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534325 Los(e)/Seite
Los 100
Diamond wave bracelet, designed as curved links, separated by bezel set round brilliant cut diamonds, weighing an estimated total of 0.56 carats, with a lobster clasp in 9 ct gold, length approximately 19 cmCondition Report: Gross weight approximately 19.8 gramsOverall good condition, no notable damage or repair, light surface scratches consistent with wear
Los 114
Links of London matching amethyst jewellery set, including an oval hinged bangle, a square pendant and snake chain, 40cm in length and a pair of studs, all set in silver with small gold plated mounts around each stone, each items bearing Links of London markCondition Report: Gross silver weight 45.5 grams light scratches to all metal surfacesThere is one very small minor kink in the snake chain 5cm down from t-bar clasp but not obvious unless looking and would be worn at the backBangle clasp is opening and closing securely all stones are set securely Studs have posts and butterfly fittingsThis lot does not come with any boxes
Los 116
Three stone emerald and diamond ring, central baguette cut emerald weighing an estimated 0.85ct, with a round brilliant cut diamond each side, estimated total diamond weight of 0.80 carats, mounted in 18 ct yellow gold, hallmarked London 1996, ring size L 1/2Condition Report: Gross weight approximately 4.25 gramsOverall good condition, three very small chips to the facet edges of the emerald, claws in very good condition. Light surface scratches to the metal throughout. Wear consistent with use.Diamond estimated colour H-IEstimated clarity VS-SI
Los 117
Victorian sapphire and diamond floral star brooch, set with a central round cut sapphire and old cut and rose cut diamond set rays, with diamond set floral detail and a round cut sapphire between each star ray, mounted in silver on gold, with a detachable brooch fitting, both tested as 15 ct, estimated total diamond weight 0.85ct, estimated total sapphire weight 0.50ct, in fitted box signed D & J Wellby Ltd Garrick St. London, measures 3cm in diameterCondition Report: Gross weight approximately 5.89 gramsOverall good condition, small area of solder on the pin, light surface scratches throughout, four diamonds have small chips, claws throughout are very worn with some missing.Empty box weight 50g, measures 12 x 6.5 x 2.5cm
Los 133
Rolex, A Ladies Reference 62265 Precision gold cased wristwatch, the signed dial with baton hour markers, gold hands, fitted with a signed 17 jewel manual wind movement, the case back marked B&S made for Rolex and marked for 9 ct, mounted on an integral link bracelet with signed clasp, marked Rolex and for 9 ct gold. With original green heart shape box, outer box, and service papers dated 1970.Condition Report: Movement functioning at time of inspection but not tested for time keeping,Small signs of stretch to bracelet, light scratches when viewed under to loupe to case back commensurate with age.Ewbank's do not guarantee the working order or accuracy of any lots sold.
Los 134
Edwardian carnelian signet ring, mounted in 9 ct yellow gold, hallmarked Birmingham 1904, ring size T, with a 1920's gold ladies wristwatch, silver coloured dial Arabic numerals, in 9 ct gold case, on an expanding bracelet and a large round gold plated locket engraved with Swallows a heart and a garland flowers 6 x 5.1cmCondition Report: 9 ct gross weight 26.1 gramscarnelian is scratched and has a small chip to edge of the stones, there is evidence of repairs work to the shoulders 1920's watch is not currently working, back of case is loose, bracelet is broken and one link is missingEwbank's do not guarantee the working order or accuracy of any lots sold.locket has light scratches and a few small indentations to surface
Los 144
Antique dress ring, set with four oval cut rubies and old cut diamonds, ring size K 1/2 with a single stone diamond ring, size J 1/2, both mounted in 18 ct Condition Report: Gross weight 4.8gramsruby and diamond ring is missing on diamondunder gallery of single stone diamond is worn light scratches to metal surface on both rings
Los 148
Victorian five stone opal ring, with five graduating oval cabochon cut opals, measuring between 7.75 x 5.3mm - 5.08 x 3.44mm, claw set in 18 ct yellow gold, hallmarked Birmingham 1897, ring size O, together with a pair of matching stud earrings, in 18 ctCondition Report: 18 ct gross weight 5 gramsRing is in very good condition for age, no notable damage, few light scratches to opal surfaces
Los 172
Vintage gold signet ring, set with a red cabochon cut paste stone, ornately engraved shoulders, size T and green paste square signet ring, size Z, both hallmarked 9 ct Condition Report: 9 ct gross weight 13.8 gramsGreen paste signet ring has a split shankboth paste stones have light scratches to surface
Los 174
Five stone ring, centrally set round cut sapphire with two graduating old cut diamonds set either side, ring size M and sapphire and diamond half eternity ring, size P, both mounted in 18 ct yellow gold Condition Report: 18 ct gross weight 6.8 gramsboth ring have a hard coating across some of the stone setting and on the five stone ring there is some over a part of the shank, believed to be glue, ultrasonic cleaning has not removed this.both ring are oval in shape so may be slightly larger ring sizes light scratches to gold surface.
