: waiting for fair weather; waiting for the tide, waiting to dock and unload their cargo when the price is right. The painting was completed just before Christmas and the title reflects the calm sea and wintery light, as well as the Christian Festival.'
Gill Fickling"Autumn Flowers", 2020Acrylic on canvasSigned on backunframed50x48 cm Based in both Cornwall and Spain, artist and filmmaker, Gill Fickling, works in many mediums specialising in landscape and flowers. Her great love is colour and capturing the changing light across the seasons in both Penwith and Andalucia.
Tony Curtis signed 5x3 Tiberio Restaurant Mayfair London white card. Tony Curtis (born Bernard Schwartz; June 3, 1925 - September 29, 2010) was an American actor whose career spanned six decades, achieving the height of his popularity in the 1950s and early 1960s. He acted in more than 100 films in roles covering a wide range of genres, from light comedy to serious drama. In his later years, Curtis made numerous television appearances. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Len Harvey Vs Freddie Mills 1942 World Light Heavyweight Boxing Championship Programme From Tottenham Hotspur Football Ground Rare. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Tony Curtis signed 10x8 black and white photo. American actor whose career spanned six decades, achieving the height of his popularity in the 1950s and early 1960s. He acted in more than 100 films in roles covering a wide range of genres, from light comedy to serious drama. In his later years, Curtis made numerous television appearances. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Tony Curtis signed 10x8 black and white photo. American actor whose career spanned six decades, achieving the height of his popularity in the 1950s and early 1960s. He acted in more than 100 films in roles covering a wide range of genres, from light comedy to serious drama. In his later years, Curtis made numerous television appearances. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
A George Jones Crescent China dessert service, a Queen Anne coffee service, a Rosslyn China teaset and another teaset Condition Report: A George Jones Crescent China dessert service - 2 square dishes, one cracked, 2 round dishes, both ok. 11 plates, all ok and a Paragon dessert plate. Light surface scratches. a Queen Anne coffee service - 8 cups and saucers, pot, jug and sugar bowl - all ok. a Rosslyn China teaset - milk jug and sugar bowl, 10 cups, 12 saucers and plates - 1 cup & 1 saucer cracked, two cups discoloured - others all ok. and another teaset - Royal Stafford - 6 cups, saucers & plates, cake plate, milk jug and sugar bowl - all ok.
A string of black pearls with nice lustre and a 9ct clasp, a 9ct green agate ring size O, and a collection of odd earrings weight together 32gms Condition Report: Length of pearls; 46cm, they just need a gentle wipe over and a polish, nice colourful lustre. Pearls are cultured pearls, so yes 'real' pearls, farmed, but not 'natural' pearls as in dived for in the open ocean. Ring nice, light general wear, both earrings are odd, there is no partner to either of them sadly.
A 9ct Clogau gold gents aquamarine ring size U, a 9ct onyx signet ring and star ring shank lacking stone, weight combined 12gms Condition Report: Aqua Clogau ring, needs a little TLC, it has some scratches to the inner shank and could do with a polish the aqua has some abrasions to the top facets also, other rings light general wear.
