λ EWART JOHNS (BRITISH 1923-2013) BLACK ON WHITE Oil on canvas laid on board Signed with initials and dated '97 (lower right), titled (verso) 95 x 52.5cm (37¼ x 20½ in.) Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Light surface dirt throughout, most notable to three pin holes along the upper edge where there some possible evidence of rust and some further minor marks to the lower edge and the very centre of the work. There is slight undulation visible to the extreme edges. Otherwise appears to be in generally good original condition. High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
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λ RAYMOND MORETTI (FRENCH 1931-2005) UNTITLED (THE MUSICIANS) Coloured crayon Signed and dated 60 (lower left) 44 x 59cm (17¼ x 23 in.) Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Unexamined out of the glazed frame. Light discolouration to the sheet throughout. High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
HUBERT VON HERKOMER (BRITISH 1849-1914) MOTHER AND CHILD Watercolour Signed and dated '88' (lower right) 15 x 11cm (5¾ x 4¼ in.) Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Unexamined out of glazed frame. The sheet presents light surface dirt and discolouration, with some light staining to the extreme edges. A small crack to the paint is present to the lower centre of the woman's skirt. High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
λ KEITH PATTERSON (NEW ZEALAND 1925-1995) UNTITLED Mixed media and collage Signed and dated 73 (lower centre) 70 x 50cm (27½ x 19½ in.) Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Unexamined out of glazed frame. Some light discolouration most notable to the extreme edges of the sheet. Light handling creases throughout. There is some cracking to the red pigment with some associated cupping. High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
FOLLOWER OF JONATHAN RICHARDSON PORTRAIT OF A GENTLEMAN IN A RED COAT Oil on canvas, in a feigned oval 75 x 61.5cm (29½ x 24 in.) In an 18th Century frame Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Unexamined out of glazed frame. Light surface dirt. Dust and fragments of paper are present between the sheet and the glass, likely caused by a previous unframing.High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
ENGLISH NAÏVE SCHOOL (19TH CENTURY) A PAIR OF PORTRAITS OF A GENTLEMAN AND A LADY Oil on canvas 75.5 x 61cm (29½ x 24 in.) (2) Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Portrait of a Gentleman: The canvas has been relined. Light surface dirt, scattered stains and craquelure throughout. Scuffs and abrasions to the extreme right edge, consistent with rubbing to the frame. Inspection under UV reveals an unevenly applied green varnish and scattered retouching, notably to the visage, necktie, and centre right edge. Portrait of a Lady: The canvas has been relined. Light surface dirt and craquelure throughout. Gold pigment marks to extreme edges of the canvas, caused by contact with the frame. Inspection under UV reveals an unevenly applied green varnish and scattered dotted retouching, including to visage and background.High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
ENGLISH SCHOOL (19TH CENTURY) TWO GENTLEMEN WITH THEIR TANDEM IN A WOODED LANDSCAPE Oil on canvas 64 x 89cm (25 x 35 in.) Painted circa. 1850 Provenance: Iona Antiques, London Measurements do not include the frame unless specified.Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View The canvas has been lined. Light craquelure throughout. Rubbing and abrasions to the framing edges. Inspection under UV light reveals some very light, spots of retouching, to one or two isolated areas. Some very light traces of a green cloudy varnish.High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
λ EWART JOHNS (BRITISH 1923-2013) SWING LADY Oil on board Signed with initials and indistinctly dated (lower right) signed, titled and dated '91 (verso) 51.5 x 86cm (20¼ x 33¾ in.) Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View There are a number of light surface scratches scattered across the work. Inspection under UV reveals no obvious evidence of restoration or repair. High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
