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Preisdatenbank abonnierenGeorge V Art Deco entrée dish, of shaped oval form with geometric handles, sponsors mark of Emile Viner, London 1935, 880g approx, 31.5cm long Condition: Some light surface scratches all over, a few small fault marks and a few small dings to the surfaces. **General condition consistent with age
Late 19th or early 20th Century Chinese black lacquer and gilt model of a pagoda or pavilion, with hexagonal cover decorated in gilt with figures on a terrace to one side and two figures in a hilly landscape to the other, enclosing pierced gilt panels of figures beneath a balustrade on scroll base and six temple dog supports with hexagonal plinth, 34cm wide x 26cm high (closed) Condition: General light scuffing to edges and corners of cover, plus typical minor flaking to lacquer work. Interior has fading to ink characters on roof of pavilion. Temple dog supports are loose but pivot in place. **General condition consistent with age.
Andrew Beer (1862-1954) - Oil on board - Racing Pigeon portrait - 'Gammy' with race history, signed and dated 1946, 31.5cm x 38cm,unframed - Artist Resale Rights May Apply Condition: Diagonal mark on the surface of the picture from the pigeon's breast to the lower right corner, would benefit from a light clean - **General condition consistent with age
British Pattern 1856 Yataghan sword bayonet, with recurved single edged blade 22.75-inch with fuller and Ordnance marks to ricasso including knight's head mark, chequered black leather grips, in its black leather scabbard with steel mounts and black leather frog Condition: Creasing, cracks and rust marks to the scabbard, rusting wear and tarnishing to the grip, blade appears ok, with some light scratching and tarnishing in places, and some wear to impressed marks. **General condition consistent with age.
British Pattern 1913 bayonet, 17-inch single edged blade stamped 1913/17 plus Ordnance marks, ribbed wooden grip and its correct leather and steel scabbard, plus a Pattern 1888 bayonet, double edged blade 11.5-inch, stamped at the ricasso, wooden grip in its leather and steel scabbard with frog, and a German model 1898 'Butcher's bayonet' single edged blade 36cm, broadening to the point, ribbed wooden grip in its steel scabbard (3) Condition: All scabbards showing signs of scratching, and rusting. Wear to wooden grips with rusting, knocks and scratches to the grip. All blades tarnished in places, with light scratching. **General condition consistent with age.
Books - Kathleen Hale OBE (1898-2000) - Orlando (The Marmalade Cat) Three Japanese editions, two with dust jackets, 'A Camping Holiday', 'Buys a Farm', and 'Homelife' (3) - Provenance: The Kathleen Hale Collection: Kathleen Hale OBE (1968-2000) was the creator and Illustrator of the eighteen children’s books featuring ‘Orlando – The Marmalade Cat’. Her autobiography ‘A Slender Reputation’ published in her 96th year chronicled a life that included a stint as Augustus John’s secretary prior to the creation of Orlando, her Utopian feline character, a bed-time favourite for generations of bedtime story recipients. The extensive collection of artworks in a variety of media together with her copies of Orlando books in various languages are offered for auction on the instructions of the Executors of the estate of Nicholas McClean, Kathleen’s son. Condition: Light wear, refer to department and see additional images. **General condition consistent with age
Slavery Interest - rare late Victorian or Edwardian sepia photographic cabinet card of Thomas Lewis Johnson, (1836-1921) with his distinctive bob-length straightened hair, wearing European formal dress of the day (tie and three-quarter jacket), but holding a bull-whip and manacles with long chain (as a historic reference to slavery), 14cm x 9.5cm, mounted onto card backing with gilt stamp of Debenham & Gould, Bournemouth. Thomas Lewis Johnson was born on 7 August 1836 in Rock-Rayman, Virginia to a slave mother and free father. His mother’s slave master refused to sell Thomas and his mother to Thomas’ father, and when Thomas was just 3 years old, he was forced to leave his mother and move to Alexandria, Virginia. He did not see her for another six years. After Emancipation, Thomas moved to New York, then Chicago and eventually Denver, where he was ordained as a Church minister, though his ultimate goal was to be a missionary in Africa. To advance that cause, he and his wife moved to England; “I heard that the Queen of