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Preisdatenbank abonnierenNO RESERVE Gardens.- Hibberd (Shirley) and Frederick Edward Hulme. Familiar Garden Flowers, 5 vol., ink ownership inscription to endpapers, 1907 § Taylor (Mrs. Basil) Japanese Gardens, ink gift inscription and light soiling to endpapers, 1912, first editions, original cloth, light rubbing and fraying to spine tips, light rubbingand 2 others, similar, 8vo & 4to (8)
NO RESERVE Austen (Jane) The Novels, 10 vol., number 61 of 100 "Large Paper Edition" copies, from an edition limited to 150, photogravure plates, light toning to titles, browning to endpapers, original buckram, spines uniformly browned, some marking and toning to covers, slight rubbing and fraying to spine ends, uncut, 8vo, J. M. Dent, 1892.
NO RESERVE India.- Russell (Sir William Howard) My Diary in India, 2 vol., first edition, 12 tinted lithographed plates, folding plan of Lucknow, occasional light finger-soiling to margins, vol. 2 with one gathering working loose, original blind-stamped cloth, spine faded and worn at heads, corners a little bumped, [Abbey, Travel 191], 8vo, 1860.⁂ Account by the war correspondent W. H. Russell of the Indian Rebellion of 1857.
NO RESERVE Erasmus (Desiderius) Ratio seu methodus compendio perveniendi ad veram theologiam. Paraclesis..., general and divisional titles within attractive woodcut borders, woodcut initials and ornament, publisher's device to verso of final f., 2E1 with tear to lower margin running into text, occasional light marginal soiling, ink inscription to head of title, a few pencil notes to margins, bookplate to front pastedown, some splitting to upper hinge, early 19th century half calf, gilt, some surface wear to upper cover, [VD 16 E 3519], 8vo, Basel, Johann Froben, 1521.⁂ Scarce and attractive edition of Erasmus' Paraclesis.Provenance: Edward Dalton (armorial bookplate).
NO RESERVE Prize poems.- Waugh (Arthur) Gordon in Africa. Newdigate Prize Poem, upper wrapper torn and creased, covers foxed and toned, Oxford, 1888 § Symonds (J. A.) The Escorial. A Prize Poem, light spotting and soiling to upper cover, Oxford, 1860 § Cripps (Arthur S.) Jonathan (A Song of David). The Sacred Prize Poem, Author's Compliments slip loosely inserted, light sunning to spine, Oxford, 1902; Judas Maccabaeus. The Prize Poem on a Sacred Subject, initialled presentation inscription from the author to title, Oxford, 1926 § Hartnoll (Phyllis) The Sands of Egypt, The Newdigate Prize Poem, Oxford, 1929, first editions, original wrappers; and c.25 others, including other prize poems, works by the same and similar, 8vo (c.30)
A PAIR OF TOLEWARE LIDDED URNS PROBABLY ITALIAN, LATE 19TH CENTURY28.5cm high, bases 11.5cm wideProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Under strong light and UV both show typical extensive repainting and retouching- throughout. Some losses to handles and heavy build up of paint to both finials and sections of stems indicating there may have been more extensive restoration work to structure- not just paint finish. Both with quite heavy bubbling to surface- some knocks- notably larger knock to inside of one lidPlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
REUBEN SAYERS (BRITISH 1815-1888)PORTRAIT OF ELIZABETH TAYLOR, WIFE OF ALEXANDER MONTGOMERIE OF ANNICK LODGE (1766-1839), SEATED THREE-QUARTER LENGTH, IN A LANDSCAPE Oil on canvasSigned, inscribed and dated `1861' (lower left)141 x 106 cmProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: Canvas has been relined. Some paint loss around the edges resulting from contact with the frame. Large areas of craquelure in the figure and the lower half of the painting, UV light reveals retouches of those areas as well as along the lower edge of the canvas and two restorations to the right of the figure in the sky. Surface dirt and a reddish discolouration of the varnish. Condition Report Disclaimer
A LARGE AND ORNATE BIRD CAGE IN THE FORM OF A GRAND HOTELEARLY 20TH CENTURY With cream and gilt detailing to the architectural frame and details, dated 1905 MAGE 1908 to lower doors, inscribed paperwork suggesting that this is the Grand Hotel Pupp Karlsbad approximately 123.5cm wide, 129cm high, 64cm deepProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. The paperwork that accompanies this would seem to be slightly misleading as a comparison with the Hotel Pupp, through the years, doesn't really show a matching building. Certainly it would seem to be a stylised interpretation of a grand Edwardian hotel- probably continental but of a form seen on the 'English Riviera' as well. The surface paint has rippled and dried up making some of the doors to the ground level impossible to open. The paintwork has been touched up in areas- possibly overpainting its original paint scheme and we would suggest that the gilded detailing is refreshed throughout. There are also small extremity details which have been lost (scroll details to domes, small edges, door handles etc)The three lowest lift up 'doors' (marked 1905 MAGES and 1908) lift to reveal feeding points- the reverse to the cage has wirework doors for access and three pull out trays to the base for removal of cage detritus. There are no perches to the interior,The side basement doors are mostly stuck. Each of the 4 corner domes and the central dome lifts off- and each has had some remedial restorations. The roof generally looks to have later paint. Overall it may benefit from a light clean and remedial loosening of doors etcPlease see numerous additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