BRITISH SCHOOL (19TH CENTURY) THREE QUARTER LENGTH PORTRAIT OF A GIRL WITH A BASKET OF FLOWERS Oil on canvas 74 x 61.5cm (29 x 24 in.) Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Provenance: Private Collection, Lancashire Estate Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View The canvas is unlined. The canvas presents an uneven surface most notably to the upper left corner and centre left. Surface dirt and craquelure thought-out, and unevenly applied cloudy varnish. Multiple abrasions with associated paint loss along the left edge, in the upper left corner, and to the right of the sitter's head, where a approx.. 2cm paint loss is visible. Inspection under UV light reveals significant retouching which is also visible to the naked eye, such as a large approx. 12 cm restoration to the left sitter's head, a 5cm restoration to the left of the arm, along the left edge, and scattered retouching to the upper right quadrant, and right edge. High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
λ EWART JOHNS (BRITISH 1923-2013) YOUNG WOMAN IN A RED HAT Oil on board Signed with initials and dated 88 (lower left), signed, titled and dated 88 (verso) 33.5 x 22cm (13 x 8½ in.) Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Very light surface dirt. Otherwise, the work appears to be in good original condition. High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
LOWES CATO DICKINSON (BRITISH 1819 - 1908) THE STORYBOOK Charcoal and coloured chalked Signed with monogram and dated '76' (lower left) 59 x 45cm (23 x 17½ in.) Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View The colours are good, but there is some discolouration to the sheet, including spots of surface dirt and foxing. This is slight, and largely confined to the background areas however. Light wear including creasing, light tearing and scuffing to the extreme edges, commensurate with age and handling. Undulation to the sheet under the glazed frame. Unexamined out of glazed frame.High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
λ EWART JOHNS (BRITISH 1923-2013) LOOK WHAT YOU'RE MISSING! Mixed media on collage 95 x 71cm (37¼ x 27¾ in.) Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Unexamined out of glazed frame. A umber of pinner holes to the extreme edges and one to the centre of the work. Light surface dirt throughout with some staining to the centre of the upper edge. There is a small tear to the red section of the collage at the centre of the right edge. High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
BESS (20TH CENTURY) STEAM BOAT ON THE SEINE WITH NOTRE DAME BEYOND Oil on board Signed and dated 10.43 (lower left) 33 x 55cm (12 x 21½ in.) Measurements do not include the frame unless specified. Please note Dreweatts are not liable for damage to frames or mounts. Condition Report: Please Note: All Lots In This Auction Are Not Available To View Very light surface dirt throughout. The work is slightly loose to frame. Some rubbing to the extreme framing edges. Pinholes to all four corners of the work. A small loss circa. 3mm to the centre of the lower edge. Inspection under UV reveals some very light retouching to the central band across the image and some light scattered across the sky. Otherwise appears to be in good original condition. High resolution images are available upon request, please contact the department directly at pictures@dreweatts.com PLEASE NOTE: ALL LOTS ARE LOCATED SACKVILLE WEST STORAGE IN ANDOVER SP10 3SA. Condition Report Disclaimer
ROYAL WORCESTER; a late Victorian hallmarked silver mounted four setting coffee service, comprising four silver mounted coffee cans, silver mounted milk jug, silver mounted twin handled sugar bowl, silver mounted coffee pot and four yellow ground gilt decorated saucers, the teapot hallmarked for William Hutton & Sons Ltd, London 1894, the remaining items later hallmarked for London 1896, combined weighable silver approx 3.7ozt/115g.Condition Report: There is a small hairline crack to one of the saucers, however all other items appear in good condition with no cracks, chips or hairlines, all items also appear free from crazing but all have light surface ware and tarnishing from silver.
A 9ct gold dress ring, with two double rows of four claw set cut blue stones separated by three columns each containing two diamond chips, size N, approx 5.82g.Condition Report: The condition of this ring is good with no visible damages other than some light tarnishing. Unfortunately, we will be unable to transfer this to our Devon saleroom but we can certainly post it in house if needs be.
MASONIC INTEREST; seven assorted Masonic hallmarked silver medals and jewels including Masonic Hospital medal, 11th Master 1966-1967, Euclid Lodge, no. 7476, presented to W Bro Marcus Clayton by the brethren for his most valued service as WM 1966-1967, WM 1955-1956, Eternal Light, two Founder badges, London jewel presented to W Bro A M Hart by the Lodge of Eternal Light as a token of esteem upon his appointment of the dignity of London Grand Rank October 1969, and seven further Masonic jewels including Royal Masonic Steward badge, Steward 1956, Steward 1948, Royal Masonic Institution for Girls 1962, London jewel, Eternal Light badge and Hospital badge (15).
