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534297 Los(e)/Seite
Los 14
A baluster shaped lidded blue and white vase decorated geisha in garden seated at a table with 'Happy Boys' very slight slither chip edge lid 12.25"under blue light there are lines showing on outside as if is damage but rings ok, glaze thick in neck and foot which could mask damage from inside
Los 218
A Chinese double gourd shaped lidded vase decorated iron red dragon 6" 2 star cracks,an another on nech which looks restored, finial restored, blue and white crackle vase 5.5" 2 marks under blue light, prunus blossom vase and lid, ginger jar and another vase 3.5" third star crack on double gourd vase and neck restoredblue ginger jar restoredblue and white vase vase brass banding hiding damage rims
Los 505
* CAROLINE LEBURN, FORNELLS, MENORCA acrylic on canvas board, signed image size 40cm x 40cm, overall size 54cm x 54cm Framed. Note: Caroline was born in London in 1952 and due to European family connections, spent much of her childhood in France & Belgium. She studied at High Wycombe College of Art and Design, where she specialised in painting, sculpture & pottery. She has been living and working in Scotland since 1974 with frequent trips back to the Provence of her childhood. In the tradition of the Scottish Colourists, the quality of light and the vibrant colours of the Mediterranean are found in all her work, be it still life or landscape, Scottish or Mediterranean. There is a resulting peace and serenity to her work. She has exhibited at galleries in London, Munich, Scotland, and was voted “Public Favourite” at the Edinburgh Festival. She also has collections in the UK, France, Portugal, the USA & Mcgrigor Donald in Glasgow. Recent acrylic paintings by Caroline Leburn we have offered include "Pres De La Mer" a 36 x 36cm picture which sold for £440 (hammer) - lot 719, 3rd March 2019 and "Haute Provence" a 40 x 50cm picture which sold for £650 (hammer) - lot 511, 28th Feb 2021.
Los 566
* JOHN KINGSLEY RSW DA PAI, DAWN LIGHT AND THE OLD TREE oil on canvas, signed image size 54cm x 59cm, overall size 68cm x 72cm Framed and under glass. Note: John Kingsley was born in Glasgow in 1956. He studied drawing and painting at Glasgow School of Art from 1973-77. His art tutors included James D Robertson, David Donaldson and Geoffrey Squire. From 1980-86 he exhibited in one-man shows at the annual S.N.O. promenade concerts at the Kelvin Hall, Glasgow and in 1986 he was elected a member of Group 81 Artists, who exhibited regularly at the McLellan Galleries, Glasgow. John Kingsley has established a reputation as a leading Scottish contemporary artist. He was a finalist in the Hunting Art Prizes competition in London in 1989, 1993 and 1998, and was highly commended in the same competition in 1996. In 1991 Kingsley won the William Bowie Landscape Prize and in 1992 the Mary Armour Award at the Paisley Art Institute. Kingsley has an international reputation with art works in many public and private art collections across Europe, Australia, Canada and the USA. His paintings are found in the art collections of HRH The Duke of Edinburgh, Argyll and Bute District Council and the Royal College of Physicians and Surgeons, Glasgow and in numerous corporate collections throughout the UK.
Los 570
* LYNN MCGREGOR RSW (SCOTTISH b. 1959), MORNING LIGHT oil on board, signed, titled label verso image size 67cm x 65cm, overall size 83cm x 81cm Framed and under glass. Artist's label verso. Note: Lynn McGregor was born in Pittenweem, Fife and trained at Edinburgh College of Art. She was elected RSW (Royal Scottish Society of Painters in Watercolour) in 2001 and is a professional member of VAS (Visual Arts Scotland) and SSA (Society of Scottish Artists). For twelve years Lynn lived on an otherwise uninhabited island in Strangford Lough with her husband Michael Faulkner, who is a writer and editor. Mike had two island books published by Blackstaff Press, "The Blue Cabin" and "Still on the Sound." They now live in Argyll, where Lynn's studio overlooks Loch Awe. Lynn exhibits at Thompson’s Gallery, London; The Mall Galleries, London; Wren Gallery, Burford; Ardquin Fine Arts, Surrey; Heinzel Gallery, Aberdeen; Frames Contemporary Gallery, Perth; Kilmorack Gallery, Beauly; Aberfeldy Gallery; Strathearn Gallery, Crieff; Annan Gallery, Glasgow; Fotheringham Gallery, Bridge of Allan; Crinan Gallery; Hillhouse Gallery, Broughton; Gallery TEN, Edinburgh; The Open Eye Gallery, Edinburgh; The Scottish Gallery, Edinburgh; Oriel Gallery, Dublin; Ross’s, Belfast. Lynn shows regularly at the annual exhibitions of RSW at the Royal Scottish Academy, Edinburgh and also with RGI, PAI, VAS, SSA and RUA. She also shows at Pittenweem Arts Festival (her place of birth). Lynn McGregor's paintings are held in a number of corporate and public collections including Robert Fleming Holdings Ltd (The Fleming Collection), Edinburgh College of Art, Royal Bank of Scotland, National Trust for Scotland, Bank of Scotland, Scottish Arts Club, Royal College of Physicians and Eli Lilly Industries..
