ß  2007 Mathilde, Chateau La Fleur Morange, Saint-Emilion OCC 12x75cl IN BOND Chateau La Fleur Morange Mathilde, located in the extreme eastern sectors of St. Emilion, is owned by Jean-François Julien and boasts some of the oldest Merlot vines in St. Emilion, as well as in all of Bordeaux, with vines dating back more than 100 years. From the 3.45-hectare vineyard planted to 70% Merlot and 30% Cabernet Franc, the estate makes two unique Bordeaux wines - La Fleur Morange, produced from a tiny, 1.5 hectare section, and Chateau La Fleur Morange Mathilde, named after the owner's daughter and produced from old vines, some approaching an impressive 50 years of age.Chateau La Fleur Morange Mathilde offers its best drinking and should reach peak maturity after 7 to 20 years. Older vintages may need light decanting, just to remove the sediment.
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A FINE GEORGE III 2.75 INCH TERRESTRIAL POCKET GLOBE NICHOLAS LANE, LONDON, PUBLISHED 1776 The sphere applied with twelve hand coloured engraved printed gores, the equatorial graduated in degrees and hours and the ecliptic graduated in days and showing the symbols and the houses of the zodiac, the prime meridian labelled Meridian of London and the land masses outlined in colour with many countries and states labelled, the oceans showing Cap't Cook's Track, Anson's Going Out and Anson's Return, and the Antarctic labelled FROZEN OCEAN, the North Pacific with cartouche label inscribed A New, GLOBE, of the EARTH, By N. Lane, 1776, the poles pierced for axis pins, contained with original sharkskin covered case lined with twelve hand coloured printed gores and two polar calottes with stars expressed in varying orders of magnitude and allegorical representations of the constellations finely executed, the exterior with twin hook and eye securing latches the sphere 7cm diameter; the case 7.6cm diameter overall Nicholas Lane is recorded in Clifton, Gloria Directory of British Scientific Instrument Makers 1550-1851 as working in London 1776-1783 and is noted as being in the Parish of Christ Church, Surrey, London in 1783. The present globe is the earliest printed by Nicholas Lane which then formed the basis of several slightly amended editions produced by him and his successors as discussed in Van der Krogt, Peter Old Globes in the Netherlands. The celestial gores applied to the inside of the case are believed to be derived from those originally published by Richard Cushee whose business subsequently ceased trading in 1773. Condition Report: Globe is in very fine condition retaining old varnish surface with only light wear evident. There is no visible evidence of cracks, bruises or restoration. The poles a pierced for axis pivots but none are fitted. The case is also in fine original condition although it has shrunk/distorted slightly hence will not quite close around the globe. The celestial papers are in fine condition with strong colouring and only a few small spots of discolouration evident. Condition Report Disclaimer
A NORTH EUROPEAN BRASS EIGHT LIGHT CHANDELIER POSSIBLY DUTCH, 19TH CENTURY With unusual merman branches issuing from central baluster body, bird surmount beneath suspension loop 86cm high including suspension hoop, 66cm wide Condition Report: Looks to have been cleaned fairly recently- presents well and main image is slightly misleading- taken from below so it appears quite distorted. There is some bending to branches which are hollow and can carry wiring from merman figures. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
A CARVED GILTWOOD AND GESSO SIDE TABLE IN GEORGE II STYLE, OF RECENT MANUFACTURE After designs by William Kent, with a variegated marble top 86.5cm high, 108cm wide, 56.5cm deep Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with lack of age, though with a light 'distressed' finish.The top is rough to touch with discernible cracks and filler, the edges with nibbles and small chips.The back of the table is moulded and gilded but has no carved decoration, though all four feet are carved hairy paws.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition. Condition Report Disclaimer