A framed collection of approximately forty-eight military cap badges including King's Royal Rifle Corps, Wiltshire Regiment, British Army Infantry Regiment, Berkshire Regiment, Northamptonshire Regiment, Essex Regiment, Oxford and Buckinghamshire Light Regiment, Welsh Regiment, South Lancashire Regiment, Dorset Regiment, South Staffordshire Regiment, East Surrey Regiment, Duke of Cornwall's Light Infantry, Border Regiment, Royal Sussex Regiment, East Lancashire Regiment, Cambridge Regiment, Worcestershire Regiment, Gloucestershire Regiment, etc.
A pair of George V hallmarked silver matching tabletop photograph frames, each with dome top, blank circular panel and engine turned decoration, with wooden back and brackets, Birmingham 1923, height 20cm, width 14cm (2).Condition Report: Both backing plates are secured with celotape, glasses are also both loose however no signs of bends or breaks to the silver but some light tarnishing.
English School, mid-20th century A river landscape oil on board50 x 61cmCondition ReportFramed: 59 x 68cmSurface dirt and spotting. A light stain across the brown paint in the lower left quarter. Horizontal cracking in areas. Minor abrasions in the upper right corner. Examined under UV light a couple of small spots of retouching are visible in the upper right corner and along the top edge. There is some fluorescing to the top and base of the wall in the lower left quarter, however it is unclear if this later overpainting. Please see additional condition images.
Artashes Abraamyan (Armenian, 1921-2003) 'Mountains in Sunset'signed in Cyrillic and dated '83' l.r., also signed and inscribed verso, oil on canvas57 x 80cmCondition ReportFramed: 66 x 89cmStretcher marks starting to emerge along the top edge. Some light surface scuffs. There are some small losses which appear to have been retouched in the sky, and also in the centre of the lower edge. Not examined under UV light, for a full report please contact the department.
Yelena Telegina (contemporary) 'Meditative Reflections'signed in Cyrillic l.r., also signed and inscribed verso, oil on canvas65 x 79cmCondition ReportFramed: 74 x 88.5cmA little very light surface dirt. Slight rubbing in the lower left corner. Presents well overall. Not examined under UV light. For a full report, please contact the department.
â–² Peter Peri (b.1971) 'Puritan'signed and dated 'Peter Peri '05' verso, mixed media on canvas91.5 x 61cm, unframedExhibited: The Carl Freedman Gallery, London, 'Peter Peri: Overflow and Extinction', 2005, the artist's first solo show.Condition ReportLight surface dirt. The surface of the painting has varied textures including raised bumps, drips and ripples to the paint which are believed to be the intention of the artist. There are some fine cracks starting to emerge in areas, and in places it appears the paint may have expanded or contracted a little, creating fine ripples in the surface of the paint. A little rubbing and a tiny loss to the lower edge. Light spotting to the reverse.
â–² Clive Barker (b.1940) 'Still Life (Saucepan and Eggs)', 2006copper and brass, stamp signed, titled and dated on a plaque to the base40.5cm wide26cm deep27.5cm highCondition ReportSurface dust and dirt with tarnishing, would benefit from a light clean. Some small scattered spots of oxidisation and verdigris to the copper base and backplate. For a full report and further images please contact the department.
â–² Alexander Milligan Galt (1913-2000) 'Woman with Veil'oil on board25 x 17.5cmProvenance: With Panter & Hall, London.Condition ReportFramed: 41 x 33.5cmAppears to be in good condition. Not examined under UV light or viewed out of glazed frame, for a full report please contact the department.
Jesse Mockrin (American, b.1981) Untitledsigned and dated 'J. Mockrin 2019' l.r. with further inscriptions, pencil 18.5 x 24.5cmCondition ReportFramed: 24 x 30cmA little light smudging. There is rippling to the left edge of the drawing on the right side of the page. A very small crease at the top of the right edge. Appears to be stuck down in the corners. Not viewed out of glazed frame. Please see additional images.