A Burmese white metal presentation goblet of cylindrical form with knopped stem, the bowl embossed with figures and animals amid trees and buildings with a shield cartouche inscribed " Gangpur Cup 1914 - 1915 Chota Nagpur Light Horse" and " won by Trooper H. Chew Sakchi Detachment" 24.2 cm high Condition Report: Available upon request
FANCY COLOURED DIAMOND AND DIAMOND RINGThe Fancy Light Yellow cushion-shaped diamond, weighing 1.64 carats, within surrounds of brilliant-cut diamonds and similarly-cut diamonds of yellow tint, between brilliant-cut diamond shoulders, remaining diamonds approx. 0.90ct total, yellow diamonds in surround untested for natural colour, ring size approx. K½Footnotes:Accompanied by a report from the GIA stating that the cushion-shaped diamond weighing 1.64 carats is Fancy Light Yellow colour, VS1 clarity. Report number 1293173372, dated 5th June 2018.Please note this lot has VAT at the prevailing rate on both Hammer Price and Buyer's Premium.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Coins including United Kingdom 1994 brilliant uncirculated coin collection, 2001 silver proof five pound coin, 2017 silver proof one pound, the Red Dragon of Wales 2018 brilliant uncirculated five pounds, 100th Anniversary of the First World War Armistice 2018 brilliant uncirculated two pound coin, 2018 Centenary of Royal Air Force silver proof coin cover, 2018 Royal Mail Centenary of World War One silver proof coin cover, 2018 one ounce fine silver Britannia, brilliant uncirculated fifty pence coins, commemorative crowns etc, please note that the majority of the items/coins in this lot have damage or alteration far beyond the normal handling or light wear that would be expected, including but not limited to tape residue on coins and paper covers, permanent marker writing on covers or packs, heavily broken packaging etc, in one box
A PAIR OF ENGLISH SIX-LIGHT CUT GLASS CHANDELIERSIN GEORGE III STYLE, 20TH CENTURY each 100cm high, 63cm diameterCondition Report: Surface is dirty from atmosphere and handling, wiring and frame elements are held on with thin wire- some of this has slackened resulting in one upper scroll element now off centre- and one chandelier with loose chains/swags that will require rehanging. Typical wear throughout with minor losses and some edge wear and frittingOne chandelier basically in good condition with some minor losses and edge nibbles. There has been pressure from long threaded screw and base bolt where it meets glass- resulting in some minor wearSecond chandelier also has the same problem- but with more pronounced wear. Additionally it shows greater signs of use and wear with one sconce cracked/broken and at least 4 other sconces with edge chip. The central gilded bowl at heart of the piece is slightly duller than the other lightELECTRICAL GOODS. These are sold as 'antiques' only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use.Please see additional images which form part of this condition reportCondition Report Disclaimer
A PAIR OF RESTAURATION BLACK AND GILT PATINATED BRONZE FIVE-LIGHT LAMPSCIRCA 1830Each now fitted as lamps, with green and gilt tole shadeseach approximately 104cm highCondition Report: One shade with losses to decoration from knocks and abrasions. The other with raised bubble patchMain bodies generally good- some typical surface wear from handling- notably to stems and sconces where cleaning has rubbed gildingFormerly these with 6-light candelabra- now fitted for electricity the central nozzle has a further stem with twin lights above. One of the bases has been slightly misaligned- probably during fitting for electricity- and shaft is slightly off-centre from mountsSurface is slightly dirty from atmosphere and handling,Please see additional images which form part of this condition reportELECTRICAL GOODS. These are sold as 'antiques' only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Condition Report Disclaimer
A PAIR OF GILT METAL FIVE-LIGHT CANDELABRASECOND HALF 19TH CENTURYWith scrolling branches above pair of Renaissance style man and woman in courtly dress the metal work 66.5cm high, 79.5cm high overallCondition Report: Overall there are marks, scratches, rubbing and abrasions consistent with age and use.The cream painted card 'candle' cylinders are discoloured.Overall the gilding is matt with some details and edges bright gilded; with some grey/blackened rubbing to some protruding edges and areas including the almost scratched/polished triform, with a bubbled verdigris area to the top of one platform and to other areas.The silk covered electric cable is cut off, and would need rewiring.Please see the additional photographs as a visual reference of condition.Condition Report Disclaimer
A PAIR OF FRENCH GILT AND PATINATED FOUR-LIGHT CANDELABRASECOND HALF 19TH CENTURYEach with naturalistic flower and foliage arms above the urn bodies, white plinth and dove-grey bases, Palais Royale style engine turned mountseach 57cm highCondition Report: Formerly fitted for electricity- drilled holes- probably a combination of some bronze and other metals- but little exposed core materialCondition Report Disclaimer