JEAN-FRANÇOIS PORTAELS (BELGIAN 1818-1895) THE PROCESSION (ARABS BRINGING BACK THE BODY OF A WARRIOR)Oil on canvasSigned (lower right)132.5 x 188.5 cmProvenance:Barnwell Manor, NorthamptonshireWindsor House AntiquesCondition Report: *The painting has not been removed from the wall and the reverse has not been inspected. The canvas does not appear to be relined. Some surface dirt and general discolouration of the varnish. A hole of approximately 4 cm with corresponding paint loss by the feet of the second figure from the left, as well as a hole of approximately 2 cm by the figure's left elbow. A vertical tear of approximately 8 cm in the sky upper right, as well as hook shaped tear of approximately 7 cm in the waist of the woman on the right. Areas of paint loss around the edges, resulting from contact with the frame, as well as a few other small areas of paint loss across the canvas. Inspection under UV light reveals significant retouched craquelure (mainly in the sky), as well as four larger retouches in the sky and one in the corner lower left. Condition Report Disclaimer
A PAIR OF HANDYSIDE PATTERN CAST IRON URNS AND PEDESTALS LATE 19TH CENTURY Unmarked and with later silver decoration Dimensions: Urns measure, 77cm high, tops 56.5cm diameter external, bases 33cm square Pedestals measure; tops 44.5cm square, bases 43cm square, 63cm high 140cm high overallPlease note: This lot will be available to view at HAMBRIDGE LANE, Newbury and collection is from there only following purchase. Condition Report: Please note: This lot will be available to view at HAMBRIDGE LANE, Newbury and collection is from there only following purchase. Urns measure, 77cm high, tops 56.5cm diameter external, bases 33cm squarePedestals measure; tops 44.5cm square, bases 43cm square, 63cm highLater silver paint finish- flaking and cracking and signs of rust evident to top/bases of pedestals, mid-sections of urns etc Paint is impermeable to light but from the bulging to joint sections of stem there is suggestion of remedial work underneath. Urns are not fixed to basesCondition Report Disclaimer
A BLUE JOHN PEDESTAL URN MID/EARLY 19TH CENTURY The turned tapering urn on black slate, white marble and blue john base34.5cm high, the base 10cm wideProvenance: Property of a Lady of titleCondition Report: Finial associated- formerly utilised as a lamp- now reverted. Old drill hole to one plinth edge, hole visible to underside. Finial restored and probably replaced and under strong light and UV repairs showing to base of body, stem and sections of moulding to base. Small knocks and losses to exposed edges and corners of basePlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
AFTER ALBERT-ERNEST CARRIER-BELLEUSE (FRENCH, 1824-1887), 'LA CONFIDENCE' (THE SECRET) LATE 19TH CENTURYTerracotta, signed to the side 'A CARRIER' approximately 69cm high, the plinth base 44cm wide, 28cm deepCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Looks to have a later wash disguising professional restorations. Some repairs are evident to the naked eye through colour variance- such as the lyre, neck of front figure, side of pedestal, projecting unclothed leg, arms, hands etc- - but the wash is largely impermeable to UV and strong light making detailed and precise list of repairs/restoration impossible. However we would suggest that it is likely that repairs and restoration may be fairly extensivePlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A PAIR OF EBONISED WOOD FLUTED COLUMNSLATE 19TH/EARLY 20TH CENTURY each 94cm high, the revolving tops 39cm diameter Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use.The columns with some light scratches to the revolving tops.Of solid structure overall and in good condition.Condition Report Disclaimer
A PAIR OF LOUIS PHILIPPE FIVE-LIGHT GILT METAL CANDELABRAAFTER THE DESIGN BY PIERRE FONTAINE FOR THOMIRE, SECOND QUARTER 19TH CENTURY Winged figures of Victory supporting lights above, column base each 87cm high, the bases 17cm wideCondition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Both with rubbing and loss to gilding- notably around extremities- top of ball base, edges and corners.1 figure with later screw fitting to reverse- this is loose and consequently the candlestick as a whole is wobbly and would benefit from remedial work, additionally loose where hands hold basket and top central stem with sellotaped tighteningOther figure more sturdy but again on a slight lean forwards- some wear to reverse of wings.Nozzles quite worn from usePlease see additional images for visual references to condition which form part of this condition report.All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items.We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so, and satisfy themselves as to condition and accuracy of descriptionAll lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
A First War Officer's uniform of a Pioneer Company of the Duke of Cornwall's Light Infantry comprising Colonel's khaki four pocket tunic with shoulder rank pips, DCLI collar badges with Pioneer emblems and brass buttons, Sam Browne leather belt with shoulder strap and leather holster, leather and canvas map case containing map, pocket torch in leather carrier, small boxed respirator gas mask in original carrier, a pair of pantaloon trousers and Brodie steel helmet (minus liner) on part display dummy
A Victorian 1822 pattern light infantry sword with dress scabbard, 38" (overall) and 32" (blade)The scabbard has multiple horizontal dents throughout. Neither the blade nor the scabbard is bent out of shape. The scabbard is 85.5cm/33.5in. The blade is 1 inch/ 2.5cm at its widest point. The pommel has no jiggle at all. The grips wires are intact.