A VICTORIAN GLASS TWELVE LIGHT CHANDELIER MID 19TH CENTURY approximately 130cm high, 72cm wide Provenance: Abbotswood House, Stow-on-the-Wold, Gloucestershire Purchased from Mallett Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. The silver plated joint sections with wear, rubbing and oxidisation. Glass- uppermost section of stem section with loss, the whole with edge chips, fritting and losses. The metalwork at joints seemingly not numbered but with later ink numbering- suggesting remedial work has taken place- several branches look to be of similar shape to the others- but different colour. The pinnacle mounts generally also look to be of a different clearer colour suggesting they may have been replaced. Wiring is strapped onto arms- but pans are drilled. The light 'faux candle' fitments are loosely held in with gummy adhesive. . Terminal drop currently not mounted- missing at least one set of small drops that flank it- other drops missing as well and some glass mounts are loose. Wiring will almost certainly require complete replacement and the whole will require overhaul, refitting, remounting and thorough clean ELECTRICAL GOODS. These are sold as decorative items only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
A PAIR OF NAPOLEON III ORMOLU AND PATINATED BRONZE THREE LIGHT CANDELABRA BY ALFRED BEURDELEY, CIRCA 1870 Each with standing cherubs holding aloft scrolling foliate branches, brocatello marble bases, stamped to bobeches BY 68cm high, bases 13cm wide Provenance: Sotheby's London, Arts of Europe, 15th May 2014, Lot 443 (Sold £6,250 incl. BP) Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. No signs of ever having been fitted for electricity, dirty, gilding rubbed and with scattered black small marks and spotting stains(?), several screws missing which will require replacing as it has led to looseness of mounts. . The marks are varied and sometimes quite faint, 2 unmarked. Distortion to nozzle interiors, some rubbing to bronze patina at exposed edges. Bothe are not sitting true centre on the base marble plinth- suggesting they have been remounted at some point for stability Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A GEORGE II WALNUT KNEEHOLE DESK CIRCA 1740 83cm high, 82cm wide, 54cm deepProvenance: Formerly from Brocket Hall, Hertfordshire Condition Report: Kneehole with the marks, knocks, scratches and abrasions commensurate with age and use. Old splits, chips, cracks and losses - see images. Of cleaned/polished appearance overall. Some areas of light 'bubbling'/tarnishing to the polished surface of the top (this should easily polish out). As expected with pieces age, various old veneer and moulding repairs - see images for details. Some ring marks to top. Handles are possibly original or are period replacements using the same holes. Locks appear original. One key is present and operates the top drawer. No key for the cupboard door but lock is open. Later supporting blocks to underside of kneehole and backs of feet. Some old but later strips of tape to joins of backboards. Please refer to additional images for visual reference to condition.Condition Report Disclaimer
A QUEEN ANNE WALNUT AND UPHOLSTERED CHAIR CIRCA 1710 The high back and seat upholstered in red and gold woven damask 107cm high, 62cm wide, 65cm deepProvenance: From a Private Collection, Berkshire, gathered over several decades Condition Report: Overall there are some scratches, marks, chips, cracks and abrasions consistent with age and use.The upholstery is intact, though the padding is a little light to the seat so that the front seat rail can be felt and the seat fabric is not very tight. The upholstery was possibly done in the last 5-15 years or so. The frame under the upholstery has not been inspected.Some losses and replacements including seat rails, back pad feet and some ears to the tops of the legs.There is some evidence of old worm.The front legs are of impressive shape and carving.Please see all the additional condition report photographs through the link on the condition report email as a visual reference of condition. Condition Report Disclaimer
A PAIR OF FRENCH BRONZE FEMALE FIGURAL LAMPS LATE 19TH CENTURY Depicted in Egyptian and Persian style clothing, adapted from oil lamps, flame glass finials, unsigned 85cm high including shades Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Upper light fitments later, and although modern will require checking, replugging by electrician. With filled holes to front of each base and with cut out for prior wiring visible to reverse of each base. Rubbed patina- some edge marks and wear. ELECTRICAL GOODS. These are sold as decorative items only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A LARGE OIL ON CANVAS PAINTING OF A CARTOON FOR A TAPESTRY FRENCH, LATE 19TH CENTURY With verdure design encompassing birds and river approximately 190 x 208cm Condition Report: The canvas presents many scattered superficial scratches across the whole surface; furthermore, there are various dotted, but hardly noticeable, losses of paint, and dirt stains. UV light reveals no evident signs of restauration. The canvas has suffered, as scratches and creases seem to indicate that it might have been rolled, hence the various superficial paint losses. Condition Report Disclaimer
