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A GREAT WAR PAIR OF MEDALS TO PRIVATE J. LOADER, LINCOLNSHIRE REGIMENT comprising the British War Medal 1914-20 and Victory Medal (both 32763 PTE. J. LOADER. LINC. R.), officially impressed, unmounted; together with a silver War Badge, numbered 387821; a British Legion enamel lapel badge; pocket New Testament; Twenty-First Division distinguished field conduct recognition card; wound Treatment Card; Certificate of Discharge; Character Certificate; War Gratuity Claim; further ephemera; a leather cartridge belt; and a copper and brass bugle. Note: James Loader was born at Moorlynch, Somerset, on 26th May 1896. He was employed as a farm labourer before enlisting at Taunton on 26th June 1915, and initially served in the Somerset Light Infantry (regimental no.19245). Having been transferred to the Lincolnshire Regiment, he was injured in the field, sustaining a gun shot wound to his back, which lead to his repatriation and a period of treatment at a military auxiliary hospital in Bootle. He was honourably discharged from service on 15th May 1918.
THIRTEEN GREAT WAR & LATER SWEETHEART & OTHER BROOCHES including those of Duke of Cornwall's Light Infantry; Buffs [East Kent Regiment]; Dorsetshire Regiment; King's Own Yorkshire Light Infantry (silver); Royal Engineers (silver); Royal Field Artillery (silver); Royal Navy (silver); Arras; Armentieres; and other interest. Condition Report : East Lancs brooch lacking pin Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
A CONTINENTAL GILTWOOD SERPENTINE CONSOLE TABLE, 19TH CENTURYfitted with Carrara marble top and supported in carved scrollwork legs, joined by under stretcher. 196cm wide x 88cm high Condition Report: Good overall condition 19th marble top is good with usual light surface scratches but nothing of significance Base regilded, small gilt losses Overall firm and sturdy condition See additional images 55.5cm deep
A LARGE WILTON WOOL FLOOR CARPET. 453 X 366CMof Axminister design, in soft green, navy and coloured tones, centred with large cartouche shaped medallion within multiple narrow borders, partial label verso. Condition Report: Would benefit from a light clean Fairly thick pile and would be fine to sustain cleaning See additional images
A SET OF TWELVE IRISH SILVER GOBLETS, Dublin 1975, mark of Royal Irish Silver Company, with gilt interiors, each with frosted decoration to the body, rusticated stem on circular foot, (c.90 troy ozs all in). Each 11cm high (One example without gilt interior) Condition Report: - All examples of identical design, date and maker - One example doesn't have a gilt interior bowl (as described in catalogues) - Very good overall condition, could benefit from light polish - no issues to report - see images
A MODERN GILT METAL AND FROSTED GLASS, FIVE LIGHT ELECTROLIER,with down turned lights and shades, 78cm drop including suspension chain.(E)ELECTRICAL GOOD IN NEED OF REWIRING ARE INDICATED BY THE SYMBOL **‘(E)’** These are sold as ‘antiques’ only and if bought for use, buyers must have them checked over for compliance with safety regulations by a qualified electrician before you use them. Adam’s does not take responsibility for non-functioning electrical goods as most second-hand electrical items sold at auction require re-wiring even if functioning at the time of the auction viewing.