England had given large sums of money to set the coloured people free... It may be of interest if I mention that we had the idea on the plantation that the Queen was black, because she was so kind.” Having realised his dream of working in Africa, upon the death of his wife, Thomas returned to England. He eventually settled in Bournemouth in the 1890s. During this time, his autobiography went into its eighth edition. The newspaper publishers W. Mate of Bournemouth printed the 1908 version of ‘Twenty Eight Years A Slave’. The book was sold at meetings and by mail from Thomas’ house in Boscombe. Edwin Alfred Debenham (1844-1925) and Isaac Chalkley Gould (1853-1906) are recorded at Glen View Studios, 30 Old Christchurch Road, Bournemouth from the late 1880s. The firm on several occasions also photographed the prominent dual-heritage composer, Samuel Coleridge-Taylor, the illegitimate son of a white Englishwoman and an African doctor from the Krio people of Sierra Leone. Condition: Very light discolouration, small amount of dulling to gilt border from handling, otherwise very good - **General condition consistent with age
HRH Prince Philip, Duke of Edinburgh. Wildlife Crisis, by Prince Philip and James Fisher, London: Hamish Hamilton, 1970. Signed presentation copy, inscribed in blue ink on title page, 'Tino & Anne Marie from Philip Xmas 1970'. Together with a copy of a typed letter from the Director of Elmo Books, stating that this book was purchased in 2010 as part of a collection from the library of King Constantine II of Greece and Anne-Marie of Denmark. Quarto, publisher's red cloth lettered in gilt with dust-jacket and protective clear wallet. Good, clean, bright; some very pale spotting to outer edges of text-block; light wear to edges of dust-jacket. Together with The Nemesis of Power, by John Wheeler-Bennett, London: Macmillan, 1967, signed by the author and inscribed to King Constantine II, 1973 (2)
Nansen, Fridtjof. Farthest North, in two volumes, London: George Newnes, 1898. Chromolithographic plate, folding map, and numerous illustrations within the text. Octavo, publisher's gilt pictorial cloth. Contents generally very good, clean, bright; occasional light marks, offsetting and spots; map with two tears; bindings with wear to extremities and splitting to upper joint of first volume (2)
Fleming, Ian. Thunderball, first edition, London: Jonathan Cape, 1961. Octavo, publisher's dark brown cloth lettered in gilt to spine with blind-embossed skeletal hand on upper board, unclipped dust-jacket. Contents very good, clean, bright; some light discolouration to outer edges of text-block; neat contemporary owner inscription on front free endpaper; a couple of very small, light marks on endpapers; binding very good, lightly bumped to corners; dust-jacket with splitting and short tears
Rossetti, Dante Gabriel. Hand and Soul, limited edition numbered 66 of 125 (110 issued for sale), Hilversum: Printed by S. H. de Roos at De Heuvelpers, 1929. Octavo, full vellum lettered in gilt, patterned endpapers (matching slipcase), title in red ink, first capital hand-coloured blue and red. Contents generally very good, a few light spots and marks; binding well-preserved. Complete with slipcase
Catlin, George. Letters and Notes on the Manners, Customs and Condition of the North American Indians, third edition, in two volumes, London: Tilt & Bogue, 1842. Octavo, contemporary half-calf lettered in gilt with marbled boards, two maps (one folding), one chart, numerous engraved plates (some in the wrong order, and some evidently lacking). Bookplates for Joseph J. Alardice, and loosely inserted letter to the same from Stanley Clarke, 18 March 1899, on headed paper (Science and Art Department, South Kensington), thanking him for loan of the books. Contents generally good with light toning and some light staining and handling marks in places; sympathetically rebacked with original spines laid down; some light rubbing to boards and wear to extremities
Hart, Horace. Notes on A Century of Typography at the University Press, Oxford, 1693-1794, Oxford: Printed at the University Press, 1900. One of 150 copies printed. Presentation copy featuring tipped-in autograph letter signed by the author to poet Robert Bridges, offering this book as 'a souvenir of the work which we have done together', 27 June 1900, blue ink on headed paper (University Press Oxford). Quarto, publisher's quarter-cloth with paper-covered boards, top edge gilt (remainder untrimmed). Contents very good, clean, bright, a couple of small marks in places; binding tight and solid with some general discolouration, light bumping/wear to corners, light wear around headcaps, and wear/loss to the paper on lower board
