Outhwaite (Ida Rentoul, illust.). Blossom, A Fairy Story, pub. A. & C. Black, 1st ed., 1928, eight col. and eight b & w plts., letterpress vigns., half-title, pubs. ad. leaf at rear, occn. light foxing, pictorial endpapers, orig. blue cloth, spine faded, and sl. frayed at head and chipped at foot, upper cover with pictorial panel blocked in dark blue, 4to (1)
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534338 Los(e)/Seite
Potter (Beatrix). The Roly-Poly Pudding, 1st ed., 1908, col. and b & w illusts., finger-soiled throughout and some light foxing, stitching sl. strained, pictorial endpapers, orig. bevel-edged maroon boards with inset square pictorial panel to upper cover, dust-soiled, extrems. v. sl. rubbed, 4to Inscribed by the author on the frontispiece verso: 'For John Taylor and Mrs Taylor with kind regards from Miss Potter Dec 11th 08'. John Taylor was the Sawrey joiner and wheelwright. His wife, and later their daughter, kept the village shop, which was immortalized in 'Ginger and Pickles'. Their son, John, appeared as John Joiner, the terrier in 'The Roly-Poly Pudding'. Old John professed to be jealous of the fact, and Beatrix Potter good-humouredly remonstrated with him, asking how she could include him in one of her books since he was bed-bound. A week later she received a piece of paper from him saying, 'John Taylor's compliments and thinks he might pass for a dormouse'. The following year Old John became Mr. John Dormouse in 'Ginger and Pickles', and Beatrix Potter dedicated the book to her old friend: 'Dedicated with very kind regards to old Mr. John Taylor, who "thinks he might pass as a Dormouse;" (three years in bed and never a grumble!)'. Sadly, Old John didn't live to see the book in print. (1)
Potter (Beatrix). The Tale of Pigling Bland, 1st ed., 1913, col. and b & w illusts., frontis. with fore-edge creased and small piece torn from upper blank corner, finger-soiled and some light foxing, stitching partially broken, and half-title detached, pictorial endpapers, orig. maroon boards with inset rectangular pictorial panel to upper cover, faded, spine rubbed, and lower joint split at foot, ends frayed, with loss at foot, 16mo Inscribed by the author on the frontispiece verso, soon after her wedding to William Heelis: 'For Miss Hall with kind regards from Mrs W Heelis Christmas 1913'. (1)
Rackham (Arthur, illust.). Alice's Adventures in Wonderland, by Lewis Carroll... with a Proem by Austin Dobson, 1st ed., [1907], thirteen tipped-in col. plts. with captioned tissue guards, b & w illusts. to text, dec. endpapers (free endpapers browned as usual), t.e.g., remainder untrimmed, orig. off-white cloth gilt, spine rubbed and some light soiling, 4to Riall p.77. Deluxe limited edition 512/1130. (1)
Robinson (W. Heath, illust.). A Song of the English, by Rudyard Kipling, Hodder & Stoughton, c.1909, fifteen tipped-in col. plts., frontis. with ms. inscription on reverse, b & w illusts. to text, orig blue cloth blocked in green and lettered in gilt, some sl. rubbing to extrems., gilt to spine dulled, and a few sl. marks to upper cover, 4to, together with Shakepeare's Comedy of A Midsummer-Night's Dream, Constable, 1914, twelve tipped-in col. plts., full-page b & w letterpress illusts., scattered light foxing, hinges split, rear free endpaper browned, rough-trimmed, orig. dec. cloth, extrems. rubbed, spine faded and with sl. loss at foot, a few minor marks to covers, sm. folio, plus The Water-Babies, A Fairy-Tale for a Land-Baby, by Charles Kingsley, Constable, 1915, eight col. plts. (one sl. frayed to fore-margin), b & w letterpress illusts., occn. light foxing and finger-soiling, hinges split, endpapers browned, rough-trimmed, edges foxed, orig. gilt dec. cloth, extrems. sl. rubbed, gilt to spine dulled, sm. 4to, plus four other Heath Robinson items (7)
Williams (Margery). The Velveteen Rabbit, or How Toys Become Real, 1st ed., Heinemann, 1922, four full-page and three double-page col. lithos. by William Nicholson, occn. light foxing, dec. endpapers, orig. pictorial boards, rubbed to spine ends, with sl. loss at foot, in dusty d.j., with some rubbing and edge tears, split down spine with loss, 4to Extremely scarce first edition of this classic children's work (the only printing from lithographic stones), seldom seen with the dustjacket. With contemporary inscription on the front free endpaper verso to Nino Wardrop, daughter of Sir John Oliver Wardrop, British diplomat, traveller and translator, who published his famous work 'The Kingdom of Georgia' in 1888. (1)
Robinson (W. Heath, School of). A group of humourous pen and ink sketches, for a story about a hapless Baron, early 20th c., forty-three skilful pen and ink drawings on twenty-four leaves, some with pencilled captions beneath, for a humourous story about a Baron who embarks on an excursion at the recommendation of his medics, and meets with a variety of disasters, incl. a meeting with a dragon, a precarious sea-voyage in a barrel, a train crash, and being captured and almost burnt alive by a group of savages, occn. light finger-soiling, oblong 4to (1)
* Vienna Kunstgewerbeschule. Children's Procession, by Helli Fritz, aged 15 years, School of Emmy Zweybrück Prochaska, Vienna, c. 1920, panoramic colour lithograph, printed by the Secession Ges. m. b. H., Wien for the Austrian Junior Red Cross, some foxing and overall light toning, approx. 495 x 1750 mm (19.5 x 69 ins), framed Emmy Zweybrück (1890-1956) was an Austrian artist and teacher at the Vienna Kunstgewerbeschule. (1)