Los 192
Opal and diamond cluster ring, centrally set with a round cabochon cut opal 7.4 x 7.4mm, surrounded by a border of old cut diamonds, mount stamped 18 ct, ring size LCondition Report: 18 ct gross weight 4.7 gramsTop of opal has light wear to surface giving the stone a matt finishEstimated diamond clarity SI-IOne of the small diamonds on one shoulder has a chip, one of the diamonds in the central cluster has a natural and a larger diamond on one shoulder also has a natural both visible when examining the ring with a 10x loupelight scratches to metal surfaceevidence of past soldering work visible under gallery setting
Los 218
Victorian silver cuff bangle, ornate floral detail and wave cut out edge, 3.2cm in with, with concealed clasp and safety chain and another wider cuff bangle with two different designs on each side, one side has a curved border and wirework detail the other is a floral engraving around some initials, 4.4cm in width, both stamped silver Condition Report: Silver gross weight 95.9 gramsOrnate flower cuff bangle has small amount of damage to sunflower details, light scratches and small light indentation visible form back, inside diameter 5.4 x 4.6cm, inside circumference 17cmWide bangle has six indention most visible on the inside of the bangle due to ornate pattern on outside of bangle, one outer row of wirework is missing on one side. Inside diameter 5.8 x 4.7cm, inside circumference 17.5cmboth have light scratches to surface and both catches are opening and closing securely
Los 25
Victorian bangle, centrally set with an old cut diamond, estimated diamond weight 0.16 carats, set within borders of white pearls, mounted in 15 ct, with concealed clasp and safety chain, in a fitted boxCondition Report: 15 ct weight 13.6 gramsDiamond is set securely and all pearls are present clasp is opening and closing securely widest internal diameter measures approximately 5.8cmFitted box measures approximately 10 x 7.5 x 2.7cm, inside box has red velvet and silk lining, empty box weight 50.4 gramsTested as 15ct. No signs of repair or alteration. There is very slight bending to the bars at the back of the bangle. There is light surface scratches to the metal throughout with a few notable heavier scratches. There is no notable damage to the diamond or pearls which appear to be in very good condition. The box is in good antique condition, the velvet and silk inside show some wear, the clasp closes securely, there is not too much loosening to the hinges but the surface does show scratches.
Los 26
Edwardian opal and diamond cluster ring, central oval cabochon cut opal, estimated weight 1.34 carats, surrounded by a frame of old cut diamonds, estimated total diamond weight 0.32 carats, mount testing as 18 ct, ring size OCondition Report: 18 ct weight 2.9 gramstop surface of opal is rubbed and has several very very light pits to surface, small top section of opal setting is missing on one side and opal is slightly loose in setting Opal is displaying blue green and violet iridescence two diamonds are chipped estimated clarity I ring head measures approximately 1.40 x 1.15cm / 14 x 11.5mm
Los 279
Ladies Omega wristwatch, signed brush silver colour dial with baton hour markers, mechanical movement, 18 ct case, with original Omega crown, on black leather strap with gold plated Omega buckleCondition Report: Gross weight 15.1 grams Watch is not currently workingwatch glass has a few light scratches to surfacecase diameter measures approximatly 24 mm Ewbank's do not guarantee the working order or accuracy of any lots sold.
Los 280
Jaeger Le Coultre ladies wrist watch, signed silver dial with baton hour markers, with a signed mechanical movement, in a 9 ct yellow gold case and bracelet, hallmarked London 1963Condition Report: 9 ct gross weight 25.1 gramsAt time of inspection watch is currently working light scratches to gold surface and glass Ewbank's do not guarantee the working order or accuracy of any lots sold.