A LARGE PAIR OF GLASS AND GILT METAL SEVEN-LIGHT TABLE CANDELABRA20TH CENTURYEach with cut and moulded frames around scrolling gilt metal branches and cappings, fitted for electricityeach approximately 78cm high (to top of glass), 51.5cm wideCondition Report: The wiring and electrics of this lot need to be reviewed by a qualified electrician before use.Five of the plastic 'candle' fittings are snapped so that they do not stand upright and some of the glass candle nozzles are loose and need re-fixing.Some of the other glass candle nozzles have been re-fixed with a plaster like compound.Some chips including but not exclusively to the scallop of one candle nozzle, some to the pointed rectangular pendent lustres.The everted section at the top of each baluster column is 'loose' and revolves.The gilt metal branches are matt and dull with some rubbing, some of the branches at slight angles so that there is some variation on the height and angle of the glass lustres.Lacking some lustres.All that said many of these comments on condition are only apparent on close inspection.Please see the additional photographs for a visual reference of condition.Condition Report Disclaimer
ANGELO BERTOZZI (ITALIAN, LATE 19TH CENTURY), A CARVED WHITE MARBLE FIGURE OF FLORACIRCA 1880 The goddess of flowers and the season of spring, signed to reverse, on a Siena marble pedestalthe figure 98cm high, the marble pedestal 92cm high, the top 31cm diameter Condition Report: Surface is dirty from weathering, atmosphere and handlingWeathering has also caused some losses to details and elements notably but not restricted to - the water urn, raised sections of tunic, flowers to base. Some areas of surface with powdery feel and a slight granulated finish.Signature is legible under side-radiating light- but slightly weathered- someone has rubbed pencil in the past to try and read it. Additional image of this is taken using a torch shining from the side to make it more legibleSome edge nibbles and loss- most notably to foot rimBase with chip to top edge- and historic loss to moulding of collar to base.Please see additional images which form part of this condition reportCondition Report Disclaimer
A contemporary light blue painted rectangular mirror, arched bevelled glass, 80cm x 55cm; Interior Design - a Newspaper fragment, The Sheffield and Rotherham Independent, Aug 23 1873, framed, 43cm x 61cm overall; a small Danish Teak drop leaf side table, folding legs, 37cm diam, 45.5cm high, c.1960.
A Military General Service Medal and Waterloo Medal Pair, awarded to CORP. JOHN RUSHTON, 23rd REG. LIGHT DRAGOONS, the first with clasp TALAVERA. Footnote:- John Rushton, a labourer from Elston, Notts., was born circa 1792. He enlisted in 23rd Light Dragoons 12th Sept. 1808 and, in 1809, fought at the Battle of Talavera, where he was wounded, together with another 3,717 of his comrades. He was promoted to Corporal 25th April 1815 within Troop No.2 (of 6) He fought at Waterloo 18th June 1815 and is on the Waterloo Medal Roll. The regiment was disbanded on 24th November 1817 and he was ''discharged, not recommended''. He is noted on the Chelsea Pension Records and Regimental Record of Chelsea Pensioners as being admitted 6th Dec.1853 aged 61 years, with Notes:- discharged 24th Nov.1817, wounded at Talavera, died 11th Feb. 1866. Regimental Number G11029/47
A Small Collection of Badges, including cap badges to the Durham Light Infantry, the Welch Regiment, the Royal Regiment of Fusiliers, collar badges to the 9th/12th Royal Lancers, the Gloucestershire Regiment, the Royal Irish Fusiliers, insignia to the North Staffordshire Regiment, two brass shoulder titles to the Northumbrlan Hussars, three NAAFI badges etc, in an amboyna box
PURCHASER MUST BE 18 YEARS OF AGE OR OVER A BSA Lincoln Jefferies' Patent Underlever Air Rifle, .177 calibre, numbered 6659, circa 1906, with early bayonet cocking, the top of the receiver marked with the ''stacked rifles'' trade mark, B.S.A. AIR RIFLE _ LINCOLN JEFFERIES' PATENT/MADE BY THE BIRMINGHAM SMALL ARMS COMPANY LD, the trigger with single axis screw, the walnut stock with chequered grip, the left side of the butt stamped with B.S.A. ''stacked rifles'' TRADE MARK.. Spring quite strong. Light pitting to metalwork, minor bruising to stock with a small fine crack to the right side of the chequered grip.
An Allen's Patent Percussion Boot Pistol, numbered 307, the 7.3cm steel barrel octagonal at the breech and stamped PATENTED 1837 CAST STEEL, the bar hammer stamped ALLEN'S PATENT, with foliate engraved rounded action and walnut grip scales, 14cm; an American 19th Century Large Copper Powder Flask by the Flask & Cap Co., of fluted form, with brass charger, external steel spring and four suspension loops, 26cm. 1 - Double action works. Black patching and light pitting to metalwork. 2 - Dents to both sides, with split to the seam on one side.
The Royal Marines Light Infantry:- an interesting archive of photographs, ephemera and booklets, including two albums of cabinet cards, carte de visites, programmes, pamphlets, a Greenwich Hospital Special Pension Ticket dated 1876, Giant Postcards showing parade scenes, also nine large early group photographs from 1887 to 1924, a Bugler's Handbook, and a plastic folder of related First Day Covers.