E FERRARINI ITALIAN (19TH CENTURY), A CARVED WHITE MARBLE BUST OF A YOUNG WOMAN DATED 1887 Set on polished socle, signed to reverse and dated '87 43.5cm high overall, base 15.5cm diameter Whilst the exact identification of this sculptor has yet to be established it is probable that he was a relative of Agostino Ferrarini (1828-1898), who was active in Parma and Piacenza. Condition Report: With some wear, marks, knocks and scratches as per age, handling, use, and cleaning. The bust and base are separate. Stone with natural inclusions, some surface dirt and marks, some natural flaws visible under strong light including but not limited to- her wimple lower left corner, section of drapery lower left, along head covering Chip to front lower edge, rear back edge and other nibbles and small losses Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Y A FINE REGENCY KINGWOOD, PARCEL GILT AND GILT BRONZE MOUNTED LIBRARY TABLE IN THE MANNER OF MOREL & SEDDON, CIRCA 1815 71cm high, 142cm wide, 71cm deepProvenance: Private Collection, London The present library table relates closely to a group of furniture supplied by the distinguished furniture making firm of Morel & Seddon for the Royal Apartments at Windsor Castle. They specialised in the use of light woods such as thuya, kingwood and amboyna combined with carved giltwood decoration. For comparison see Hugh Roberts, For the King's Pleasure, The Furnishing and Decoration of George IV`s Apartments at Windsor Castle, 2001, pp.317 (fig 399) and pp.332 (fig 413). Condition Report: Marks, scratches and abrasions comensurate with age and use. Fading overall. Some old chips and splits, some old repairs. some minor losses. Various old wear to the gilded areas as expected for age and use. Some old repairs including some small sections of veneer to the outer edges of the veneered plinth elements of the feet (as expected for age and use) These have been fairly well executed in the main. An experienced and qualified restorer could improve the appearance of them without great expense. The repairs there can mainly only be detected upon close inspection currently. Some old ink stains to the top and partial ring marks, some darker scratches (as expected for age and use) The appearance of these could be improved by a suitably qualified restorer if desired. The ink stains are not extensive but visible (please refer to additional images.) One thin section of veneer right at one shorter edge of the top of the table is possibly an old replacement but is extremely well executed and sits in position very well. The grain of the section varies from the remainder of the veneer of the top and appears to have been very skillfully 'grained' to be closer in appearance to the adjacent veneers. The 'graining' is darker in appearance to the adjacent veneers. The table is overall of solid structure. There is only very minor movement to some joints from age and use. The table is of solid useable condition. Some old replacement screws to the underside of the feet securing them. A small number of screws lacking. This table is a very high quality example of its type. The overall quality alongside features that support the high quality include the strips of veneer (providing highly attractive figuring of the fine veneers, solid mahogany drawer linings, very high quality cast metal feet. Please refer to all of the additional images available through the emailed link for visual reference to condition Condition Report Disclaimer
AN ITALIAN PORTOR MARBLE TAZZA CIRCA 1830 The marble with dark black ground and yellow/orange veining 40.5cm high, top 42cm diameter, base 18.5cm square Condition Report: With wear, marks, knocks and scratches as per age, handling, use, and cleaning. Under strong light and UV restoration visible to stem and section of edge of bowl (some glue residue visible to top under gradient light), various small chips together with small patches of infill- some infill from manufacture. Waters staining to bowl interior Some edge chips- several of which have have had remedial restoration, top of cylindrical support with chips and some remedial work Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