Los 282
Omega , a Ladies De Ville wristwatch the oval case with signed black dial, and silvered hour markers, fitted with a calibre 625 17 jewel manual wind movement numbered 38 446472 , the case back marked inside 8104 211, and mounted on an integral link bracelet, with signed clasp. with original inner and outer box.Condition Report: Crystal loose, Movement winds and hands turn but not tested for timekeeping..Light surface marks to dial at 6Ewbank's do not guarantee the working order or accuracy of any lots sold.
Los 284
Cartier Reference 2384, A ladies Tanke Francaise wrist watch in 24 mm stainless steel case, the white dial with Roman numeral hour makers, signed Cartier within ten and outer minute track, fitted with a quartz movement, the case back numbered 803733CD, mounted on a stainless steel bracelet marked CCGF, with signed concealed clasp, with Inner box, papers and service documentation.Condition Report: The case is in very good overall condition. There is very light surface scratching visible throughout the case and bracelet.The dial is in very good overall condition.The movement was not running at time of cataloguing may requires battery replacement and was therefore not tested for the accuracy of timeEwbank's do not guarantee the working order or accuracy of any lots sold.
Los 285
Rolex Reference 3803, A Ladies Cellini wristwatch the brushed gold dial signed Rolex Geneve Cellini, with gold baton hour markers, fitted with a calibre 1600 19 jewel manual wind movement. The case back marked inside for 18 ct Gold and numbered 3092897, mounted on a black leather strap with gold buckle. With service pouchCondition Report: The case is in very good overall condition. There is very light surface scratching to the case back when viewed under a loupe.The dial is in very good overall condition, with a small mark to the edge between 12 and 1 .The movement was running at time of cataloguing but not tested for timekeeping.Ewbank's do not guarantee the working order or accuracy of any lots sold.
Los 286
Vacheron Constantin, A ladies reference 27036/101J-7 Absolues gold wristwatch, the signed mother of pearl dial with diamond hour markers to 3,6 and 9, gold hands, fitted with a quartz movement numbered 769575, the screw fastened casebook numbered 603795 and mounted on an integral bracelet marked and numbered on foldover clasp 101. With inner box, outer card box, papers and sales receipt for Harrods dated 1996.Condition Report: The case is in very good overall condition. There is very light surface scratching visible throughout the case and bracelet, when viewed under a loupeThe dial is in very good overall condition.Movement was not running at time of cataloguing and may requires battery replacement and was therefore not tested for the accuracy of timeSpare Links includedEwbank's do not guarantee the working order or accuracy of any lots sold.
Los 287
Rolex, A Reference 1016 stainless steel explorer wristwatch, the signed matte black dial with white text, Arabic numerals at 3,6 and 9, Mercedes hands, fitted with a calibre 1570 26 jewel automatic movement numbered 110135, contained within a 36mm oyster case bearing reference and numbered 3502144. The screw down case back numbered 1016, mounted on a later black leather strap with stainless steel buckle.Condition Report: Hands turn freely and movement functioning well at time of inspection but not tested to timekeeping.This ref. 1016 Explorer has a case with a serial number engraving that corresponds to an estimated production date of approximately . The original matte black dial is in superb condition, and the luminous material on its hands and hour markers has developed a rich and warm patina. some light tarnishing to the Mercedes hands when viewed under a loupe. The case is in good overall condition with some light surface scratches commensurate with age when viewed under a 10x Loupe.
Los 290
Rolex, A Tudor gentleman's gold wristwatch the signed dial with Arabic numeral hour markers, outer minute track and subsidiary seconds dial, fitted with a manual wind 18 jewel movement marked Tudor, the case marked inside Rolex, R.W.C 12370 and marked for 9 ct, the case back engraved London Transport AA Osborne 45 years service. With red box marked inside Tudor by Rolex. Condition Report: Movement winds and running at time of inspection, light scratches to case when viewed under 10 x Loupe.Ewbank's do not guarantee the working order or accuracy of any lots sold.
Los 297
Rolex gentleman's Oyster Shock Revisiting reference 4444 wristwatch in steel case, the signed dial with Arabic numeral hour markers within a railway minute track, and subsidiary seconds dial, the crown signed Rolex Oyster, and fitted with a signed 15 jewel manual wind movement,marked inside Brevetee, Rolex S.A., Geneve-Suisse, 31 Victoires, Haute Precision, RWC. Ltd., 4444, engraved outside Richard,and mounted on a leather strapCondition Report: Hands turn and movement winds but not tested for timekeeping. Light scratches to case back and sides Plexiglass has light scratches. Rolex's ref.4444 is especially unusual for its use of a scooped rather than chamfered bezelcase diameter measures approximately 30mmEwbank's do not guarantee the working order or accuracy of any lots sold.