A box containing a substantial collection of nearly 700 standard-sized postcards of British castles ' mainly English, but also sections for Scotland and Wales; all in alphabetical order (as we write this!) A mix of postally sent and postally unused cards, and a good number real of real photographic as well as printed. Various publishers. There is also a mix of exterior views, and internal images ' either from within the castle grounds or in buildings. The vast majority of cards in good collectable condition. A few have minor faults, such as light creases. There are two or three repeats ' but not many; although there are inevitably a number of different views of the same castle.
Roderic O'Conor (1860 - 1940)ÿ "Bull by Moonlight" oils on canvas, 36 1/2" x 28 3/4" (93cms x 73cms) in ornate contemporary gilt frame. (1) Note:ÿÿ ÿIn the early 1890?s, while living in Brittany, Roderic O?Conor delighted in painting night scenes, seeking to capture the emotional qualities of landscapes illuminated by moonlight or firelight. His etching Pleine Lune Sur La C“te (1893) depicts a full moon over a rocky coastline, while his canvas Moonlit Breton Landscape dates from the end of that decade. One of his favourite places to paint was the Laita River near Le Pouldu, a favourite also of his contemporaries, including Paul Serusier. In this powerful image of a bull in a moonlit field, O?Conor moved away from his earlier technique of striped brushstrokes, instead weaving together different strands of art, from the early nineteenth-century Romanticism of James Arthur O?Connor, through Symbolism, to the immediacy of Les Nabis and Post-Impressionism. At its heart however, this is a Romantic painting, redolent of the troubled emotional response of an artist when confronted with the implacable power of nature. In Bull by Moonlight, theÿ composition is dominated by the dark silhouette of the animal, beneath a cloudy sky, with the moon casting a cold white light on the landscape below. O?Conor was certainly familiar with depicting nature, having attended Karel Verlat?s Natuur course in Antwerp, and he was also immersing himself in the Post-Impressionist movement, which he encountered in Brittany during the 1890?s, when he became friendly with Paul Gauguin and other artists. Gauguin used O?Conor?s studio in Paris, even asking the Irish artist to join him in the South of France, an invitation which?to the abiding disappointment of art historians in Ireland?O?Conor declined. Born in Co. Roscommon in 1860, when he was just four years old, Roderic O?Conor?s family moved to Blackrock in Co. Dublin. He was educated at Ampleforth before enrolling at the Metropolitan School of Art in Dublin. He was a contemporary of Nathaniel Hill, with whom he shared lodgings in Pembroke Road. After further studies at the RHA schools, in 1883 O?Conor enrolled at the Academie Royale des Beaux Arts in Antwerp, where Hill and Walter Osborne were also students. The professor at the Academie was the realist painter Charles Verlat. A year later O?Conor was back in Dublin, submitting paintings to the 1885 Royal Hibernian Academy exhibition. His early style, learned from Verlat, was characterized by bright colours, a plein-air technique, and spontaneous but controlled brushwork. However O?Conor?s response to Verlat?s teachings was more progressive than that of his fellow Irish students, who remained rooted in an academic realist style. In 1886, O?Conor moved to Paris to study under Carolus-Duran, before spending time at Grez sur Loing. In 1903 he participated in the inaugural Salon d?Automne, and he continued exhibiting there until 1935. For the rest of his life, until his death in 1940, O?Conor remained in France, living for the most part in Nueil-sur-Layon, Maine-et-Loire, with his wife Renee Honta. A retrospective exhibition of his work, held at the Barbican Centre in 1985, afterwards travelled to the National Gallery of Ireland and the Ulster Museum. O?Conor?s work can be found in the collections of both these museums, as well as the Hugh Lane Gallery. He was the subject of two biographies in 1992, one by Paula Murphy in the Lives of Irish Artists series, and a second, more extensive publication, by Jonathan Benington. "Bull by Moonlight" was included in Julian Campbell?s 1984 Irish Impressionists exhibition (Cat No. 106) at the National Gallery of Ireland. See also Jonathan Benington ?From Realism to Expressionism: the Early Career of Roderic O?Conor? in Apollo April 1985, p 257. Dr.ÿPeterÿMurrayÿ2021

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