A CUT GLASS SIXTEEN LIGHT CHANDELIER LATE 19TH CENTURY AND LATER Two tiers of barley twist branches, serpentine below and upswept above, with brass nozzles and cup drip pans, central segmented orb, with dish and knopped terminal below and slender double knopped stem surmounted by dished corona with pendant drops and downswept beaded swags approximately 140cm high, 95cm wide Provenance: Abbotswood House, Stow-on-the-Wold, Gloucestershire Purchased from Mallett Condition Report: Restorations, and repairs including to at least 5 branches- some of which have been replaced to match, one with old collar repair just by orb arm holder, lowest tier/dish with old repair to break, trailing sections with wear and loss from handling and cleaning, some edge frits, chips and losses and knocks throughout Wiring is applied along arms and not through them- and looks aged and probably in need of rewiring to make safe and ensure domestic use. Several loose sections of chains and drops - some missing drops and a section of cross chain that currently looks to be mismounted. Overall will benefit from a clean. Possibly formerly silvered- this has now been rubbed away or perished With wear, marks, knocks and scratches as per age, handling, use, and cleaning. ELECTRICAL GOODS. These are sold as decorative items only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer
Mixed lot of silver and metalware including two silver backed dressing mirror, set of six silver egg spoons, two silver salt spoons, cased set of four coffee spoons with playing card suite finials, other silver spoons together with white metal South East Asian dressing table mirror, brush and trinket pot plus Norwegian spoonCondition ReportGlass in mirrors with light surface scratches, one with tiny nibbles to edge. General wear and tear.
Two 19th century porcelain chocolate cups and covers, including a Chelsea Derby chocolate cup cover and stand decorated with a repeating pattern of blue and green flowers amongst stars with a gilt scrolling floral border, the cover with feathered loop finial and the body with twin loop handles puce crown mark to base 15cm high and a Coalport porcelain chocolate cup and cover decorated with a band of gold foliage and orange fruits, unmarked. (2) Condition Report Coalport - wear to gilt, tiny nibble to rim, small chip to underside of lid.Derby - Repair to finial, hairline near one handle, chip to rim, two chips to foot, two chips to underside of lid.Both with light surface marks and general wear and tear.
20th century Waterford crystal six light chandelier type 'C.6', the fluted baluster stem, notch cut, issuing six S-shaped branches, each with diamond cut drip pan, suspending pendant drops, electrified, with chromed fittings and original assembly instructions, approx. 65 cm high x 58 cm wide Condition ReportGood overall condition
Eastern wool rug of Persian design, having black arabesque to the cherry red field with allover floral filled botehs, flowerhead border, 230cm x 135cm Condition ReportSigns of light wear/uneven wear. Appears to be a small repair. Possibly some fading/discolouration. General wear and tear, see photos.
Pair of late 19th century Bristol pink and white cased glass vases of baluster form with enamelled with floral decoration, 31cm high, together with a pair late 19th century Continental white opaque glass vases with floral and bird decoration, 29cm high (4)Condition ReportThe pink pair - one with very small chip to upper rim, both with light wear to enamels and minor surface scratching - 31cm high. The white glass vases with small chips to upper rim. minor wear - 29cm high. Overall in good decorative order.
19th century miniature portrait on ivory of Sir Walter Stirling, 1st Baronet (Major commandant of the Somerset Place Volunteers, Lieut-Col of the Prince of Wales's Loyal Middlesex Volunteers and member of the London and Westminster Light Horse) 8.5cm x 7cm, with hand written information to verso, contained in an ebonised frame. Ivory registration number: BQ9Q63JD
19th century chaise longue with scrolling end and buttoned pale green upholstery raised on turned baluster legs with castors,189cm long by 68cm high and 74cm deep, together with a Victorian ebonised piano stool with green upholstered buttoned seat, pierced fretwork carved sides (af) 53cm wide by 46cm highCondition ReportLight fading and discolouration. The scroll end appears to be fairly solid. There has been a repair to one leg, another leg has a section missing and there are generally scuff marks. The music stool has one leg detached and various bits of veneer missing from the sides and inside. Please see additional photographs.