Los 3
Late Victorian keepsake ring, double heart and arrow motif, set with an old cut diamond and a round cut ruby, beaded border, with concealed hinged top, enclosed raise text 'MIZPAH', hallmarked Birmingham 1893, maker mark S.L for Solomon Lyon, ring size L 1/2 and a similar horse shoe ring set with an old cut diamond and two round cut rubies, with hinged section revealing raised text 'GOOD LUCK', hallmarked Birmingham 1889, size N 1/2, both mounted in 18 ct yellow goldCondition Report: 18 ct gross weight 7.8 gramsboth ring have light scratches to gold surfaceDouble heart MIZPAH ring, old cut diamond has small chip and ruby has a small chip to girdle, diamond estimate weight 0.02 carats, 6.9mm width, hinged section opens and closes securely, inside band there are a few deeper scratches and there is one to the outside back of the ring. MIZPAH Hebrew May God watch over you.Horse shoe GOOD LUCK ring, hinge section open and close securely, when open however hinge does move slightly, widest part of ring measures approximately 7.5mm, makers mark S.U, inside shank marked RdNo 53187, under top section there is evidence of repair work to both shoulders
Los 30
Victorian gold charm bracelet, with alternate ornately engraved and polished curb links, with a concealed clasp and safety chain, 19.5cm in length, with nineteen charms, including, two S.Mordan & Co propelling pencils, testing as 18 ct, another S.Mordan & Co propelling pencil engraved 'B.A.ELMER-COLE oct 22-1899' testing as 9 ct, a rectangular swivel locket set with blood stone and sardonyx, an end of another propelling pencil, both testing as 14 ct, a blood stone swivel fob, another similar with carnelian and blood stone, both hallmarked 9 ct and another gilt metal fobs and propelling pencilsCondition Report: Gross weight 179.9 gramsBracelet clasp is opening and closing securely, all link are stamped 9 ct, they are hollow and one link has a small hole in it, other link have light indentationsend of propelling pencil is broken with only small end piece left One gilt fob, red paste stone with intaglio of of a person drinking is cracked across the centre and is damagedanother gilt fob, white past stone with intaglio of a leaf and the words 'Je ne change qu'en mourant' translates as I only change when I die, there is a chip to top corner of stonelarge oval silver gilt fob, with orange paste intaglio of Achilles mourning for Patroclus, with a woman in Phrygian cap with Nathaniel Marchant signature. Intaglio has has wear to out side of stone and crack across centre, and glue around edge 2.9 x 21cmcarnelian fob engraved with scrolled initials
Los 307
Patek Philippe, a reference 3468 gentleman's yellow gold Calatrava wrist watch, the circular enamelled dial signed Patek Philippe and Co Geneve, with baton hour markers and signed crown, fitted with a manual wind 23-300 18 jewel movement, numbered 792957, the snap on case back marked inside for 18 ct gold and numbered 2628501, engraved outside to BD from MC 1963, and mounted on a black leather strap.Condition Report: Movement functioning correctly at time of inspection, case back and sides have signs of light surface scratches s when viewed under 10xLoupe.Ewbank's do not guarantee the working order or accuracy of any lots sold.
Los 32
1920's signet ring, in 9 ct, hallmarked Birmingham 1927, ring size P and a Victorian mourning ring with channel for hair work, testing as 15 ct, ring size OCondition Report: 9 ct weight 3.3 grams15 ct weight 1.3 gramsVictorian mourning ring is missing hair work section however channel where hair work would lay is visible, there is a small crack to shank Signet ring is mis-shapen and head of signet ring is engraved with scrolling initials but it is wornboth rings have light scratches to surface of gold
Los 324
Le Coultre, A Gentleman's Reference E2644 stainless steel chronograph wristwatch,the signed gradient blue dial with chrome baton hour markers within a minute track and telemetry track, three subsidiary dials, unsigned crown and two pushers, fitted with a Valjoux calibre 72 movement, screw down casebook and mounted on a black leather strap with steel buckle. Condition Report: Movement functioning at tie of inspection but not tested for timekeeping, Case sides and back have light scratches when viewed under commensurate with age.Ewbank's do not guarantee the working order or accuracy of any lots sold.
