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534325 Los(e)/Seite
Los 8
An 18th Century Chinese blue and white rouleau vase decorated with fisherman and boat by water's edge, raised on a circular foot, bearing six character Jongzheng mark to base, 13.3 cm high CONDITION REPORTS Light surface scratches, accretions, some inclusions in the glaze. Some staining to the inside of the neck. General wear and tear commensurate with age - see images for details.
Los 109
A Dinky Super Toys BBC TV extending mast vehicle with windows (969) boxed, a Dinky Super Toys BBC TV roving eye vehicle (968) boxed, a BBC Super Toys mobile control room (967) boxed, a 968 TV roaving eye unboxed / damaged together with a small collection of various other die cast vehicles and a Kodak Six / 20 Popular Brownie camera CONDITION REPORTS The BBC roving eye vehicle has surface scratches, accretions,. some fading and possible discolouration to the transfer stickers, some scratches and small areas of loss to the paint. There are small splits to a couple of the rubber wheels, the plastic aerial is slightly bent towards the top. The BBC mobile control room van has light surface scratches, some minor scuffs to the paint, accretions and a build up of dirt in areas. Some of the transfers are slightly faded and discoloured. The BBC extending mast vehicle has light surface scratches and some minor scuffs to the paint, accretions, dust and dirt in areas. The metal of the extending mast has areas of rust and tarnishing but the mechanism does work. All pieces have general wear and tear commensurate with age and use. See photos for details.
Los 154
A Rolex Extra Prima 9 carat gold cased pocket watch, the white enamel dial set with Roman numerals and subsidiary seconds dial, the case (by Benson Brothers, Chester 1927) and No'd. 4049, approx 96 g CONDITION REPORTS We are unable to confirm whether the watch is working or not however it appears to be ticking. The minute and hour hands and cogs are moving on the pocket watch although unable to state whether watch is in proper working order. Light surface scratches and some minor dents to the case. The dial is in good condition, no chips or scratches. The watch winds smoothly. The hinges are good and the cover closes tightly. The diameter of the case is approx 5 cm.
Los 157
An 18 carat gold cased full face decimal chronograph pocket watch by John Lecomber of London and Liverpool, dated September 13th 1875, together with an 18 carat gold chain, 23.7 g (case hall-marked Chester 1880), housed in a box containing four 10 shilling notes CONDITION REPORTS We are unable to confirm whether the watch is in full working order. The weight of the watch alone is approx 135g The weight of the chain is 23.8g. without the key. The watch case has a diameter of 5.5cm approx,. Numerous light surface scratches, some scuffs to the case, some minor dents and knocks to the case mainly to the back. The dial is in good condition with no chips to the edges, etc. Some accretions, some light surface scratches and scuffs to the glass. There is no wear or base metal coming through from the bow ring so would conclude that the bow ring is not plated but gold. The watch has been over wound. General wear and tear commensurate with age and use. See photos for details.
Los 168
A 9 ct gold dress ring and earrings, set with cabochon cut lapis lazuli within a gold rope twist border CONDITION REPORTS Some light surface scratches and scuffs to both the earrings and the ring on the gold and to the lapis lazuli. Earrings are slightly mis-shapen. There appears to be a hard glue like substance on the ring. General wear and tear commensurate with age and use. See photos for details. Ring weighs approx 4g and the earings weigh approx 30.4g
Los 183
A Rolex "Tudor" advisor alarm wristwatch the silvered dial with plain batons inscribed "Tudor Advisor Shock resisting" together with a Reflex quartz wristwatch CONDITION REPORTS ROLEX TUDOR - We are unable to state whether the watch is in full working order, however, the motion appears to be working and it ticks. Recommend viewing in person. Some dirt and accretions and some discolouration on the dial behind the glass. Some light surface scratches to both the glass and the case. The hands are changing OK. The alarm sounds. Some small scuffs and dents to the back of the watch. The numbers on the case between the lugs is 7926. There is no box with the watch. General wear and tear commensurate with age and use. See photos for details.