Irish silver bowl, Dublin 1966 with Sheffield import marks, Royal Irish Silver Ltd (with the sword of light marks celebrating the 50th anniversary of the 1916 Easter Uprising), the plain body engraved with a crest and with shaped edge, raised on a circular foot, 15cm wide x 9.5cm high, 14.7ozt
North Italian School, 17th century A female figure restraining her loverred chalk14 x 19.5cmCondition ReportOverall: 42 x 45cmDiscolouration and foxing. Staining to the top, please refer to illustration. Light creasing. A diagonal fold mark to the upper right corner. The edges have been cut unevenly. Not viewed out of glazed frame.
After Frans van Mieris the Elder A man and a woman enjoying a meal of oysters oil on canvas 31.5 x 26.5cm Provenance: The collection of the late Sir Donald Cory. Condition ReportOverall: 47 x 42cm Craquelure and surface dirt. The work has a high gloss finish. Examined under UV light some overpaint and infilling is apparent, however the extent of this is largely obscured by the thick layer of varnish.
Circle of Thomas Buttersworth (1768-1842) A ship in a storm off a rocky coast oil on canvas23 x 30.5cmCondition ReportOverall: 43 x 48cmSurface dirt with patchiness and discolouration to the varnish. The painting is sitting loosely in the frame. Not examined under UV light, for a full report please contact the department.
French School, late 19th century A nude on a branch over a pool;A nude amongst rocksa pair, oil on canvas30.5 x 20.5cm (2)Condition ReportOverall: 28 x 38cmThe paintings have a thick glossy varnish which has a slightly textured surface. The paint appears a little thin in places. Not examined under UV light, for a full report please contact the department.
â–² Willem Dolphyn (Belgian, 1935-2016) 'Days Gone By'signed, inscribed and dated 'W Dolphyn 2006 Excudit' l.l., oil on board70 x 60cmProvenance: With W H Patterson, London.Condition ReportOverall: 87 x 77cmAppears to be in good condition and ready to hang. Not examined under UV light, for full report please contact the department.
Ayerst Young (early 20th century) After the hunt, horses by a stable oil on canvas51 x 66.5cmCondition ReportOverall: 58 x 73.5cmSome spots and speckles of very light surface dirt. Under raking light a faint stretcher marks is starting to emerge to the top edge. A couple of minor losses to the top right. Presents well overall. Examined under UV light the application of varnish appears a little patchy. There is a small spot of touching up to the bottom of the gate. There is a further spot of retouching to the horse's rear, however this is not visible to the naked eye. Please refer to additional condition images.
â–² George Shaw (1929-1989) A fishing boat, a tug and sailing vessel in the distancesigned 'GEORGE SHAW' l.r., oil on canvas30 x 40cmCondition ReportOverall: 45 x 55cmAppears to be in good condition. Well presented and ready to hang. Not examined under UV light, for a full report please contact the department.
Charles-Nicolas Cochin (French, 1715-1790) Venus surrounded by puttisigned 'Cochin...' l.l., pencil7 x 13cmCondition ReportOverall: 33 x 41.5cmLight cockling and foxing. Staining to the lower and left edges, please refer to illustration. The work is lifting in the corners but appears to be stuck down. Not viewed out of glazed frame.
Follower of Francesco Zuccarelli A mountainous landscape with figures near a waterfall;A mountainous landscape with figures by a pool and a distant villagea pair, oil on canvas77 x 64cm, in carved giltwood Maratta frames (2)Condition ReportOverall: 94.5 x 81cmCraquelure and surface dirt. Stretcher marks. A small tear crossing the arm of the figure on the left side of the lansdcape with a waterfall. Not examined under UV light, for a full report please contact the department.