A fine Empire alabaster and gilt and patinated bronze mounted pendant ceiling light, early 19th century and later refitted, the dished circular section body surmounted by a gallery cast with anthemia and lion mask mounts, suspended from foliate cast chains and rising to a conforming corona, with acanthus carved terminal, approximately 39cm wide, 94cm high overallProvenance: Brancaster Hall, NorfolkAcquired by the present vendor at Bonhams Knightsbridge, the Contents of Brancaster Hall, Norfolk, 9 September 2002The coastal area surrounding Brancaster is best-known as the birthplace of Lord Nelson, who was a proud Norfolk man and, it is often thought, learned to sail at the town's beaches. Brancaster Hall, by repute, also hosted Nelson during his lifetime. An Empire alabaster light similar to the example presented here was sold at Sotheby's New York, Property from the collection of Mrs Charles Wrightsman: the London residence, 28 April 2010, lot 18 ($18,750). Condition Report: The light bears the usual minor marks, knocks and scuffs overall consistent with age and use.There is a restored chip and fine hairline crack to the alabaster, as well as another small crack and some scratching.There is also a white oval patch to the alabaster near one of the masks, possibly a repair.There are one or two chips to the foliate carved underside and a loss to the upper portion of the terminal. There is also radial movement to the terminal.The acorn gallery is a little bent.The gilding is a little rubbed overall, particularly to the chain.The hooks suspending the bowl are a little bit bent.Electrical fitments are present to the inside of the bowl, but these haven't been tested.This is sold as a decorative item, and the electrical elements will need to be tested by a certified electrician prior to use. Condition Report Disclaimer
Y A fine Vizagapatam ivory, horn, ebony and sandalwood folding games board, early 19th century, the chequerboard exterior with broad borders engraved with meandering sprays of oak and acorns and centred by an oval reserve with initials FM (or FW), opening to a conforming interior with backgammon board and two subsidiary boxes and covers with initials and lotus borders, and enclosing counters and a chess set, 9cm high when folded, the board 47 x 46cm unfoldedCondition Report: White counters: x 15, some yellowing/surface cracking to ivory, 3,5cm diameterBlack counters: x 15, some very light surface wear though overall in satisfactory condition, some with more veining in the horn itself, 3,5cm diameterThere are some slight variations between individual counters, they are not entirely identicalWhite chess pieces: complete set. Very light surface wear, some minor marks and scuffs and light yellowing in places. King lacking Maltese cross finial to crown. Tiny section of castellation damaged to one of the towers. Queen with tiny chip to edge of foot. King 9cmBlack chess pieces: complete set. Light surface wear. King and Queen with tiny chips to edges of feet. King cross finial repaired. Chips to horses' ears. One tower with larger chip to foot. The other lacking a section of the castellated gallery.King (with finial) 11cmThe box: Minor marks, knocks, scuffs etc, and minor discolouration.Areas of cracking to ivory, borders and some of the squares. Some slight gaping to centre of chessboard.Some waving/warping to interior wood board, as well as one or two hairline splits (old)Key not present with the box.Condition Report Disclaimer
A George III mahogany breakfront library bookcase, circa 1780, the moulded cornice above four astragal glazed doors opening to shelves, the lower central section with a pair of field panelled cupboard doors opening to shelves, flanked by three drawers on each side, on a plinth base, 246cm high, 245cm wide, 54cm deep Provenance: Private Collection, BerkshireProvenance: Sold in these rooms, 15th May 1996, Lot 164 (£5,400). Condition Report: Marks, scratches and abrasions comensurate with age and use. There is a circular neat repair (and secondary small filled hole to the central door frames only) above each lock escutcheon to each upper door. This is likely where a previous small handle fitting was located Old splits and chips. Some minor old losses. some old repairs (see images illustrating)`At the top of the lower section, where the seperate