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534325 Los(e)/Seite
Los 461
Tri-ang Hornby and Hornby Railways 00 Gauge Rolling Stock and Accessories: including Freightliner wagons, various 4 and 6-wheel trucks (8), R573 and R140 Signal Gantries (2), switches, point motors, Colour Light Signal and Semaphore signals, Speedlink and Railfreight van and wagon, Hornby H&M 2000 Power Controller and H&M Point Motors (6), most in original boxes, generally VG-E, boxes G-VG (qty)
Los 112
Matchbox Corgi Benbros and Charbens Vehicles; Corgi No 41 1977 Jubilee State Landau, in original box, unboxed, Matchbox No 23 Caravan in light blue and Major No 5 Combine Harvester, in original boxes and others unboxed, Benbros Army Land Rover and possibly Excavator in red and green with yellow jib, Charbens Gypsy Caravan (broken), Crecent Car Ramp and unknown Lorry Cab, F-G, boxes P-F (12)
Los 2359
A 1940's light Oak Court Cupboard, carved crown over central carved cupboard door flanked by double linen fold panels and carved baluster supports, two carved front frieze drawers over pair of opposing three panel doors with floral carved upper panels over pairs of linen fold carved panels, brass hinges, wooden knobs, standing on square feet, 47 3/4'' wide x 54'' high x 18 3/4'' deep
Los 125
CHRIS RIDDELL "Paddy Ashdown", black and white cartoon study, pen and ink, signed by the artist and RIDDELL "Flying Pigs", black and white cartoon study, pen and ink, signed by artist, accompanied by an original letter from Chris Riddell CONDITION REPORTS Letter with fold to centre and some general wear and scuffs. "Flying Pig" picture : light general wear, some dirt, appear to be some corrections to the ears. "Paddy Ashdown" picture : some light general wear, appears to be a small correction to left of the signature. Size of Paddy Ashdown image approx 21.5 x 14cm, Flying pig image size approx 16 x 22.5cm. These are original pen and ink cartoons.
Los 143
WILLIAM THORNLEY (1857-1898) "Harbour scene in moonlight with figures in row boats", oil on board, signed bottom left, 19 cm x 24 cm CONDITION REPORTS The picture has general wear and tear, and is perhaps dirty in places. There are some minor scratches to the paint, and the craquelure has possibly been stabilized / repaired. The frame has some minor chips and scratched to it. Under UV light, there was a white / yellow coloured streak to the top left hand corner. There are some dark coloured patches. Overall there is a cloudy appearance.
Los 157
GEORGE VICAT COLE (1833-1892) "Cattle watering in a river landscape with barge in background", oil on canvas, signed bottom right, 30.5 cm x 55.5 cm CONDITION REPORTS Outer frame appears to be relatively new, older stretcher and inner frame are rather wobbly (not securely fitted) within the frame. Painting generally appears to have been re-varnished and there are some irregularities to the surface. Under ultra-violet light : overall appears to have had various areas of restoration and touch-up paint, particularly visible to the sky, and a fairly large vertical area to the sky - possibly a repair.
Los 162
FREDERICK GOLDEN SHORT (1863-1936) "Bluebell wood", a study, oil on canvas board, initialled bottom left, 28 cm x 38 cm CONDITION REPORTS In modern frame with a modern MDF type backing board. Under natural light picture appears to have been re-varnished as overall surface is quite shiny. Under ultra-violet light : a few small areas show up darker so appears to have had a small amount of restoration. Painting generally overall with some wear, scuffs and dirt. Picture believed to be from a deceased estate. The only initials / letters that are clear are F and G, although there appears to be further lettering but we cannot be certain, it is not clear. The background here is very dark as is the lettering, making it unclear.
Los 163
FREDERICK GOLDEN SHORT (1863-1936) "New Forest", an open landscape, oil on canvas board, signed and dated 1912 bottom left, 25 cm x 34.5 cm CONDITION REPORTS Under natural light painting appears to have been re-varnished and has quite a shiny surface, has various irregularities to surface. Board appears to have warped slightly. Housed in a modern frame with a modern MDF type backing board. Under ultra-violet light the whole of the picture surface shows up quite a milky white, and with areas of craqueleur showing up as a brighter bluish colour. Picture believed to be from a deceased estate. The first photo is taken with studio lighting which does not reflect off the very shiny surface of the varnish. The other pictures were taken a few days later with a flash and show the very shiny surface of the varnish.
Los 164
ARTHUR JOHN FOSTER (Exhib. 1880-1905) "French fleet off Exmouth", a coastal landscape, oil on canvas, monogrammed bottom left, inscribed and dated 1904 verso, 46 cm x 35 cm CONDITION REPORTS Frame is quite modern, synthetic and lightweight, and with some chips. Painting is quite extensively restored - with restoration to most of the sky, plus a vertical band of restoration from top of picture slightly left of centre, extending down most of its length. Pin holes and restoration to top corners. Restoration shows up very clearly under UV light, but under natural light is very hard to see and colours have been well matched, the main evidence under natural light / with the naked eye is the slightly smoother texture of the restored areas. Canvas appears to have been re-stretched.
Los 173
WILLIAM MELLOR (1851-1931) "On the Dee, Llangollen, North Wales", river landscape with cattle watering, oil on canvas, signed bottom left, titled verso, 51 cm x 76 cm CONDITION REPORTS Some light general wear and dirt and a few small splashes of dirt. Under UV light the specks of dirt show up dark in colour, however, there does not appear to be any signs of restoration. Overall condition appears to be reasonably good.