Percy Leslie Lara (1870-1951) Harvestingsigned 'P. Leslie. Lara' l.r., oil on canvas61 x 92cmCondition ReportOverall: 86 x 115.5cmLight surface dirt. There is a slight undulation to the canvas visible in the bottom right corner and some craquelure starting to emerge. There is dust trapped behind the glazing. Not viewed out of glazed frame or examined under UV light, for a full report please contact the department.
Attributed to Anton von Maron (Austrian, 1733-1808) A portrait study of a man, bust-length, in a red coat oil on canvas46 x 35cmCondition ReportOverall: 57 x 46cmCraquelure and light surface dirt. There are some faint lines (creases) throughout which appear to be due to relining. Some slight thinning of the paint to the collar. Examined under UV light a thick patchy later of varnish obscures much of the background. Please see additional condition images.
Joseph Clark (1834-1926) 'Sharing Between Friends'signed and dated 'J. Clark 1897' l.l., oil on canvas46 x 60cmProvenance: With Gladwell & Patterson, London.Condition ReportFramed: 67 x 79cmA very small scratch to the cheek of the girl on the right but appears to be in otherwise good condition. The work presents well overall and is ready to hang. Not examined under UV light. For full report, please contact department.
H... M... (19th century) A still life of poppies in an ornamental vase on a wooden ledgesigned with initials and dated '1889' l.l., oil on canvas77 x 64cm, in a carved giltwood frameCondition ReportOverall: 92 x 80cmFine craquelure. There is more obvious craquelure and shrinkage to the white paint. Stretcher marks starting to emerge. A small tear 2cm in length at the top of the vase just beneath the red poppy. A small pierced hole to the leaves above the same poppy. Not examined under UV light, for a full report please contact the department.
Thomas Valentine Garland (fl.1868-1914) 'Left in Charge' - a child and small dog beside a cradle with a sleeping infantsigned and dated 'T. Valentine Garland 1871' l.l., oil on panel25 x 20.5cmCondition ReportOverall:37 x 32cmPresents well with no obvious condition issues. Viewed under UV light no retouching or restoration is apparent.
Charlotte Nasmyth (1804-1884) A view of Rome with travellers on a road at sunsetsigned and dated 'C Nasmyth/augt 1838' l.r., oil on canvas 71 x 91.5cmCondition ReportOverall: 83.5 x 104cmRelined and cleaned. Craquelure. Presents well when viewed on the wall. Examined under UV light there is extensive infilling and retouching to the sky, trees and landscape. Please refer to additional condition images.
Antonietta Brandeis (Czech-Italian, 1849-1926) The Rialto, Venicesigned 'A Brandeis' l.l., oil on canvas50 x 60cmCondition ReportOverall: 61 x 72cmSome very slight thinning to the paint in the sky but appears to be in otherwise good order. Examined under UV light a think layer of varnish fluoresces in places at the bottom of the painting however there is no obvious retouching. Please see additional condition images.
English School, early 18th century Portrait of a gentleman, half-length, in a dark green coat and white stockoil on canvas60.5 x 50.5cm, unframedCondition ReportRelined. Craquelure and surface dirt with some restoration evident to the sitter's forehead. Some small losses to the bottom. Not examined under UV light, for a full report please contact the department.
Dutch School, 17th century Portrait of a lady, bust-length, in a white lace ruff and headdressoil on canvas61 x 49cmCondition ReportOverall: 79 x 67cmRelined. Craquelure. Some areas of restoration visible to the face and background. A thick varnish has been applied. Not examined under UV light, for a full report please contact the department.