elements of the lower section meet, a neat cut has been put in to the top. This has likely been done at a later date. It is neatly done but visible on inspection. Some natural fading overall.Later light fittings secured to the interior of the upper cabinet sections should be straightforward to remove. The (easily removable fabric covered lining panels were fitted to account for the electrical fittings so would likely need to be removed also. There are small dark marks throughout the exterior of the doors and some parts of the drawers of the lower section. Sympathetic cleaning, polishing by an experienced and qualified should remove many marks as they appear to sit on the surface but not necessarily all. There are small indented dark marks throughout the top surface of the lower section that may be possible to make less obvious but will remain.Much of the glass to the doors is original. Some of the elements are secured together with later/ modern screws. When the current light fittings and linings are removed, the apertures to the cupboards enable the shelves to be adjustable. The central cupboard doors and the right hand cabinet door are locked. There are currently no keys present, however it is likely that if requested prior to collection the department can locate keys to operate the locks and open the parts currently locked. The handles and locks all appear original . To the reverse side of the drawer fronts there are small alternate twin holes in each position , however these do not appear to come through and be visible to the drawer fronts, therefore may be where locating marks were made but then alternate handles used. Please refer to the additional images available for visual reference to condition.One small pane of glass is broken and will require replacement. Bookcase breaks down into six pieces (three glazed upper sections and three lower sections). The largest part is the central glazed section, it measures 152cm high, 119cm wide, 37cm deep. Condition Report Disclaimer
Y A George V silver fitted mahogany dressing table, circa 1925, after a design by George Betjemann & Sons, with plaque for 'JOHN BAGSHAW & SONS, (LIVERPOOL) LIMITED', the panelled rectangular top opening to a velvet lined swing-out interior enclosing various silver fitted cut glass vessels, ivory brushes and utensils, several bearing the monogrammed initials 'B.N.T' for Bothwick Norton Thistlewaite, the silver hallmarks for 1912, the interior of the top with panel doors opening to a mirror, flanked by detachable light fittings, the arched front with a small drawer to each side, on square tapering legs, terminating in brass caps and castors, 96cm high, 89cm wide, 57cm deep Provenance: Private Collection from a Grade II listed Country House, OxfordshirePurchased by the current vendor from Fluss & Charlesworth Limited, London, 31st May 1990 (£23,000). A photograph of the original receipt is available with this lot. Provenance: Glenfiddich Estate, Banff, Scotland. For a closely related example of dressing table see, Christie's, London, Christie's Style & Spirit, 16th September 2014, Lot 118 (£10,000).
A George II burr walnut quarter-chiming eight-day longcase clock, Samuel Thorne, London, circa 1740, the triple train five pillar movement with anchor escapement regulated by seconds pendulum chiming the quarters on a graduated nest of eight bells and sounding the hour on a further larger bell, the 12 inch gilt brass break-arch dial with subsidiary seconds dial, calendar aperture and arched nameplate engraved Samuel Thorne, London to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, with pierced blued steel hands and mask and scroll cast spandrels to angles beneath STRIKE/SILENT selection dial flanked by dolphin cast mounts to arch, the case with generous break-arch cavetto cornice with fluted canted angles flanking the glazed dial aperture and scroll-pierced and engraved brass rectangular side frets to hood, the trunk with conforming canted angles flanking a book-matched burr-veneered herringbone banded shaped-top trunk door with cavetto moulded surround over conforming plinth base with the canted angles terminating with an out-swept curve just above the moulded skirt, 232cm (91.25ins) high Samuel Thorne is recorded in Baillie, G.H. 