â–² John Bellany RA (1942-2013) 'Call of the Sea 11', 1995screenprint, signed 'John Bellany' in pencil l.l., and numbered '11/60', printed by Kip Gresham, Ian Wilkinson and Matthew Evans at the Gresham Studio Ltd., Cambridgeimage 47.5 x 37cmCondition ReportFramed: 85 x 73cmOn close inspection there are a couple of small, light handling creases visible to the margins, however the work presents very well overall and appears to be in otherwise good condition. Not viewed out of glazed frame.
â–² Sir Eduardo Paolozzi RA (1924-2005) Headbronze 5cm wide3cm deep8cm highProvenance: The artist's estate;thence by descent.Condition ReportThe texture of the work varies, with score marks and flatter areas in places. A little verdigris starting to emerge in places. The patina is uneven in some areas. Minor casting imperfections to the top of the head. Light dust and dirt to crevices. For a more details and additional images please contact the department.
â–² Roger Hilton (1911-1975) Untitledconté25 x 20cm, unframedProvenance: The estate of the artist and part of a collection of 27 drawings belonging to Fergus Hilton;Jonathan Clark & Co. Fine Art, London;the property of a private collector.Condition ReportMount: 40.5 x 34.5cmA little light smudging. Some small spots of foxing starting to emerge. Minor handling creases. A faint diagonal crease mark from the centre of the lower edge to the upper right edge. A small fold mark in the lower left corner. Stuck down in the top right corner.
Gwen John (1876-1939) View from rue Terre Neuve, Meudoncharcoal, pen and ink and wash18 x 16.5cmProvenance: Acquired 1950/51 in Meudon, having possibly been given away in Gwen John's lifetime;thence by descent.Gwen John rented an apartment at 29 rue Terre Neuve from 1911 until the end of her life. The present lot is believed to be the view from the artist's top-floor studio, overlooking the terrace observatory gardens, with a vase of flowers on the windowsill. There are two paintings of the same subject in the Paul Mellon Collection, Virginia. Condition ReportFramed: 38 x 33cmTime staining. A small fold in the lower left corner. There is a 5mm tear to the top edge on the right side. Light creasing with a litte foxing starting to emerge. Not viewed out of glazed frame.
â–² Ruskin Spear RA (1911-1990) South Kensingtonsigned 'Ruskin Spear' l.r., oil on board47 x 61cmProvenance: Sotheby's, New Bond Street, 'Modern British and Irish Art', 2 June 2004, lot 88;the David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 63 x 77cmAppears to be in good order. Not examined under UV light, for a full report please contact the department.
â–² Fred Cuming (1933-2022) 'Nature's Mantle'signed 'Cumming' l.l., also signed, inscribed with title and dated '1992' on label verso, oil on board30.5 x 35.5cmCondition ReportFramed: 50.5 x 55.5cmAppears to be in good condition. Well presented and ready to hang. Not examined under UV light, for a full report please contact the department.
▲ Gerald Scarfe (b.1936) 'Two Dodgy Brexiteers Run for It!’, a Boris Johnson and Nigel Farage satire, signed 'Gerald Scarfe' l.r. and inscribed with title l.c., pen and ink and watercolour heightened with white, with pencil inscriptions59 x 84cmProvenance: Provenance: Sotheby's, New Bond Street, 'Scarfe at Sotheby's', 5 April 2017, lot 17;the David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 64 x 94cmA little cockling and a few tiny speckles of light surface dirt. Presents well overall. Not viewed out of glazed frame.
George Houston (1869-1947) A river landscape, believed to be the Garnock near Dalrysigned 'GEORGE HOUSTON' l.r., oil on canvas46 x 61cmThis picture was painted by Houston at the request of the Kirk Session of the Courthill Church, Dalry, Ayrshire, and was presented to William Garrick when he retired from the office of Session Clerk after many years of service.Condition ReportFramed: 59 x 75cmFine craquelure starting to emerge at the top. The blue paint in the upper right has a lighter border around the edges, please refer to illustration. Not examined under UV light, for a full report please contact the department.