Los 612
ERNI UPTON FRSA, CRAIL HARBOUR REFLECTIONS oil on canvas, signed, further signed and titled verso image size 47cm x 36cm, overall size 71cm x 61cm Framed. Artist's label verso. Note: A Scot, born in Ayrshire in 1936, Erni Upton has been painting since childhood. Schooled at Ayr Grammar & Ayr Academy, much of his youth was spent with the fisherfolk of West Scotland and their boats and he still cruises these waters each year. He trained at Glasgow School of Art, where he studied under Donaldson, Mathieson and Robertson. His work reflects their influences and those of the Scottish colourists who like him, spent much time in the wonderful light and colours of the West Coast. Painting in this tradition, he works with oils on canvas, using both brush and knife. In 1985, after many years in banking, he returned to Art & Design when he established an interior design company in Shrewsbury, Shropshire. He continued to work in oils, mainly commissions for corporate and private clients, but it was not until 1999, when the company was sold, that more time became available for painting. His work is successfully shown in many galleries in England, Scotland and abroad, most recently in Istanbul, where he was invited, as a result of commission work, to have a solo exhibition at the British Embassy, and a subsequent solo at one of the premier galleries in the city. He was elected a Fellow of the Royal Society for Arts, London, in November 2004. In recent years exhibition venues have included: Rowles Fine Arts, Strathearn Gallery, Greens & Blues Gallery, Morningside Gallery, Annan Gallery, Iona House Gallery, Alpha Gallery, Queens Gallery, Gigha Gallery, Holyrood Gallery and Frames Gallery. In The Scottish Contemporary Art Auction of 9th May 2021, two Iona paintings by Erni Upton (lots 787 & 789) sold for prices of £2000 & £2800 (hammer).
Los 643
* NEIL MACDONALD RSW RGI PAI, THE WHISTLE BLOWER pastel on paper, signed (Macdonald) and dated 95 image size 45cm x 33cm, overall size 70cm x 57cm Mounted, framed and under glass. Note: Neil Macdonald has been the recipient of many awards including 2013 Elected RSW (Royal Scottish Society of Painters in Watercolour); 2013 Joe Hargan Award, Maclaurin Fine Art Exhibition, Ayr; 2013 Elected RGI (Royal Glasgow Institute of Fine Arts); 2012 The Smithy Gallery Award (PAI); 2012 Diploma of the Paisley Art Institute; 2011 Robert Innes Award - Scottish Drawing Competition; 2009 Discerning Eye, London- Scottish Regional Winner; 2009 Charles Jamieson Award PAI; 2008 University West Scotland Award PAI; 2006 EDC Ann Stevenson Memorial Award; 2005 EDC Purchase Prize; 1997 Contemporary Art Prize (Eton) Paisley Art Institute; 1981 David Cargill Travelling Scholarship (Italy and Belgium); and 1979 William Shanks Painting Prize. Neil MacDonald trained at Glasgow School of Art from 1975 until 1980, where he developed his considerable skills as a painter and consummate draughtsman. He is drawn to locations that exert historic and mythic presence, exploring the lyrical narrative of natural sites and strong bold shapes of castles, old townships and harbours. He does this through distortion of perspective, invention and editing, aiming to capture an essence of the structure or place. Colour is used in an emotive way to heighten the sense of mood, applying each layer upon layer of paint in a divisionist manner until a unity of statement is realised as the image emerges, revealing the subject’s unique sense of place. A new UK auction record was established in the most recent Scottish Contemporary Art Auction when "First Light, St Abbs" (by Neil Macdonald) sold for £3000 (hammer) - lot 539 1st August 2021.