Los 176
SOUTH AFRICAN SCHOOL "Water buck", a study, oil on board, signed indistinctly bottom right, 60 cm x 80 cm CONDITION REPORTS Overall with general wear, scuffs and dirt, some marks and blemishes, there is a chequered grid which is showing through the paint, particularly visible to the edges and to the left half of the picture, housed in a modern frame with an MDF type board backing. Under ultra-violet light : a few specks and finger type marks visible, but no obvious signs of restoration. Under natural light : various blobs and irregular areas of paint, various sketch lines visible near the antlers, and some sketch lines beneath the paint visible where the animals' body would have been.
Los 187
BRENDA KING (1934-) "Autumn flowers", oil on board, signed and dated bottom right '83, inscribed verso and on frame, 19 cm x 19 cm CONDITION REPORTS Overall with light general wear, but condition generally appears reasonably good. Frame with some wear and scuffs, and some slight craqueleur to the gilt decoration.
Los 198
19TH CENTURY ENGLISH SCHOOL "Interior tavern scene", oil on panel, unsigned, indistinctly inscribed on old label verso, 31 cm x 25 cm CONDITION REPORTS Frame with various splits, cracks and chips, and some losses to decoration, some re-painting. Under natural light : picture itself has various wear and scuffs, and in some areas the varnish appears more shiny than others, with the section across the top beam being more matt looking, various blemishes and deposits to surface of paint/varnish. Under ultra-violet light : whole of the painting has a very milky white finish, suggesting re-varnishing, with a few areas which appear slightly darker such as hair and collar of gentleman on the right, suggesting some areas of touch-up paint/restoration.
Los 206
19TH CENTURY ENGLISH SCHOOL "Naive portrait of a farmer wearing top hat with pitchfork in his left hand", oil on panel, 14 cm x 11 cm CONDITION REPORTS Painting overall with fairly dull finish, quite a few scrapes and scratches where the paint has been scraped away, some craqueleur, some undulations to the surface, there is a gilt painted band down the right-hand side of the painted panel and slightly paler line to the left of that. Under ultra-violet light : large area of the farmer's smock shows up very black indicating areas of restoration, there is also a series of scratches across the leg area which are very indistinct and may be an inscription of some kind, some dark marks also show up across the bottom section of the picture and to the pitch fork. Frame has a faux rosewood stained effect, and has various chips and losses.
Los 211
EARLY 19TH CENTURY ENGLISH SCHOOL "Portrait of a portly gentleman seated at a writing table with quills and an inkwell", oil on canvas, indistinctly signed and dated 1821 bottom left, 22 cm x 18 cm CONDITION REPORTS Quite a lot of craqueleur to the paint throughout, and some scuffs and scratches, canvas has been re-lined and appears to have been glued on to a new stretcher. Under ultra-violet light there are quite a few black patches indicating restoration particularly to the background to his right shoulder, to the right edge of his coat, to his left arm and to his hair above his ear.
Los 213
EDWARD PATRIE (1856-1940) "Portrait of C Ross", half length portrait study of a moustached gentleman wearing a white waistcoat and black coat, oil on canvas, signed and dated 1927 bottom left, 91 cm x 70 cm CONDITION REPORTS Overall with general wear, dirt and scuffs, small tear/hole near his ear. Frame with various cracks, chips and losses. Under ultra-violet light : picture generally has quite an even and slightly milky appearance, no obvious signs of restoration.
Los 215
19TH CENTURY ENGLISH SCHOOL "Mrs Marigny", portrait of a young lady wearing a black dress and holding a locket in her right hand, half length, oil on canvas, unsigned, 76 cm x 82 cm CONDITION REPORTS Frame has various chips, knocks and scuffs, and appears originally to have been gilt and has been painted cream. Painting itself has various wear, scuffs and dirt, some small chips and flakes to the paint. Under ultra-violet light : there are some areas that show up dark indicating restoration including smallish patches to the hair, tiny dot to the lip, quite a few areas to the dress, quite a few areas to the background to the left side, quite a few areas bottom left corner, and a few small areas to her neck.
Los 216
18TH CENTURY ENGLISH SCHOOL "Portrait study of a grey-haired gentleman, his right hand tucked into his jacket", a portrait, half length, oil on canvas, inscribed on reverse "Richard Roberts 1744", 73 cm x 61 cm CONDITION REPORTS All over craquelure and crazing along with general wear and tear. There are some small scuffs and scratches throughout. The picture appears dirty in places. There are white paint marks above the cuff, although this appears to be the same colour of the cuff. There are small splatters of white coloured paint throughout the picture. There is a scratch to the upper right hand corner of the picture. Under UV light there are dark patches to the face and forehead, and to the right hand side of the picture. There are some other smaller areas of dark patches. Overall the picture under UV light has a cloudy appearance. Frame is dirty in places with general wear and tear.
Los 218
17TH CENTURY ENGLISH SCHOOL "Bearded gentleman wearing a ruff and holding gloves in his right hand", oil on canvas, unsigned, inscribed "Aetatis suce 52" and dated "1609", 74 cm x 62 cm CONDITION REPORTS Canvas has been re-lined, appears to be in fairly modern frame, craqueleur throughout the painting which appears to have been re-varnished. Under ultra-violet light : painting has an extremely milky appearance and appears generally to have had some restoration and stabilising of cracked paint and re-varnishing.
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534325 Los(e)/Seite