Los 325
AMENDED ESTIMATE Guinand A Gentlemans stainless steel Flying officer 24H chronograph wristwatch, the black signed dial luminous hour markers, outer minute track, two subsidiary dials, crown and two pushers at 2 and 4, fitted with a 17 jewel manual wind movement marked Swiss made, the case back marked inside Galett and Co Swiss made, mounted on a black leather strap. with steel buckle.Condition Report: Movement functioning at time fo inspection but not tested for timekeeping.very light scratches to crystal and case sides when viewed under loupe, commensurate with age.Ewbank's do not guarantee the working order or accuracy of any lots sold.
Los 327
Laco (Lacher and Co), reference FL23883 B-UHr Beobachtungsuhr (Obervers) Durowe military watch. The unsigned dial with oversized Arabic numeral minute track, inner track marked hours, centre seconds, case side marked FL23883 fitted with a D5 22 jewel manual wind movement numbered 004458, the case back numbered H 4458 and marked inside 127-560Bmounted on a khaki Nato type fabric strap with stainless steel buckle.The German Ministry of Aviation ordered time piece such as this for its bomber navigators, the responsibility to produce accurate and usable timepieces was awarded to five manufacturers: A.Lange & Sohne, IWC, Wempe, Stowa and Laco.Condition Report: Movement functioning at time of inspection but not tested for timekeeping.very light scratches to crystal and case sides when viewed under loupe, commensurate with age.Ewbank's do not guarantee the working order or accuracy of any lots sold.
Los 328
Audemars Piguet a Ladies Royal Oak gold wristwatch, the stepped case with octagonal bezel, the signed grey dial with gold baton hour markers, fitted with a quartz movement, the case back secured by 6 screws and numbered B60431 and mounted on link bracelet with signed fold over clasp and marked for 18 ct.Condition Report: Battery requires replacement, the case has signs of light scratches commensurate with age.Gross weight including movement 98 grams
Los 35
Victorian star brooch, central old cut diamond estimated weight 0.41 carats, surrounded by old and mine cut diamonds in the form of a star, estimated total diamond weight 1.25 carats, framed by two black enamel wave borders, mounted in silver and 15 ct, pin and catch fitting and safety chain, 3.5 x 3.5cmCondition Report: Gross weight 13.2 gramsMissing one diamond set outer edge detail and one claw set diamonda few light scratches to black enamels surface, one loop has two large scratches where enamel has been removedone other diamond set outer edge detail is loose and not secured to brooch clasp opens and closed securely evidence of previous repair work to back of central star panel and may indicate this a later edition to the brooch
Los 54
Four rings, one half eternity, alternately set with round cut sapphires and diamonds, ring size N, another three stone sapphire and diamond illusion set band, size K, with a similar three stone, set with a central square cut synthetic sapphire and two round cut white topaz gemstones, size N and a synthetic sapphire and paste full eternity ring, size O, all mounted in 9 ct Condition Report: 9 ct gross weight 10.6 gramsall rings have light scratches to metal surface Three stone illusion set sapphire and diamond ring under gallery is worn on both sides and has central section missing
Los 55
1960's garnet and pearl cluster ring and a red paste single stone ring, both ring size M 1/2 and mounted in 9 ct yellow gold Condition Report: 9 ct gross weight 5.7 gramscentral pearl has small cracks to top surface, two the garnets have small chips to surface, light scratches to gold surface makers mark G&T.Jsingle stone ring, light scratches to gold surface, makers mark RJ
Los 56
Mixed group of jewellery, one pearl pendant, bail and fitting testing as 18 ct, a 1970's gate bracelet, with an ornate heart padlock clasp, 19cm in length, a modern double loop pendant set with two round brilliant cut diamonds, a pearl and diamond set pendant, a sapphire and diamond set butterfly pendant, on a flat curb chain, 38cm in length, with another small pearl pendant, a single pearl earring, all mounted in 9 ct yellow gold, with a back and front heart locket and a pair of jade cufflinks set in silver giltCondition Report: 9 ct gross weight 16.8 grams18 ct weight 0.8 gramsGate bracelet has light scratches to gold surface, clasp is opening and closing securely and is attached to bracelet with a safety chain Modern double loop pendant, measures approximately, 2 x 0.7cm, estimated total diamond weight 0.08 caratsPearl and diamond pendant measures approximately 1 x 0.8cmButterfly pendant, measures approximately 1.4 x 1.7cmJade cufflinks, one oval cabochon cut jade measures approximately 16 x 10mm
Los 62