â–² Roger Hilton (1911-1975) Seated nudepencil20 x 15.5cm, unframedProvenance: A gift from the artist to Mr Carey, October 1930;Christie's, South Kensington, '20th Century British Art including Works from the Studio of Hilda Carline', 16 October 2003, lot 551;the property of a private collector.Condition ReportMount: 28 x 25.5cmFaint dirty marks and smudges. A very light horizontal crease mark to the lower third with a little tape residue (?) to the reverse. Hinged with two small pieces of tape applied to the reverse of the top edge.
â–² Sir Eduardo Paolozzi RA (1924-2005) Headbronze5cm wide3.5cm deep4.5cm high overallProvenance: The artist's estate;thence by descent.Condition ReportPresents well overall. Some minor casting imperfections. A little verdigris starting to emerge in places. Light dust and dirt to crevices. For a more detailed report and additional images please contact the department.
â–² John Piper CH (1903-1992) 'Exton, Rutland: Monument by Grinling Gibbons 1686' (Levinson 126)lithograph in colours, 1964, signed 'John Piper' in pencil l.r., with Archive of Stanley Jones blind stampsheet 82 x 59cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportA little creasing to the lower right corner with some very light surface dirt to the margins.. A small dirty mark to the upper left margin. A few small dark speckles to the blue printed border, however presents well overall. The print is unnumbered.
â–² Fred Dubery (1926-2011) 'A Sculptor's Studio'signed 'Fred Dubery' l.r., inscribed with title on artist's label verso, oil on canvas laid on board64 x 76.5cmCondition ReportFramed: 77 x 88.5cmCracking. Small white scattered speckles. Horizontal scratches in the the upper right. The canvas has a vertical join 5cm in from the right edge. The additional strip of canvas has a bumpy texture in the lower half. Not examined under UV light, for a full report please contact the department.
Gwen John (1876-1939) Rue Terre Neuve, Meudoncharcoal, pen and ink and wash21 x 16.5cmProvenance: Acquired 1950/51 in Meudon, having possibly been given away in Gwen John's lifetime;thence by descent.Gwen John rented an apartment at 29 rue Terre Neuve from 1911 until the end of her life. The present lot is believed to be the view from the artist's top-floor studio, overlooking the terrace observatory gardens. There are two paintings of the same subject in the Paul Mellon Collection, Virginia. Condition ReportFramed: 39.5 x 32cmDiscolouration to the paper. Light creasing. A more prominent horizontal crease across the centre. A little faded. Not viewed out of glazed frame.
â–² Dame Elisabeth Frink CH RA (1930-1993) 'Horse and Rider'lithograph in colours, 1970, signed 'Frink' in pencil l.r.sheet 59 x 78cm, unframedProvenance: The Estate of Stanley Jones MBE RE.There is the opportunity for this lot to be embossed with 'Estate of Stanley Jones' blind stamp after purchase.Condition ReportThe print is unnumbered. Light time staininig with a little discolouration/ staining to the edges. Minor handling creases. The print does not sit completely flat at the edges however does not appear to have been rolled. Presents well overall.
â–² Adrian Maurice Daintrey (1902-1988) New Yorksigned with initials and dated '79' l.l., oil on board 41 x 61cmExhibited: Gainsborough House, Sudbury, Suffolk, August 1980, catalogue no. 34; Sally Hunter Fine Art, London, 'Adrian Daintrey', July 2002, catalogue no. 6.Condition ReportFramed: 50.5 x 71cmA couple of extremely tiny white specks which appear to be light surface scuffs. Presents well overall. Not examined under UV light, for a full report please contact the department.