Los 649
* COLIN FRASER (SCOTTISH b. 1956), EARLY MORNING LIGHT egg tempura on board, signed image size 67cm x 46cm, overall size 86cm x 63cm Framed and under glass. Note: By repute, the lady is the artist's wife. Colin Fraser's work rarely appears at auction but earlier in 2021 Bonhams, London sold "Warm Light" by Fraser for £3000 (hammer) - lot 153, Modern British & Irish Art 28th April 2021. Note 2: Colin Fraser was born in Glasgow in 1956. He studied art in Brighton while in his twenties before moving to Lund in southern Sweden, where he lives with his wife and children. He exhibits regularly at the Royal Academy Summer show, Catto Gallery and Petley Fine Art in London, Mira Godard Gallery in Canada as well as galleries in New York and Glasgow. His work is held in numerous private and corporate collections throughout North America, the UK, Europe and Asia. Ever since his first exhibition in Brighton in 1978, Colin Fraser has worked almost exclusively in egg tempera, which has the benefit of being very long lasting, with examples over two thousand years old still in existence, and was the most widely used painting medium until the sixteenth century, when it was superseded by oils. However, it is also extraordinarily time-consuming. The painted surface must be built up layer by translucent layer, with the paint drying instantaneously and not amenable to manipulation afterwards, unlike oil paints. Although a notoriously difficult medium, it has become a firm favourite of Fraser’s, who says that the “restrictions have been paramount in helping me be more direct in my approach to the work, with the instant drying and transparency of the paint actively contributing to a higher level of spontaneity of execution”. Colin Fraser is particularly drawn to its vitality which reminds him “of the dynamism of the sun – never static, always changing”. “Observed light is usually what attracts me into the process of painting,” he says. “The surface of a work painted in tempera simply has a unique glow which cannot be imitated in other mediums”. Constructing each painting is an arduous process, each beginning with an idea or a chance observation followed by weeks of experimentation with arrangements and preparatory drawings. Many of his scenes are staged with strategic placement of chairs, diaphanous textiles and trays of fruit. He believes that the painter “chooses the content and the arrangement, and then it becomes a question of striving to achieve a particular mood”.
Los 652
* ETHEL WALKER (SCOTTISH b. 1941), THE SILVER TABLE mixed media on paper, signed, titled label verso image size 91cm x 119cm, overall size 120cm x 145cm Mounted, framed and under glass. Handwritten artist's label verso. Note: Almost certainly the largest and most impressive Ethel Walker still life to appear at auction, anywhere. Note: Ethel Walker was born in Ayrshire, Scotland, in 1941. She graduated from the Glasgow School of Art in 1964 where she had been taught by David Donaldson, once the Queen's portrait painter. Beginning her career as a teacher, by the age of twenty seven she was a full time artist. Walker is one of the most successful female painters working in Scotland today. Her talent in capturing the ever-changing light of the Scottish landscape is outstanding, and her subtle but strong still life paintings are highly-prized. Work is held in many public and corporate collections world-wide, including the Royal Bank of Scotland and Sara Lee Holdings.
Los 657
* JEAN KEVORKIAN (FRENCH b. 1933), MONET SUR LOING oil on canvas, signed, further signed and titled verso image size 97cm x 130cm, overall size 109cm x 141cm Framed. Note: Jean Kevorkian, a true Parisian, was born in the "City Of Light" in 1933 and has always loved his native Paris while preferring as inspiration for his impressionist works the timeless beauty of provincial France. Fascinated by drawing from childhood onward, he painted and drew at every possible opportunity, developing his extraordinary natural talent, a true gift which did not require formal training. Jean concentrates his endeavours on interpreting, as did the master impressionists preceding him, the glories of nature; summer, winter, spring and fall, glowing hills and valleys, sparkling streams with distant villages, sun-drenched beaches and endless changing skies. His results are quite irresistible. Kevorkian's paintings are exhibited and sold through numerous prestigious galleries in Europe and the US, including Poulsen Galleries Inc (California) where an example of this size (38 x 51 inches) would have a price ticket of US$15,500.
Los 732
* CAROLINE LEBURN, LE MIDI - II acrylic on canvas board, signed image size 40cm x 40cm, overall size 55cm x 55cm Framed. Note: Caroline was born in London in 1952 and due to European family connections, spent much of her childhood in France & Belgium. She studied at High Wycombe College of Art and Design, where she specialised in painting, sculpture & pottery. She has been living and working in Scotland since 1974 with frequent trips back to the Provence of her childhood. In the tradition of the Scottish Colourists, the quality of light and the vibrant colours of the Mediterranean are found in all her work, be it still life or landscape, Scottish or Mediterranean. There is a resulting peace and serenity to her work. She has exhibited at galleries in London, Munich, Scotland, and was voted “Public Favourite” at the Edinburgh Festival. She also has collections in the UK, France, Portugal, the USA & Mcgrigor Donald in Glasgow.
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534297 Los(e)/Seite