Los 20A
A pair of 18th Century sweetmeat glasses with wrythen bowl on a Silesian stem to domed foot CONDITION REPORTS Both glasses have light surface scratches and accretions. One of the glasses has a small chip to the edge of the foot. Both glasses have general wear and tear commensurate wtih age and use. See photos for details.
Los 21
A pair of 19th Century cut glass mallet shaped decanters and stoppers, a pair of modern decanters etched with "pheasant and grouse", two further decanters, three jugs and two cut glass jars and covers CONDITION REPORTS The pair of 19th Century mallet shaped decanters both have numerous surface scratches, accretions, clouding to the inside, numerous small chips to the shoulders of both decanters and numerous small chips to the base of both. One of the decanters does have a large chip to the base. One of the stoppers has an area of loss. The two modern decanters with pheasant and grouse both have light surface scratches, accretions, scuffs etc. There is some staining to the inside of both decanters. The other mallet shaped decanter has numerous surface scratches, some clouding to the inside, a small chip to the rim, chips to the base of the stopper, accretions, etc. The two 19th Century mallet shaped decanters both measure 27 cm approx in height. The decanters with the pheasant and grouse both measure 36 cm in height approx. The further two decanters measure 32.5 cm approx and 24.5 cm approx. All have wear and tear commensurate with age and use. See photos for details.
Los 250
F.H. (CONTINENTAL SCHOOL) "Sisters with basket of flowers", a landscape and ornamental garden with bridge unfolding in the background, oil on canvas, initialled and dated 1848 middle left CONDITION REPORTS Some light surface scratches and accretions. Crazing to the paint in numerous areas. There is a small area of loss to the paint on the older woman's hand. Under UV light the painting appears to have been cleaned and there are areas of repainting and touching up. General wear and tear commensurate with age and use. See photos for details.
Los 251
DAVID DENBY "Lady in an evening dress, etc, an owl upon the chair arm", oil on canvas, initialled lower right, inscribed verso "David Denby Portrait of a lady in evening dress, etc, Arthur Hacker Prize £60" (ARR) CONDITION REPORTS Some light surface scratches, accretions and minor scuffs. Under UV light the paintings appears to have been cleaned but cannot tell if there has been any touching up or re-painting. General wear and tear commensurate with age and use, see photos for more details. Measurements: 80cm wide x 104cm high
Los 301
CHARLES BROOKE BRANWHITE (1851-1929) "Figures walking alongside river's edge with rocky hills in the background", watercolour, signed lower left CONDITION REPORTS There is a small brown blemish in the trees, general small light faint scratches. General small signs of wear and tear. The frame with various chips and scratches and various general signs of wear and tear throughout.Image size 72 x 48 cm
Los 307
ALFRED DE BREANSKI (1852-1928) "A Highland landscape with sun-kissed mountain to the background with loch draped in shadow to the foreground", oil on canvas, signed lower left CONDITION REPORTS The painting could possibly do with a clean. There are some light surface scratches. There is a small pinprick hole on the left-hand side of the painting above the signature. There appears to be a couple of areas of repair which are evident on the back of the canvas. There is some minor cracking to the paint on the inner sky on the left-hand side of the painting. General wear and tear commensurate with age and use. See photos for details. Image size 49cm x 39cm approx. Including frame 65cm x 54cm approx.
Los 409
Evelyn Laye signed 10x 8 vintage sepia photo, dedicated In remembrance of a truly wonderful dinner. English actress who was active on the London light opera stage, and later in New York and Hollywood. Her first husband, actor Sonnie Hale, left her for Jessie Matthews, earning much public sympathy for Laye. Good Condition. All signed pieces come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £3.99, EU from £5.99, Rest of World from £7.99.