AN UPHOLSTERED HOWARD STYLE SOFAcovered in a yellow and beige striped fabric, with loose seat cushions, supported on short turned legs and castors. 87cm high, 177cm wide, 98cm deep Condition Report: 87cm high, 177cm wide, 98cm deep Good overall condition Sturdy Upholstery with some light staining Some slight wear to the back of the couch Loose cushions with removable covers for cleaning Cushions feel like feather stuffing but cannot confirm if combination, see images- very soft and plush cushions No makers label present. Label for retailers George Smith Ltd, see images
A GEORGE III INLAID MAHOGANY BOWFRONT KNEEHOLE WRITING TABLEfitted one long and two short drawers. 89cm wide, 53cm deep, 79cm high Condition Report: - Good overall condition - The top with some light surface marks / stains but nothing significant - drawers good - Hallmarks original - Compact size - See images
A WILLIAM IV MAHOGANY CIRCULAR TABLE, the top cross banded and decorated with a beaded border on a centre pillar and triangular platform base. 121cm diameter Condition Report: Fairly good condition Some light surface marks Some veneer looses to the triform base (from foot scuffing) Level and sturdy surface See additional images
Banca Nationala a Romaniei, specimen 2 Lei, 17 July 1920, serial number S.3430-0448, red SPECIMEN overprint, light handling, otherwise uncirculated, scarce BNB B210ds, Pick 27s £240-£260 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---
Southern Rhodesia Currency Board, printers archival specimen £5, 1 September 1951, serial number range C/20 000001 to C/20 100000, Simmons and Munro signatures, SPECIMEN perforation, order number and date ‘9/10/50’ inked in top margin, light mounting traces, uncirculated and rare BNB B106i4, Pick 11f £1,000-£1,500 --- Importation Duty This lot is subject to importation duty of 5% on the hammer price unless exported outside the UK ---
TUDOR HOUSE BISCUIT TIN, HUNTLEY & PALMERS, CIRCA 1934 modelled in the form of a house or inn, with open chimney.Provenance: The Lewis Collection 16cm wide Overall, the tin is in good condition. The exterior shows some signs of light wear, but no large dents or losses in the design. The tin would benifit from a cleaning. The exterior is slightly yellowed, but in a uniform manner. Lid fits snugly with no bends.
THREE BISCUIT TINS, PALMER BROTHERS AND WILLIAM CRAWFORD & SON LTD, EARLY 20TH CENTURY one modelled in the form of a child's lunch box, with butterfly motif to the exterior and with hinged closure. The next of square form, with tartan decorations and an illustration of a blonde child on the detachable lid. The last of square form, with red ridging on a light background.Provenance: The Lewis Collection 12cm wide each Refer to images.
Lucy Yukenbarri Napanangka (Aboriginal, 1934 - 2003), 'Warlayirti Art', signed and titled verso, oil on canvas, 100.5 x 75.5 cm, unframedThe canvas has not been lined. Light surface dirt is visible throughout. There are two areas of dark green visible near the centre of the left edge, and a further small stain to the centre of the right edge. Rubbing is visible to edges and corners, resulting in minor losses particularly to lower corners. A small area of craquelure is visible to the white, lower right. There is no evidence of restoration visible under UV light.
Edgar Hunt (British 1876-1953), Farmyard scene with doves, ducks and rabbit, signed 'E.Hunt' (lower right) and dated 1914, oil on board, image 35 cm x 29 cm, framed 51 cm x 45.5 cmOverall in good condition and ready to hang. The board is sound. There is no evidence of restoration visible under UV light.
British School, early 20th century, Two seated female figures in bonnets, unsigned, oil on canvas, 39 x 31 cm, framed 46.5 x 39 cmLabels verso attribute the painting to Walter Sickert, 'This painting by Walter Sickert was given to my parents as a wedding present by Sickert's friend Walter Taylor. Luke Gertler' From the collection of Luke Gertler, son of artist Mark Gertler. In original condition. Unlined. Some light surface dirt. There is no evidence of retouching visible under UV light.
Tony Karpinski (British b. 1965), Leopard Drinking, signed 'Karpinski' (lower right), titled verso, oil on board, image 44 cm x 66.5 cm, framed 70 cm x 93 cmHaynes Fine Art of Broadway, REF 13931.Overall in good condition and ready to hang. The board is sound. There is no evidence of restoration visible under UV light.