▲ William Scott RA (1913-1989) 'Orange Still Life', 1956 (William Scott Archive No.1893);verso, pencil sketch of Mary Scott, the artist’s wife, late 1930ssigned 'W. Scott' l.r., gouache50.5 x 68cmProvenance: Private collection, USA;Offer Waterman & Co., London;the property of a private collector.The drawing of Mary Scott is similar to the oil painting ‘Seated Nude’, 1939, Tate, London.We are grateful to the William Scott Archive for their kind assistance with the cataloguing of the present work.In the 1950s, William Scott's use of vibrant colours, like orange and ochre, played a crucial role in his still-life compositions, marking a key period in his artistic development. As a member of the post-war British painting group, including artists such as Patrick Heron, Terry Frost and Peter Lanyon, Scott was influenced by the boldness of abstract expressionism. In 1953, his exposure to the New York School, where he met leading figures like Rothko, de Kooning and Pollock, made a significant impact on his approach to abstraction. Despite this, Scott remained deeply attached to the still-life genre, finding ways to modernise it while infusing it with abstraction. His works from the late 1950s often featured everyday objects like jugs, bowls and pans, painted against bold backgrounds in colours like orange. These hues, especially the warm tones of orange, went beyond mere decoration - they emphasised the physical presence of the objects and imbued the scenes with energy.Scott's choice of orange can be seen as a deliberate effort to elevate these everyday items, drawing attention to their form and giving them a unique vibrancy. This use of colour was particularly striking in works, as seen here in lot 278, where the colour envelops the composition, making items seem dynamic and essential. For Scott, orange was not only a visual tool but also a way to convey a sense of warmth and vitality. It helped balance the austerity of his minimalist approach with the sensuality he sought to evoke. By combining the figurative and abstract elements of his work, Scott's use of orange served as a bridge between his engagement with American abstraction and his European roots in more tactile, representational art.Condition ReportFramed: 67 x 84.5cmThe work is executed on paper. Rippling to the sheet visible when viewed from the side under raking light. Pinholes to top corners. A tiny tear to the extreme upper right corner. Lower edge torn slightly unevenly. Presents well overall when viewed on the wall.
â–² Tracey Emin RA (b.1963) 'The Kiss Was Beautiful'offset lithograph in colours, 2016, signed 'Tracey Emin' l.r., from an edition of 500sheet 70 x 50cm, unframedCondition ReportMinor abrasions to the extreme top edge. Two small crescent shaped creases to the upper right edge and a further small crease to the centre of the top edge. On close inspection under raking light there are some very light surface scuffs beneath the signature and a light 3cm scratch crosses the letter T. Please see additional condition images. The print has been stored rolled in the original 'Emin International' labelled tube.
â–² HM King Charles III (b.1948) 'Tetbury Church From Highgrove House'lithograph in colours, signed and dated 'Charles '98' in pencil l.r., and numbered '44/100', printed at Curwen Chilford Prints on paper made at St Cuthbert's Mill, Somerset, complete with a certificate of authenticity signed by the publisher, and in original box as issuedimage 14.5 x 20cmCondition ReportPROVENANCE: With certificate of authenticity and original box.Framed: 37.5 x 41cmBox: 42.5 x 45.5 x 5.5cmThe print appears to be in good condition and is ready to hang. Not viewed out of glazed frame. Light surface scuffs and scratches to the exterior of the box.
â–² Roger Hilton (1911-1975) Untitled (Drawing III)pencil and black chalk12.5 x 20cmProvenance: With Michael Parkin Fine Art, London; Andrew Best Esq.;the property of a private collector. Exhibited: Michael Parkin Fine Art, London, 'Another Pair of Eyes', 1983, catalogue no. 27.Condition ReportFramed: 25.5 x 33cmExecuted on dark orange paper with some areas of fading and discolouration to the upper centre, the top half of the right edge, and in the lower left corner. A little smudging in the lower left quarter. A small light coloured spot on the raised leg, centre right. Not viewed out of glazed frame.
â–² Julian Perry (b.1960) 'Olympic Shed 10'signed 'Julian Perry', inscribed with title and dated '2006' verso, oil on board34 x 24.5cmCondition ReportFramed: 46.5 x 36.5cmPresents well overall and ready to hang. Not examined under UV light or viewed out of glazed frame, for a full report please contact the department.
â–² Marinos Georgaras (Greek, b.1952) Fishsigned 'Marinos' l.l., oil on canvas61 x 45cm Provenance: Acquired directly from the artist in Zante in 1993.Condition ReportFramed: 81 x 66cmPresents well overall. The canvas tension is a little loose to the touch, however in our opinion this does not detract from enjoyment of the work when viewed on the wall. Not examined under UV light, for a full report please contact the department.