William Widgery (1826-1893) A shipwrecked boat in rough seas with Tintagel Castle, Cornwall, beyond oil on canvas 77 x 123cm A typed note verso states: 'This is a reply to my note to F. J. Widgery./14/12/1933./Dear Mr Chalk, "From the description given/I have no doubt the locality is Tintagel.N.Cornwall. My/late father did a lot of work, both there and at Bude. I/also remember that the size was one he favoured for coast/scenes. Yours Sincerely. F. J. Widgery."' Provenance: Bonhams, London, 24 November 2009, lot 15. Condition ReportOverall: 92x 140cm Relined. Craquelure and crazing with shrinkage to the paint. Light surface dirt. Rubbing to the right edge. The canvas tension is a little loose to the touch. There are ridges in the paint to the upper left corner, please see additional images. There is some overpainting to the lower left corner which under UV light appears to be a repaired jagged tear. Some further touching up to the smaller boat on the right side is also apparent.
English School, 19th century The day's catch;Fish on the bank of a river, a castle beyonda pair, the first indistinctly signed l.r., oil on canvas laid on board20 x 25cm (2)Condition ReportOverall: 32 x 36cmCraquelure. Not examined under UV light, for a full report please contact the department.
Follower of Nicolas de Largillière Portrait of a young lady, half-length in a gold-embroidered red dress and blue wrap; Portrait of a young lady, half-length in a white dress and blue wrap a pair, oil on canvas laid on panel, oval 39.5 x 32cm, in ornate 19th-century gilt gesso frames (2) Condition ReportOverall: 63 x 49cm Craquelure and light surface dirt. Slight thinning to the paint in places, with rubbing to the edges. Under raking light some small bumps in the canvas can be seen (believed to be due to being laid down on board) and the finish appears a little patchy and uneven. There is a very tiny loss to the background in the upper left of the portrait of the young lady in a white dress. Not inspected under UV light, for a full report please contact the department.
George Engleheart (1750-1829) Portrait of a man, bust-length, in a brown coat and white stocksigned with initials 'G. E.' l.r., miniature on ivory, oval 3.5 x 3cm, in a 9-carat gold frameIMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018.Condition ReportThe ivory is slightly 'dished' at the edges but appears to be in otherwise good overall condition without any cracks or warping. Slight fading. A light scratch to the background in the lower left. On close inspection under raking light some superificial surface scuffs are visible and there are some tiny white speckle to the background but these imperfections are not overly distracting.
â–² Antoine Bouvard (French, 1875-1957) A Venetian backwatersigned 'Bouvard' l.r., oil on canvas27 x 34cmCondition ReportOverall: 41 x 50cmLight surface dirt. Overall the work appears to be in generally good order. A clear, even varnish has been applied. Examined under UV light no obvious retouching.
Alfred Pollentine (1836-1890) San Giorgio Maggiore, Venicesigned and dated 'A Pollentine/81' l.r., oil on canvas41 x 61.5cmProvenance: Bonhams, 26 October 2010, lot 2.Condition ReportOverall: 52 x 72cmRelined. On close inspection some overpainting and infilling is visible to the sky, however presents well when viewed on the wall. Examined under UV light considerable restoration to the sky is apparent. There are some small spots of further retouching to the gondola in the bottom right and to the sail of the boat along the left edge. Please see additional condition images.
Antonietta Brandeis (Czech-Italian, 1849-1926) The Palazzo Mastelli del Cammello, Cannaregio, Venicesigned 'A Brandeis' l.r., oil on canvas17.5 x 24cmCondition ReportOverall: 27 x 33.5cmAppears to be in good condition. Examined under UV light some very small fine lines fluoresce, please see additional condition images. On close inspection when viewed in natural light these lines appear slight lighter in tone but are not overly distracting and overall the work presents well.
Edward Stott ARA (1855-1918) A nude figure on a branchsigned with monogram l.l., coloured pastel17.5 x 16.5cmtogether with: 'Washing Day'stamped l.r., chalk and charcoal, believed to be a study for the painting 'Washing Day', 1899, in the collection of the Watts Gallery Trust31.5 x 31.5cm (2)Condition ReportOverall: 44 x 42cm and 48 x 48cm'Washing day': light crease marks thoughout. Some small pinholes dotted around the edges. Nude figure seated on a branch: time staining with a cocklng to the top and bottom edges. Not viewed out of glazed frames.
