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534325 Los(e)/Seite
Los 32
A Nikon F-601 SLR Camera, with Nikon AF Nikkor f/3.3-4.5 35-70mm lens, body, F, untested, hinge to back door damaged, lens, G-VG, some light internal haze, together with AF Nikkor f/4 70-210mm lens, body VG, elements, G-VG, some light internal haze, together with flash unit and TC-16A (a lot)
Los 75
Two Canon SLR Cameras, including AE-1 and AE-1 Program, both with standard FD f/1.8 50mm lenses, bodies, G, shutters untested, lenses, G, some light internal haze, together with FD f/3.5 35-105mm, heavy marks to front element and FD f/3.5-4.5 35-105mm, also including Power Winder A and flash unit (a lot)
Los 98
A Voigtlander Prominent Rangefinder Camera, with Voigtlander Ultron f/2 50mm lens, body, G, shutter working, lens, VG, some very light internal haze and very light cleaning marks, together with Skoparon f/3.5 35mm and Super-Dynarex f/4 135mm lenses, bodies, VG, elements, VG, some very light internal haze, complete with various accessories, in maker's cases (a lot)
Los 1221
Milne, A.A – Winnie The Pooh, second edition, 8vo, cloth bound, (dj missing, inscribed, scuffs to covers, internal break to the spine) Methuen, London 1926.Milne, A.A – The House At Pooh Corner, first Canadian edition, 8vo, cloth bound, (dj missing, water marks and scuffs to cover) McCelland & Stewart, Toronto, 1928.Milne, A.A - Now We Are Six, third edition, 8vo, cloth bound (dj missing, water damage to corners of cover and throughout pages) Methuen, London, 1927.Milne, A.A – When We Were Very Young, fourth edition, 8vo, cloth bound (dj missing, small tears to spine cover, light foxing throughout, internal break to the spine) Methuen, London, 1924.
Los 1228
Pullman, Philip – His Dark Materials, the combined trilogy, 18vo, hardback, signed (dj present with signed letter of acknowledgement, some scuffing to dj, binding loose) Scholastic Press, 2001.Pullman, Philip – His Dark Materials I: Northern Lights, first edition, 8vo, hardback, signed to loose sheet (dj present, some light scuffing) Scholastic Press 1995.Pullman, Philip –His Dark Materials II: The Subtle Knife, first edition, 8vo, hardback, signed to loose sheet (dj present) Scholastic Press, 1997.Pullman, Philip – His Dark Materials III: The Amber Spyglass, first edition, 8vo, hardback (dj present, signed ‘to Sally’, minor scuffs, otherwise without issue). Scholastic Press, 2000.
Los 1230
Reeve, Philip – Predator’s Gold, first edition, 8vo, hardback, signed (sealed in original film, stickered) Scholastic Press 2003, plus another unsigned copy (2).Reeve, Philip – A Darkening Plan, first edition, 8vo, hardback (dj present, some light fading) Scholastic Press 2006.Reeve, Philip – Scrivenger’s Moon, first edition, 8vo, hardback, hardback, (no dj) Scholastic Press 2011.Reeve, Philip – Mortal Engines, first edition, 8vo, hardback (dj and wrap present) Scholastic Press 2001.Reeve, Philip – Infernal Devices, first edition, 8vo, hardback (dj present, without issue) Scholastic Press 2005.
Los 1231
Stroud, Jonathan – The Amulet Of Samarkand, first edition, 8vo, hardback, (sealed in original film, stickered). Doubleday.Stewart, Paul & Ruddel, Chris – Muddle Earth, first edition, 8vo, hardback, signed with double signature (dj present) Macmillan, 2003.Stewart, Paul & Ruddel, Chris – Freeglader – The Edge Chronicles, first edition, 8vo, hardback, signed with double signature, (dj present) Doubleday 2004.Stewart, Paul & Ruddel, Chris – Clash Of The Sky Galleons – The Edge Chronicles, limited edition collector’s postcards, (dj present) Doubleday 2006.Stewart, Paul & Ruddel, Chris – Vox – The Edge Chronicles, first edition, 8vo, hardback, unsigned (dj present). Doubleday 2006.Stewart, Paul & Ruddel, Chris – The Edge Chronicles MapsStewart, Paul & Ruddel, Chris – Free Lance And The Lake Of Skulls, pocket hardback edition, double signature, Hodder 2004. Together with a further copy, 8vo, hardback (dj present, with light creases, otherwise without issue (2).Stewart, Paul & Ruddel, Chris – Free Lance And The Dragon Sword and Free Lance And The Field Of Blood, both 18mo, both hardbacks, unsigned, Hodder 2004, 2005.
Los 1236
Rowling, J.K – A collection of Harry Potter editions:Prizoner of Azkaban, Bloomsbury 1999, second edition (dj present, some blemishes, scuffs and light bleaching)Goblet Of Fire, Bloomsbury, 2000. (dj present, light bleaching)Order Of The Pheonix. Bloomsbury 2003 (2 x copies) (dj’s present, light bleaching)Half Blood Prince, Bloomsbury 2005 (2 x copies) (one missing dj, the other present, some blemishes, scuffs and light bleaching).Deathly Hallows, Bloomsbury 2007, (2 x copies) (dj present, some blemishes, scuffs and light bleaching)Goblet Of Fire, Deluxe First Edition, Bloomsbury (sealed)Order Of The Pheonix, Deluxe First Edition, Bloomsbury (sealed)Order Of The Pheonix, Bloomsbury 2003, adult edition.Half Blood Prince, Bloomsbur 2005, adult edition.Deathly Hallows, Bloomsbury 2007, adult edition.The Tales Of Beadle The Bard, Bloomsbury 2007/8.