Los 100
Augustine, of Hippo (Saint) and Saint Ignatius, of Antioch. Unless the Grain Die, number 177 of 200 copies on hand-made paper, original cloth-backed boards, light browning to upper cover, Worcester, Stanbrook Abbey Press, 1961 § Davis (M.J.) To the Cross: A Sequence of Dramatic Poems for Holy Week, number 21 of 100 specially-bound copies with an additional set of proofs and signed by the author and artist, wood-engravings by Simon Brett, original morocco-backed vellum, spine faded, proofs numbered and signed in pencil loose as issued in original cloth portfolio, together in slip-case, Marlborough, Paulinus Press, 1984 § Clare (Peter) The Stations of the Cross, number 105 of 250 copies signed by the artist, woodcuts by Clare tipped in, original cloth-backed boards, Clun, Redlake Press, 1994, all uncut; and 4 others, 4to & 8vo (7)
Los 108
Blunden (Edmund) Undertones of War, scattered spotting, bookplate, dust-jacket, spine browned, minor chipping to spine ends and corners, 1928 § [Manning (Frederic)], "Private 19022". Her Privates We, slight shelf-lean, 1930 § Sassoon (Siegfried) Memoirs of an Infantry Officer, jacket spine ends and corners a little chipped, small chip to upper joint, 1930 § Richards (Frank) Old Soldiers Never Die, light spotting to endpapers, ink ownership stamp, 1933 § Aldington (Richard) The Colonel's Daughter, light foxing, dust-jacket, 1931, first editions, original cloth; and 21 others, First World War, 8vo (26)
Los 111
Brent-Dyer (Elinor) The Chalet School and Richenda, jacket with loss to head of spine, 1958; Trials for the Chalet School, jacket with biro marking to lower panel, 1959; Theodora and the Chalet School, jacket with minor tape marks to rear panel, 1959; The Chalet School Wins the Trick, jacket with chip and creasing to head of upper panel, [1961]; A Future Chalet School Girl, jacket with closed tear to foot of upper joint, 1962; The Feud in the Chalet School, [1962], first editions, frontispieces, occasional foxing, original boards, dust-jackets, light fading to spines, extremities a little rubbed, very good or excellent copies overall; and 11 others in the series, 8vo (17)
Los 113
NO RESERVE Buchan (John) The Thirty-Nine Steps, light browning to text margins, light rubbing and fading to spine, 1915; Greenmantle, spotting, ink ownership inscription, light rubbing and fading to spine, 1916, first editions, original cloth; and 31 others, Buchan, Belloc, Chesterton and Baring Gould, 8vo (33)
Los 114
NO RESERVE Burgess (Anthony) Devil of a State, jacket spine slightly faded, 1961 § Gordimer (Nadine) Six Feet of the Country, jacket spine browned, spine ends and corners a little chipped, 1956 § Lessing (Doris) Martha Quest, endpapers a little browned, jacket spine ends and corners a little chipped, light surface soiling to lower panel, 1952, first or first English editions, original boards, dust-jackets; and 31 others by the same, 8vo (34)
Los 115
NO RESERVE Camus (Albert) The Outsider, translated from the French by Stuart Gilbert, Introduction by Cyril Connolly, ink ownership inscription, original cloth, light fading, dust-jacket, spine browned, spine ends and corners chipped and creased, chipped at head, neat tape repairs to verso, extremities rubbed, 8vo, 1946.