Follower of Bartholomeus Assteyn (Dutch, 1607-1667/77), Still life of flowers in a basket, unsigned, oil on panel, 30.5 x 47 cm, framed 49 x 65 cmPanel is slighly bowed. There is a repaired horizontal crack to the panel running left to right along the lower third of the panel. Scattered craquelure throughout. There is frame abrasion and associated minor losses to the edges. A further area of surface abrasion is visible, lower right, and some small flakes of paint are lifting in areas. There are some scattered dents, most noticeable a circular 1cm dent upper right. There appears to be a small clump of dirt to the central lily. Further surface dirt is visible throughout. UV light reveals retouching along the aforementioned repair to the panel, and scattered touches throughout, mainly to the background.
William Lee-Hankey (British,1869 - 1952), Carbis Bay Cornwall, signed (lower right) and inscribed verso, oil on canvas, 37 x 45 cm, framed and glazed 48 x 56.5 cmOverall all in good original condition. The canvas has not been lined. Light surface dirt and some minor frame abrasion is visible. There is no evidence of restoration visible under UV light. Unexamined out of glazed frame.
William Oliver (British, 1804-1853), The Ferry Boat, signed 'W Oliver' (lower right), dated 1852, oil on canvas, image 48 cm x 78 cm, in a later frame 65 cm x 97.5 cmThe canvas is unlined. There is a small wax repair visible verso, approximately 2 cm in diameter, to the houses on the far left. Craquelure is visible throughout. There is some separation visible to the lower left quadrant. Surface dirt and a discoloured varnish. UV light reveals possible areas of retouching to sky and water lower left, but the discoloured varnish makes a reading difficult.
Great Exhibition 1851 Official Descriptive and Illustrated Catalogue,Published by Spicer Bros 1851, 4 vols., in tooled full leather bindingsAll volumes appear complete, and are in good overall condition. Some light foxing to pages in places. Spines and covers generally good, with some wear and rubbing, and a split to the spine in Vol. IV, as shown. Wear present commensurate with age and use.
Yitzhak Frenkel-Frenel (1899 - 1981) Israeli, St Mark's Square from the Grand Canal, Venice, signed, oil on board, 22 x 27 cm, unframed; and by the same artist, Harlequins and a horse, gouache and watercolour, signed, 43 x 57 cm, framed and glazed 63 x 76 cmVenice: The board is very slightly bowed. Some abrasion is visible to edges and corners, with some small losses to the upper and right edges. Surface dirt throughout. A couple of chips and surface scratches are visible. There is what appears to be some touches of additional brown paint in the centre of the water. UV light does not reveal any additional retouching. Harlequins: The paper is uneven in the mount. Light acidification is visible to the paper, becoming a shade darker at the very edges. There is a 7cm crease to the upper right corner. Further light creasing is visible, mainly along the bottom edge, and a 0.5cm indentation, lower left in the white border.There is some light surface dirt and a few scattered spots of foxing. Under glass and unexamined out of frame.
After the Antique, a grand tour patinated bronze figure of Narcissus, signed by the Foundry Sommer, on a circular base, 62 cm high, the base 26 cm diameter.From the collection of Luke Gertler, son of artist Mark Gertler.Possible repair to the right arm, with rough surface and 'bubbling' to the bronze. Some light surface marks and scratches elsewhere. Structurally sound.
Bruno Capacci (Italian, 1906-1996), Commedia dell'Arte, signed, dated and inscribed, 'Capacci MXMXXXV VIII' (lower left), oil on panel, 152 cm x 151 cm, framed 159 cm x 159cmSlight cracking throughout to the painted surface and some abrasions to the surface (especially on harlequin's shoulder and hat). Nails now becoming exposed in the sky. Some light wear to the gilt frame.
Peter Howell (b. 1932), Horses and Jockeys before the Race Start, signed 'Howell' (lower left), oil on canvas, 100.5 x 126 cm, framed 113 x 139 cmUnlined. Some frame abrasion visible to edges, with minor losses in places. A couple of specks of loss on horse's leg, lower right. Scattered areas of craquelure throughout. There are two small areas of loss in the upper right quadrant. Some light surface dirt. No evidence of restoration visible under UV light.