Four rings, one Victorian ring set with pearls and cabochon cut coral, mount stamped 15 ct, size N, another vintage single stone pearl ring, size M, a 1940's signet ring, size K and a garnet cluster ring, size O, all mounted in 9 ct yellow goldCondition Report: 15 ct weight 1.6 grams9 ct gross weight 8.6 gramsall rings have light scratches to gold surfacepearl and coral ring, central pearl has crack to surface and is loose in setting, under gallery has a small cracksingle stone pearl ring, pearl measures approximately 6.2mm diameter, makers mark G & T.J1940's signet ring, engraved monogram and inside band engraved 'Peter from Pat', evidence of previous ring sizing on bottom of shankGarnet rings makers mark FM
Los 64
Two antique rings, one set with round cut sapphires and old cut diamonds, ring size N and a ruby and rose cut diamond ring, size N 1/2, both mounts testing as 18 ctCondition Report: 18 ct gross weight 6.7 gramsboth rings have light scratches to metalSapphire and diamond ring, both diamonds are chipped and the central sapphire top surface is rubbed Ruby and rose cut diamond ring, is missing three small rose cut diamonds, three rubies have small chips and all rubies top surfaces are rubbed
Los 67
Mixed group of jewellery, including an Islamic pendant stamped 18 ct on 9 ct fine belcher link chain, a pair of peacock pearl studs, stamped 18 ct, a Victorian gold hinged bangle, with concealed clasp and safety chain, stamped 15 ct, a scarab pendant in a twisted gold frame, a Chinese character pendant, both stamped 14 ct, three pairs of hoop earrings, three pairs of white pearl earrings and seven gem set pairs of stud earrings, all testing as 9 ct Condition Report: 18 ct gross weight 2.2 grams15 ct weight 8 grams14 ct gross weight 10.1 grams9 ct gross weight 16.6 gramsVictorian bangle, light scratches to metal surface, bangle clasp opens and closed securely, width of bangle 6mm, longer internal diameter of bangle measures approximately 5.6cmscarab pendant measures approximately 3.7 x 2.5cm
Los 69
Three rings, one 1930's wedding band, in 22 ct yellow gold, size M, an antique buckle ring, testing as 18 ct, size N 1/2 and a wishbone ring, size N, in 9 ct Condition Report: 22 ct weight 1.3 grams 9 ct weight 1.6 grams18 ct buckle ring 3.6 gramsall rings have light scratches to gold surfacewedding band is slightly mis- shapenbuckle ring details are worn
Los 79
Packet of eighteen oval cut emeralds, largest estimated at 1.95 carats, another similar estimated at 1.66 carats, smallest emerald estimated at 0.53 caratCondition Report: Gross weight 4.1 grams All gemstone have light chips to surface and surface reaching fractures largest emerald measure approximately 9.3 x 7.3 x 4.9mmother larger emerald measures approximately 8.4 x 6.8 x 5.0mm smallest emerald measures approximately 6.4 x 4.7 x 3.0mm
Los 16
PABLO PICASSO (1881-1973)Garçon et dormeuse à la chandelle, from La Suite Vollard, 1933 signed in penciletching with aquatint, on Montval laid paper with Montgolfier watermark38.3 x 50.3cm (15 1/16 x 19 13/16in).This work is from the edition of 50, printed by Lacourière, published by Ambroise Vollard, Paris, 1939Footnotes:ProvenanceThe Estate of H.M. Petiet, Paris. Acquired from the above by the current owner.LiteratureGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume I, 1904-1967, Berne, 1968 (Bl.226). Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre gravé, Volume II, 1932-1934, Berne, 1992 (B.440.III.B.c).''In front of your copper plate you are always the voyeur. That is why I have engraved so many embracing couples'' PABLO PICASSOCreated in November 1934, this work is one of 100 etchings fromPablo Picasso's Suite Vollard produced between 1930 and 1937. Theseries commissioned and consequentially named after one of the mostinfluential dealers of European art, Ambroise Vollard, remains one ofPicasso's most celebrated works.The sombre scene shows a young man gazing at the sleeping formof a woman, her voluptuous figure illuminated by the soft light of acandle. The figure, who is thought to resemble Picasso's lover andmuse at the time, Marie-Thérèse Walter, is unaware of her transfixedmale admirer, deep in thought. The etching presents a complexdepiction of iconography and phycological turmoil; the model asleepwas a common motif at the time of Picasso's relationship with MarieThérèse Walter and would reoccur throughout his later works.The candle that appears in this etching, appears again in one ofPicasso most admired works of art, La Minotauromachie. Held outin front of her by a girl, the intricate piece is full of symbolic contentwhile representing both turmoil and hope. In both works, the candlebecomes a powerful focal point within the composition bringinga sense of hope through the darkness in La Minotauromachiewhilst projecting a feeling of foreboding in Garçon et dormeuse à lachandelle.It was around this time that Marie-Thérèse became pregnant, andsome scholars have suggested that this etching was created aftershe had broken the news to Picasso. It has been said that the youngman lost in thought could represent Picasso himself and his initialcontemplations on hearing that he was to become a father.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 27