Los 12
Detmold (Edward J.).- Maeterlinck (Maurice) Hours of Gladness, pictorial title and 20 mounted colour plates by Edward Detmold, original pictorial cloth, light spotting to head, else bright and fine, dust-jacket, tape repairs to verso of spine ends, 1912 § Shepard (Ernest H.) Fun & Fantasy: A Book of Drawings by Ernest H.Shepard, with an Introduction by A.A.Milne, number 81 of 150 copies on hand-made paper signed by the artist, colour frontispiece and plates, original cloth-backed boards, corners bumped, dust-jacket, spine ends and corners chipped, [1927]; and c.40 others, children's and illustrated, 4to & 8vo (c.40)
Los 120
NO RESERVE Cheever (John) Bullet Park, first edition, signed presentation inscription from the author, promotional photograph and printed publisher's notice loosely inserted, original boards, dust-jacket, light damp-staining to foot, New York, 1969; The Stories..., first edition, signed by the author, original boards, dust-jacket, spine slightly faded, light damp-staining to foot, New York, 1978, excellent copies; and another inscribed by the same, 8vo (3)
Los 125
Cocktails.- Craddock (Harry) The Savoy Cocktail Book, first edition, signed presentation inscription from the author "Best wishes and luck with the shaking" printed in black and colours with illustrations and decorations by Gilbert Rumbold, some light spotting and soiling, pictorial endpapers, tape marking to endpapers, hinges repaired, 3 cocktail-related brochures loosely inserted, original cloth-backed art deco texturised boards in black, gold and green, rebacked preserving original backstrip, rubbed, extremities a little worn, 8vo, 1930.⁂ Inscribed to 'Robert', a headwaiter at the Savoy in the 1920s.
Los 127
Conroy (Pat) The Boo, first edition, signed by the author on title, illustrations, original cloth, dust-jacket, minor chipping to corners, light rubbing to extremities light creasing to head and foot, but still a near-fine example overall, 8vo, Verona, VA, 1970.⁂ Conroy's first book, a collection of letters, short stories, and anecdotes about Lt. Colonel Thomas "The Boo" Courvoisie. Scarce signed.
Los 129
Cunard (Nancy) Grand Man. Memories of Norman Douglas, first edition, signed presentation inscription from the author to Louise Morgan and Otto Theis, illustrations, printed advertisement with stamp and address to verso loosely inserted, occasional light foxing, original boards, dust-jacket, light fading to spine minor chipping to spine ends and corners, 8vo, 1954.
Los 132
NO RESERVE Deighton (Len) Horse Under Water, uncorrected proof copy, original wrappers, spine a little creased, 1963; Funeral in Berlin, first edition, original boards, dust-jacket, spine ends a little creased, 1965; Billion Dollar Brain, first edition, original boards, dust-jacket, some light rubbing and creasing, 1966; and 11 others, Deighton (14)
Los 135
Dulac (Edmund).- Stevenson (Robert Louis) Treasure Island, first American edition, illustrations and 12 tipped-in colour plates by Dulac, original cloth, some damp-staining, dust-jacket, light browning and surface soiling, extremities a little rubbed and creased, New York, [1927] § Rosenthal (Léonard) The Kingdom of the Pearl, number 295 of 675 copies, 10 tipped-in colour plates by Dulac, captioned tissue-guards, original decorative cloth, gilt, spine a little darkened, New York, [1920]; and another illustrated by the same, 4to & 8vo (3)
Los 136
NO RESERVE Durrell (Lawrence) Justine, ink ownership inscription, original cloth, spine slightly faded, 1957 § Ishiguro (Kazuo) The Remains of the Day, original boards, slight shelf-lean, dust-jacket, light creasing to head and foot, 1989, first editions; and 33 others, modern literature, 8vo (35)
![NO RESERVE Durrell (Lawrence) [The Alexandria Quartet], 4 vol., first editions, light spotting, ink ownership inscription to](https://cdn.globalauctionplatform.com/90eae3a6-c36c-4868-afca-a9e000c44a56/976c3574-58e2-48f7-873b-a9e000c5daf3/468x382.jpg)
Los 140
Enitharmon Press.- Cocteau (Jean) Tempest of Stars, Selected Poems, translated by Jeremy Reed with Drawings by David Austen, edition "A", number 5 of 15 copies signed by the translator and illustrator and with a signed original etching, from a total edition of 87, text bifolia and 26 offset colour lithographs (one plate, number 133, very slightly foxed in margin), all loose as issued in original drop-back box, paper labels to cover and spine, some light spotting, 1992 § Raine (Kathleen), Six Dreams and Other Poems, number 99 of 100 specially bound copies signed by the author, from a total edition of 450 copies, frontispiece, tipped-in wood engraving by Juliet Standing, original cloth-backed pictorial boards, very slightly marked, 1968, Enitharmon Press, folio & 4to (2)
Los 148
δ Ffolkes (Michael, 1925-1988) Ten original illustrations for 'A Week-end with the Brontës', finished drawings for Punch, September 29th, 1965, one fully coloured, and nine executed in monochrome, pen and black ink, one with colour washes, the others with monochrome wash, all signed with captions below, on cream wove paper, various sizes from 245 x 265 mm. (9 5/8 x 10 1/2 in) to 305 x 305 mm. (12 x 12 in), scattered minor handling creases and light surface dirt, all unframed, [ca. 1965] (10).δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Los 15
Durrell (Lawrence) Six Poems from the Greek of Sekilianos and Seferis, first edition, photographic illustration to title, very light browning to text margins, original stiff printed wrappers, photographic illustration to upper cover, browning to margins, 8vo, Rhodes, 1946.⁂ Rare early work by Durrell, we can trace only 3 copies at auction in the last 50 years.