'Watchmakers & Clockmakers of the World' as apprenticed in 1722.The unusual design of the case of the current lot with its generous canted angles continuing almost for the entire height of the case, fine quality figured veneers and engraved brass sound frets to the hood is reminiscent of a small series of cases housing ogee-arched dialled movements by Daniel Delander and John Ellicott. One such example (by Delander) is in the collection of the Metropolitan Museum of Art, New York (accession number 64.101.864).Condition Report: Movement is in good clean working condition with no visible alteration or significant replacements or repairs. The dial is generally in fine condition and of very nice quality with faults limited to some patchy tarnishing to the silvering of the chapter ring. The movement sits at the correct level in the case with no apparent alterations to the seatboard or case uprights hence we are the opinion that the movement and dial are original to the case.The case is generally in fine condition. The curved top panel to the top of the hood is probably a replacement and there are some small chips to edges of the cornice moulding otherwise faults to the hood and trunk are very much limited to minor bumps, scuffs, light shrinkage and some small historic veneer chip patch repairs. The base is in similar condition with the exception of the sides which have some more noticeable (but not problematic) horizontal veneer shrinkage cracking.Clock has three brass-cased weights, pendulum and two case keys (no winder). Condition Report Disclaimer
A George III mahogany eight-day longcase clock, Thomas Field, Bath, circa 1770, the four pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial, calendar aperture and signed Thomas Field, BATH to the foliate engraved silvered centre within applied Roman numeral chapter ring with Arabic five minutes to outer track, with pierced blued steel hands and gilt rococo scroll cast spandrels to angles beneath arch flanked with a silvered boss engraved with an eagle over banner inscribed TEMPUS FUGIT flanked by dolphin case mounts, the case with swan neck pediment over dentil moulded break-arch frieze and fluted Corinthian columns flanking the dial aperture to hood, the trunk with shaped-top caddy moulded door flanked by reeded canted angles and the base with rectangular raised panel to fascia over moulded skirt incorporating bracket feet, 239cm (94ins) high Thomas Field is recorded in Moore, A.J. 'The Clockmakers of Bristol 1650-1900 as working in Bath at 2 Broad Street 1766-1812. He is also recorded by Ian White as working firstly from Broad Street then High Street from 1791/2 and Bond Street 1795-99. He also served as juror at Bath Quarter Sessions on fifteen occasions between 1786-95. Condition Report: Movement is in sound original albeit dirty condition with replacements limited to the escapewheel and pallets which appear to be 19th century (probably 'service' replacements due to wear). Dial is also dirty, discoloured and tarnished. The plate is a little bent (bows backwards at the top) and there are some light casting cracks to the surface. The seconds hand is missing and the minute hand has been repaired. The movement and dial sits on an old replacement seatboard but at the correct level in the case. The case is a perfect match for the movement and dial hence we are inclined to think that the movement, dial and case are most likely original to each other. The case is in sound original condition. The trunk door in missing its lock and there are some minor bumps, scuffs, veneer chips, light shrinkage and other faults commensurate with age. The surface is 'flat'/neglected in appearance but the colour is fairly good hence the appearance will no doubt with a good polish.Clock has pendulum, two weights and a winder but no case key. Condition Report Disclaimer
A Heriz carpet, the madder field decorated with stylised foliage in shades of navy, light blue and cream, the navy borders incorporating stylised flowerheads, approximately 314 x 213cm Condition Report: Some wear to pile comensurate with age and use. Some likely areas of thread woven into the body of the carpet. This is really only visible on close inspection. Some wear to the outermost edges and pale coloured underlying weft visible in adjacent areas. There are some old losses to the tassled ends. Very few areas of staining to the tassled ends. Some knot heads visible in positions throughout (see additional images)There is undulation to the longest edges (see images) Please refer to additional images for visual reference to condition. Condition Report Disclaimer