â–² Maggi Hambling (b.1945) 'Sir Michael Gambon in Rehearsal'signed and dated 'HAMBLING/2000' verso, oil and silver acrylic on canvas121.5 x 76.5cm, unframedLiterature: Andrew Lambirth, 'Maggi Hambling: The Works - and Conversations with Andrew Lambirth', 2006/2015, Unicorn Press, London.We are grateful to Maggi Hambling and Andrew Lambirth for their kind assistance with the cataloguing of this lot.Condition ReportPresents well overall. A little rubbing to the extreme upper left edge. Not examined under UV light, for a full report please contact the department.
â–² Reginald Brill (1902-1974) A village scene, believed to be Lavenham Guildhall with St Peter and St Paul's Church in the distance signed 'Reginald Brill' l.r., pencil, pen and ink28 x 23.5cmCondition ReportFramed: 47 x 34cmA little very faint smudging next to the church tower in the upper right. Light time staining. Not viewed out of glazed frame.
Eric Ravilious (1903-1942) 'Hardware'lithograph in colours, from 'High Street' by J M Richards, printed by the Curwen Press and published by Country Life, London, 1938visible 22 x 14cmCondition ReportFramed: 43 x 30.5cmLight creasing in the top corners. Presents well overall and ready to hang. Not viewed out of the perspex glazed frame
â–² Roger Hilton (1911-1975) Untitled (Two figures)black crayon30 x 42cm, unframedProvenance: With Jonathan Clark & Co. Fine Art, London;the property of a private collector.Condition ReportFoxing with a little time staining and faint dirty marks. Light creasing. Pinholes to top corners. A tiny fold in the extreme upper left corner and a 5mm tear to the upper edge, centre left.
â–² Laurence Stephen Lowry RA (1887-1976) A country landscape with buildingssigned and dated 'L. S. Lowry 1930' l.l., also dated l.r., pencil23 x 31.5cmCondition ReportFramed: 41.5 x 50.5cmFoxing and light creasing. A diagonal fold runs from the lower left corner to the right edge, lower centre. Not viewed out of glazed frame.
â–² Peter Lloyd-Jones (b.1956) 'Interior with Chair and Red Cushion' signed with initials l.l., with a further portrait study verso, oil on canvas109 x 76cmProvenance: With Jonleigh Gallery, Guildford;Mr and Mrs David McCleave.Condition ReportFramed: 119 x 86cmA little very light surface dirt. There is a faint horizontal line crossing the centre of the work which appears to be the surface of the canvas. Further very faint lines cross the top and bottom thirds of the painting, however in our opinion the work presents well overall when viewed on the wall. Not examined under UV light, for a full report please contact the department.
Thomas Cooper Gotch (1854-1931) Sunsetsigned 'T C Gotch' l.r., oil on canvas30.5 x 45.5cmProvenance: The property of a private collector.Condition ReportFramed: 42 x 57cmUnlined. Craquelure. Stretcher marks to top edge and starting to emerge to right edge. A small patch repair to the reverse in the lower left corner. Examined under UV light there are some small spots of retouching. The upper right quarter fluoresces extensively. Viewed under normal light the the paint appears to be a slightly different shade of yellow in this area and has been more flatly applied than in other areas of the work. Please refer to additional condition images.
â–² Sir Eduardo Paolozzi RA (1924-2005) Untitledpencil25 x 35.5cm, unframedProvenance: The artist's estate;thence by descent.Condition ReportA little very light time staining, appears to be in otherwise good condition. Executed on a sketchbook page. Presented in a mount with clear plastic corners.
â–² Julian Perry (b.1960) View from a bridge, overlooking Marshgate Lane, Londonsigned with initials and dated '06/07' l.l., oil on board25 x 74.5cmCondition ReportFramed: 34.5 x 84.5cmThere are some small spots where the paint appears to be pressed against the glass in the upper left corner and to the tree in the centre, however the work appears to be in otherwise good condition. Presents well overall and ready to hang. Not examined under UV light or viewed out of glazed frame, for a full report please contact the department.
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