PABLO PICASSO (1881-1973)Nature morte sous la Lampe, 1962 signed in pencillinocut in colours, on Arches wove paper75 x 62cm (29 1/2 x 24 7/16in).This work is an artist's proof aside from the edition of 50. Printed by Arnéra, published by Galerie Louise Leiris, 1963Footnotes:ProvenancePrivate Collection, California, United States.Acquired from the above by the current owner.LiteratureGeorges Bloch, Catalogue de l'oeuvre gravé et lithographié, Volume I, 1904-1967, Berne, 1968 (Bl.1102). Geiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre gravé, Volume V, 1959-1965, Berne, 1989 (B.1313).''My lighting at night is wonderful. I even prefer it to daylight[...], You should come one day to see how the light picks out every object, how deep, black shadows play around the pictures and are thrown against the beams. You can find it in almost every still life. I painted most of them by night.''PABLO PICASSOThe genre of still life has a prominent position in Picasso's oeuvre, fromhis early Cubist still lifes to the memento mori created during the WarWorld II period and later in the Post War years.Nature morte sous la lampe (Still life under the Lamp) is consideredPicasso's masterpiece of colour linocut and is included in every surveyof 20th Century printmaking.The classic composition of this still life follows the tradition of his greatrole model Cézanne.Picasso uses common objects from anywhere: a glass, apples, alamp, a plain wood table - the object at its most ordinary. As the artistexpressed it: 'I make reference to objects that belong to everybody''.The composition is constructed in nine stages, beginning with a blankwhite background, Picasso cut and printed the single block in eachsuccessive colour, building the image with increasing complexity. Thisgroundbreaking technique was invented by Picasso and is known asthe 'reduction' method.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 39
PABLO PICASSO (1881-1973)Visage de faune dated '28.6.55.' (upper right); stamped with the signature and incised 'Exemplaire avant la lettre' (on the reverse), further stamped with the goldsmith's mark and the French assay mark for gold (on the lower reverse rim)22 carat gold repoussé plate with wooden presentation box25cm (9 3/4in). diameter; 41.6 cm. (16 3/8in.) diameter with the presentation boxConceived in 1955; this unique example in gold executed in 1968 by François and Pierre Hugo. This work is the first prototype of a gold plate ever made by François Hugo in collaboration with Pablo Picasso.Footnotes:The authenticity of this work has kindly been confirmed by Ateliers Hugo. ProvenanceAtelier François & Pierre Hugo, France.Private Collection, France (acquired from the above in 1971).Private collection, France (acquired from the above in 1995).LiteratureG. Bloch, Pablo Picasso, Catalogue de l'oeuvre gravé céramique, 1949-1971, Vol. III, Bern, 1972, no. 63 (earthenware version illustrated p. 59).D. Cooper, Picasso, 19 plats en argent par François et Pierre Hugo, Paris, 1977 (silver version illustrated). A. Ramié, Picasso, Catalogue of the edited ceramic works, 1947-1971, Vallauris, 1988, no. 282 & 283 (terracotta and white earthenware versions illustrated p. 145).P. Hugo & C. Siaud, Bijoux d'artistes, Hommage à François Hugo, Aix-en-Provence, 2001, no. 1409 (silver version illustrated p. 148, & goldmedallion version illustrated p. 153).I was ten years old the day I met Picasso for the first time. My father had been working for him for one or two years. Picasso looked at me with his piercing eyes, wondering what a child like me could possibly be doing in a goldsmith's workshop. I was watching my father at work.The look of the great painter intrigued and scared me.'What are you doing young boy,' asked the artist?'I am watching my father at work.'A spark of interest made his eyes light up.'You could come to my studio to watch me at work too if you wanted.'I was delighted by his offer, I felt accepted. Over the years I got to know him well, to admire and discover this good, generous and funny man. During my first stay at 'La Californie', his villa in Cannes, I fell in love with his studio and his daughter Paloma. A frisson that caught the master's eye instantly.This was 1957, and from that moment on the friendship and collaboration between my father and Picasso continued to grow. When my father spoke to Picasso about a castle near to Aix-en-Provence, Picasso bought it: 'Cézanne painted La Sainte Victoire... but I bought it', he said with pride.Pablo Picasso, just like Claes Oldenburg, had a devoted admiration for gold. 