An Indian wool and silk rug, in Kashan style, decorated with birds perching in floral vines throughout, the dark field with a light green medallion and cream spandrels, the fascia borders decorated with flowerheads, approximately 273 x 184cm Provenance: Private Collection from a Grade II listed Country House, Oxfordshire
A North Italian sculpted white marble tondo of the Virgin and Child enthroned, later 16th century, the Christ Child portrayed seated on the draped Virgin's lap and rendered with pronounced musculature, circa 13.5cm diameterA relief of similar subject showing distinct similarities in handling, particularly of the Madonna's relatively full face and hair, appeared at Lempertz, 19 November 2016 (EUR 3,224)Condition Report: There is some natural wear and patination to the marble, it has darkened to a light brown.A section of the side of the panel (beside the Christ child) has an old repair of elliptical form, this appears quite subtly executed.There are a number of small losses around the edge of the relief, these are mostly old though there is one small slightly fresher chip to the rear. There is also a very small chip to the Virgins' right index finger.There is an iron pin to the centre of the rear, possibly remnants of a previous fixture for mounting.Condition Report Disclaimer
A French Napoleon III ormolu and patinated bronze figural mantel clock, the dial signed for Festeau, Paris, circa 1860, the circular eight-day bell striking movement with recoil escapement regulated by short hammer-bob pendulum and stamped with roundel for Etienne Maxant beneath serial number 14240 to backplate, the circular white enamel Roman numeral inscribed Festeau h'gs, A PARIS to centre and with fine engraved and pierced gilt hands set behind a hinged convex glazed bezel, the case modelled as a barrel draped in vine leaves supported by a pair of seated Bacchantic fawns over a vine adorned stepped base inset with figural frieze to centre and generous toupe feet 40cm (15.75ins) highCondition Report: Movement appears to be in good original condition and is working however a clean and overhaul is most likely required to ensure ongoing reliable operation. The dial appears free from noticeable damage. The case is very dirty/discoloured however appears to retain original gilding and patination and exhibits only light wear.Clock has appropriate hammer-shaped pendulum but no winding key. Condition Report Disclaimer
A fine pair of Victorian 12 inch library table globes, Newton and Son, London, mid 19th century, the terrestrial sphere applied with twelve coloured printed gores incorporating panel inscribed NEWTON'S, New & Improved, TERRESTRIAL GLOBE, Embracing every recent, DISCOVERY, to the Present Time, MANUFACTURED BY NEWTON & SON, 66 Chancery Lane & 3 Fleet Str't Temple Bar, London, Published Jan 1st. 1862 to North Pacific and extensively annotated with principal cities, towns, rivers, lakes, mountains and other significant topographical features, the oceans with all significant islands labelled, the West Pacific with AN IMPROVED ANALEMMA... of the equation of time, and the Equator and Elliptic lines graduated in minutes, the celestial annotated with major constellations incorporating fanciful figural representations and stars graded by seven orders of magnitude, the upper hemisphere with panel inscribed NEWTON'S, New & Improved, CELESTIAL GLOBE, On which all the stars, Nebulae & Clusters contained, in the extensive Catalogue of the late F. Wollaston F.R.S., are accurately laid down, their Right Ascensions & Declina'tns, having been recalculated for the year 1840 by W. Newton., MANUFACTURED BY NEWTON & SON, 66 Chancery Lane & 3 Fleet Str't Temple Bar, London., Published Jan 1st. 1851, each sphere with poles incorporating brass hour rings and pivots for mounting within brass meridian circles divided for degrees, resting in wooden stands with matching hand coloured paper horizon rings each inscribed Published 1st Jan 1852 by, NEWTON & SON, 66 Chancery Lane, and 3 Fleet St. Temple Bar., graduated in degrees in two directions, days-of-the-month and houses of the Zodiac with names and symbols and also displaying compass directions, the stands each with three curved quadrant supports for the horizon ring over squat spiral twist turned baluster upright issuing three cabriole supports with pointed pad feet, 62cm (24.5ins) high approx The firm of William Newton is recorded in Clifton, Gloria 'Directory of British Scientific Instrument Makers 1550-1851' as working from 66 Chancery Lane, London 1841-83 and 3 Fleet Street 1851-57 and were awarded a prize medal for their globes at the 1851 Great Exhibition.Condition Report: Globes are generally in fine 'near showroom' condition with evidence of having been sensitively conserved in the relatively recent past. The terrestrial has a few very light surface scuffs to the varnish and the South Pole area shows evidence of slight repair/filling. The celestial also has very light varnish scuffing in places as well as an unfortunate puncture near the south pole where the sphere has been rested on the meridian ring support post. The stands are in fine condition and of nice colour with faults limited some minor historic wear, fading and cracking to the horizon papers. Condition Report Disclaimer