Los 1244
Maclean, Alistair – The Guns Of Navarone, first edition, 12mo, hardback (dj present, price clipped, minor tears and blemishes) Collins, 1957.Maclean, Alistair – Where Eagles Dare, first edition, 12mo, hardback (dj present, minor tears) Collins 1967.Cooper, Jilly – Wicked! First edition, 8vo, unsigned, (dj present, some light scuffing) Bantam Press, 2006.Cornwell, Bernard – Sharpe’s Fortress, first edition, 8vo, unsigned (dj present) Harper Collins, 1999.Cornwell, Bernard – Sharpe’s Trafalgar, first edition 8vo, unsigned (dj present, scuffed) Harper Collins, 2000Bates, H.E – A Breath Of French Air, first edition, 12mo, unsigned (dj present, minor wear only) Micheal Joseph 1959.Benchley, Peter – The Deep, first edition, unsigned, 16mo, hardback (dj present, some wear to top border) Deutsch, 1976.Adams, Dounglas – The Salmon of Doubt, first edition, 8vo, hardback (dj present, without issue).Clarke, Susana – Jonathan Strange & Mr Norrell, 6th edition, 2004.
Los 14
Tobit Roche(b.1954) Breaking Wave St Leonards, 2021 oil on khadi paper 25 x 40 cm To communicate being there – whether it is high in the Himalayas or on St Leonards beach – is painter Tobit Roche’s ambition as he makes his first small paintings of each new scene, en plein air. They convey the immediate sense of time and space, weather and light, a sense of a particular experience that resists photography. Back in the studio, Roche uses these studies as the basis of large paintings that incorporate elements of imagination and memories. This is where, he says, “the subject begins to emerge. There is a spiritual quality to the searching, time is important too, with its accumulated judgements, allowing the emotions and subconscious to find a sense of the sublime.” Born in Manchester, Tobit spent his childhood in Hong Kong, Canada and India. After studying at the Ontario College of Art, Canada, he spent a year living and working with Duncan Grant at Charleston Farmhouse, East Sussex before completing his studies at Camberwell School of Art. Roche divides his time between London and Hastings and, when possible, travels frequently to India. Roche has exhibited widely in England, including at the Grosvenor Gallery, Leighton House and the Maas Gallery in London, as well as in Canada and India.
Los 2
Charlotte Snook Presentation of the Portrait of Maria de Medici, after Rubens, 2020 oil on board 30 x 25 cm Charlotte Snook is a British figurative painter who uses her knowledge of art history and a contemporary understanding of human nature to make images in jewel-like oils. She starts with Breugel, Poussin, Claude and 17th-century Flemish art, but her dislocated scenes are often filled with barely supressed, violent energy. Indeed, her work allows for the apocalyptic nature of the world. “They are concerned with a loss of paradise,” Snook told artist-curator Alan Rankle. “It’s all about the painting: light, colour, contrast, the composition and brushstrokes. I try to set a narrative without there being one.” Born in Middlesex, Snook studied at Hornsey College of Art and gained her MA in Painting at the Royal College of Art. In her academic career, she has taught at art schools and universities throughout England, and from 2001-09 was Senior Lecturer in Visual Communication (Foundation) at Central Saint Martins, London. She lives and works in Hastings. Snook’s work has been included in the Jerwood Drawing Prize (1995-99), the Hunting Prize and the Garrick/Milne Prize. Solo exhibitions include Rare Affairs at the Basement Gallery, Boise, Idaho, USA; Hastings Museum and Art Gallery; and St Anne’s Galleries, Lewes.
Los 6
Steven Gregory (b.1952) School of the Said William, 2008 pen and ink on conserved antique vellum document 59 x 73 cm. Since 2002, the central theme to Steven Gregory’s work has featured human bones and skulls as a celebration of both life and death, which caught the eye of Damien Hirst in the same year. Hirst bought seven of the skulls for his personal collection and wrote a foreword for Gregory’s exhibition, Skulduggery, in 2005 at the Cass Sculpture Foundation. “Steven Gregory… creates art that prods and pokes, ignores and strokes and slaps and stuns us into submission. My own personal favourites are the real human skull and bone pieces where just as many humans and pre-humans have done before us for tens of thousands of years, he uses decoration to try to deal with the complexity of human death, a brave attempt to celebrate the unimaginable.” Born in South Africa, Steven Gregory studied sculpture at St Martin’s School of Art, London and went on to complete a stone mason’s apprenticeship, which led him to work on Westminster Abbey and other historic buildings. Committed to mastering traditional skills and materials, he works with a wide range of materials including precious metals, bronze, Perspex and mixed media, as well as human bones. Gregory has responded to cultural currents with a postmodern eye and often a dashing sense of satire. Fish on a Bicycle (1998) is a witty response to the feminist dictum ‘A woman without a man is like a fish without a bicycle’; the sinister Bag Men (1993) animate the humble paper bag as bogey men; and his Paparazzi (1996) are subsumed by their apparatus. Gregory has exhibited widely both in the UK and internationally, including in Germany, France, Italy, Iceland, USA and Czech Republic. His solo exhibitions include Skulduggery, at the Cass Sculpture Foundation (2005), and Bone Stone Bronze at the Nicholas Robinson Gallery in New York (2007). At the Serpentine Gallery, London (2006-7), Damien Hirst included skull works by Gregory as part of In the darkest hour there may be light, works from Hirst’s own Murderme Collection. Gregory has contributed to many other major exhibitions, including Thinking Big: Concepts for Twenty-first Century British Sculpture, at the Peggy Guggenheim Museum, Venice (2002-3), and Animal Fantastique at Les Amis du Doujon deVes, Paris (2002). Gregory is an Artist Friend of Jesus College, University of Cambridge. He now lives in Hastings.
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534325 Los(e)/Seite