'Do you think it could be possible to create an artwork in gold?', he asked. From this conversation they created the first gold plate: the smaller dimensions of Visage de faune (lot 39) were a necessity as my father did not have the money to buy more of the precious metal, and the work became the first prototype for the pieces created after by Picasso and my father. On seeing the first finished gold plate Picasso was mesmerised: he took the work in his hands and brought it to his lips like a baby. 'What are you doing Pablo', asked my father?'I am tasting it, I have never tasted gold before! It has a taste!', answered the artist. And the two men settled in to a lunch of lobsters, with Jacqueline and my mother Monique watching them fondly. I was proud of my father, and happy to see Pablo with tears of joy in his eyes. It was a time of precious memories, that I have held dearly ever since. From then onwards, my father and Picasso collaborated together until the artist's death in 1973. Together they made silver plates and compotiers, sculptures, medallions and the unique gold plates. Nothing could stop Picasso's creative genius. Even after his death, his greatness lived on in the artworks he created in our atelier. - Pierre Hugo, master goldsmith. In 1946 Pablo Picasso famously made his first visit to Vallauris in the South of France, and there discovered a latent desire to create works of exceptional beauty in clay. He was driven by a desire to create sculptural objects full of the joyousness and mythological motifs that typified his Post-War output: vases, dishes, bowls, even ashtrays decorated with fauns, flute players and the animals of his arcadia. He worked slavishly; a passion for creating these objects had been unleashed. Over the years that followed Picasso would design hundreds of works alongside the talented craftsmen of the Madoura pottery, and his interest in creating objects of everyday use imbued with his unique genius never waned from this point on. A decade after his arrival in Vallauris, Picasso was introduced to the goldsmith François Hugo by their mutual friends Douglas Cooper and John Richardson. Just like his introduction to the Ramié's, this was a fateful meeting that resulted in the two artists creating exceptional objects together over the course of the next two decades. They worked together on a series of beautiful plates, vases, medallions and compotiers, many of which were related to the designs he had created for his ceramics. Picasso was fascinated by the process of creating the wax matrix for each new design, with Hugo warming the precious metal and beating it by hand into the matrix – resulting in the shimmering surface of every repoussé dish or medallion. Over the course of their collaboration Picasso created small editions of the silver dishes and gold medallions, as well as a single unique gold dish for each design. Not only is the present work, depicting the faun so beloved of Picasso during this period, one of these precious unique objects, it is in fact the first of its kind: a prototype for Picasso and Hugo's creations in gold.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 358
Cylindrical form with floral hand painted gilded decoration; flared rim; pastel coloration. Signed. Exquisite piece with intricate details. Large vase; light blues and purple colorway; finely painted floral design with raised gilded outline. Heavily gilded base with flower, foliage and beaded pattern. Signed by artist on body. Doulton Burslem backstamp. Artist: Edward RabyIssued: 20th c. Dimensions: 5.75"W x 18.5"HManufacturer: Doulton BurslemCountry of Origin: England
Los 362
Hand decorated; paste coloration. Depicts a goddess on the beach surrounded by seashells. Finely painted serene scene with light pink, purple and green coloration. Gilded rim. Signed by artist on body. Titled on base. Doulton backstamp. Artist: George WhiteIssued: 20th c. Dimensions: 11.25"HManufacturer: Doulton BurslemCountry of Origin: England
Los 394
This delightful, crisply modeled Early 20th Century Royal Doulton English Porcelain Figurine, Daffy Down Dilly ~ HN 1712, offered here in a light green colorway, with accents of pink and yellow, was designed by leading artist Leslie Harradine and was issued from 1935 to 1975. The underside fully marked in green with the printed Royal Doulton backstamp of the period. Artist: Leslie HarradineDimensions: 8"HCountry of Origin: EnglandProvenance: David Bearman Collection
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