A George III mahogany and brass mounted height adjustable twin light candelabrum, circa 1780, the rectangular stem surmounted by an urn finial and flanked by scrolling candle arms, on a circular turned base, 56cm high, 57cm wide Condition Report: Marks, scratches and abrasions comensurate with age and use.Old chips and splits as expected for age. An old re-glued fragment to the top of the timber stem. Good patina to brass generally and particularly to finial. All elements appear original including the finial. The brass arms are height adjustable by an ingeniously simple sliding action.Please refer to additional images for visual reference to condition. Condition Report Disclaimer
A large French patinated and gilt bronze nine light figural candelabrum, Susse Freres Foundry, in Louis XV taste, late 19th century, modelled with a standing putto holding a cornucopia issuing acanthus scrolled branches, the shaped plinth stamped SUSSE FRES, approximately 112cm high excluding later electrical fitments
An R Lalique France glass vase, having a pair of large curved handles embossed with birds and flower heads, etched mark to base, height 9insCondition Report: There are a few nibbles and one slightly large chip to the base, the base is very scratched and some light scratches to the body but otherwise the vase is ok
DALÍ, SALVADOR DALÍ, SALVADOR Figueras/Spanien 1904 - 1989 Titel: Portrait de Marguerite. Untertitel: Aus: Faust (La Nuit de Walpurgis). Datierung: 1968/69. Technik: Radierung, blau aquarelliert mit Goldauflage auf Japon nacré mit dem Prägestempel "Dali". Montierung: Auf Passepartout aufgezogen. Darstellungsmaß: 32 x 23,5cm. Blattmaß: 37 x 28cm. Bezeichnung: Bezeichnet und nummeriert. Herausgeber: Graphik Europa Anstalt Robbe (Hrsg.). Exemplar: 75/145. Rahmen: Rahmen. Zustand: Umlaufend minimaler Lichtrand. Blatt fest im Passepartout aufgezogen. Ansonsten in sehr gutem Zustand. WVZ. Michler/Löpsinger, Nr. 298. Erläuterungen zum Katalog Salvador Dalí Spanien Surrealismus Moderne Kunst Grafik 1960er Porträt Papierarbeit Radierung DALÍ, SALVADOR DALÍ, SALVADOR Figueras/Spain 1904 - 1989 Title: Portrait de Marguerite. Subtitle: From: Faust (La Nuit de Walpurgis). Date: 1968/69. Techinque: Etching, blue watercolour with gold plating on Japon nacré with the blind stamp "Dali". Mounting: Matted. Depiction Size: 32 x 23,5cm. Sheet Size: 37 x 28cm. Notation: Inscribed and numbered. Publisher: Graphik Europa Anstalt Robbe (publisher). Number: 75/145. Frame: Framed. Condition: Circumferential minimal light-edge. Sheet permanently matted. Otherwise in very good condition. Cat. rais. Michler/Löpsinger, no. 298. Explanations to the Catalogue Salvador Dalí Spain Surrealism Modern Art Prints 1960s Portrait Works on paper Etching
VASARELY, VICTOR VASARELY, VICTOR 1906 Pécs/Ungarn - 1997 Paris Titel: Erebus. Untertitel: Jahresobjekt. Datierung: 1982. Technik: Glas, geschliffen, auf schwarzer Holzplatte. Maße: 35,5 x 30,5 x 15cm. Bezeichnung: Drucksignatur auf Editionsplakette auf der Unterseite der Holzplatte: Vasarely. Hier zudem bezeichnet und nummeriert: Jahresobjekt in Glas 1982 Vasarely 2000/125. Rosenthal, limitierte Kunstreihen (Hrsg.). Exemplar: 125/2000. Erläuterungen zum Katalog Victor Vasarely Frankreich Op Art Nachkriegskunst Objekte 1980er Mythologie Multiple Glas Licht VASARELY, VICTOR VASARELY, VICTOR 1906 Pécs/Hungary - 1997 Paris Title: Erebus. Subtitle: Jahresobjekt. Date: 1982. Technique: Glass, cut, on black wooden panel. Measurement: 35,5 x 30,5 x 15cm. Notation: Print signature on edition plaque on the bottom side of the wooden panel: Vasarely. Here additionally inscribed and numbered: Jahresobjekt in Glas 1982 Vasarely 2000/125. Rosenthal, limitierte kunstreihen (publisher). Number: 125/2000. Explanations to the Catalogue Victor Vasarely OP Art Post-War Art Sculptures 1980s Mythology Multiple Glass Light
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