John Frederick Herring Jnr (1815-1907) Horses, pigs and ducks in a farmyardsigned 'J. F. Herring' l.r. (on post), oil on canvas36.5 x 56.5cmCondition ReportOverall: 47x 63.5cmCraquelure with light surface dirt. Pinholes to the corners. Not examined under UV light, for a full report please contact the department.
G... Cox (late 19th/early 20th century) A group of kittenssigned 'G Cox' l.r., oil on canvas23 x 61cmCondition ReportOverall: 77 x 39cmCraquelure with stretcher marks starting to emerge to the top edge. Some small spots of retouching are visible to the head of the cat and background in the upper right quarter. Not examined under UV light, for a full report please contact the department.
Thomas McEwan (1846-1914) At her grandfather's kneeindistinctly signed and dated 'T... McEWAN/1876' l.l., oil on canvas35 x 44cmCondition ReportOverall: 47 x 57cmCraquelure and light surface dirt with rubbing and small losses to the extreme edges. Not examined under UV light, for a full report please contact the department.
... Bouvard (French, 19th/20th century) The Grand Canal, Venice, with the Doge's Palace and the Piazzetta in the distancesigned 'Bouvard' l.l., oil on canvas38 x 55cmCondition ReportOverall: 53 x 69cmUnlined. A small black speck to the right of the upper edge. Appears to be in otherwise good order. Examined under UV light no obvious retouching.
Circle of John Smart (1741-1811) Portrait of a gentleman, bust-length, in a red coat, cream embroidered waistcoat and white stock miniature on ivory, oval 3.5 x 3cmIMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018.Condition ReportThe ivory is slightly 'dished' at the edges but appears to be in otherwise good overall condition. There are no sign of cracking to the ivory or any paint loss. On very close inspection under raking light there are some light superficial scratches and minor abrasions but these are not overly distracting. The colours are bright and overall the miniature presents well.
Manner of Jan Frans Soolmaker An Italianate river landscape, with figures tending sheep and goats by classical ruinsoil on canvas53.5 x 89cmCondition ReportOverall: 70 x 105.5cmLate 18th century. Relined. Craquelure and light surface dirt. Some infilling and restoration is apparent. Not examined under UV light, for a full report please contact the department.
Margaret Sarah Carpenter (1793-1872) Portrait of Mrs Simpson as a young woman, three-quarter-length seated, in a white dress and holding a pink rosesigned and dated 'Margaret Carpenter/1850' c.l., oil on canvas109 x 89cmProvenance: Bonhams, The Contents of The Old Rectory, Banningham, Norfolk, 22-24 March 2004, lot 251.Condition ReportOverall: 135 x 114cm.Craquelure. Losses and abrasions to the background at the top and to the upper left quarter. There is an area of restoration visible to the background, upper left, which corresponds to a 10cm x 10cm patch repair verso. Not examined under UV light, for a full report please contact the department.
Sarah Louise Kilpack (1839-1909) The Harbour of Gorey with the castle of Mont Orgueil, Jersey, at dusk; A coastal scene with a castle; A coastal scene with figures and sheep at dusk, possibly Janvrin's Tomb at Portelet Bay, Jersey three, all signed 'S. L. Kilpack' l.l., oil on board 13.5 x 24cm (3) Condition ReportOverall:19.5 x 29.5cm There are a couple of specks of light surface dirt however all three paintings appear to be in otherwise good condition. Examined under UV light no retouching shows.
Sophia Khrustalyova (1915-2006) Sunflowerssigned in Cyrillic l.r., also signed, inscribed in Cyrillic and dated '1969' verso, oil on canvas56 x 48cmCondition ReportFramed: 65 x 57cmAppears to be in good condition. Not ecxamined under UV light, for a full report please contact the department.
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