Los 150
Fleming (Ian) For Your Eyes Only, first edition, original boards, minor bumping to spine ends, dust-jacket, archival tape to verso, reinforcing joints and spine ends, light browning and damp-staining to spine, spine ends and corners a little chipped, a few short closed tears and accompanying creasing to head and foot, extremities rubbed, 8vo, 1960.
Los 151
Fleming (Ian) On Her Majesty's Secret Service, jacket spine browned, spine ends and corners a little chipped, light creasing to head and foot, surface soiling to panels, 1963; The Man with the Golden Gun, second state plain boards, jacket with light rubbing and creasing to head and foot, near-fine otherwise, 1965, first editions, original boards, dust-jackets; and 2 others by the same, 8vo (4)
Los 16
Durrell (Lawrence) The Alexandria Quartet, number 100 of 500 copies signed by the author, original cloth, spine slightly faded, 1962; A Private Country, printed publisher's notice loosely inserted, original boards, dust-jacket, light fading else fine, 1943; La Descente du Styx, number 152 of 250 copies signed by the author, original printed wrappers, some light browning to margins of covers, Montpellier, Editions La Murène, 1964; and 11 others, Durrell, many signed, 8vo 4to (14)
Los 165
Golding (William) Lord of the Flies, third impression, jacket price-clipped, spine browned, light rubbing to extremities, 1955; The Pyramid, jacket spine a little dulled, 1967 § Greene (Graham) The Comedians, jacket spine very lightly browned, 1966, first editions, original boards, dust-jackets, excellent copies; and 19 others by the same, 8vo (22)
Los 166
NO RESERVE Gollancz.- Chance (John Newton) Murder in Oils, 1935; Rhapsody in Fear, 'Archive Copy' ink stamp to title, 'File Copy' ink stamp to pastedown and to jacket upper panel, 1937 § Chapman (Hester W.) She Saw Them Go By, 1933, first editions, original boards, dust-jackets, light fading to spines, light damp-staining to foot of spines, light creasing to spine ends, excellent copies overall; and 5 others, 8vo (8)
Los 172
Harbou (Thea von) Metropolis, first edition thus, third impression, illustrations, 2pp. publisher's advertisements, 3 ff. nicks and creases to fore-edge, pencil inscriptions to half-title and inside lower wrapper, original printed wrappers with design by Werner Graul, a very little light soiling and bumping, light creasing to upper fore corner of upper wrapper and lower fore corner of lower wrapper, otherwise a fine copy of a rare edition, Berlin, August Scherl, 8vo, 1926.⁂ Prepared for the press by von Harbou during the writing of the screenplay for the 1927 film; the illustrations are all from photographs taken on set.