Johns (Captain W.E.). Biggles Goes Home, 1960; Biggles and the Poor Rich Boy, 1961; Biggles Forms A Syndicate, 1961; biggles and the Missing Millionaire, 1961; Biggles Goes Alone, 1962; Orchids for Biggles, 1962, all 1st eds., pub. Hodder & Brockhampton, illusts. to each, all orig. cloth in d.j.s, sixth vol. sl. cocked, occasional very light rubbing to edges, 8vo (6)
Amis (Kingsley). Lucky Jim, 1st ed., Gollancz, 1953, neat contemp. owner name to front free endpaper, light spotting to top edge, orig. cloth in d.j., d.j. chipped with loss at foot of spine, torn at head of spine but without loss, spine a little browned, corners chipped, 8vo Author's first book. (1)
Conrad (Joseph). Lord Jim, 1st ed., Blackwood, 1900, light spotting to first few leaves, orig. variant red cloth gilt, spine sunned and sl. rubbed at ends, 8vo As Wise 7, but bound without the half-title. This copy is housed in a binding that was probably intended for libraries, although this copy itself is not ex-library. (1)
Coppard (A.E.). Easter Day [A Poem], 1931, comprising 4 pp. facsimile of the author's manuscript with the fifth and final page handwritten, signed, dated and numbered by Coppard, orig. linen-backed boards with slipcase, slim 8vo (limited edition 12/145), together with Nixey's Harlequin, 1931, Dunky Fitlow, 1933 , Silver Circus, 1938, all t.e.g., remainder untrimmed, orig. vellum gilt with morocco labels to spines (Silver Circus in slightly dust-soiled d.j.), all limited signed editions of 304, 300 and 125 respec., 8vo, plus a series of four good long autograph letters written by Coppard in 1931 to Moira Gibbings, while he was living in Italy, mostly light-hearted society chit-chat and domestic trivia, plus approx. 40 other books by Coppard, inc. two copies of Pink Furniture (approx. 50)
Doyle (Arthur Conan). Works, Author's Edition, 12 vols., Smith, Elder, 1903, frontis. to each, first vol. with upper hinge split, t.e.g., remainder rough-trimmed, orig. cloth gilt, spines faded and sl. rubbed at ends, some light soiling, 8vo Limited edition, 230/1000 copies, volume 1 signed by Doyle. (12)
Eliot (T.S.). Poems 1909-1925, 1st ed., Faber & Dwyer, 1925, neat contemp. owner name to front free endpaper, occasional light spotting, orig. cloth with browned and chipped printed label to spine, sl. rubbed, 8vo, together with Gogarty (Oliver St. John), An Offering of Swans, Dublin, Cuala Press, 1923, ltd. ed. of 300 copies, printed in red and black, orig. linen-backed boards with sl. chipped printed paper label to spine, boards sl. rubbed and darkened, corners worn, 8vo (2)
Le Carre (John). Call for the Dead, 1st ed., Gollancz, 1961, orig. cloth in rubbed d.j., some wear to d.j., incl. chipping with loss at foot of spine, a light circular stain to upper cover, a few closed tears and internal tape repairs, etc., 8vo Author's first book, and the debut of George Smiley. (1)
Verne (Jules). Five Weeks in a Balloon, A Voyage of Exploration and Discovery in Central Africa, from the French..., with sixty-four Illustrations by Riou, 1st UK ed., 1870, numerous b & w letterpress illusts., pencilled name to half-title, occn. light finger-soiling, stitching strained, rough-trimmed, orig. blindstamped bevel-edged blue cloth, soiled, and detached at upper joint, extrems. rubbed, gilt dec. spine darkened and sl. frayed at ends, 8vo Myers 20 lists a copy in green cloth. (1)
White (T.H., writing as "James Aston"). First Lesson, A Novel, 1st ed., Chatto, 1932, minor light spotting to fore-edge, orig. cloth in price-clipped d.j. with pubs. 3/6 'Centaur Library' sticker to spine, a couple of smudges to upper cover, spine a little darkened, 8vo The second of two T.H. White titles published under this pseudonym. (1)
Wren (P.C.). The Uniform of Glory, 1st ed., Murray, 1941, orig. cloth in d.j., occasional light creasing and chipping to edges, 8vo, together with Dorling (Capt. Taprell, "Taffrail"), The Scarlet Stripe, 1932; Dover-Ostend, 1933; Mystery Cruise, 1937, all 1st eds., pub. Hodder, all orig. cloth in rubbed and edgeworn d.j.s, d.j. to 'Dover-Ostend' in later issue state priced at 4/-, d.j. to 'Mystery Cruise' with some staining and internal tape repairs, 8vo (4)
A Chinese porcelain "Batavian Ware" ginger jar decorated with shaped panels of peonies and other flowers on a brown ground, circa 1800; a famille verte baluster vase, decorated with an exotic bird amidst flowers and rockwork, and an ovoid footed vase, both probably Kangxi (damage and restoration); and a Chinese light celadon glazed incense burner, modelled as a deity seated on a rectangular podium, probably 20th century (firing cracks), (4).
A fine 19th Century German table centre, fitted with a 11 1/2in. oval basket with encrusted floral decoration on tree trunk support with cherub and female figure mounts, fitted two three- light foliated candelabra on scrolling arms with encrusted floral decoration on scroll feet 19in. high. See illustration
A LATE GEORGE V SILVER FIVE-LIGHT CANDELABRA of classical design, the square tapering column in low relief with Bucranuim mask, pendant with ribband bows, laurel and harebells, to each side, on a foliate socle, square cavetto base, with urn motifs flanked by foliate corners, with four scroll branches issuing from a centre stem, terminating in ovoid sconces, each with removable drip trays, London 1935, 52cms high , makers mark, R.P, loaded base See illustration

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