A Brights of Nettlebed two-tier mahogany coffee table with satinwood crossbanding, the rectangular top with two real and two dummy frieze drawers raised on carved and reeded column supports united by a shaped undertier 50 x 152 x 93cmStructurally good, light scratching and knocks consistent with use, noticable knocks to the corners see photosModern, bought from Brights of Nettlebed in 2009
A Victorian style mahogany extending dining table, 20th century, with two additional leaves, the rounded rectangular top above a plain frieze with moulded edge raised on turned, reeded and tapering legs and brass castors77 x 109 x 150 (closed)77 x 109 x 246cm (fully extended)Reproduction, late 20th centuryTop has some minor marks and light scratchingGeneral wear consistent with age and use
A pair of 19th century Regency style ormolu four-light candelabra, each elongated baluster stem supporting a central sconce and three scroll branches, the bases with foliate chased bands, height 62cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of Regency gilt metal single-light table lustres, hung with cut glass drops, on a naturalistic tree stump support, height 23.5cm. Note: from the contents of Runnymede Park, Surrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of late 19th century cast bronze and glass mounted twin-light table lustres, hung with glass drops and raised on circular bases, height 37cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
An early 20th century Arts and Crafts patinated wrought copper lamp standard, the wrythen sectional column on four downswept supports, height to light fitting 135cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 20th century Eastern pottery twin-light table lamp of baluster form, raised on a hardwood base, height 66cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 20th century medieval style wrought iron hanging six-light chandelier, diameter 100cm, together with another similar ceiling light.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of late 19th century gilt metal and porcelain mounted three-light candelabra, height 36.5cm, together with a Dresden porcelain vase and cover, height 27cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A group of 925 silver & blue stone set rings. The lot to include; square cut stones, dark blue stone, white stone, CZ, trilliant cut, pinched shoulders, round cut, baguette cut, tapered shank, faux turquoise, cabochons, prill, halo, light blue stone, scrolling setting, filigree design, cluster. All hallmarked, marked 925 or sterling. Total weight approx 71.9g. Sizes approx L.5 - T.5.
LINCOLNSHIRE - HOWLETT, Bartholomew - A Selection of Views in the County of Lincolnshire, London: William Miller, 1813, 4to, full crushed morocco, raised bands, marbled end papers by Sotheran of Piccadilly, signed in the binding, 45 engraved plates. The first and original edition of Howlett's Views (1805) has 3 plates of Lincoln itself, plus one of Coleby with text and vignettes. This volume contains the plates only, engraved title and Lindsey frontispiece spotted. Other light spotting throughout but almost all in the margins. Half inch crack at the top of spine
STAMFORD (PECK, Francis - Rector of Godeby by Melton): Academia Tertia Anglicana or The Antiquarian of Stanford in Lincoln, Rutland and Northamptonshire...XIV Books. London. Printed for the author by James Bettenham, 1727. FIRST EDITION. Folio. Orig. calf, rebacked, raised bands, spine gilt. Clean crisp copy with the folding prospect of Stamford and all other engr. and plates. At the end is: "The Survey and Antiquitie of the Towne of Stamford....by Richard Butcher....London 1646...since continued by the author to 1660... with Mr Forster's letters added. Subscribers list (14 books each separately paginated plus index plus the second item (Butcher), light damp stain at top, mainly marginal
DEFOE, Daniel - A System of Magick; or a History of The Black Art, being an historical account of Mankind's most early dealing with the Devil, London, by J. Roberts, 1727, 8vo, t.p. in red and black. Engraved frontispiece. Signature on ff ep of "Tycho WIng 1727". Fine Copy in contemporary panelled calf. Very slight rubbing, light browning to t.p. Tycho Wing (1696-1750) was an astrologer. See D.N.B.
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