Los 177
Hughes (Ted) Collected Animal Poems, 4 vol., vol.1 signed by the author, illustrations by Chris Riddell, original boards, dust-jackets, slip-case, 1995 § McGahern (John) The Dark, original boards, slight shelf-lean, dust-jacket, 1965 § Ishiguro (Kazuo) The Remains of the Day, original boards, slight shelf-lean, dust-jacket, light fading to spine, 1989, first editions; and 12 others, modern literature, 8vo (17)
Los 178
Huxley (Aldous) The Burning Wheel, first edition, decorative title and frontispiece, original wrappers with printed labels to spine and upper cover, light creasing to fore-edge but a remarkably sharp and near-fine example overall, preserved in custom chemise, 8vo, Oxford, 1916.⁂ First edition of Huxley's first book.
Los 187
Kazantzakis (Nikos) Typescript synopsis in French of 'The Odyssey: A Modern Sequel', 8pp., autograph corrections in pencil in the author's hand, horizontal fold, some light creasing, 4to, [c.1930].⁂ Kazantzakis considered 'The Odyssey: A Modern Sequel' his greatest work. He began writing it in 1924, and reworked it constantly, drafting seven different versions, until its completion in 1938. The poem takes up where Homer's epic leaves off, and describes in heavily-symbolic style the final journey of Odysseus.
Los 198
Lermontov (Mikhail Yurievitch) A Song about Tsar Ivan Vasilyevitch, one of 750 copies, printed in red & black on grey paper, decorations by Paul Nash, original russet morocco with morocco inlays in black and beige, designed by Nash, uncut, spotted, spine slightly faded, Aquila Press, 1929 § Blake (William) The Writings, edited by Geoffrey Keynes, 3 vol. in 1, number LXX of 75 copies on india paper, plates, original morocco, by Best & Co., t.e.g., spotted, Nonesuch Press, 1925 § Rutherston (Albert) Sixteen Designs for the Theatre, one of 475 copies, plates, some colour, light damp-staining, original cloth, damp-stained, 1928 § Bennett (H.S., editor) Quia amore langueo, one of 400 copies, wood-engravings by Eric Gill, endpapers damp-stained, original cloth, mottled, dust-jacket, printed by Hague & Gill, 1937 § Musaeus. Hero & Leander, translated by George Chapman, number 9 of 60 copies on hand-made paper, from an edition limited to 75, printed in red & black, endpapers browned, original cloth-backed marbled boards, glacine wrapper (frayed), Shaftesbury, High House Press, 1936 § H[aberly] (L[oyd]) The Sacrifice of Spring, number 100 of 124 copies signed by the author, original limp vellum, covers warped, Long Crendon, Seven Acres Press, 1927; and c.20 others, press and illustrated, some pamphlets and prospectuses, v.s. (c.25)
Los 200
Lyall (Gavin).- Francis (Dick) Blood Sport, jacket spine faded, spine ends and corners chipped, extremities rubbed and creased, 1967; Enquiry, 1969; Rat Race, jacket with some damp-staining to upper panel, 1970; Bonecrack, jacket with short closed tear to head of spine, 1971; Smokescreen, 1972; Slay-Ride, signed presentation inscription from the author to endpaper, 1973; Knockdown, signed presentation inscription from the author, 1974, first editions, Gavin Lyall's copies many with his ink ownership inscription, original boards, slight shelf-lean, dust-jackets, some light creasing to head and foot; and 28 others by the same, many with signed presentation inscriptions to Gavin Lyall, 8vo (35)⁂ Gavin Lyall (1932-2003) British thriller writer, Lyall and his wife Katherine Whitehorn became friends with Dick and Mary Francis, very possibly through Lyall's chairmanship of the British Crime Writers Association. Many of the inscriptions reflect what was clearly a warm and close friendship.
Los 202
NO RESERVE Mansfield (Katherine) The Garden Party and other stories, first edition, one of 1,2000 copies designed by Hans Mardersteig, colour lithographed illustrations by Marie Laurencin, some full-page, printed publisher's note tipped in, light foxing to endpapers, original patterned cloth, uncut, 4to, Verona Press, printed at the Officina Bodoni of Verona, 1939 [but 1947].
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534325 Los(e)/Seite