Guy Taplin (b.1939), a pair of swans in flighted, painted and carved wood, signed and numbered 4 & 5, each on a metalware support with square blue wood base, the tallest 43 cm. Qty: 2 No repair evident - there are two hairline cracks (probably natural) to the wood, around the wing of one swan. Light surface marks in places. Both are signed.
Charles Mendelssohn Horsfall (British, 1865 - 1942), Portrait of Mrs Norah Frost, signed and dated 1930 (upper left), titled verso, oil on canvas, 91 x 71 cm, in a giltwood frame 112 x 91.5 cm The collection of the late Robert HicksonRobert was a noted London antique dealer for over 40 years. Robert started in the Silver departments in Garrards in London at the age of 15 and by the age of 20 he had risen to manage Brompton Gallery in Knightsbridge. Robert had a long and successful career within the antique trade and had a particular passion for Silver and antique Eccentricities, his passion and connoisseurship are reflected in his collection. The canvas is unlined. The surface is dirty and will benefit from a clean. There is a puncture to the canvas, upper centre, and a few scattered scratches and abrasions. Central stretcher impression is visible and this has caused a small area of fine craquelure. There is also craquelure visible to the left corner along the left and lower stretcher marks. There is no evidence of retouching visible under UV light.
Edward Wesson (British, 1910 - 1983), Coastal Buildings - possibly Walberswick (Suffolk), signed 'Edward Wesson' (lower left), watercolour and ink, 29 x 50 cm, framed and glazed 44 x 65 cmIn fairly good colour. The sheet is slightly uneven in the mount. There is light scattered foxing thoughout, mainly noticeable in the sky. Some scattered surface dirt. Under glass and unexamined out of frame.
A pair of Minton Mulberry Hall 'York Queens Beasts' pattern 1977 Silver Jubilee commemorative candlesticks, numbered 210/250, 15.5 cm, together with a pair of Royal Worcester candle snuffers, 'The Lion & Unicorn' numbered 537/750, to commemorate the Golden Jubilee of Queen Elizabeth II, and a Crown Derby bone china model of a peacock, 22 cm.Qty: 5Generally good order, I cant see any defects under a strong focused light source
Stephen Park (British, b.1953), Stalking Tiger, signed 'Stephen Park' (lower right), oil on board, 39 x 39 cm, framed 56.5 x 56.5 cm; and Lion Cub, signed 'Stephen Park' (lower right), oil on board, 29 x 29 cm, framed 49.5 x 49.5 cmQty: 2Both pictures in good condition ready to hang, with no evidence of retouching visible under UV light. The Stalking TIger exhibits a small abrasion to edge of lower left quadrant and small amount of dirt to lower central quadrant. Both have been uexamined out of frame.
British School (20th Century), bust-length portrait of a young man, unsigned, oil on canvas, 43.5 x 35 cm, framed 51.5 x 43 cmFrom the collection of Luke Gertler, son of artist Mark Gertler.The canvas has not been lined. Light surface dirt is visible throughout. Craquelure is visible, most noticeably to the sitter's hair. There appears to be old damages to the sitter's cheek and chin. There are several other scattered scratches and abrasions. UV light reveals several scattered retouchings to hair, to aforementioned damages to cheek and chin, to clothing and a few spots elsewhere.
A LARGE QUANTITY OF ROOFING MATERIALS TO INCLUDE APPROXIMATELY 80 x 4.2M LENGTHS OF 3 1/2 X 1 1/2 TIMBER, APPROXIMATELY 40 x 2M LENGTHS OF 3 1/2 X 1 1/2 TIMBER, APPROXIMATELY 10 FULL PERSPEX ROOF LIGHT SHEETS AND APPROXIMATELY 75 PAINTED METAL TIN ROOF SHEETS (THIS ITEM WILL BE DISMANTLED READY FOR COLLECTION FROM THE 10TH OF SEPTEMBER)

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534297 Los(e)/Seite